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Articles 31 - 36 of 36
Full-Text Articles in American Studies
The Canon And Shakespeare's Plays On The Contemporary East Asian Stage, I-Chun Wang
The Canon And Shakespeare's Plays On The Contemporary East Asian Stage, I-Chun Wang
CLCWeb: Comparative Literature and Culture
In her article "The Canon and Shakespeare's Plays on the Contemporary East Asian Stage" I-Chun Wang argues that although globalization often refers to the phenomenon of international trade and (im)migrants, globalization has made strong impacts in all aspects of culture and literature. Shakespeare's Antony and Cleopatra and Julius Caesar have attracted attention of East Asian playwrights and directors in the last several years. By juxtaposing the trends of local cultural performing arts with representations of local cultural legacies, Wang discusses the staging of these two Roman plays in Japan, Taiwan, and Hong Kong. By probing into the imperial themes represented …
Introduction To New Work On Electronic Literature And Cyberculture, Maya Zalbidea, Mark C. Marino, Asunción López-Varela
Introduction To New Work On Electronic Literature And Cyberculture, Maya Zalbidea, Mark C. Marino, Asunción López-Varela
CLCWeb: Comparative Literature and Culture
No abstract provided.
Roth’S Humorous Art Of Ghost Writing, Paule Levy
Roth’S Humorous Art Of Ghost Writing, Paule Levy
CLCWeb: Comparative Literature and Culture
In her article "Roth's Humorous Art of Ghost Writing" Paule Lévy analyses Philip Roth's Exit Ghost, the last novel featuring Nathan Zuckerman, in which Roth reassesses his favorite alter ego's itinerary while exploring the troubled relation between writing and aging. Lévy considers Exit Ghost as an ironic sequel to The Ghost Writer and posits that in the light of Derrida's theories of writing and "hauntology" the central motifs of ghosts and "spectrality" in the novel are a means for Roth to reflect anew on the ambiguous relation between autobiography and fiction. Lévy asks whether Exit Ghost should be …
Animals Speaking In The Fiction Of Jin And Malamud, Matt Prater
Animals Speaking In The Fiction Of Jin And Malamud, Matt Prater
CLCWeb: Comparative Literature and Culture
In his article "Animals Speaking in the Fiction of Jin and Malamud" Matt Prater discusses "The Jewbird" by Bernard Malamud and "A Composer and His Parakeets" by Ha Jin as transcultural texts which involve non-human animals as major characters. Jin and Malamud examine differing representations of animal language and how these representations connect to the politics of both interspecies and transnational relationships. By applying critical animal studies and transnational discourse and by charting the interlinking of other-ings by theorists such as Carol Adams and Susan Kappeler, Prater attempts to show that animals figure into transcultural and transnational discourses in ways …
Is First, They Killed My Father A Cambodian Testimonio?, John Maddox
Is First, They Killed My Father A Cambodian Testimonio?, John Maddox
CLCWeb: Comparative Literature and Culture
In his article "Is First, They Killed My Father a Cambodian testimonio" John T. Maddox discusses aspects of the testimonial. Dialoguing with leading Latin Americanists, Maddox argues that Cambodian writer Loung Ung's First, They Killed My Father (2000) challenges this uniqueness and opens studies on the testimonio to new possibilities for intellectual reflection and political activism. In Maddox's view, the continued use of the term testimonio would serve as a reference to this long-standing tradition of writing and thinking about political violence in Latin America. After a discussion of the debate of the definition and function of testimonio and …
Ambanasom's Son Of The Native Soil And The Western Concept Of The Tragic Hero, Denis Fonge Tembong
Ambanasom's Son Of The Native Soil And The Western Concept Of The Tragic Hero, Denis Fonge Tembong
CLCWeb: Comparative Literature and Culture
In his article "Ambanasom's Son of the Native Soil and the Western Concept of the Tragic Hero" Denis Fonge Tembong discusses the view that although African and Western literatures are fundamentally different as they exhibit or represent distinct cultural values, they nevertheless share some common notions. The concept of a tragic hero is one of those convergent loci where the two literatures meet. With this in mind, Tembong examines in Aristotle's and Shakespeare's concepts of the tragic hero and demonstrates how the ideas exploited in Macbeth are similarly used in Shadrach A. Ambanasom's Son of the Native Soil against the …