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Articles 31 - 60 of 3130
Full-Text Articles in American Studies
William Levine Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
William Levine Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
Levine Family of Waterville
William Levine was born on December 25, 1865 and died on July 6, 1946. This scrapbook includes photographs, memorials by family members, obituary, documents such as deeds, and an account book.
Ann Levine Wolff Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
Ann Levine Wolff Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
Levine Family of Waterville
Ann (Anna Eva) Levine was born on November 12, 1890 to William and Sarah Ida Levine, and died on April 3, 1890. This scrapbook contains family memories, photographs, and an exam book in holograph for a history class in 1936 at Colby College.
Bibby Levine Alfond Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
Bibby Levine Alfond Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
Levine Family of Waterville
Dorothy "Bibby" Adair Levine was born to William and Sarah Ida Levine on April 16, 1916 and died December 31, 2005. The scrapbook contains family memories, eulogy, newspaper clippings, photographs, and announcement of the birth of her son Michael.
Ludy Levine Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
Ludy Levine Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
Levine Family of Waterville
Lewis "Ludy" Levine was born on November 30, 1898 and died on September 30, 1997. This scrapbook includes family memories, obituaries, a eulogy by Rabbi Krinsky, autograph notebooks and lists, a few letters, and many photographs.
Sarah Ida Levine Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
Sarah Ida Levine Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
Levine Family of Waterville
Sarah Ida Levine was born in 1872 and died on June 12, 1934. This scrapbook contains photographs, obituary, a story of Sarah's life by her great-great-granddaughter, scans of various documents, deeds, bills of sale, and also includes biographical information on Sarah's brother, Johnny "Dutch" Levine (1876[?] or 1881[?] - 1950), on their father "Tati" and his sister, Annie Henki Cook, on the Abraham Philip branch of the Levine family, on some Shiro family history, as well as some Wolman/Rosenthal/Saperstein history.
Frieda Levine Miller Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
Frieda Levine Miller Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
Levine Family of Waterville
Frieda Levine Miller was born to William and Sarah Ida Levine on March 26, 1896 and died August 24, 1990. The scrapbook contains family memories, death certificate, eulogies, newspaper clippings, family photographs, a high school graduation program, letters, and announcement of the marriage of her daughter Glenyce.
Levines And Colby Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
Levines And Colby Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
Levine Family of Waterville
Includes covers and articles from the Colby alumni magazine and from the Echo, correspondence, donor lists for the Mayflower Associates, and photographs.
Teddy Levine Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
Teddy Levine Scrapbook, Wendy Miller, Sarah Miller Arnon, Julie Miller-Soros
Levine Family of Waterville
Theodore Nathan Levine was born into the family of Sarah Ida and William Levine in 1894 and died on February 9, 1927. The scrapbook contains family memories as handed down, letters, photographs, holograph high school notebooks and a paper on Books and Libraries.
Race & Rock & Roll: A Visual Analysis Of Rolling Stone Cover Photography, Erica D. Block
Race & Rock & Roll: A Visual Analysis Of Rolling Stone Cover Photography, Erica D. Block
Honors Theses
If African Americans heavily influenced the development of rock & roll as a musical genre, why do we picture rock stars as white men with guitars? In this project I examine, with a particular focus on race, how the the visual culture surrounding rock music evolved to where it is today. To do this, I performed a close visual analysis of Rolling Stone Magazine covers from 1967-1980. In this presentation I illustrate Rolling Stone's trend of featuring 'white negroes' on their covers, which allowed the magazine to use the selling power of a white person's face while retaining the attractiveness, …
One Generation Consuming The Next: The Racial Critique Of Consumerism In George Romero’S Zombie Films, Henry Powell
One Generation Consuming The Next: The Racial Critique Of Consumerism In George Romero’S Zombie Films, Henry Powell
Honors Theses
The racial and economic hierarchies in Romero’s films are complex. Each film shows a strong connection between wealthy and white, which rules over the poor and black or Hispanic. In each of his films, the Americans he shows us are so ingrained in their consumer or racist identities that they cannot look past them even in a time when the characters should only be doing what is important to survive. In Night, Harry dies because of his blind selfishness and bigotry against the African American man who attempts to look out for the group. Stephen and Roger both die because …
Interlocking Oppressions Of Sisterhood: (Re) Presenting The Black Woman In Nineteenth Century Blackface Minstrelsy, Catherine Downing
Interlocking Oppressions Of Sisterhood: (Re) Presenting The Black Woman In Nineteenth Century Blackface Minstrelsy, Catherine Downing
Senior Scholar Papers
Blackface minstrelsy began as a racially derisive form of early nineteenth century white working class stage entertainment that essentialized blackness into an object of social ridicule. Racial burlesque coupled with gender performance stigmatized. popular representations of black womanhood. Repetition of blackface minstrelsy's negative images solidified the black woman's stereotyped mainstream identity as a subordinate group with equally overlapping social forms of oppression. Within the first fifty years of repetitious blackface performance, the objectifying images of black female inferiority constructed a dominant American racist and sexist ideology. The black woman was either the Mammy or the Jezebel. For blacks, the only …
Motorized Obsessions: Life, Liberty, And The Small-Bore Engine, Paul R. Josephson
Motorized Obsessions: Life, Liberty, And The Small-Bore Engine, Paul R. Josephson
Faculty Books
From dirt bikes and jet skis to weed wackers and snowblowers, machines powered by small gas engines have become a permanent—and loud—fixture in American culture. But fifty years of high-speed fun and pristine lawns have not come without cost.
