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Articles 31 - 34 of 34
Full-Text Articles in American Studies
Life-Affirming Leadership: An Inquiry Into The Culture Of Social Justice, Raquel Delores Gutierrez
Life-Affirming Leadership: An Inquiry Into The Culture Of Social Justice, Raquel Delores Gutierrez
Antioch University Dissertations & Theses
A new paradigm for leading social change is emerging; a worldview acknowledging the importance of leadership that is life-affirming and lasts over time. The current inquiry explored the ways in which the social reality of Life-Affirming Leadership is created and the implications those realities have for the current and future generations of social justice workers, their organizations, and the communities in which they work. The dominant paradigm for social justice work needs to be radically renovated (see Horwitz, 2002; James, 2005; Ohlson, 2006; Polansky, 2005; Utne, 2006; Wheatley, 2005; Williamson, 1997; Yáhzí, 2005); as such, a re-evolution is in progress, …
Re-Taking It To The Streets: Investigating Hip-Hop's Emergence In The Spaces Of Late Capitalism, Kevin Waide Kosanovich
Re-Taking It To The Streets: Investigating Hip-Hop's Emergence In The Spaces Of Late Capitalism, Kevin Waide Kosanovich
Dissertations, Theses, and Masters Projects
No abstract provided.
Degrees Of Relatedness: The Social Politics Of Algonquian Kinship In The Contact Era Chesapeake, Buck W. Woodard
Degrees Of Relatedness: The Social Politics Of Algonquian Kinship In The Contact Era Chesapeake, Buck W. Woodard
Dissertations, Theses, and Masters Projects
No abstract provided.
Crooning On The Fault Lines: Theorizing Jazz And Pop Vocal Singing Discourse In The Rock Era, 1955-1978, Vincent L. Stephens
Crooning On The Fault Lines: Theorizing Jazz And Pop Vocal Singing Discourse In The Rock Era, 1955-1978, Vincent L. Stephens
Vincent L Stephens
The critical boundaries drawn between pop crooning and jazz singing are less discrete than commonly perceived by critics and historians. Commercial choices rather than clear-cut aesthetic differences have influenced classifications of non-improvisers like Tony Bennett and Peggy Lee as “jazz” singers, a category presumed to represent the ultimate in vocal interpretation. Comparatively, singers like Johnny Mathis and Barbra Streisand are aesthetically similar to prerock crooners (PRCs) but typically understood as pop singers and thus on a lower interpretive tier. This article interrogates the binary by examining the overlaps and divergences between PRCs whose recording careers (mostly) began during the big …