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Articles 3901 - 3930 of 27312
Full-Text Articles in American Studies
The Shanachie, Volume 33, Number 3, Connecticut Irish-American Historical Society
The Shanachie, Volume 33, Number 3, Connecticut Irish-American Historical Society
The Shanachie (CTIAHS)
In this issue: Theater presents musical on career of ace softball pitcher Joan Joyce -- The railroad era and an Irish family -- Lyons family immigrated to Connecticut by way of Quebec -- Plumber with Leitrim roots linked to New Haven Fenians -- Collection of Irish railroad wife's writings preserved at UConn.
Losing Count: A Re-Collection, By Numbers, Kim D. Hester Williams
Losing Count: A Re-Collection, By Numbers, Kim D. Hester Williams
The Goose
Poetry by Kim D. Hester Williams
Bibliography For "Chicano Art: A Display In Celebration Of Hispanic Heritage", Margaret Puentes
Bibliography For "Chicano Art: A Display In Celebration Of Hispanic Heritage", Margaret Puentes
Library Displays and Bibliographies
A bibliography created to accompany a display about Chicano Art for National Hispanic Heritage Month from September 15-October 15, 2021, at the Leatherby Libraries at Chapman University.
The U.S.–Mexican War: Visualizing Contested Spaces From Parlor To Battlefield, Erika Pazian
The U.S.–Mexican War: Visualizing Contested Spaces From Parlor To Battlefield, Erika Pazian
Dissertations, Theses, and Capstone Projects
The U.S.-Mexican War[1] (1846-1848) was a watershed event that transformed the North American continent politically, socially, and ideologically. With the signing of the Treaty of Guadalupe Hidalgo in 1848, Mexico lost approximately half of its national territory in the north, and the United States acquired the modern states of California, Nevada, Arizona, New Mexico, and Utah, and portions of Colorado and Wyoming. Both nations were plagued by internal conflicts after the war, and each was plunged into civil war within fifteen years of its conclusion.
During this time of turmoil, Mexican and U.S. artists created and recreated myriad images …
Aloof: Black Divas Of Refusal, Kwame K. Ocran
Aloof: Black Divas Of Refusal, Kwame K. Ocran
Dissertations, Theses, and Capstone Projects
“Aloof: Black Divas of Refusal” studies performers Lena Horne and Billie Holiday as the progenitors of a new tradition of authentic representation of Black female interiority in the entertainment arts. As interiority denotes the wide-ranging amalgamation of human expression, these divas equipped themselves with a sense of refusal and aloofness to strategically posture themselves in conditions that suited their personal predilections best and considered their status as representatives of the Black community. Lena Horne’s evolution as an aloof diva successfully saw the singer and actress escape classist thought of racial uplift to the full embracing of the totality of Black …
Afterlives Of Discovery: Speculative Geographies In The Colombian Political Landscape, Heidi A. Rhodes
Afterlives Of Discovery: Speculative Geographies In The Colombian Political Landscape, Heidi A. Rhodes
Dissertations, Theses, and Capstone Projects
This dissertation considers how the temporal remains of the Age of Discovery and its doctrine persist in a racial-geographical ranking of human and non-human, terrestrial and planetary life and worth. Across this work, I interpret a series of historical moments and their objects of speculative geographic cultural production: a state mapping program, a painting, a biomedical project, a de-monumenting protest action. As repositories of codified belief and repertoires of Discovery’s political and affective modes of racialized domination, I read these materials from the Colombian archives of coloniality and liberalism to illuminate their implications for Colombia’s national becoming as a liberal …
"Never Forget": Embodied Absence And Extended Relations Of Care After 9/11, Sophie L. Riemenschneider
"Never Forget": Embodied Absence And Extended Relations Of Care After 9/11, Sophie L. Riemenschneider
Dissertations, Theses, and Capstone Projects
This dissertation is a reflection on how loss was articulated in the wake of 9/11. The terror attacks engendered a memorial style that sought to give shape to grief, acknowledging it without filling it in or erasing it. This new style, which I term embodied absence, exists across a range of mediums, from literature to architecture. It is such a potent memorial form because it also captures the traumatic process, which is prolonged, layered, and potentially open-ended. However, despite their ability to mirror the nature of trauma, instances of embodied absence never verbalize the attacks’ root trauma—the disconnect between our …
Suicidality As A Discourse Of Safety In The Queer Youth Movement, Robert M. Cleary
Suicidality As A Discourse Of Safety In The Queer Youth Movement, Robert M. Cleary
Dissertations, Theses, and Capstone Projects
