American Studies Commons^™

The Psychos, Paula N. Stevenson

Graduate School of Art Theses

My current body of work is a series of drawings that juxtapose characters of fiction and reality in an attempt to explore the relationship between horror film and contemporary social issues. I strive to render an accurate portrayal of the face to draw the viewer into questioning the troubling narrative these characters illuminate. I focus on retelling stories of fear and horror, and crime and infamy. I want my work to convey ethical dilemmas as they are present within the relationship between horror movie antagonists and the audience (all of us). It is these concerns I attempt to visualize in, …

Marxist Ideology In Alice Chilress’S Like One Of The Family, Elizabeth Elliott

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

This paper explores Alice Childress work Like One of the Family, a collection of short stories originally published as a column the newspaper Freedom, and how Childress uses the highly personable work to advocate for socialist ideology and exhibit how socialism could positively affect the black working class, particularly domestic workers. Through her work, Childress humanizes the domestic worker, a group that was often not only disenfranchised by whites but also prohibited from labor organizing with other African-Americans. She engages with Marx’s ideology in an understandable and personal way: by utilizing the African-American oral tradition. This exposed her audience to …

Does Money Indeed Buy Happiness? “The Forms Of Capital” In Fitzgerald’S Gatsby And Watts’ No One Is Coming To Save Us, Allie Harrison Vernon

English (MA) Theses

Looking primarily at two critically acclaimed texts that concern themselves with American citizenship—F. Scott Fitzgerald’s The Great Gatsby and Stephanie Powell Watts’ No One is Coming to Save Us—I analyze the claims made about citizenship identities, rights, and consequential access to said rights. I ask, how do these narratives about citizenship sustain, create, or re-envision American myth? Similarly, how do the narratives interact with the dominant culture at large? Do any of these texts achieve oppositional value, and/or modify the complex hegemonic structure? I use Pierre Bourdieu’s “The Forms of Capital” to investigate the ways in which economic, cultural, …

Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern

Bachelor of Fine Arts Senior Papers

I present this statement under three loose categories: People, Objects and their Environment. I consider People as human, Objects as art objects, domestic objects, and food, and Environment as the shared space of the former groups. Food directs this statement as I present each concept and creative process as a metaphorical dish. Material exploration carried me from a direct practice of reorienting acrylic paint and questioning object functionality through personified sculptures into theoretical thesis work in which I use interpersonal relations and the idea of consumption to translate tactile, gustatory and olfactory sensations into digital film. In this meal I …

Queer History Through A Hollywood Lens, Long Tran

Augsburg Honors Review

Film festivals have been important platforms for promoting independent films that bring to the forefront issues of marginalized communities, especially the struggle for queer justice and visibility. This paper pursues a hypothetical opportunity for programming a film festival screening centered on queer stories. The direction of this paper will take the form of a film festival curator’s statement that links three films with common themes and issues. The overarching, common thread holding the proposed films together is the mainstream Hollywood influence behind the exhibition and consumption of the films—The Academy Awards (otherwise known as The Oscars). Three major Academy Award-winning …

(Re)Insurgent Ecologies: Dwelling Together Between Queasy Worlds, Kirsten Elizabeth Mundt

American Studies ETDs

Discourses that construct the “self” as something to be fixed, or made whole, chart a retreat from relational ecosystems back to the individual, reinforcing colonial politics rooted in bounded individualism. This project animates an ontological, relational framework that, in detaching from liberal humanist discourses of healing and “self,” makes affective links from autopoietic frameworks for healing and survival to de-colonial, sympoieitic concerns for expanded kinship. New meanings and attachments are forged within queasy border zones of incommensurability, toggling between the particular and the universal, between desires for solidarity and recognition that colonial violences continue to be unequally distributed and borne. …

Autour De Frances Benjamin Johnston, Gertrude Käsebier Et Catharine Weed Barnes Ward: Stratégies Séparatistes Dans L’Exposition Des Femmes Photographes Américaines Au Tournant Des Xixe Et Xxe Siècles, Thomas Galifot

Artl@s Bulletin

Cette étude inclut une nouvelle analyse de l’exposition des photographes américaines conçue par Frances Benjamin Johnston à l’occasion de l’Exposition universelle de Paris de 1900. Dans une mise en perspective inédite, l’événement est également replacé dans un contexte américain élargi, riche en initiatives et en débats aussi fondateurs que méconnus. Cette enquête, qui donne lieu au premier panorama des expositions collectives de photographes américaines jusqu’en 1914, aboutit à une nécessaire remise à l'honneur de Catharine Weed Barnes Ward et de Gertrude Käsebier, personnalités dont le rôle central sur ces questions est largement mésestimé.

