American Studies Commons^™

Freedom At Midday: Elements Of Existentialism In The Works Of Ambrose Bierce, Sharon A. Winn

Masters Theses

Ambrose Bierce exhibited a number of elements of existential thinking both in his life and in his writing. But he was ambivalent about his philosophical stance, and it is difficult to know whether he was the utter pessimist he has been called, or whether his attitude toward the universe admitted a certain optimism.

Much of Bierce's thought parallels modern existentialism, which has three main tenets: a belief that there is no God and the universe is, therefore, irrational; a descent into despair; and a choice of life or death.

Bierce insisted that the universe is irrational, and he repeatedly discussed …

American Arts And Artists Of The Twentieth Century: 1900-1941, Janet M. Ryan

Masters Theses

"American Arts and Artists of the Twentieth Century: 1900-1941" is a prepared course of study developed for the high-school or junior-college-level humanities student. One to three literary, musical, and visual artists were selected to represent a decade. Because of the amount of material to be covered, and because of the limited time in which to present it, the first four decades of the twentieth century are considered.

The study consists of fifty, one-hour sessions which are divided into two units: "The First Two Decades: 1900-1918"; and "Between the Wars: 1919-1941." Each unit is made up of individual lessons devoted to …

Charles Simic: Trends Toward An International Poetry, Denise Clark

Masters Theses

In his article "Wrong Turning in American Poetry," Robert Bly believes that American poetry has been lead astray by the likes of Eliot, Pound, Moore, and Williams. He feels that the main failing of American poetry is its lack of inward, spiritual life. It is the Spanish speaking poets that Bly looks to as the true path-finders of spiritual poetry. If Bly believes that poets like Eliot and Williams were responsible for steering American poetry down the wrong path, it is a foreigner, Charles Simic, who will give American poetry the right turn it needs.

What Simic has been able …

There's No Place Like Home: The Haunted House As Literary Motif, Mary Catherine Mcdaniel

Masters Theses

This thesis traces the development of the haunted house in British and American literature and covers a time span of roughly two hundred years. Its approach is chronological: beginning with Horace Walpole's The Castle of Otranto, it examines the use of the Bad Place as a literary motif, emphasizing the consistencies in its development while noting the inconsistencies as well. From Walpole to Stephen King, we see that the haunted house has continuously represented two things. On one hand, it may serve as a repository for unexpiated sin. The traditional haunted house, in fact, is nothing more than the …

A Room Of One's Own: The Women's Room, Lou Ellen Crawford

Masters Theses

The recent resurgence of feminism has been accompanied by the development of feminist fiction. Identifying those characteristics by which feminist fiction adds to the American novel a new and valid perspective, feminist criticism has also flourished. Feminist critics agree that fiction with a new perspective demands critical evaluation from that same perspective; and Cheri Register provides a concise, thorough list of five elements which comprise effective feminist fiction. Of Register's five criteria, Carol Heilbrun stresses the equalizing, conciliatory influence of androgyny. Recent feminist authors have written many novels which perform one or more of the functions prescribed by Register. Three …

The Pessimistic Themes Of The Mysterious Stranger As Reflected In Mark Twain's Previous Novels, Judy Dale Hill Walker

Masters Theses

The purpose of the thesis is to demonstrate that the pessimism exhibited in the themes of The Mysterious Stranger is evident in the themes of The Adventures of Tom Sawyer (1874-1876), The Prince and the Pauper (1877-1882), The Adventures of Huckleberry Finn (1876-1885), A Connecticut Yankee in King Arthur's Court (1888-1889), and Pudd'nhead Wilson (1891-1894). The thesis also demonstrates that the pessimism becomes more dominate as the novels progress chronologically through the repetition of the themes and the increasing number of themes being treated.

The introduction briefly discusses the arguments over the origins of Twain's pessimism as set forth by …

The Endlessly Elaborating Poem: A Comparative Study Of Walt Whitman, Wallace Stevens, And The American Experimental, Long Narrative Poem, Paul Freidinger

Masters Theses

Up to the middle of the nineteenth century, British and American poetry was expected to employ rigid metrical and rhythmical patterns. Any verse that did not conform was considered devoid of aesthetic merit. In addition, some critics, Edgar Allan Poe being one of those, argued that there was no place for a long poem in poetry. Walt Whitman and Wallace Stevens, two proponents of the long narrative poem, both wrote in free verse and, thus, directly confronted these traditional theories.

