American Studies Commons^™

Repugnant Aboriginality: Leanne Howe’S Shell Shaker And Indigenous Representation In The Age Of Multiculturalism, Monika Siebert

English Faculty Publications

Surprisingly for a novel evidently invested in representations of contemporary Choctaw traditionalism as a viable alternative to settler society, LeAnne Howe’s 2001 Shell Shaker gives unrelenting play to the gruesomeness, horror even, of the traditional rituals it depicts, at the risk of reinforcing stereotypes of Indian savagery. And yet, these depictions of the repugnant, that is, of ancient practices now prohibited by law or found reprehensible by a public sense of ethics, allow Howe to escape the integrative thrust of contemporary multiculturalism by pre-emptying identification through difference, an interpretive logic according to which we are all the same because we …

Preface: Monsters And Mormons, Terryl Givens

English Faculty Publications

In the nineteenth century, Mormonism seemed grist for everybody's mill. Humorists like Artemus Ward and Mark Twain made hay out of polygamy; conspiracy theorists like Thomas deWitt Talmage imputed President Garfield's assassination to the Mormons; pseudo-memoirists like "Maria Ward" recounted their seduction, imprisonment, and torture at the hands of Mormon mesmerists; the Republican jump-started their political party with a promise to expunge the Mormon "relic of barbarism"; and pulp fiction writers and serious novelists alike fueled sales with stories of bloodthirsty Danites, lecherous elders, and grief maddened Mormon wives who murdered competitors.

[Introduction To] When Janey Comes Marching Home: Portraits Of Women Combat Veterans, Laura Browder, Sascha Pflaeging

Bookshelf

While women are officially barred from combat in the American armed services, in the current war, where there are no front lines, the ban on combat is virtually meaningless. More than in any previous conflict in our history, American women are engaging with the enemy, suffering injuries, and even sacrificing their lives in the line of duty.

When Janey Comes Marching Home juxtaposes forty-eight photographs by Sascha Pflaeging with oral histories collected by Laura Browder to provide a dramatic portrait of women at war. Women from all five branches of the military share their stories here--stories that are by turns …

The Obama Effect On American Discourse About Racial Identity: Dreams From My Father (And Mother), Barack Obama's Search For Self, Suzanne W. Jones

English Faculty Publications

During the 2008 presidential campaign, Joseph Curl reported that the Obama organization "would not answer when asked why the biracial candidate calls himself black," replying only that the question didn't "seem especially topical." Biracial ancestry and racial identity are still sensitive subjects in the United States, not suitable for sound bites. But they are perfect topics for the introspective musings of an autobiography, and Barack Obama must have thought he had answered this question in depth in Dreams from My Father (1995). In his introduction, Obama hesitates to use the term "autobiography" because it connotes, he says, "a certain closure"; …

Faulkner's Sexualized City: Modernism, Commerce, And The (Textual) Body, Peter Lurie

English Faculty Publications

Such classicism is the aesthetic opposite of what Faulkner demonstrates at moments in Mosquitoes and that would go on to become his famously baroque style. In the discussion that follows, I will be asking a number of questions about that development, among them the following: What is the role in Faulkner of a baroque, highly refined language, especially when Faulkner uses it to convey sexuality? And what connections (or disconnections) might that style have to Faulkner’s use of the setting of the city, as in Mosquitoes, or elsewhere of the rural countryside? As we will see, changes in these …

True Crime, Laura Browder

English Faculty Publications

Whether or not Capote invented something called the “nonfiction novel,” he ushered in the serious, extensive, non-fiction treatment of murder. In the years since In Cold Blood appeared, the genre of true crime regularly appears on the bestseller list. It is related to crime fiction, certainly – but it might equally well be grouped with documentary or read alongside romance fiction. And while its readers have a deep engagement with the genre that is very different from the engagement of readers of crime fiction, its writers are often forced to occupy a position – in relation to victims, criminals and …

[Introduction To] America On The Eve Of The Civil War, Edward L. Ayers, Carolyn R. Martin

Bookshelf

The scholarship and public history the sixteen historians had created over their careers made this plan seem at least feasible. Their collective body of work embraces everything from politics to literature, from industrial slavery to African American art, from women's reform efforts to racial ideologies, from military history to the history of memory. Some of them worked at museums and libraries while others taught at universities and colleges across the nations. They belonged to no particular school of interpretation, and quite a few had never met one another.