In the first comprehensive history of the small-bore engine and the technology it powers, Paul R. Josephson explores the political, environmental, and public health issues surrounding one of America's most dangerous pastimes. Each chapter tells the story of an ecosystem within the United States and the devices that wreak havoc on it—personal watercraft (PWCs) on inland lakes and rivers; all-terrain vehicles …
Getting Hitched: Weddings And Reality Television, Amanda Vickerson
Getting Hitched: Weddings And Reality Television, Amanda Vickerson
Undergraduate Research Symposium (UGRS)
From watching reality shows like A Wedding Story on TLC, I have learned that planning a wedding is stressful, kills friendships, and is generally not fun. In my opinion, I think it’s crazy. So why do people do this? What is the allure of this madness? In addition to the general insanity of weddings, the institute of marriage has been shown to be deeply flawed and quite unequal, but we are still tuning in to watch Engaged & Underage and Perfect Proposal. The fantasy shows that we watch and the glossy magazines we read seem to cover up the fact …
You Know How I Know You're Gay? : Masculinity And Homophobia In Mainstream Comedy, Lijah Barasz
You Know How I Know You're Gay? : Masculinity And Homophobia In Mainstream Comedy, Lijah Barasz
Senior Scholar Papers
You Know How I Know You're Gay?: Masculinity and Homophobia in Contemporary Mainstream Comedy is a three-part senior scholars project that consists of a critical analysis of homophobic humor in contemporary mainstream comedy, an original feature-length comedy script entitled Don 't Be that Freshman, and a DVD of selected scenes from Don't Be that Freshman. The critical analysis first establishes the existence of homophobic humor in mainstream comedy and then links this homophobia to masculine anxiety, applying the ideas set forth in Michael Kimmel's essay, "Masculinity as Homophobia," to contemporary, mainstream, homosocial comedies. The paper goes on to examine audience …
Exploring Opportunity In America: Immigrant Entrepreneurship And Rags To Riches Success, Anna Erdheim
Exploring Opportunity In America: Immigrant Entrepreneurship And Rags To Riches Success, Anna Erdheim
Honors Theses
The United States is, indeed, a land of vast opportunity. A diverse group of individuals continually benefit from the prospects provided by this inherently free nation. Although some constraints in America have prevented people from realizing their ultimate potentials, this nation offers immense possibilities overall to progress socially, economically, and culturally. America allows for people of all socioeconomic, religious, racial, and ethnic backgrounds to take full advantage of the various opportunities offered by this mainly egalitarian land. I will demonstrate how various people have emerged from disadvantaged circumstances to succeed in the United States. In America, the majority of successful …
Bern Porter International: Volume 7 Number 2 (February 2003), Bern Porter, Sheila Holtz
Bern Porter International: Volume 7 Number 2 (February 2003), Bern Porter, Sheila Holtz
Newsletters
A Literary Newsletter and Bulletin of the Institute of Advanced Thinking
Featuring "Why I Wrong" by Joel Dailey and "Barn Full of Air" by Daniel Russell.
Picturing Efficiency: Precisionism, Scientific Management, And The Effacement Of Labor, Sharon L. Corwin
Picturing Efficiency: Precisionism, Scientific Management, And The Effacement Of Labor, Sharon L. Corwin
Faculty Scholarship
In the early decades of the twentieth century, the pursuit of efficiency came to dominate instances of industrial and artistic production: the engineering consultants Frank and Lillian Gilbreth attempted to visualize a language of minimal waste, while Precisionist art achieved its own aesthetic of efficiency. This essay examines the Precisionist project alongside the discourses of the rationalized factory and suggests a relationship between the formal economy of Precisionism and the rhetoric of scientific management. For Precisionist art and the Gilbreths' time-motion studies, the representation of efficiency ultimately entailed the elision of artist and worker as producers of labor.