This study demonstrates that the verse of Whitman and Stevens constitutes a new approach to poetic style and structure. A …

The Biblical View Of The Fall Of Man In Nathaniel Hawthorne's The Marble Faun, Lois Darlene Hanson

Masters Theses

"The story of the fall of man!" One can easily tell that The Fall is the main topic in The Marble Faun. Hawthorne, in this romance, is asking whether man's fall in the Garden of Eden was for man's betterment or not. He is also asking if sin is our power of regeneration, for without the sin of Adam and Eve there would have been no need for a savior. This theory is known as the Fortunate Fall of Man.

Hawthorne is suggesting within The Marble Faun that our sin is both original and renewable--it is something that we …

The Influence Of Women In Vardis Fisher’S Western Literature, Sylvia L. Alderton

Masters Theses

Vardis Fisher, a writer who wrote about the early west, uses his life experiences and extensive historical research as a basis for his western novels. With his background in the Antelope region and his historical research, Fisher presents both women in the Antelope hills and women in the hazardous far west surroundings. He instills in the reader a panoramic view of the pioneer women as they experience life in the old west.

The Antelope women are isolated in their environment with little social contact. They are effected physically, psychologically, and economically in this remote area. Most of the women overcome …

Herman Melville And Paul Tillich: An Ontological Interpretation Of Billy Budd, Michael E. Gress

Masters Theses

The traditional approaches to Herman Melville's Billy Budd focus upon the question of whether or not the story was Melville's final statement of acceptance or irony. Both arguments are sociological in nature in that the different sides argue that Melville either finally accepts or continues to reject by irony, the forms of society. The acceptance critics contend that Melville ends by seeing value in the forms because of their use for maintaining order in society; the irony critics claim that Melville was taking a final satirical poke at society's limiting forms and authority.

My thesis differs from these traditional arguments …

The Innocent Narrator In Mark Twain's Roughing It, John R. Fisher

Masters Theses

Mark Twain in his travel narrative Roughing It presents a naive, innocent narrator from the East who ventures forth into the largely uncivilized Western frontier during the exciting silver mining boom of the 1860's. In his sojourn the innocent narrator encounters many people, places, customs, values, and experiences that are unfamiliar to him, and because of his status as a tenderfoot unacquainted with the frontier, he is often made a dupe by the mischievous old-timers in the West.

The innocent narrator must go through numerous initiations before he is accepted as a member of the vernacular community. In these various …

From Selflessness To Selfishness: Various Types Of Deception In Four Of Twain's Novels, Kay L. Smith

Masters Theses

An interesting feature of Mark Twain's The Prince and the Pauper, The Adventures of Huckleberry Finn, A Connecticut Yankee in King Arthur's Court, and The Tragedy of Pudd'nhead Wilson is the use of disguise and deception. The basis of much of the novels' actions concerns people who, for varied reasons, set out to fool other people. Other individuals or groups of people are self-deceived.

Motivations for the deception vary. Some entail selfless concerns of protecting a loved one. Some illustrate desires to maintain one's own safety and well-being. Still others involve negative, base qualities such as greed, …

Fitzgerald's Use Of The Four Elements In The Great Gatsby, John Philip Hawkins

Masters Theses

A great deal has been written about the conscientious effort that went into the design of F. Scott Fitzgerald's popular novel, The Great Gatsby, with its various allusions and numerous symbols. A careful reading of this novel will unveil the author's preoccupation with numerous metaphysical images, particularly the four elements--air, earth, water, and fire--which are considered to be the essential components of all matter.

Fitzgerald uses the four elements in The Great Gatsby to coordinate mood and physical settings, to give dimension to the settings, and to bring characters into sharper focus. The novel employs four settings, each one …

Saul Bellow's Henderson The Rain King: A Fusion Of The Comic And The Serious, George William Russo

Masters Theses

Bellow's comic vision points to a compromise between the romantic notion that self-perfection is attainable and the pessimistic notion that man is ultimately impotent and thus destined to fail. Through Henderson, Bellow shows that although man does not--and ultimately cannot--completely free himself of somatic demands and limitations, he is nevertheless not defeated by them and thus not left a victim of emotionless observations.