The historians, whatever their backgrounds, shared a sense of responsibility for opening …

Writing Southern Race Relations: Stories Ellen Douglas Was Brave Enough To Tell, Suzanne W. Jones

English Faculty Publications

When Ellen Douglas started writing, she drew inspiration from the way William Faulkner and other southern writers whom she admired, like Eudora Welty, depicted southern places. Douglas planted all of her fiction firmly in the region of Mississippi that she knew best; her Homochitto is modeled of Natchez, where she was born, and her Philippi on Greenville, where she lived with her husband and their children. But Douglas reacted against the gothic and mythic elements in Faulkner's work and used as her first literary models the great nineteenth-century realists: Dostoevsky, Flaubert, James, and Tolstoy. She admired Eudora Welty, but found …

The Heart Is A Strange Muscle, Laura Browder

English Faculty Publications

Rachel’s beeper went off just as her back began growing numb, jammed against the pieces of broken and discarded furniture in the storage room. A second later, Bobby’s went off too. She unwrapped her legs from around his sweaty back, pulled herself up to a sitting position, and groped through the jumble of clothing.

Invisible Dread, From Twisted: The Dreadlock Chronicles, Bertram D. Ashe

English Faculty Publications

This excerpt traces the issues and process surrounding the dreadlocking of an Afri­can-American professor's hair. The personal history leading up to the decision to grow locks is briefly addressed, as is the experience of getting twisted for the first time and some reactions to the new hairstyle. Twisted discusses issues of cultural authenticity and academic nonconformity. It examines dreadlocks as a pathway to explore black identity, but in opposing ways: the act of locking ones hair does dis­play unconventional blackness - but it also participates in a preexisting black style. To what extent, the excerpt asks, can the adoption of …

Kinds Of Faulknerians, Peter Lurie

English Faculty Publications

There are, it seems, two kinds of Faulknerians. Or there used to be. Although not contending critical camps per se, these two approaches to the long career of this modernist from the American south nevertheless partake of very different ways of considering the canonical writer. In the process, they seek to maintain Faulkner’s continuing relevance in ways that say much about his contribution to a uniquely American and regional modernism as well as a body of work marked, particularly in his later novels, by post-Second World War—if not also postmodern—practices and concerns.

Tragic No More?: The Reappearance Of The Racially Mixed Character, Suzanne W. Jones

English Faculty Publications

During the nineteenth century and early in the twentieth, the tragic mulatto/a figured prominently in American fiction, only to recede after the Harlem Renaissance when African-American writers called for "race pride" and racial solidarity and to disappear entirely in the late 1960s after the Black Power movement ushered in racially conscious concepts such as "Black Is Beautiful." Since 1990, however, the mixed black-white character has made a significant comeback in American fiction. Contemporary representations suggest that choosing one's racial identity is only slightly less difficult than it used to be because of American society's conflation of skin color and identity. …

Black Girl In Paris: Shay Youngblood's Escape From "The Last Plantation", Suzanne W. Jones

English Faculty Publications

Twentieth-century African-American writers have shared with their white American counterparts the expectation that in Paris they would find an community of writers and artists. And to varying degrees each did. Much like Edith Wharton, African-American writers viewed the French as a people who value art and creativity, the aesthete and the intellectual. And much like American writers from Hawthorne to Henry Miller, African-American expatriates viewed Paris as an "outlet for repressed sexuality," an unpuritanical place, which would allow, even encourage, people to live and love and create as the pleased. In Black Girl in Paris (2000) these are certainly the …

[Introduction To] With The Weathermen: The Personal Journal Of A Revolutionary Woman, Susan Stern, Laura Browder

Bookshelf

Drugs. Sex. Revolutionary violence. From its first pages, Susan Stern's memoir With the Weathermen provides a candid, first-hand look at the radical politics and the social and cultural environment of the New Left during the late 1960s.

The Weathermen--a U.S.-based, revolutionary splinter group of Students for a Democratic Society--advocated the overthrow of the government and capitalism, and toward that end, carried out a campaign of bombings, jailbreaks, and riots throughout the United States. In With the Weathermen Stern traces her involvement with this group, and her transformation from a shy, married graduate student into a go-go dancing, street-fighting "macho mama." …

Jazz On The River By William Howland Kenney (Book Review), Gene H. Anderson

Music Faculty Publications

Jazz has not always been "America's classical music." In the first decades of the twentieth century it was regarded by much of the black and white Establishment as unsettling, provocative, even dangerous - attitudes exacerbated by the social upheaval of the Great Migration around the time of World War I. Enter black riverboat jazz bands to negotiate the color line: to help "white Americans approach in an oblique manner underlying social and cultural changes that were too deep and too heavily laden with pain, guilt, and fear for most citizens to discuss openly" (5). Such is the thesis of Jazz …

"I Put The Tale Back Where I Found It": Feeling The Past Through "The Warmth Of The Human Voice", Daryl Cumber Dance

