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Articles 181 - 210 of 619
Full-Text Articles in American Studies
“An’ No Place To Lead ‘Em”: The Grapes Of Wrath And The Breakdown Of Myth, Nicholas F. Comeaux
“An’ No Place To Lead ‘Em”: The Grapes Of Wrath And The Breakdown Of Myth, Nicholas F. Comeaux
LSU New Orleans Theses and Dissertations
In spite of its common designation as an outmoded classic of sentimental middlebrow literature, John Steinbeck’s The Grapes of Wrath remains relevant as a milestone in an extended liminal stage between the failing cultural myths of the past and the founding of newly relevant shared stories. This stage begins with the Enlightenment and continues to present-day conflicts over identity, labor, migrants, notions of truth itself, the function and responsibilities of government, and our shared ecological destiny. Arriving near the end of the Depression and its concurrent economic and environmental disasters, The Grapes of Wrath reflects a particularly chaotic stage in …
John Gardner’S Grendel: The Importance Of Community In Making Moral Art, Catherine C. Cooper
John Gardner’S Grendel: The Importance Of Community In Making Moral Art, Catherine C. Cooper
LSU New Orleans Theses and Dissertations
John Gardner’s Grendel examines the ways in which humans make meaning out of their lives. By changing the original Beowulf monster into a creature who constantly questions the conflicting narratives set before him, Gardner encourages us to confront these tensions also. However, his emphasis on Grendel’s alienation helps us realize that community is essential to creating meaning. Most obviously, community creates relationships that foster a sense of moral obligation between its members, even in the face of the type of uncertainty felt by Grendel. Moreover, community cannot exist without dialogue, which perpetually stimulates the imagination to respond to the tensions …
"Not Tea And Crumpets": The 1976 Louisiana Governor's Conference On Women And The Formation Of A New Women's Platform, 1972-1982, Vickie A. Lacoste
"Not Tea And Crumpets": The 1976 Louisiana Governor's Conference On Women And The Formation Of A New Women's Platform, 1972-1982, Vickie A. Lacoste
LSU New Orleans Theses and Dissertations
The success of three Louisiana feminists in the 1970s, Fran Bussie, Clarence Marie Collier, and Pat Evans stemmed from their professional expertise in labor rights, education, and politics, respectively. By joining and maintaining memberships in a variety of social, civic, and activists groups, these feminist leaders via the 1976 Louisiana Governor’s Conference on Women created a unique network that allowed for the formation of a new women’s platform. This conference advanced women’s rights, established a working platform for reform, and helped usher in second-wave feminism in Louisiana. Using conference booklets, archived video and audio interviews, and newspaper articles, this thesis …
“To Be Men, Not Destroyers”: Developing Dabrowskian Personalities In Ezra Pound’S The Cantos And Neil Gaiman’S American Gods, Michelle A. Nicholson
“To Be Men, Not Destroyers”: Developing Dabrowskian Personalities In Ezra Pound’S The Cantos And Neil Gaiman’S American Gods, Michelle A. Nicholson
LSU New Orleans Theses and Dissertations
Kazimierz Dabrowski’s psychological theory of positive disintegration is a lesser known theory of personality development that offers an alternative critical perspective of literature. It provides a framework for the characterization of postmodern protagonists who move beyond heroic indoctrination to construct their own self-organized, autonomous identities. Ezra Pound’s The Cantos captures the speaker-poet’s extensive process of inner conflict, providing a unique opportunity to track the progress of the hero’s transformation into a personality, or a man. American Gods is a more fully realized portrayal of a character who undergoes the complete paradigmatic collapse of positive disintegration and deliberate self-derived self-revision …
The Color Of Invisibility, Bryan A. Vanmeter
The Color Of Invisibility, Bryan A. Vanmeter
LSU New Orleans Theses and Dissertations
This thesis is an analysis of Ralph Ellison’s use of color terminology in his novel, Invisible Man. By taking an in depth look at the circumstances in which Ellison uses specific color terms, the reader can ascertain the author’s thoughts on various historical events, as well as the differences between characters in the novel such as Ras, Dr. Bledsoe, and Rinehart.
