American Studies Commons^™

83 Bridge St, Saint Augustine, Fl 32084, Erin Kelbaugh

Touring Lincolnville: A Celebration of Historic Black Business

No abstract provided.

Central Ave., Adam Drawdy

Touring Lincolnville: A Celebration of Historic Black Business

No abstract provided.

164 Palmo, Ashley Cozad

Touring Lincolnville: A Celebration of Historic Black Business

No abstract provided.

Wallpaper, Andrew Morrison

Touring Lincolnville: A Celebration of Historic Black Business

No abstract provided.

A Small Story Of A Commercial Building In St. Augustine, Fl, Stephanie Giordano

Touring Lincolnville: A Celebration of Historic Black Business

No abstract provided.

92 Washington Street Writing, Ashlyn Davidson

Touring Lincolnville: A Celebration of Historic Black Business

No abstract provided.

The Hidden Roles Of Props, Alexandria Kledzik

Touring Lincolnville: A Celebration of Historic Black Business

No abstract provided.

A Breeze Through The Window, Olivia Brown

Touring Lincolnville: A Celebration of Historic Black Business

No abstract provided.

The Wall That Looks, Bobbi Hudson

Touring Lincolnville: A Celebration of Historic Black Business

No abstract provided.

Bacon And____Undertakers, Charlie Ewing

Touring Lincolnville: A Celebration of Historic Black Business

No abstract provided.

De Haven Street Irregulars, Sydney Shomer

Touring Lincolnville: A Celebration of Historic Black Business

No abstract provided.

Frank Butler And Central Avenue, Natalie Medina

Touring Lincolnville: A Celebration of Historic Black Business

No abstract provided.

The Search For Frank Butler, Elizabeth Marion

Touring Lincolnville: A Celebration of Historic Black Business

No abstract provided.

The Land Has Eyes, Mckenna Shea

Touring Lincolnville: A Celebration of Historic Black Business

No abstract provided.

Science And Madness: Echoes Of Freudian Psychoanalysis In The Works Of H.P. Lovecraft And The Weird, Brandon J. Cordova

FIU Electronic Theses and Dissertations

The purpose of this thesis was to highlight the influence of psychoanalysis on the writing of H.P. Lovecraft through a literary analysis of his critical essays, scientific essays, personal correspondence, and fiction. The subjects of note were Lovecraft’s intense focus on the sciences as an inspiration for his work, his awareness of Freudian psychoanalytic principles, and his application of those principles in his contributions to weird fiction. In doing so, this thesis explored alternative interpretations of some of Lovecraft’s more well-known stories and provided nuance to a bigoted, problematic figure of American literature. This paper highlighted the significant role of …

Incorporating One’S Own Literary Criticism Into The Curriculum: The Teachable Essay Via John Updike’S Short Stories, Sue Norton

Books/Book Chapters

University students are approaching literary study at a time when social justice occupies centrality in public discourse, a time when racism, sexism, Eurocentrism, and Americentrism are commanding unprecedented levels of interest and analysis both inside the academy and out of it. If students in the literature classroom are encouraged to postpone ideologically driven readings, just initially, they will be better able to observe how fine literature achieves its artistry. They may then become more ardent, attentive readers who can interpret the world and the word with refined criticality.

Joanne Kyger And “The Kook Strain” In Olson: A Reading, Patrick James Dunagan

Gleeson Library Faculty and Staff Research and Scholarship

Jerome Rothenberg's "that dada strain" at once hilarious grandiose epic lyric historical and ever adventurous charts the highs discovered in his reading of the dada era. In like occurrence this writing seeks to poke around in the occult cupboards of Olson's mystical leanings. Looking not only at his work and assorted readings/engagements but delving also into the works of various others (Joanne Kyger, Jack Hirschman, Paul Blackburn, Gerrit Lansing, David Meltzer, Robert Duncan, Diane di Prima, Robin Blaser et al) who fell in alongside as well as after his work's star-eyed haul. Loquaciously gifted as a talker, how much (if …

Two Trans-Atlantic Divorce Novels: In Camilla, Elizabeth Robins Counters Edith Wharton’S The Custom Of The Country, Joanne E. Gates

Presentations, Proceedings & Performances

This paper argues that Elizabeth Robins' reading of The Custom of the Country (recorded in her diary, 25 November 1913) impacted the way Robins drafted her very next novel, Camilla. Unlike Wharton’s Undine, whose careers with men might be characterized by the sequence of her last names (Spragg Moffatt, Marvell, de Chelles, Moffatt), Camilla undertakes one long reflective flashback on her early life with her ex-husband, Leroy Trenholme, as she crosses the Atlantic, east to west, having been proposed to by a deeply caring and comforting Englishman. This reliving of the unraveling of her marriage (especially the scene of …

Anonymity As A Bridge From Actress To Author: The Case Of Elizabeth Robins, Joanne E. Gates

Presentations, Proceedings & Performances

Any scholar working on the origins of the feminist journey of the actress turned writer Elizabeth Robins ought to be aware of her two earliest short works of fiction she wrote and published in The New Review under nearly perfect anonymity. This paper will profile these two earlier stories, published in 1894 even before her first novel, George Mandeville's Husband, attracted attention when it appeared under her perhaps thinly disguised pseudonym, C. E. Raimond.