In November 1991, a group of queer teenagers gathered to rally at the Massachusetts State House in Boston. Two years later, the state passed the first law in the nation adding sexual orientation to the list of protected classes in the state's schools. The November rally was the first public expression of what became the safe schools movement, which went on over the following decade to transform the landscape in public education for LGBTQ students. A notable feature of the rally was the staging by the youth of a mass performative act of queer suicide. This paper uses Foucauldian concepts …
Further Toward Minor Literatures, Aaron Hammes
Further Toward Minor Literatures, Aaron Hammes
Dissertations, Theses, and Capstone Projects
Minor literature is literatures of the minoritarian, not simply that produced by (cultural, ethnic, racial, gender-expressive, sexual, ability, age) minorities. Further Toward Minor Literatures operates from this decisive distinction to trace the contours and potentialities of one minoritarian literature, the contemporary transgender novel in the US and Canada. This study is premised in part on putting the fiction itself on a plane with theoretical and critical sources, creating a dialogue that does not privilege one discourse over the other. Minor literature is self-theorizing, perhaps even authotheoretical, in its expressing and fulfilling the mobile orientations of its minoritarian communities. This study …
Did Ishmael Know The Raven?: Publisher Evert Duyckinck And The Connection Between Edgar Allan Poe And Herman Melville, Danny Wilson
Did Ishmael Know The Raven?: Publisher Evert Duyckinck And The Connection Between Edgar Allan Poe And Herman Melville, Danny Wilson
Symposium of Student Scholars
Although Poe was a social introvert, he knew and was connected to other early American Romantic writers, including Herman Melville. Examining first editions of works by both authors in the Bentley Rare Book Museum at Kennesaw State University, I discovered a common link between them – the publisher and literary critic Evert Duyckinck. In this presentation, I will use evidence from the first editions and the Poe & Melville Archives at the New York Public Library to investigate the nature of the relationship between Poe, Duyckinck and Melville. I found that Duyckinck was Melville’s close friend, however, he was Poe’s …
Operationalizing Culture: Refugees, Migration, And Mental Health In The Wake Of The Vietnam War, Helena Bui
Operationalizing Culture: Refugees, Migration, And Mental Health In The Wake Of The Vietnam War, Helena Bui
The Yale Undergraduate Research Journal
!e end of the Vietnam War led to the migration of hundreds of thousands of Vietnamese refugees to the United States a"er political and economic upheaval. As another result, the refugees’ years of warfare, trauma, death, and injury began to manifest as unprecedented mental health issues that American physicians and researchers sought to understand. In this paper, I argue that American medical professionals— in good faith—operationalized [Vietnamese] culture to help themselves and their colleagues understand the mental health issues of Vietnamese refugees. Yet this operationalization acted as a double-edged sword. Viewing Western mental health discourse through the lens of Vietnamese …
“But The City Made Us New, And We Made It Ours”: Reflections On Urban Space And Indigeneity In Tommy Orange’S There There, Meghanlata Gupta, Nolan Arkansas
“But The City Made Us New, And We Made It Ours”: Reflections On Urban Space And Indigeneity In Tommy Orange’S There There, Meghanlata Gupta, Nolan Arkansas
The Yale Undergraduate Research Journal
Native American writers in the United States have often used literature to celebrate their communities, defy stereotypes, and share their histories on their own terms. In the past few years, this movement has seen another wave, with artists and scholars engaging in literary storytelling to shed light on Indigenous resistance efforts in the United States. Tommy Orange is no exception, writing about urban Indigenous life in his 2018 novel There There. While There There positions the city as a product of settler colonialism, the book also illustrates the ways in which urban Indigenous peoples subvert colonial mechanisms by celebrating tribal …
Empirical Drawings: Utilizing Comic Essays In The Social Studies Classroom To Teach Citizenship, Angelo Letizia
Empirical Drawings: Utilizing Comic Essays In The Social Studies Classroom To Teach Citizenship, Angelo Letizia
SANE journal: Sequential Art Narrative in Education
This article posits that the comic medium, wedded with traditional essay assignments, may be a powerful tool for social studies teachers, those who prepare social studies teachers at the collegiate level and other teachers and professors who desire to teach about citizenship in an era of "fake news" and alternative facts.