Class, Capital And Colonies In India And Palestine/Israel, Amir Locker-Biletzki
Class, Capital And Colonies In India And Palestine/Israel, Amir Locker-Biletzki
CLCWeb: Comparative Literature and Culture
The article “Class, Capital and Colonies in India and Palestine/Israel” studies the way Indian and Israeli Communist intellectuals conceptualized and understood European Colonialism. In contrast to present day settler-colonial theories – that disregarded Marxist critic of European expansion – Indian and Israeli Communists developed a Bolshevik colonial thinking. For Communists the triple forces of imperialism, capital and class devastated the “archaic” native way of life. In doing so they clear a path for European domination, settlement and class differentiation of both colonizers and colonized. The article traces Bolshevik colonial thinking to its origins in Marx’s and Lenin’s writings. It continuous …
Israeli Literature And The Time Of "Post-Post-Zionism", Oded Nir
Israeli Literature And The Time Of "Post-Post-Zionism", Oded Nir
CLCWeb: Comparative Literature and Culture
In this essay, I argue that contemporary Israeli literature possesses a more “advanced” historical imaginary than that of contemporary “post-post-Zionist” Israeli historiography, and I relate this gap to the neoliberalization of the Israeli economy. I begin by arguing that contemporary literature’s historical imaginary marks a departure from its 80s and 90s postmodern predecessors. I show that this departure is evident in contemporary Israeli literature’s explicit recognition of an inability to relate subjective experience to larger history. This recognition constitutes a dialectical overcoming of Israeli postmodernism’s playful dismantling of the national historical narrative. I then argue that Israeli “post-post-Zionist” historiography constitutes …
"You Prefer Your Enemies Simple And Well Defined": Reading Anton Shammas’ Arabesques As A Novel That Strategically Resists Interpellation, Yiftach Ashkenazi, Omri Grinberg
"You Prefer Your Enemies Simple And Well Defined": Reading Anton Shammas’ Arabesques As A Novel That Strategically Resists Interpellation, Yiftach Ashkenazi, Omri Grinberg
CLCWeb: Comparative Literature and Culture
Anton Shammas’s 1986 novel Arabesques has been the subject of much literary criticism and on-going discussions in Hebrew literature circles. This article argues that existing interpretations of this work share a fundamental similarity to the extent that they assume Arabesques to be a novel whose primary aim is to depict a certain kind of subject, in accordance with the complicated emplacement of Shammas as a Palestinian writing in Hebrew. Against such interpretations, we suggest that Arabesques is better understood as a text that resists the process of subject formation as linked to Althusser’s notion of ideology. Instead, Shammas explores the …
The Materiality And Embodiment Of Violence: Ronit Matalon’S Poetics Of Responsibility, Shiri Goren
The Materiality And Embodiment Of Violence: Ronit Matalon’S Poetics Of Responsibility, Shiri Goren
CLCWeb: Comparative Literature and Culture
In her essay “The Materiality and Embodiment of Violence: Ronit Matalon’s Poetics of Responsibility” Shiri Goren discusses Matalon’s novel Bliss (Sarah-Sarah, 2000) as a complex and bleak account of domestic and political decline. On the backdrop of the first Intifada, a Tel Avivian marriage falls apart and a lifelong powerful and intimate friendship between two women ends abruptly. In another geographical location and slightly different timeframe, early November 1995, a French-Jewish family prepares for the cremation of one of its sons, who died of AIDS. Rejecting potential interpretations of national allegory, Goren argues that one of the foundational …
Subjectivity, Institutions And Language In Contemporary Israeli Film, Ari Ofengenden
Subjectivity, Institutions And Language In Contemporary Israeli Film, Ari Ofengenden
CLCWeb: Comparative Literature and Culture
In his article "Subjectivity, Institutions and Language in Contemporary Israeli Film" Ari Ofengenden analyzes the transnational characteristics of contemporary Israeli films (from 2000 until today). He claims that a new regime of globally networked production and distribution of Israeli film has articulated a specific kind of subjectivity presented in these films. In this article, he will concentrate on two characteristics of this subjectivity: the relations of protagonist with social institutions and use of language. Relations with social institutions starts with the highly prevalent representations of a sensitive and individualist protagonist who suffers under collective and coercive institutions like the army, …