Bern Porter International: Volume 7 Number 1 (January 2003), Bern Porter, Sheila Holtz
Bern Porter International: Volume 7 Number 1 (January 2003), Bern Porter, Sheila Holtz
Newsletters
A Literary Newsletter and Bulletin of the Institute of Advanced Thinking
Featuring poems by Anna Carroll and David Stone.
Bern Porter International: Volume 6 Number 19 (August 31, 2002), Bern Porter, Sheila Holtz
Bern Porter International: Volume 6 Number 19 (August 31, 2002), Bern Porter, Sheila Holtz
Newsletters
A Literary Newsletter and Bulletin of the Institute of Advanced Thinking
Featuring "Conspiracy Theory" by Natasha Bernstein.
Bern Porter International: Volume 6 Number 18 (August 24, 2002), Bern Porter, Sheila Holtz
Bern Porter International: Volume 6 Number 18 (August 24, 2002), Bern Porter, Sheila Holtz
Newsletters
A Literary Newsletter and Bulletin of the Institute of Advanced Thinking
Featuring "Dictatorship at Your Doorstep" by James R. Elwood and Jarret B. Wollstein and poetry by David Spiering.
Bern Porter International: Volume 6 Number 16 (August 10, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Bern Porter International: Volume 6 Number 16 (August 10, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Newsletters
A Literary Newsletter and Bulletin of the Institute of Advanced Thinking
Featuring poems by Cyril A. Dostal and found art by Hugo Pontes.
Bern Porter International: Volume 6 Number 15 (August 3, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Bern Porter International: Volume 6 Number 15 (August 3, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Newsletters
A Literary Newsletter and Bulletin of the Institute of Advanced Thinking
Bern Porter International: Volume 6 Number 17 (August 17, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Bern Porter International: Volume 6 Number 17 (August 17, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Newsletters
A Literary Newsletter and Bulletin of the Institute of Advanced Thinking
Featuring poetry by David Napolin and "Who Cares?" by Bern Porter.
Bern Porter International: Volume 6 Number 14 (July 15, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Bern Porter International: Volume 6 Number 14 (July 15, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Newsletters
The Bulletin of the Scholars of the Institute of Advanced Thinking
Featuring:
Zippy the Pinhead cover art by Bill Griffith
An Illustrated Introduction to Ray Johnson 1927-1995 by Mark Bloch
Bern Porter International: Volume 6 Number 13 (July 1, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Bern Porter International: Volume 6 Number 13 (July 1, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Newsletters
A Literary Newsletter and Bulletin of the Institute of Advanced Thinking
Featuring art by Sheila Holtz and poetry by Nguyen Ducmanh.
Bern Porter International: Volume 6 Number 12 (June 15, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Bern Porter International: Volume 6 Number 12 (June 15, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Newsletters
A Literary Newsletter and Bulletin of the Institute of Advanced Thinking
Featuring "How Many Times Can the System Repeat Itself Before the Metaphysical Takes Over" by Gregory Famum and mail art by CA Conrad.
Bern Porter International: Volume 6 Number 11 (June 1, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Bern Porter International: Volume 6 Number 11 (June 1, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Newsletters
A Literary Newsletter and Bulletin of the Institute of Advanced Thinking
Featuring mail art by Gerry M. and "Days in the Early Eighties" by Bern Porter.
Bern Porter International: Volume 6 Number 9 (May 1, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Bern Porter International: Volume 6 Number 9 (May 1, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Newsletters
A Literary Newsletter and Bulletin of the Institute of Advanced Thinking
Featuring art by Bern Porter and poetry by Sheila Holtz.
Bern Porter International: Volume 6 Number 10 (May 15, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Bern Porter International: Volume 6 Number 10 (May 15, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Newsletters
A Literary Newsletter and Bulletin of the Institute of Advanced Thinking
Featuring mail art by Maureen Neville and collage by Sheila Holtz.
Bern Porter International: Volume 6 Number 7 (April 1, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Bern Porter International: Volume 6 Number 7 (April 1, 2002), Bern Porter, Sheila Holtz, Natasha Bernstein
Newsletters
A Literary Newsletter and Bulletin of the Institute of Advanced Thinking
Featuring "Quantum Tantra" by Nick Herbert and "Do Art" by Nguyen Ducmanh.