American Film Studies Commons^™

Fame Gone Wild (2015: An Era Of Self-Invention), Stephanie E. Kang

Graduate School of Art Theses

Entertainment has become one of the fueling fires of society. In today’s world of nonstop broadcasting and streaming, many begrudgingly trudge through their 9 to 5’s only to live for their few post-work hours of leisure, which have been reserved for this week’s latest items on the viewing queue. Netflix and Hulu have become the opium of the masses. Consequently, this obsession with constant entertainment has now morphed into a shared yearning for the people that are watched and followed religiously through the screen – the celebrities. In this cultural moment, the concept of fame has become a vital element …

Occupy The Future: A Rhetorical Analysis Of Dystopian Film And The Occupy Movement, Justin J. Grandinetti

Masters Theses, 2010-2019

The anarchic Occupy Wall Street protests, which began in 2011, had an immediate impact on politics and the global lexicon. By introducing the terms “the one percent” and “the 99%” into the public sphere, Occupy was able to draw attention to growing global income inequality. This revolutionary spirit was not lost on popular culture, as a number of films that followed the protests were linked to Occupy. The Hunger Games (2012), The Dark Knight Rises (2012), and Elysium (2013) represent films that were not only extremely successful in the box office, but were also connected to the Occupy Movement because …

The “Fatty” Arbuckle Scandal, Will Hays, And Negotiated Morality In 1920s America, Aaron T. Whitehead

Masters Theses & Specialist Projects

In the autumn of 1921, silent film comedian Roscoe “Fatty” Arbuckle was arrested for the rape and murder of a model and actress named Virginia Rappé. The ensuing scandal created a firestorm of controversy not just around Arbuckle but the entire motion picture industry. Religious and moral reformers seized upon the scandal to decry the decline of “traditional” moral values taking place throughout American society in the aftermath of World War I. The scandal created a common objective for an anti-film coalition representing diverse social and religious groups, all dedicated to bringing about change in the motion picture industry through …

The Movie Mogul, Moses And Muslims: Islamic Elements In Cecil B. Demille’S The Ten Commandments (1956), Michael D. Calabria Ofm

Journal of Religion & Film

Cecil B. DeMille’s 1956 film, The Ten Commandments, has come to define the genre of the biblical epic. It has earned a permanent place in American culture due to its annual airing on television during the Easter and Passover holidays. Most viewers are unaware, however, that DeMille had sought to make a film that would appeal to Jews, Christians and Muslims at a time when their common Abrahamic ancestry had yet to be articulated, and interreligious dialogue was all but unheard of. To this end, Henry Noerdlinger, DeMille’s researcher for the film, consulted the Qur’an, and screenwriters incorporated Islamic …

The Binding Of Abraham: Inverting The Akedah In Fail-Safe And Wargames, Hunter B. Dukes

Journal of Religion & Film

This article draws upon Søren Kierkegaard's Fear and Trembling and Jacques Derrida's The Gift of Death to trace how two exemplars of atomic bomb cinema reinterpret the Binding of Isaac (Akedah). Released during the twin peaks of Cold War tension, Fail-Safe (1964) and WarGames (1983) invert the Akedah of Genesis 22. In both films, an act of sacrificial patricide accompanies or replaces the sacrifice of an Isaac-like son. When viewed in the context of Cold War cultural politics—events such as Norman Morrison’s Abrahamic self-immolation and Kent State’s rejection of George Segal’s sacrificial memorial— the inverted Akedah emerges as …

Emerging Feminist Voices On Media And Representation, Diana Depasquale, Cassie Tenorio, Alyssa Wells, Savannah Fulmer

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

The work featured in this panel is from students in WS2000, Introduction to Women's Studies. I created an assignment called "Choose Your Own Adventure." These projects include: an examination gender in film, and a revised version of the Bechdel Test, sexism and misogyny in gaming culture expressed through a series of comics, a painting on canvas using a variety of materials and techniques representing the control of women's reproductive rights and the damage done to female bodies by patriarchal language and rhetoric, and an analysis of womanism, scripture and Alice Walker's The Color Purple.