Watching Fight Club In Tel Aviv: Or The 2011 Social Protests In Israel, A Political Postmortem, Eran Kaplan
Watching Fight Club In Tel Aviv: Or The 2011 Social Protests In Israel, A Political Postmortem, Eran Kaplan
CLCWeb: Comparative Literature and Culture
In his article “Watching Fight Club in Tel Aviv: Or The 2011 Social Protests in Israel, a Political Postmortem,” Eran Kaplan provides an analysis of the ideological underpinnings of the social protests that swept Israel in 2011 and the failure of these protests to bring about actual political change. The article draws on the manner by which David Fincher’s film Fight Club exposes the ideological dimensions of modern, neoliberal consumerist society as a way to understand the driving forces behind the Israeli protests and to suggest a possible way out of the ideological quagmire that the protesters and their leaders …
Coping With Fear: Frontier Kibbutzes And The Syrian-Israeli Border War, Orit Rozin
Coping With Fear: Frontier Kibbutzes And The Syrian-Israeli Border War, Orit Rozin
CLCWeb: Comparative Literature and Culture
In her article "Coping with Fear: Frontier Kibbutzes and the Syrian-Israeli Border War,” Orit Rozin discusses the practices and norms of border kibbutzes coping with daily hostilities. The Israel-Syrian border was a constant point of friction. Hostilities erupted over the cultivation and the control of the demilitarized zones and over water resources. Northern Kibbutzes both took part in triggering Syrian violence and were victims of that violence. Covering the interwar period 1956-1967, Rozin traces the subjective emotional reaction of kibbutz members exposed to Syrian violence. Focusing on fear and employing Barbara Rosenwein’s concept of emotional communities, she shows that members …
The Catastrophic Horizon: Contemporary Israeli Cinema's Critique Of Neo-Liberal Israel, Yael Munk
The Catastrophic Horizon: Contemporary Israeli Cinema's Critique Of Neo-Liberal Israel, Yael Munk
CLCWeb: Comparative Literature and Culture
In her article, Munk analyzes the gradual decline in social solidarity of the once-socialist Israeli society has become discernible in arts and society alike. This process has been voiced in films that described the dangers of a segregated society in a graphic manner, pointing an accusing finger at what Israeli society has become. In these films, the prolonged Israeli occupation of the Palestinian territories considered by some as the source of all evil, has been removed from the intellectual foreground in order to provide by a deeper look into the catastrophic outcomes of the social dead end Zionism has reached. …
Suburban Realities: The Israeli Case, Tamar Berger
Suburban Realities: The Israeli Case, Tamar Berger
CLCWeb: Comparative Literature and Culture
In her article "Suburban Realities: The Israeli Case" Tamar Berger discusses the nature of the new building in Israel in the last 3-4 decades. Israel, she claims, has been going through a process of massive suburbanization, which is drastically changing the face of the country. Some of the features of the new space are similar to those of other places, globally, but it has its particularity, the result of both the local spatial history and the nature of Israeli society. Suburbs in general are hard to define. Still, a set of typical features of the Israeli suburbs can be noted: …
Irony, Revenge, And The Naqba In Yehuda Amichai’S Early Work, Hannan Hever
Irony, Revenge, And The Naqba In Yehuda Amichai’S Early Work, Hannan Hever
CLCWeb: Comparative Literature and Culture
This article offers a materialist reading of the poetry of Yehuda Amichai, the most well-known Israeli poet outside Israel. The article explores the political role of irony in Amichai’s early work, situating him as a prominent member of the “State Generation” poetry. Challenging accepted readings, the essay argues that Amichai’s poems that deal with the 1948 war, should be read as a post-traumatic response, which uses irony and rich and bold metaphorical devices to distance itself from the horrors of the war, and therefore also form the political and ethical meanings of the Naqba. That Amichai’s poetry translates the language …