Mammy And Aunt Jemima: Keeping The Old South Alive In Popular Visual Culture, Angela G. Athnasios
Mammy And Aunt Jemima: Keeping The Old South Alive In Popular Visual Culture, Angela G. Athnasios
Honors College Theses
Throughout the late nineteenth and twentieth century, American popular visual culture produced racist portrayals of Black Americans. Literature, illustrations, minstrelsy, film, and television are notorious for promoting such unflattering images. Each of these media typified African Americans as exaggerated caricatures with dark skin, bulging eyes, bright-red lips, and goofy smiles. The creators of these stereotypes project their racist beliefs into popular culture. This in turn heavily influences the way other races view people of African descent, as well as how Black people view themselves. From mammies, to Jezebels, to pickaninnies, and everything in between, the message ultimately conveyed in these …
Amjambo Africa! (August 2021), Kathreen Harrison
Amjambo Africa! (August 2021), Kathreen Harrison
Amjambo Africa!
In this Issue
Murder in Chad.....................2
Healthcare ..............................2
Attacks in Burundi................3
“I Wish My Teacher Knew...” 4
Weddings & Community ....6
Remote Theater Project......12
World Market Basket..........14
Housing in Lewiston .....16/17
Call me Coach Steph! .........18
Tips & Info. ..........................20
Zamzam Elmoge .................22
Dental care. ..........................31
Columns
Rupal Ramesh Shah. ...........13
Kirsten Cappy. .....................19
Financial literacy. ................21
Roseline Souebele................24
Nsiona Nguizani..................24
Theo (our newest columnist!).
24 MIRC ....................................25
ILAP......................................25
Northern Light. ...................26
Insurance..............................26
Maine Equal Justice ............29
Translations
French .....................................8
Swahili ....................................9
Somali. ..................................10
Kinyarwanda........................22
Portuguese............................23
Spanish coming soon!
Below-Deck: The Specialist Sailor In World War Ii, Gregory Falcon
Below-Deck: The Specialist Sailor In World War Ii, Gregory Falcon
War, Diplomacy, and Society (MA) Theses
U.S. Navy ships were made up of many unexpected jobs during World War II. Traditional war histories say little about sailors who rarely saw direct combat below active war decks but instead worked skilled jobs. Specialized sailors were often unseen as they worked below the waterline as, for example, electrician’s mates and boiler room firemen. These jobs were pivotal to keeping the ship running and allowed men to make use of their valuable time in the navy. This thesis argues that, although evolving naval culture led men to enter for various reasons, many entered to enhance their future career during …
Film Review: Mulan (2020), Josefine Pettit
Film Review: Mulan (2020), Josefine Pettit
History in the Making
No abstract provided.
Film Review: The Trial Of The Chicago 7, Moises Gonzales
Film Review: The Trial Of The Chicago 7, Moises Gonzales
History in the Making
No abstract provided.
"Rainbow Is The Way To Go" Sign, Betsy Parsons
"Rainbow Is The Way To Go" Sign, Betsy Parsons
Betsy Parsons Collection
Sign created by Betsy Parsons for demonstration or march. Text reads: "Rainbow is the Way to Go!"
Multicolored marker on white posterboard.