Each student engaged with issues related …

Neglecting The Subjects Of The Drag Performance In White Chicks, Hannah Sylvester

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

As a temporary transvestite film, White Chicks tackles racial issues as well as gender issues and performance. While the statements made on behalf of racial issues are strong, the statements concerning gender are much weaker. The paper will give a summary of the film followed by a description of it as a temporary transvestite film alongside other films within the genre. Issues concerning gender roles--specifically the concept of femininity--are addressed within the film, but are never challenged or changed. Indeed, society's heterosexual hegemony are upheld within this film as they are in similar films in the genre. Homosexual instances in …

Long Live The Evil Queen: Once Upon A Time's Evolved Villain, Frank S. Lombari

Pell Scholars and Senior Theses

Mirror on the wall, who's the fairest Queen of all? In today's pop culture, many traditional villains are beginning to be turned into antiheroes. ABC's television show Once Upon a Time has taken a number of fairy tale villains and provided them both a background and character growth. Specifically, the adaptation of the Evil Queen has shifted from primary antagonist to redeemed hero over the first three seasons. The show also displays her in the real-world rather than just a fairy tale universe. The author claims that this radical development occurs due three essential aspects: the Evil Queen and Snow …

The American Dime Museum: Bodily Spectacle And Social Midways In Turn-Of-The-Century American Literature And Culture, James C. Fairfield

Theses and Dissertations--English

The freak played a significant role in late-nineteenth- and early-twentieth-century entertainment, but its significance extended beyond such venues as sideshows and minstrel shows. This dissertation examines the freak as an avatar emblematic of several issues, such as class and race, traditionally focused on in studies of Turn-of-the Century American literature and culture.

Disability and freakishness are explored as central to late-nineteenth- and early twentieth- century Americans’ identity. Freakishness is applied to a series of ways in which Americans in this period constructed their identity, including race, gender, and socioeconomic class, showing the dual role that the freak played for many …

Transferential Poetics, From Poe To Warhol, Adam Frank

Literature

Transferential Poetics presents a method for bringing theories of affect to the study of poetics. Informed by the thinking of Silvan Tomkins, Melanie Klein, and Wilfred Bion, it offers new interpretations of the poetics of four major American artists: Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. The author emphasizes the close, reflexive attention each of these artists pays to the transfer of feeling between text and reader, or composition and audience— their transferential poetics. The book’s historical route from Poe to Warhol culminates in television, a technology and cultural form that makes affect distinctly available to perception. …

Graphic Self-Consciousness, Travel Narratives, And The Asian American Studies Classroom: Delisle’S Burma Chronicles And Guibert, Lefèvre, And Lemercier’S The Photographer, Monica Chiu

Asian American Literature: Discourses & Pedagogies

No abstract provided.

On Popular Visual Culture And Asian American Literature: Interview With Professor Elaine Kim, Karen Chow

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Introduction: On Contemporary Asian American Literature And Popular Visual Culture, Pamela Thoma

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Got Lost Behind The Scenes: Underexposed Television Producers In Magazines, Jordan King

Pell Scholars and Senior Theses

Award-winning television shows are popularly depicted through digital media and magazine coverage. However, the strenuous efforts of TV producers are hidden behind the publicity of celebrities and plotlines of the show. Using Eugene Shaw's agenda-setting theory and Robert Entman's framing theory as a basis, the author created a case study analyzing how the producers of Lost and Game of Thrones are portrayed in magazines. The research shows that reporters tend to perpetuate the anonymity of these producers, which in effect, leads an audience to deem them as unimportant.

Chicago: A Movie Musical Mockery Of The Media's Razzle Dazzle Image Of Murder., Emily Sulock

Pell Scholars and Senior Theses

This thesis closely examines the adaptation of Rob Marshall’s 2002 movie musical Chicago, specifically how the music and choreography support the mocking tone against the media and criminal justice system. With a storyline that has lasted almost a century, its themes still relate to our society today as it exposes the corrupt industries that hold an unhealthy amount of power over public opinion. By breaking down musical numbers, “Both Reached for the Gun” and “Razzle Dazzle,” I argue that Marshall’s unique concept connects to a modern generation immune to over-publicized and infamous murder trials.