Bellow draws upon four sources in Henderson's nature to create the humor in the novel and highlights Eugene Henderson as a comic hero by dramatizing that Henderson proves to be his own ironist. These sources can be …

Depiction Of Blacks In The Works Of Ernest Hemingway, Sheila Marie Foor

Masters Theses

Ernest Hemingway, winner of the Nobel Prize for Literature in 1954, is one of America's outstanding literary figures. Criticism of his work has been voluminous--ranging from bitterly derogative to superlative--with most of it focusing upon the famous 'Hemingway code hero,' upon his crisp, concise writing style, and upon his much-publicized personal life.

One example of negative assessment by critics is the one concerning black portraiture in Hemingway's fiction. However, no work deals exclusively with this aspect of his writing. The purpose of this thesis is, first, to present a general discussion on the nature of prejudice and examination of black …

L. Frank Baum And The Technology Of Love, Robert Bruce Goble

Masters Theses

L. Frank Baum, throughout his books of fantasy, especially the Oz series, gradually resolves the conflict of pastoralism and technology by developing a technology managed by love. Baum uses magic as a representation of both pastoralism and technology. Fairy magic, the capacity for love, represents pastoralism, and ritual magic, the capacity for good or evil depending upon who wields it, represents technology. Baum deals with the ways in which ritual magic or technology can be misused through selfishness and ignorance and points out how destruction can be avoided if technology were managed by not greed for power and money but …

The Role Of Betrayal In Selected Drama Of Tennessee Williams, Craig E. Sanderson

Masters Theses

Much of the critical analysis of Tennessee Williams' drama concerns itself with the inherent conflict between ideals and reality in the universe as perceived by Williams. Such analysis, however, has not considered this conflict as a source of betrayal, or betrayal as a dominant theme in Williams' drama. In at least four of his plays it becomes evident how each of the individual characters in Williams' drama endures the conflict of reality and ideals, and the extent to which their respective approaches to the resolution of this struggle result in betrayal. Four plays--all regarded as among his most successful and …

From Rendezvous To Picket Fence: Tracing The Changing Frontier And Novelistic Development In A. B. Guthrie, Jr.'S Western Pentology, Raymond Charles Schmudde

Masters Theses

No abstract provided.

Female Initiates In Faulkner, Nancy Joan White

Masters Theses

No abstract provided.

Howells, Marriage, And Swedenborg: The Influence Of Swedenborg's Teachings On Howells' Portrayal Of Marriage In His Novels, Nancy Danner Marlow

Masters Theses

Over one-half of Howells' novels are concerned with marriage and courtship. Like many other aspects of his thinking, Howells' ideas of marriage were influenced by the teachings of Emmanuel Swedenborg, an eighteenth century Swedish scientist and theologian. The bulk of Swedenborg's teachings regarding marriage are found in his The Delights of Wisdom Concerning Conjugial Love, published in 1768. Howells showed the influence of Swedenborgianism on the marriages in his novels in three major areas: the actual marriages in his novels, matters relating to marriage, and marital failures.

An important element in Swedenborgianism is the belief in marriages in heaven. …

The Sound And The Fury: A Study Of Jason Compson And His Relationships With Women, Shari J. Fitzgerald

Masters Theses

No abstract provided.

Father And Sons In Bernard Malamud's The Natural And The Assistant, John Timothy Dailey

Masters Theses

No abstract provided.

The Endless Journey: William Faulkner's As I Lay Dying And John Steinbeck's The Grapes Of Wrath: A Comparative Study, Sherri L. Lawrence

Masters Theses

No abstract provided.

Joe Christmas: A Hero In Conflict In Faulkner's Light In August, Carole Booker Winkleblack

Masters Theses

No abstract provided.

A Criticism Of Elder Olson's Poetic Method, Ernest Edward Force Ii

Masters Theses

No abstract provided.

Predestination As A Motif In Faulkner's Light In August, Virginia A. Riegel

Masters Theses

No abstract provided.

Existential Elements In The Works Of Ernest Hemingway, Carl Klemaier

Masters Theses

No abstract provided.

Recapitulation And Alteration In Faulkner's Snopes Trilogy, Elizabeth Anne Shapland

Masters Theses

No abstract provided.

George Willard's Progress Toward Maturity In Sherwood Anderson's Winesburg, Ohio, Patrice Grassinger Spencer

Masters Theses

No abstract provided.

Freudian Dream Symbols In Q.E.D., Melanctha And Ida, Victoria M. Davis

Masters Theses

No abstract provided.