"Thou Shalt Not Eat Clams" Sign, Betsy Parsons
"Thou Shalt Not Eat Clams" Sign, Betsy Parsons
Betsy Parsons Collection
Sign created by Betsy Parsons for demonstration or march. Text reads: "Guess What... The Bible Also Says: 'Thou Shalt Not Eat Clams' )do you eat clams, Mr. Phelps?) What Now?
Black marker on white psterboard.
The "Mr. Phelps" referenced in the text is likely Fred Phelps (1929-2014), former pastor of the Westboro Baptist Church.
"We Are A Land Of Many Colors" Sign, Betsy Parsons
"We Are A Land Of Many Colors" Sign, Betsy Parsons
Betsy Parsons Collection
Sign created by Betsy Parsons for demonstration or march. Text reads: "We Are A Land of Many Colors America the Beautiful"
Multicolored marker on white background. Rainbow details.
Gsta "Crest" Poster, Betsy Parsons
Gsta "Crest" Poster, Betsy Parsons
Betsy Parsons Collection
Poster created by Betsy Parsons for conference, workshop, or training. Poster feature a drawing of a crest divided into four quadrants, with each listing goals, positive affirmations, and well-known public figures.
Multicolored marker on posterboard.
"Never Be Ashamed Of Love" Poster, Betsy Parsons
"Never Be Ashamed Of Love" Poster, Betsy Parsons
Betsy Parsons Collection
Poster created by Betsy Parsons for demonstration or march. Text reads: "Never Be Ashamed of Love".
Black and multicolored marker on white posterboard.
"Proud Lesbian Teacher" Sign, Betsy Parsons
"Proud Lesbian Teacher" Sign, Betsy Parsons
Betsy Parsons Collection
Sign carried by Betsy Parsons for a march or demonstration. Text reads: "Proud Lesbian Teacher 30 (x29) Years ~Portland Public Schools~.
Hand-painted, purple, red, and blue paint (likely acrylic or tempera) on white poster board.
:Anti-Gay Discrimination Is Illegal..." Sign, Betsy Parsons
:Anti-Gay Discrimination Is Illegal..." Sign, Betsy Parsons
Betsy Parsons Collection
Sign created by Betsy Parsons for protest or march. Text reads "Anti-Gay Discrimination is Illegal in Maine Schools and Universities".
Handpainted. Blue and red paint, likely acrylic or tempera on white poster board.
"Trans Gay-Straight Alliance..." Sign, Betsy Parsons
"Trans Gay-Straight Alliance..." Sign, Betsy Parsons
Betsy Parsons Collection
Sign created by Betsy Parsons for march or demonstration. Text reads: "Trans Gay-Straight Alliances: Youth Leading for Equality".
Red and black text with a rainbow in the background. Acrylic or tempera on posterboard.
"Proud Glbt Students + Teachers" Sign, Betsy Parsons
"Proud Glbt Students + Teachers" Sign, Betsy Parsons
Betsy Parsons Collection
Sign created by Betsy Parsons for demonstration or march. Text reads: "Proud GLBT Students and Teachers".
Black text with rainbow-colored hand prints. Acrylic or tempera on posterboars. GLSEN bumper sticker.
"Equality" Sign, Betsy Parsons
"Equality" Sign, Betsy Parsons
Betsy Parsons Collection
Sign created by Betsy Parsons for demonstration or march.
Text reads "EQUALITY"
Black text on red posterboard.
"Free To Learn..." Sign, Betsy Parsons
"Free To Learn..." Sign, Betsy Parsons
Betsy Parsons Collection
Sign created by Betsy Parsons for demonstration or march. Text reads: "Free to Learn Teach LEad".
Green, red, purple, and black text on white background with a rainbow. Acrylic or tempera on poster board.
Safe Schools For All" Sign, Betsy Parsons
Safe Schools For All" Sign, Betsy Parsons
Betsy Parsons Collection
Sign created by Betsy Parsons for demonstration or march. Text reads: "GLSEN Safe Schools for All".
Black and rainbow text on white background with GLSEN bumper sticker. Acrylic or tempera on poster board.