Movie And Television Fathers: A Positive Reflection Of Positive Changes, George J. Mcgowan

Master of Liberal Studies Theses

Certain films and television programs depicting fathers have both enduring popularity and have reflected the advances in the institution of fatherhood. This has happened because of a symbiosis that has delivered positive results: popular films and television shows that earn money for producers and advertisers have depicted fathers who have changed to reflect the popular example. These depictions have contributed in their way to mending the family dynamic, specifically related to the father’s essential role in the family. Such family-oriented films and television shows have effectively showed fathers (and men that would become fathers) that they could be much more …

From Clayton Bigsby To Stuart Hall: Conceptions Of Blackness And Authenticity In Chappelle’S Show, Andrew O'Connell

American Studies Senior Theses

From the years 2003- 2006, perhaps no one played a bigger a role on the American comedy scene than did Dave Chappelle. From the first episode of his critically acclaimed Chappelle’s Show, in which he depicted Clayton Bigsby, a black, blind white supremacist, to his controversial exit from the show early into season three, Chappelle served as a lightning rod for attention both positive and negative. In this thesis, I argue that in his comedy portrayed on Chappelle’s Show, Dave Chappelle portrays an image of essentialized Blackness through the lens of the “urban Black American experience” as being …

"Thrown On Their Own Resources": Collaboration As Survival In Imitation Of Life, Kristi Branham

Gender & Women's Studies Faculty Publications

The article presents an analysis of the film adaptation of "Imitation of Life," a 1933 novel by Fannie Hurst. It states that the repetition of the story across the first half of the twentieth century shows its resonance for U.S. audiences. It mentions that the woman question and the race question are brought together in the passing story in both the 1934 and 1959 film versions of the novel.

A Psychoanalytical Approach To Bich Minh Nguyen's Stealing Buddha's Dinner, Wenying Xu

Asian American Literature: Discourses & Pedagogies

Racial minorities in the U.S. are often tormented by the tension between the corporeal and the ontological, with the former experienced as confining and the latter expansive. Such ambivalence often expresses itself in one's relationship with food. Here I propose to illustrate how Jacques Lacan's psychoanalytical theory on desire can assist us in understanding ethnicity as a bodily performance, which I venture to call an embodied ontology, applying this concept to Bich Minh Nguyen's Stealing Buddha's Dinner (2007).

Pop Culture, Politics, And America's Favorite Animated Family: Partisan Bias In The Simpsons?, Kenneth Michael White, Mirya Holman

Faculty Articles

An essay is presented on the impact of the political content of the television program "The Simpsons" on the politics, pop culture and viewers in the U.S. It offers an overview of the creation of the show and explores the different aspects of the show, particularly the debate over its so-called partisan bias. It also discusses the criticism from Republicans including former President George H. W. Bush that the show favors the left.

"Gone With The Wind" (Sc 2438), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 2438.  Souvenir booklet sold at theaters showing the motion picture "Gone With the Wind."  Includes illustrations, cast list, major players' credits, and information about the production.

Can We Laugh? Jewish American Comedy's Expression Of Anxiety In A Time Of Change, 1965-1973, Emily Schorr Lesnick

American Studies Honors Projects

This Honors project is a site of intersection of my academic and activist interests in interrogating Whiteness, my social identity as a cultural Jewish American, and my creative passions in comedy performance. The tragicomic films The Graduate, Goodbye, Columbus, and Annie Hall of the 1960s and 1970s articulate the painful process of Jewish self- and group-definition in relation to dominant culture amidst fractures amongst Jews and external hostility and invitation. The collision of Jews’ long history of humor as a cultural practice and the turbulence and ambivalence of the post-World War II moment facilitated a space for Jewish …

Twenty Years After Through The Arc Of The Rain Forest: An Interview With Karen Tei Yamashita, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

A brief interview in which Yamashita discusses her work which has spanned twenty years and three continents. The interview closes with her description of her newest novel, I Hotel, which brings readers back to the roots of Asian American Studies and Asian American Literature and is set during a pivotal ten-year period in Northern California.