Introduction: Israeli Critical Reflection After Post-Zionism, Or The Opening As Interpretive Horizon, Oded Nir, Ari Ofengenden
Introduction: Israeli Critical Reflection After Post-Zionism, Or The Opening As Interpretive Horizon, Oded Nir, Ari Ofengenden
CLCWeb: Comparative Literature and Culture
This essay attempts to situate this special issue as an intervention, from a materialist perspective, in the field of Israeli cultural studies. We interrogate the common periodizations of Israeli culture, and its contemporary characterization as “post-post-Zionist.” We try to show that the latter betrays an unacknowledged failure of historical narration, present throughout Israeli cultural production. We then argue that rather than being satisfied with this failure, the goal of Israeli cultural critique today should be to search for new ways to narrate “big” history, to reassert the indispensability of relating personal experience of the present, in all its details, to …
Dmt And “The Man Box:” Provoking Change And Encouraging Authentic Living, An Arts-Based Project, Steven Reynolds
Dmt And “The Man Box:” Provoking Change And Encouraging Authentic Living, An Arts-Based Project, Steven Reynolds
Expressive Therapies Capstone Theses
This thesis explores the mind-body experience through an arts-based research approach to examine, and redefine the emotional capacity and usefulness of males through societal determinants that limits and hinders men from living their authentic selves. Through the lens of a metaphoric “Man Box” 112 men participated in a workshop recreating their personal narratives of socialization through, style of dress, coping mechanisms, belief systems and who they should be as men through society's standards. In the “Man Box,” male bonding, and emotional feelings are discouraged, while the objectification of women, material property and physical/emotional strength are encouraged. This research investigates the …
Secret Selves: Surveillance And Twentieth-Century African American Literature, Kelsey Kiser
Secret Selves: Surveillance And Twentieth-Century African American Literature, Kelsey Kiser
English Theses and Dissertations
Black writers, thinkers, and artists found themselves on the Federal Bureau of Investigation’s watch list for radicalism and sedition as early as 1919. Secret Selves explores how twentieth-century African American writers, namely Claude McKay, Richard Wright, Lorraine Hansberry, Alice Childress, Ishmael Reed, and Gloria Naylor responded to a surveillance state that monitored their lives and works for radicalism and sedition. By recrafting the African American künstlerroman—a genre that birthed the African American literary tradition—these writers embedded codes into their works that concealed personal details from Bureau agents and simultaneously articulated a new narrative: that to be black and to …
“Of Nobler Song Than Mine”: Social Justice In The Life, Times, And Writings Of Fitz-James O'Brien, John P. Irish
“Of Nobler Song Than Mine”: Social Justice In The Life, Times, And Writings Of Fitz-James O'Brien, John P. Irish
Graduate Liberal Studies Theses and Dissertations
This dissertation will be a detailed study of the life, times, and writings of a mid-nineteenth century Irish-American writer, Fitz-James O’Brien. This will be the first full length study of O’Brien’s thought and writings. O’Brien was known, during his day, for two different types of writing: fiction of the supernatural and his writings on social justice, written in the emerging style of literary realism. It is his writings on social justice which this dissertation will explore. O’Brien’s writings on social justice covered three main topics: children, women, and animals. I look at how the historical context, O’Brien’s life, and his …
The Psychos, Paula N. Stevenson
The Psychos, Paula N. Stevenson
Graduate School of Art Theses
My current body of work is a series of drawings that juxtapose characters of fiction and reality in an attempt to explore the relationship between horror film and contemporary social issues. I strive to render an accurate portrayal of the face to draw the viewer into questioning the troubling narrative these characters illuminate. I focus on retelling stories of fear and horror, and crime and infamy. I want my work to convey ethical dilemmas as they are present within the relationship between horror movie antagonists and the audience (all of us). It is these concerns I attempt to visualize in, …