Robins saw the potential and, yes, to her mind, the necessity, of establishing herself as a writer so that she could more securely support herself. …

Religion And Spirituality: Meditations On Mystery, Graley Herren

Faculty Scholarship

Don DeLillo is a profoundly religious writer. He is a religious writer because of the questions he asks rather than the answers he finds. He is a religious writer because of how he depicts characters wrestling with moral problems, not because of how those characters emerge victorious from such battles. He is a religious writer because his work is persistently drawn to sacred encounters with the numinous, immanent, and transcendent, even though such moments may prove illusory and are always transient. This chapter traces the evolution of critical perspectives on DeLillo as a religious writer, beginning with postmodern critiques of …

Colonial Prehistories Of Indigenous North America, Mark A. Mattes

Faculty Scholarship

One of the most common inquiries received by Filson Historical Society librarians concerns the myth of Prince Madoc and the Welsh Indians. Of the myth’s many versions, the one most familiar to Ohio Valley History readers goes like this: Madoc, a Welsh prince escaping an internecine conflict over political rule at home, supposedly sailed to North America in the twelfth century. His force either landed at the Falls of the Ohio or made it there after landing further south and being driven north by hostile locals, possibly Cherokee people. Madoc and his contingent intermixed with Indigenous populations, whose fair-haired, blue-eyed, …

Olympia, Wilderness, And Consumption In Laird Barron’S Old Leech Cycle, John Glover

VCU Libraries Faculty and Staff Publications

This book chapter considers the cosmic horror fiction of Laird Barron through a blended ecocritical/postcolonial lens, focusing on its representation of the Pacific Northwest and Olympia, Washington. Wilderness and consumption are both strongly represented concepts in Barron’s Old Leech Cycle of stories, aligning with colonial perceptions of the American West as a largely unpeopled space ripe for exploitation. The eldritch horrors of these tales align with well-established traditions in weird fiction, and they are also perfectly suited to locations historically identified with resource extraction.

Nature, Magic, And Healing: How Leslie Silko Builds Her Native World, Ashton Q. Record

Student Publications

An essay examining how Leslie M. Silko utilizes the relationship between Nature and Native American Mystic Arts to create a full and vibrant world in her novel Ceremony.

Toward An Archaeology Of Manuscripts, Mark A. Mattes

Faculty Scholarship

The title of Rachael Scarborough King’s edited collection of essays, After Print, refers at once to Peter Stallybrass’s insight that printing is a provocation of manuscript, as well as to what the study of manuscripts looks like when we move away from stadial and supersessionist print culture paradigms of authorship and publication and instead embrace archival methods and interpretive approaches that center on concepts of media interrelation in early modern manuscript cultures, such as Margaret Ezell’s concept of social authorship.The essays in King’s collection, including an epilogue by Ezell herself, bear the fruits of such intermedial and transmedial approaches, bringing …

Every Good And Perfect Gift: How Jonathan Edwards Uses The Motif Of The Gift To Communicate The Gospel, Lauren Bridgeman

English Class Publications

When a person brings a gift to a party or holiday gathering, they often do so out of fear of people viewing them as impolite if they forget. This societal norm creates the impression that the receivers deserve the gift. However, objects of value that are deserved are called wages, not gifts; gifts are products that are undeserved and unearned. Though the motif of a gift is uncommon in literature and is not as common as motifs of nature or childhood, it is important to understand the components of a Gift. Involved in an exchange are a Giver and a …

Settler Kitsch The Legacies Of Puritanism In America, Jonathan Beecher Field

Publications

No abstract provided.

The Esoteric Quality Of Montaigne’S Essays: The Essay As A Philosophic Response To Extreme Forms Of Skepticism, Victoria Russo

Honors Program Theses and Projects

According to Judith Shklar (1990, 611) not only is Montaigne Emerson’s hero, but Emerson is the American thinker in whom one finds the greatest understanding and appreciation of Montaigne’s Essays (see also Shklar 1989). The kinship between Montaigne and Emerson extends beyond the latter’s appreciation of the former. Both essayists address the topics of skepticism and the relationship between skepticism and how one ought to live. In doing so, both Emerson and Montaigne speak to the philosophical importance of literature and how one should understand the relationship between literature and philosophy.

Bigger And Abnormal Psychology: How Antisocial Personality Disorder And A Lack Of Identity Helped Shape Bigger's Behavior, Trayton N. Armstrong

English Class Publications

One of the most discussed murders in modern American literature is Bigger Thomas, the protagonist of Richard Wright’s Native Son (1940). The novel centers on the last days of Bigger’s life, as he commits two homicides, extortion, and rape. These crimes led to a death sentence of the electric chair after a flimsy trial. While it might appear at first that Bigger’s situation is simply a result of the racism of the late 1930s, with the segregated South Side noticing and hating the disparity they see compared to the more affluent white residents in neighboring burgs, I would argue that …

Old Industries, Old Conflicts: The Significance Of American Epic Novels, Arturo Alcazar

Honors Projects

This essay focuses on three American epic novels: Moby-Dick by Herman Melville, Blood Meridian by Cormac McCarthy, and Underworld by Don DeLillo. More specifically, the essay examines the themes of ambiguity, redemption, good and evil, isolation, and violence as they are depicted in these three novels and what they indicate about America and its people and society.

Ethnic Irony In Melvin B. Tolson's "Dark Symphony", Elizabeth Newton

Publications and Research

This article historicizes musical symbolism in Melvin B. Tolson’s poem “Dark Symphony” (1941). In a time when Black writers and musicians alike were encouraged to aspire to European standards of greatness, Tolson’s Afro-modernist poem establishes an ambivalent critical stance toward the genre in its title. In pursuit of a richer understanding of the poet’s attitude, this article situates the poem within histories of Black music, racial uplift, and white supremacy, exploring the poem’s relation to other media from the Harlem Renaissance. It analyzes the changing language across the poem’s sections and, informed by Houston A. Baker Jr.’s study of “mastery …