Steam Vs. Stem: A Study And Program Proposal For Monticello, Micaela Deogracias

Honors Projects

STEM (science, technology, engineering, and mathematics) and art programs have long been struggling for dominance in the education system. This fight overshadows the fact there are synergistic educative capabilities when these two schools of thought are combined, allowing scientific and artistic persons to work in tandem and be exposed to a wider variety of problem-solving options and opinions. This study aims to focus on museum education practices specifically and how implementing STEAM programs (science, technology, engineering, arts, and mathematics) versus STEM could raise the perceived value of arts in society, as well as create a more enriching educational experience by …

Exploration, Disruption, Diaspora: Movement Of Nuevomexicanos To Utah, 1776-1850, Linda Catherine Eleshuk Roybal

American Studies ETDs

ABSTRACT

Nuevomexicano villages of northern New Mexico have experienced disruptions throughout their existence. This dissertation is a study of what occurred in early disruptions leading to the great departure of the 1940s, during World War II and immediately following, known as the New Mexico diaspora, where a number of villagers moved out of New Mexico to other states, including Utah, most expecting to settle for a time with hopes of return to their home villages. The study asks what happened especially during the great disruption, discourses of disruption and movement, what Nuevomexicanos carried with them in movement, whether they returned …

Carleton, William Mckendree, 1845-1912 (Sc 3432), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 3432. Typescripted excerpt from Will Carleton’s narrative poem, “First Settler’s Story,” first published in 1881, as recited in March 1895 by Berta M. Morton.

Mccartt-Jackson, Sarah, B. 1982 (Fa 1290), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1290. Student collection titled “’Clogging’s Just Clogging’: The Richard McHargue Cloggers and Approaches to Vernacular Percussive Dance Study” in which Sarah McCartt-Jackson conducts an interview with Richard McHargue, a clogging instructor from Richmond, Kentucky. The interview contains McHargue’s early dancing memories, clogging terms, and opinions about the contemporary state of clogging. The collection also contains a partial transcript, fieldnotes, interview questions, content index, photographs, and the recorded audio interview on CD.

Stepping Beyond The Veil And Breaking The Pittsburgh Cycle: The American Dream, Otherness, And Generational Trauma In August Wilson's Cycle Plays, Kaitlin Stellingwerf

Seton Hall University Dissertations and Theses (ETDs)

August Wilson’s Pittsburgh Cycle is a series of ten plays that aims to “amend, to explore, and to add to our African consciousness and our African aesthetic” (Wilson qtd. in Gantt 5). Each play is set in a different decade but all share incredibly similar protagonists; all of them are African American men in their mid to late adulthood. The stories are separated by years but all articulate the generational trauma embedded in the African American consciousness in the twentieth century. Wilson’s plays span between the generations of African Americans living in the wake of the Emancipation Proclamation to a …

Are The Trailers The Real Star Of Star Wars: The Last Jedi?, Zachariah Lanis

Student Research Symposium

A literature review was conducted that found overwhelming evidence that movie trailers are physiologically stimulating to the viewer. An observational experiment was conducted that involved surveying a total of 204 subjects from randomly selected clusters. They were grouped into categories for further study. Of those 204, 102 had not seen Star Wars: the Last Jedi at the time of surveying. (Responses for movie satisfaction were not recorded from this group.) 31 of them had seen the movie but hadn't seen the trailer, 34 had seen the movie and saw the trailer by happenstance, and 37 had seen the movie and …

Transgender Digital Embodiments: Questions Of The Transgender Body In The 21st Century, Jessica Fisher