Supernatural Pilgrims: A Journey To A New Apostolic Reformation Congregation In The Ozarks, Samuel Wayne Gingerich
Supernatural Pilgrims: A Journey To A New Apostolic Reformation Congregation In The Ozarks, Samuel Wayne Gingerich
Graduate Theses/Dissertations
Birthed out of the revival events of the 1990s, the New Apostolic Reformation is known for its charismatic leaders and provocative theology. As an emerging third wave Pentecostal movement, the New Apostolic Reformation is redefining the edifices of American Pentecostalism. While academics and journalists are currently focused on exposing the influence of some of its leaders such as C. Peter Wagner, Bill Johnson, Randy Clark, and Heidi Baker, there is little scholarship regarding the congregations and communities of believers who find themselves a part of this dynamic movement. This thesis takes a step towards understanding the larger story of the …
The Politics Of Federal Environmental Policy: An Analysis Of Six West Virginia Counties, Hannah O'Keefe
The Politics Of Federal Environmental Policy: An Analysis Of Six West Virginia Counties, Hannah O'Keefe
Graduate Theses/Dissertations
The prevalence of politics in federal environmental policy has been evident for decades, and this thesis will seek to identify the impact of implementing rival policies at the county level. The two federal policies being examined are the Clean Power Plan that was devised by the presidential administration under Barack Obama, and the Affordable Clean Energy Rule created by the presidential administration under Donald Trump. The county selection was chosen in the state of West Virginia because of the state’s high economic dependence on extracting and exporting coal, a current source of domestic and foreign electric power. The study area …
Living The Manito Trail: Maintaining Self, Community, And Culture, Trisha Venisa-Alicia Martínez
Living The Manito Trail: Maintaining Self, Community, And Culture, Trisha Venisa-Alicia Martínez
American Studies ETDs
Living the Manito Trail: Maintaining Self, Community, and Culture is an ethnographic interdisciplinary study that draws upon the voices of Manitos, or Hispanic New Mexicans, and experiences of migration from Northern New Mexico into Wyoming from late 19th century to the present. This project exemplifies how consciousness or a heightened sense of awareness derives from the value system of querencia or how one establishes a sense of self and community through place. I argue the cultural landscape of a person’s place of origin injects a set of values and distinct qualities that create a strong sense of identity, enable community, …
The Making Of Cleveland’S Artist: The Aesthetic And Cultural Politics Of Boundary Crossing In The Industrial Landscape Paintings Of Carl Gaertner, 1923 - 1952, April N. Johnston
The Making Of Cleveland’S Artist: The Aesthetic And Cultural Politics Of Boundary Crossing In The Industrial Landscape Paintings Of Carl Gaertner, 1923 - 1952, April N. Johnston
Arts & Sciences Graduate Student Theses and Dissertations
ABSTRACT The Making of Cleveland’s Artist: The Aesthetic and Cultural Politics of Boundary Crossing in the Industrial Landscape Paintings of Carl Gaertner, 1923 – 1952 by April Johnston Master of Arts in American Culture Studies Washington University in St. Louis, 2019 Dr. Iver Bernstein, adviser In 1923 Carl Gaertner captivated jurors at the Cleveland Museum of Art’s annual competitive May Show with a painting of a local bolt factory titled Up the River at Upson’s. What made the painting so arresting was its rendering of the elements of factory, nature, and the human spaces that mediated between them, as …
Marxist Ideology In Alice Chilress’S Like One Of The Family, Elizabeth Elliott
Marxist Ideology In Alice Chilress’S Like One Of The Family, Elizabeth Elliott
The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University
This paper explores Alice Childress work Like One of the Family, a collection of short stories originally published as a column the newspaper Freedom, and how Childress uses the highly personable work to advocate for socialist ideology and exhibit how socialism could positively affect the black working class, particularly domestic workers. Through her work, Childress humanizes the domestic worker, a group that was often not only disenfranchised by whites but also prohibited from labor organizing with other African-Americans. She engages with Marx’s ideology in an understandable and personal way: by utilizing the African-American oral tradition. This exposed her audience to …