English Faculty Publications

In this article, I examine my revelations and growth related to folk culture and literature connected to the African American community. I borrow from and play on the Sudanese formulaic ending for the folktale; it seemed to me appropriate - even obligatory- that "I put the tale back where I found it." This maxim is symbolic, reflecting what I find one of the most characteristic elements of Black folklore - that is, the focus on the group, the community, in terms of the source of the historical situation of the tale; the moral lesson; the content, style, and delivery; and …

'The Senator And The Socialite: The True Story Of America's First Black Dynasty,' By Lawrence Otis Graham, Eric S. Yellin

History Faculty Publications

Lawrence Otis Graham attempts to tell the important story of the Bruces and their legacy in The Senator and the Socialite: The True Story of America’s First Black Dynasty. Starting his story before the Civil War, Graham follows the “First Black Dynasty” through its ultimate fall from grace in mid-twentieth-century New York City. As with his previous bestseller, Our Kind of People: Inside America’s Black Upper Class (1999), Graham takes on the ambitious task of capturing the meaning and importance of an underappreciated group of American’s.

Childhood Trauma And Its Reverberations In Bebe Moore Campbell's Your Blues Ain't Like Mine, Suzanne W. Jones

English Faculty Publications

Novelist Bebe Moore Campbell was only five when Emmett Till was murdered on August 28, 1955. But in Your Blues Ain't Like Mine (1992) she seeks to answer the question that black teenagers in Mississippi, and indeed many people from all over the United States, asked after seeing the photograph of Till's mutilated and bloated body: "How could they do that to him? He's only a boy" (Dittmer 58). Campbell embraces the view that Lillian Smith expressed in Killers of the Dream (1949): "The warped, distorted frame we have put around every Negro child from birth is around every white …

The French Faulkner: Vision, Instrumentality, And Sanctuary's 'Lake Of Ink', Peter Lurie

English Faculty Publications

Like Edgar Allan Poe and the American film noir, William Faulkner enjoyed a critical reception in France that anticipated his American audience by several years. While not the first critics to admire Faulkner’s writing, readers like Maurice Coindreau, Andre Malraux, and Jean-Paul Sartre were among the earliest readers to recognize a particular quality to his fiction, one that, especially in the case of certain novels, evaded Faulkner’s contemporary American readers. As certain examples of this cross-cultural acceptance demonstrate, such as Baudelair’s translation of Poe in the nineteenth century and his exalting of Poe as a poetic genius, or Raymond …

Constructing Black Selves: Caribbean American Narratives And The Second Generation By Lisa D. Mcgill (Book Review), Daryl Cumber Dance

English Faculty Publications

Using second generation Americans Harry Belafonte, Paule Marshall, Audre Lorde, Piri Thomas, and the meringue hip hop group Proyecto Uno, Lisa D. McGill considers in Constructing Black Selves: Caribbean American Narratives and the Second Generation the issues of identity formation of those whose heritage ultimately includes Africa, the Caribbean, and the United States, most often New York City. Though her subjects come from different national, racial, and language backgrounds; though they have made their names in different media; and though they have different views of race, identity, and culture, she convincingly makes the argument that "African America becomes powerful site …

Who Is A Southern Writer?, Suzanne W. Jones

English Faculty Publications

Richard Ford’s response to a questioner at the University of Mississippi symposium—that he is a “southerner” but not a “southern writer”—makes him only the latest in a long line of distinguished writers who grew up in the South, but have refused to be corralled into a regional stall. Other contemporary writers from the South, feeling “left out” of a potentially profitable niche market, have sought to broaden the definition of “southern literature.” Instead of worrying about who qualifies as a “southern writer” or rigidly delimiting “southern literature,” we might more fruitfully ask questions about who is writing about the U.S. …

The Southern Family Farm As Endangered Species: Possibilities For Survival In Barbara Kingsolver's Prodigal Summer, Suzanne W. Jones

English Faculty Publications

At the same time some southern studies scholars are positioning the U.S. South in a larger cultural, historic, and economic region that encompasses the Caribbean and Latin America, some southern environmentalist writers, such as long-time essayist and novelist Wendell Berry and activist-turned-memoirist Janisse Ray, are finding a pressing need to focus on smaller bioregions and the locatedness of the human subject. These writers believe that agribusiness and consumer ignorance are driving small farmers out of business and that clear-cutting timber and farming practices dependent on chemicals are threatening local ecosystems. Best-selling novelist Barbara Kingsolver has joined their ranks. With her …

Atanarjuat And The Ideological Work Of Contemporary Indigenous Filmmaking, Monika Siebert