Master of Arts in American Studies Capstones

This thesis looks at an intra-community discourse in the transgender community between “transtrenders” and “transmedicalists” or “truscum.” It observes how these different sub-communities conceive of what it means to be transgender and attempts to contextualize these conceptions within transgender history. This thesis utilizes a brief ethnography of online spaces where transgender community discourse could be found, including Reddit, Twitter, and Tumblr. It discusses the idea of “transtrenders” as cultural appropriators, looks at the role of passing, and wanting to and trying to pass, in the transgender community and in conceptions of who is truly transgender and who isn’t. This thesis …

Roberts, Elizabeth Madox, 1881-1941 - Relating To (Sc 3425), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 3425. Notes by an unidentified individual of an interview of author Elizabeth Madox Roberts. Apparently sent to WKU student Paul Wharton from Roberts’ home city of Springfield, Kentucky, the notes recount her comments on her novels The Time of Man and He Sent Forth a Raven, and on the title of her most recent book, Black is the Color of My True Love’s Hair.

Beeler, Andrew J., Jr., 1912-1998 (Sc 3418), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 3418. Letters to WKU faculty member Frances Richards from A. J. Beeler, curriculum director for the Louisville, Kentucky public schools. A letter of 1 May 1946 encloses his list of recent Kentucky literature, and a letter of 3 January 1958 reports on his family and Christmas holiday. Includes his reviews of three books by Janice Holt Giles.

Making It New And Keeping It Old: Recasting Frameworks And Contexts In Georgia O’Keeffe Studies, Linda M. Grasso

Publications and Research

Three recent Georgia O’Keeffe exhibition catalogues devise new interpretative frameworks and situate O’Keeffe in new contexts that are especially relevant to American Studies scholars interested in visual culture, material culture, gender studies, reception studies, and modernism. One places O’Keeffe in the company of other white women making modernist art in the early decades of the twentieth century; another provides critical interpretations that acknowledge and reject previous views that were skewered by monolithic gender and sexual lenses; and a third moves O’Keeffe into popular culture domains such as fashion, consumerism, and interior design. Raising questions about how curators present and shape …

Brown, Chloe Jo, B. 1991 (Fa 1289), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1289. Student collection titled “Dale Cross: The Art of Flintknapping” in which Chloe Brown examines the commercial, historical, and cultural factors that have influenced the production of arrowheads. Brown interviews Dale Cross, a flintknapper from Burkesville, Kentucky who is renowned for his artistic skills. The paper addresses Cross’ personal aesthetics, flintknapping processes, and his business-related endeavors. The collection includes an academic paper, a transcription, CDs containing the recorded audio interview and photographs, and one of Cross’ arrowheads.

Jameson, Jennifer Michelle, B. 1987 (Fa 1288), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1288. Student paper titled “Finding the Folkways of a Forensic Anthropomorphologist: The Kentucky Yard Art Of Cecil and Bet Ison” in which Jennifer Jameson explores the creative endeavors and identities of two folk artists in Rowan County, Kentucky. Jameson, who conducted her fieldwork over a period of two weeks, examines flower sculptures, upholstered trees, bottle cap murals, beadwork, and other vernacular expressions pieced together by the Isons in their built environment. The paper also discusses the relationships between the Isons and their community, personal aesthetics, educational backgrounds, and connections to broader cultural issues. …

Refuse: Excess And Resistance In Gilded Age Print And Literature, Leah Michelle Powell

LSU Doctoral Dissertations

In the late-nineteenth century, mechanization led to fears about the possible consequences of overproduction while immigration led to fears about the possible consequences of overpopulation. This dissertation examines Gilded Age texts that represent regionalized spaces in efforts to process interlinked anxieties about a surplus of people and a surplus of things. I argue that images of excess and cheapness were rhetorically powerful in efforts to both control and advocate for unassimilated and nonstandard people and places in a nation increasingly dominated by an urban commodity economy. This focus on excess often takes the form of verbal or visual imagery, but …

Diversity And Democracy At War: Analyzing Race And Ethnicity In Squad Films From 1940-1960, Lara K. Jacobson

War, Diplomacy, and Society (MA) Theses

Both the Second World War and the Korean War presented Hollywood with the opportunity to produce combat films that roused patriotic spirit amongst the American people. The obvious choice was to continue making the popular squad films that portrayed a group of soldiers working together to overcome a common challenge posed by the war. However, in the wake of various racial and ethnic tensions consistently unfolding in the United States from 1940 to 1960, it became apparent to Hollywood that the nation needed pictures of unity more than ever, especially if America was going to win its wars. Using combat …