Does Money Indeed Buy Happiness? “The Forms Of Capital” In Fitzgerald’S Gatsby And Watts’ No One Is Coming To Save Us, Allie Harrison Vernon
Does Money Indeed Buy Happiness? “The Forms Of Capital” In Fitzgerald’S Gatsby And Watts’ No One Is Coming To Save Us, Allie Harrison Vernon
English (MA) Theses
Looking primarily at two critically acclaimed texts that concern themselves with American citizenship—F. Scott Fitzgerald’s The Great Gatsby and Stephanie Powell Watts’ No One is Coming to Save Us—I analyze the claims made about citizenship identities, rights, and consequential access to said rights. I ask, how do these narratives about citizenship sustain, create, or re-envision American myth? Similarly, how do the narratives interact with the dominant culture at large? Do any of these texts achieve oppositional value, and/or modify the complex hegemonic structure? I use Pierre Bourdieu’s “The Forms of Capital” to investigate the ways in which economic, cultural, …
Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern
Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern
Bachelor of Fine Arts Senior Papers
I present this statement under three loose categories: People, Objects and their Environment. I consider People as human, Objects as art objects, domestic objects, and food, and Environment as the shared space of the former groups. Food directs this statement as I present each concept and creative process as a metaphorical dish. Material exploration carried me from a direct practice of reorienting acrylic paint and questioning object functionality through personified sculptures into theoretical thesis work in which I use interpersonal relations and the idea of consumption to translate tactile, gustatory and olfactory sensations into digital film. In this meal I …
Queer History Through A Hollywood Lens, Long Tran
Queer History Through A Hollywood Lens, Long Tran
Augsburg Honors Review
Film festivals have been important platforms for promoting independent films that bring to the forefront issues of marginalized communities, especially the struggle for queer justice and visibility. This paper pursues a hypothetical opportunity for programming a film festival screening centered on queer stories. The direction of this paper will take the form of a film festival curator’s statement that links three films with common themes and issues. The overarching, common thread holding the proposed films together is the mainstream Hollywood influence behind the exhibition and consumption of the films—The Academy Awards (otherwise known as The Oscars). Three major Academy Award-winning …
(Re)Insurgent Ecologies: Dwelling Together Between Queasy Worlds, Kirsten Elizabeth Mundt
(Re)Insurgent Ecologies: Dwelling Together Between Queasy Worlds, Kirsten Elizabeth Mundt
American Studies ETDs
Discourses that construct the “self” as something to be fixed, or made whole, chart a retreat from relational ecosystems back to the individual, reinforcing colonial politics rooted in bounded individualism. This project animates an ontological, relational framework that, in detaching from liberal humanist discourses of healing and “self,” makes affective links from autopoietic frameworks for healing and survival to de-colonial, sympoieitic concerns for expanded kinship. New meanings and attachments are forged within queasy border zones of incommensurability, toggling between the particular and the universal, between desires for solidarity and recognition that colonial violences continue to be unequally distributed and borne. …
Autour De Frances Benjamin Johnston, Gertrude Käsebier Et Catharine Weed Barnes Ward: Stratégies Séparatistes Dans L’Exposition Des Femmes Photographes Américaines Au Tournant Des Xixe Et Xxe Siècles, Thomas Galifot
Artl@s Bulletin
Cette étude inclut une nouvelle analyse de l’exposition des photographes américaines conçue par Frances Benjamin Johnston à l’occasion de l’Exposition universelle de Paris de 1900. Dans une mise en perspective inédite, l’événement est également replacé dans un contexte américain élargi, riche en initiatives et en débats aussi fondateurs que méconnus. Cette enquête, qui donne lieu au premier panorama des expositions collectives de photographes américaines jusqu’en 1914, aboutit à une nécessaire remise à l'honneur de Catharine Weed Barnes Ward et de Gertrude Käsebier, personnalités dont le rôle central sur ces questions est largement mésestimé.