“The Superman Exists, And He Is American”: Graphic Novel Film Adaptations And Masculine Heroism In Post-9/11 Culture, Richard Charles Abate

Film Studies Honors Papers

This senior thesis paper discusses the representation of masculinity and heroism in post-9/11 culture and how filmic adaptations of graphic novels have helped to shape these representations. Following the events of September 11th, the cultural definitions of the masculine hero shifted, allowing the average, working class man to become the embodiment of American heroism. This new understanding of the American hero was marked by sexual difference and a redefinition of the masculine “hard-body” that allowed for the possession of a heroic masculine identity to appear more attainable. This thesis primarily examines the filmic adaptations of works by Frank Miller and …

El Diálogo Cultural Y La Transformación Genérica En El Mariachi De Robert Rodríguez, Andrew M. Gordus

World Languages and Cultures Faculty Publications

(First paragraph) El Mariachi (1993) de Robert Rodriguez ha recibido un gran número de elogios de la crítica y reconocimiento de la industria cinemática por su creatividad y su historia productiva única. Le película ganó el premio de Audience Award en el festival de cine de Sundance y posteriormente fue estrenada en video por Colombia Pictures. Desde entonces Robert Rodriguez ha llegado a ser uno de los directores latinos más destacados

Judy Holliday's Urban Working Girl Characters In 1950s Hollywood Film, Judith E. Smith

American Studies Faculty Publication Series

A Jewish-created urban and cosmopolitan working girl feminism persisted in the 1950s as a cultural alternative to the suburban, domestic consumerism critiqued so eloquently by Betty Friedan in The Feminine Mystique. The film persona of Jewish, Academy Award-winning actress Judy Holliday embodied this working girl feminism. Audiences viewed her portrayals of popular front working girl heroines in three films written by the Jewish writer and director Garson Kanin, sometimes in association with his wife, the actress Ruth Gordon, and directed by the Jewish director George Cukor in the early 1950s: Born Yesterday (1950), The Marrying Kind (1952), and It …

Amelia [Film Review], Judith E. Smith

American Studies Faculty Publication Series

What is the cultural terrain staked out by Amelia, the recent Hollywood-distributed biopic about intrepid flyer Amelia Earhart? The quick shots that precede the opening credits direct attention to the particular themes that Producer Ted Waitt, director Mira Nair, and screenwriters Ron Bass and Anna Hamilton Phelan have emphasized in their 2009 feature about the flyer. Her airplane taking off into the dark gestures to the mystery of her last flight and disappearance without a trace. Her celebrity status is indicated by cheering crowds, radio interviews, and photographs, fusing seamlessly with her status as an object of heterosexual adoration once …

‘Evil Against Evil’: The Parabolic Structure And Thematics Of William Friedkin's The Exorcist, Larrie Dudenhoeffer

Faculty Articles

This essay examines and deconstructs three sets of antagonisms in William Friedkin's The Exorcist (1973). It argues that the film describes its own narrative conflicts as a thematics of ‘evil against evil,’ so as to de-ethicize the moral violence of those metaphysical dogmatisms that compete over the ‘souls’ of others. It then re-couches the one-sidedness of scientific and religious orthodoxies, which damage in similar ways Regan MacNeil, one of the film's main characters, as another variation of this thematics. Finally, this essay suggests that The Exorcist surveys certain sociopolitical tensions, thus commenting, in its video and theatrical re-releases, ‘timelessly’ on …

Masters, John Post, D. 1973 (Sc 2126), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 2126. Typescript of a paper written by John Post Masters, Bowling Green, Kentucky, in 1964 and titled "The Start of Silent Moving Pictures in the United States."

Kenney, Melissa R. (Fa 503), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 503. Paper: "Urban Legends in Motion Pictures," written by Melissa R. Kenney for a folk studies class at Western Kentucky University. Includes a video cassette containing clips discussed in the paper.