The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz

Theses and Dissertations

This thesis seeks to situate The Masses magazine (1911-1917) within a specific discursive tradition of revolution, revealing a narrative pattern that is linked with discourse that began to emerge during and after the French Revolution. As the term “socialism” begins to resonate again within popular American political discourse (and as a potentially viable course of action rather than a curse for damnable offense), it is worthwhile to trace its significance within American history to better understand its aesthetic dimensions, its radical difference, and its way of devising problems and answers. In short, this thesis poses the question: what ideological structures …

May 2019, Temple Shalom Synagogue Center

Newsletter Archive

Contents: Lag B'omer; From the Rabbi; President's Message; Announcements; Book Group; Commmunity Notices

“Flowing Along The Wall”: Anarcha-Feminist Bioethics And Resistance In Octavia E. Butler’S Dawn 2019., Theresa Mendez

Master's Theses

Science fiction (sf) texts conversant with the temporal play between past, present, and future push readers to imagine the extremes of human and environmental existence, interaction, and potential. Simultaneously, despite the sf genre’s tendency to traffic in extremes, these texts provoke readers to consider the ways in which these imagined worlds are grounded in history as well as in the contemporary social moment. As Donna Haraway has argued, “the boundary between science fiction and social reality is an optical illusion” (306). This illusory boundary must continue to be traversed in order to consider how sf literatures, particularly those which imagine …

Posthuman And Alien Breeding: The Implications Of Cybersex In Octavia Butler’S Dawn 2019., Elizabeth Rutkowski

Master's Theses

Speculative science fiction affords new ways for authors to represent social problems of the modern day in an apocalyptic manner. Authors such as Octavia Butler use science fiction to analyze social injustices revolving around race, gender, and sexuality. Throughout her novel Dawn, Butler uses the posthuman to represent minority groups in the late twentieth century. The posthuman represents those who have moved from humanity towards a new opportunity that is mixed with the potential for struggle. 1 As demonstrated through Butler’s work posthumanism blurs the lines between binaries such as male / female, straight / gay, and consensual / nonconsensual …

Amjambo Africa! (May 2019), Kathreen Harrison

Amjambo Africa!

In This Issue...

Cultivating Community .........Page 8

Community Dialogue...........Page 15

Stewart, Robert Lee, 1873-1963 (Sc 3415), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scans (Click on "Additional Files" below) for Manuscripts Small Collection 3415. Letters, 30 May 1956 and 15 May 1957, to Mary Ellen Richards, Franklin, Kentucky, from Lee Stewart, Morehead, Kentucky. He encloses poems and song lyrics relating to Kentucky history, and comments on the Rowan County, Kentucky centennial celebrations. He also encloses his newspaper article about a Fayette County, Kentucky judge, legislator and poet.

University Of Southern Maine Commencement Program 2019, University Of Southern Maine

Commencement Programs

University of Southern Maine Commencement Program 2019

Cox, Hal Z., 1883-1952 (Sc 3414), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 3414. Poem, “Old Kentucky,” written by Hodgenville, Kentucky native Hal Z. Cox in commemoration of the sesquicentennial of Kentucky statehood. Includes a 2011 newspaper article about Cox.

“This Unique Empire” : Sylvia Plath And Anne Sexton’S Embodied Poetry As L’Ecriture Feminine, Theresa Kircher

Theses, Dissertations and Culminating Projects

This thesis seeks to place the poetry of Sylvia Plath and Anne Sexton within a larger discussion of contemporary feminist thought regarding corporeality and Hélène Cixous’ idea of l’ecriture feminine from her 1976 essay “The Laugh of the Medusa.” Beginning with the basic premise of the mind/body dichotomy that was the basis for western philosophy, this thesis argues that contemporary feminist discourse shies away from viewing women’s bodies as a source of empowerment, hoping to avoid exposure to bioessentialist critiques, and instead focusing on women’s access to areas of intellectual power. This thesis posits that rather than uphold the power …