English Faculty Publications

Ilanaaq is the latest North American example of “playing Indian” (Deloria 1998), a practice with vast historical precedent. With ilanaaq, Canada joins a host of nations who have turned to symbols of local indigeneity to assert their national distinctiveness. Such appropriation presents indigenous artists with a dilemma. The current flowering of indigenous letters, art and cinema in North America is generally taken as evidence that Canada and the United States, as thriving multiculturalist democracies, have broken with an earlier history of the expropriation and displacement of the Americas’ indigenous peoples. The art bears witness to a new historical period, in …

[Introduction To] Poverty And Progress In The U.S. South Since 1920, Suzanne W. Jones, Mark Newman

Bookshelf

Poverty, disease, and illiteracy had long bedeviled the U.S. South, even before the agricultural depression of the 1920s became subsumed within the Great Depression of the 1930s. The essays collected in this volume examine a variety of responses to economic depression and poverty. They recount specific battles for civil, educational, and labor rights, and explore the challenges and alternatives to the corporate South in the post World War II agribusiness era. Scholars from both the U.S. and Europe assess how far the South has come in the last century, what forces (from the Sears Roebuck Catalog to the Civil Rights …

[Introduction To] Her Best Shot: Women And Guns In America, Laura Browder

Bookshelf

The gun-toting woman holds enormous symbolic significance in American culture. For over two centuries, women who pick up guns have disrupted the popular association of guns and masculinity, spurring debates about women's capabilities for violence as well as their capacity for full citizenship. In Her Best Shot, Laura Browder examines the relationship between women and guns and the ways in which the figure of the armed woman has served as a lightning rod for cultural issues.

Utilizing autobiographies, advertising, journalism, novels, and political tracts, among other sources, Browder traces appearances of the armed woman across a chronological spectrum from …

[Introduction To] Crucible Of The Civil War: Virginia From Secession To Commemoration, Edward L. Ayers, Gary W. Gallagher, Andrew J. Torget

Bookshelf

Crucible of the Civil War offers an illuminating portrait of the state’s wartime economic, political, and social institutions. Weighing in on contentious issues within established scholarship while also breaking ground in areas long neglected by scholars, the contributors examine such concerns as the war’s effect on slavery in the state, the wartime intersection of race and religion, and the development of Confederate social networks. They also shed light on topics long disputed by historians, such as Virginia’s decision to secede from the Union, the development of Confederate nationalism, and how Virginians chose to remember the war after its close.

[Introduction To] What Caused The Civil War? Reflections On The South And Southern History, Edward L. Ayers

Bookshelf

The Southern past has proven to be fertile ground for great works of history. Peculiarities of tragic proportions—a system of slavery flourishing in a land of freedom, secession and Civil War tearing at a federal Union, deep poverty persisting in a nation of fast-paced development—have fed the imaginations of some of our most accomplished historians.

Foremost in their ranks today is Edward L. Ayers, author of the award-winning and ongoing study of the Civil War in the heart of America, the Valley of the Shadow Project. In wide-ranging essays on the Civil War, the New South, and the twentieth-century South, …

Interracial Love, Virginians' Lies, And Donald Mccaig's Jacob's Ladder, Suzanne W. Jones

English Faculty Publications

The Old South's taboo against love between blacks and whites has cast a long shadow. No cross-racial relationship has been so pathologized by American society. Even in 1967, when the Supreme Court finally declared antimiscegenation laws unconstitutional in the case of Loving v. Virginia, sixteen states still prohibited interracial marriage, down from thirty states as recently as 1948. Not until 1998 and 2000 did ballot initiatives in South Carolina and Alabama finally eliminate the last of the antimiscegenation laws, although no one had tried to enforce them for years. Recent U.S. census figures show interracial unions increasing--up from 3 …

Querying The Modernist Canon: Historical Consciousness And The Sexuality Of Suffering In Faulkner And Hart Crane, Peter Lurie

English Faculty Publications

The extended historical “moments” that Crane and Faulkner both seek to offer readers may then be defined by their affinities with pain. In the context of American history, that painfulness refers to the experience of historical subjects such as the American Indian as well as marginalized populations like Southern blacks and, as with young Thomas Sutpen, rural poor whites. What both Faulkner and Crane signal in key sections of their work is the way that historical awareness, on the part of either characters or readers, is activated by and necessitates a textual effect of suffering. It is the different valence …

[Introduction To] Race Mixing: Southern Fiction Since The Sixties, Suzanne W. Jones

Bookshelf

In the southern United States, there remains a deep need among both black and white writers to examine the topic of race relations, whether they grew up during segregation or belong to the younger generation that graduated from integrated schools. In Race Mixing, Suzanne Jones offers insightful and provocative readings of contemporary novels, the work of a wide range of writers—black and white, established and emerging. Their stories explore the possibilities of cross-racial friendships, examine the repressed history of interracial love, reimagine the Civil Rights era through children's eyes, herald the reemergence of the racially mixed character, investigate acts …