American Studies Commons^™

A Talk For Students, Robert Frost

James Hearst Documents

The commencement address given by Robert Frost to the graduating class of 1956 of Sarah Lawrence College.

Edition 22 (1956), University Of Maine Portland

Edition 22, 1955-1956

Edition 22, 1956.

Kitty Hawk 1894, Robert Frost

James Hearst Documents

The poem Kitty Hawk 1894 by Robert Frost sent as a Christmas greeting in 1956. Woodcut illustrations by Antonio Frasconi.

Edition 22 (1955), University Of Maine Portland

Edition 22, 1955-1956

Edition 22, May 1955.

Studies In Fulfillment: A Consideration Of Integrity And Compromise In The Novels Of Willa Cather, Donald Mcnichols

George Fox College Journal, 1952-1966

No abstract provided.

Emily Dickinson's Approach To Poetry, Donald E. Thackrey

University Studies (University of Nebraska) (1888–1984)

One of the most fascinating aspects of any poet is his conception of his art. Many poets have written extensively on the theory of art around which they orient their poetry. Others have clearly revealed their theories by writing criticism of other authors. Emily Dickinson, however, left no critical essays, no elucidation of her artistic principles. It is quite probable, indeed, that she did not consciously concern herself to any extent with poetic theory. She may have written, and written in her unique way, through an instinctive need which would admit of no plodding deliberation or stylistic experimentation. Still, such …

A Course In Literature For Law Students, William H. Davenport

Journal of Legal Education

No abstract provided.

One More Brevity, Robert Frost

James Hearst Documents

The poem One more brevity by Robert Frost sent as a Christmas greeting in 1953. Decorations by Philip Grushkin.

Geographical Influences In Selected Writings Of Louis Bromfield, Esther D. Ross

Masters Theses

No abstract provided.

The Development Of Mark Twain's Pessimism, Barbara Beth Luchsinger

Student Scholarship

The following summary traces the evolution of Mark Twain's perspective from his early humorous sketches to the profound disillusionment of his final years. Barbara Beth Luchsinger argues that Twain possessed a naturally romantic nature that struggled to adjust to a realistic and often disappointing environment. This psychological maladjustment manifested early in his career as a recurring pattern of initial enthusiasm for new ventures followed by rapid despondency and restlessness once the routine became tedious. While early works like the celebrated frog story utilized dishonesty as a comedic device, Twain’s later writing shifted toward a sharp denunciation of human nature. 

The …

Letter From James Laughlin To Hubert Creekmore (07 February 1952), James Laughlin, Hubert Creekmore

Hubert Creekmore Collection

Laughlin writes from New York City on New Directions Publishing Corporation letterhead to Creekmore in Jackson, Mississippi. Laughlin provides comments on Creekmore's translations of Stéphane Mallarmé's poetry and of Mallarmé's remarks on Arthur Rimbaud.

Letter From James Laughlin To Hubert Creekmore (18 January 1952), James Laughlin, Hubert Creekmore

Hubert Creekmore Collection

Laughlin writes from New York City on New Directions Publishing Corporation letterhead to Creekmore in Pacific Palisades, California. He thanks Creekmore for the letter of January 9, 1951, and the account of events at the Foundation. Laughlin thanks Creekmore for the Stéphane Mallarmé translations and for a list of books. He plans to be in Pasadena, California, during the week of February 4, 1951.

Does No One But Me At All Ever Feel This Way In The Least, Robert Frost

James Hearst Documents

The poem Does no one but me at all ever feel this way in the least by Robert Frost originally meant to be sent out as a Christmas greeting in 1952 but sent out for July 4, 1953.

Postcard From [James Laughlin] To Hubert Creekmore (14 December 1951), James Laughlin, Hubert Creekmore

Hubert Creekmore Collection

Laughlin writes to Creekmore to discuss permissions for the Stéphane Mallarmé translation anthology. He suggests that Wallace Fowlie may have advice, and he states that Éditions Gallimard may own some of the rights.

Letter From James Laughlin To Hubert Creekmore (31 October 1951), James Laughlin, Hubert Creekmore

Hubert Creekmore Collection

Laughlin writes from New York City on New Directions Publishing Corporation letterhead to Creekmore in Pacific Palisades, California. Laughlin recently returned from Europe. He discusses corrections to the Stéphane Mallarmé translation anthology. He says that Mr. Eliot asks where the Ezra Pound translation of Catullus's "Cerclamon" is located. Laughlin states that he may be going to Pasadena, California, soon to consult with the Ford Foundation about a project.

Mrs. James Hearst Dies

James Hearst Documents

An article from the Cedar Falls daily record reporting on the death of Mrs. James Hearst, nee Carmelita Cameron Calderwood.

Letter From James Laughlin To Hubert Creekmore (20 September 1951), James Laughlin, Hubert Creekmore

Hubert Creekmore Collection

Laughlin writes from Paris, France, on New Directions Publishing Corporation letterhead to Creekmore in Pacific Palisades, California, to respond to Creekmore's letters of August 7 and August 11, 1951. He discusses the status of the Stéphane Mallarmé translations. He discusses seeing Herbert Read and Parson Eliot, as well as a forthcoming new edition of The Spirit of Romance with publisher Peter Owen. He says that Tennessee Williams has been in London, England, and Paris after being in Rome, Italy, and Williams plans to travel to Copenhagen, Denmark, for the opening of The Rose Tattoo. Includes envelope.

Letter From James Laughlin To Hubert Creekmore (20 August 1951), James Laughlin, Hubert Creekmore

Hubert Creekmore Collection

Laughlin writes from New York City on New Directions Publishing Corporation letterhead to Creekmore in Jackson, Mississippi, to discuss various anthologies, translations, and publications. Includes envelope.

Letter From James Laughlin To Hubert Creekmore (14 June 1951), James Laughlin, Hubert Creekmore

Hubert Creekmore Collection

Laughlin writes from New York City on New Directions Publishing Corporation letterhead to Creekmore in Saratoga Springs, New York, to discuss the Stéphane Mallarmé copyrights, Editions Gallimard, Chatto and Windus in London, a Provencal anthology, and a Levi Robert Lind anthology of Latin poetry.

Letter From James Laughlin To Hubert Creekmore (15 May 1951), James Laughlin, Hubert Creekmore

Hubert Creekmore Collection

Laughlin writes from New York City on New Directions Publishing Corporation letterhead to Creekmore in Jackson, Mississippi, to congratulate Creekmore on signing a book publishing contract with Random House, Inc.. He also discusses various forthcoming translations by Creekmore. Includes envelope.

Letter From Linda Grace Hoyer To John Updike, April 16, 1951, Linda Grace Hoyer

Linda Grace Hoyer Family Correspondence

In this typed letter from Linda Grace Hoyer to her son, John Updike, Linda describes the recent loss of inspiration while working on her novel, but speaks of her plans to push forward in writing. Linda updates John about life at home during the spring and her plans for the farm.

Letter From Christopher Lasch To Linda Grace Hoyer, April 13, 1951, Christopher Lasch

Linda Grace Hoyer Family Correspondence

In this typed letter from John Updike's roommate, Christopher Lasch, to Linda Grace Hoyer, Christopher thanks Linda for her kindness during a visit to Plowville over the spring vacation. Christopher also provides his opinion of the Dear Juan novel.

Letter From Linda Grace Hoyer To John Updike, April 9, 1951, Linda Grace Hoyer

Linda Grace Hoyer Family Correspondence

In this typed letter from Linda Grace Hoyer to her son, John Updike, Linda updates John about life at home after his visit on spring break. Linda describes the sadness she feels from missing John's presence, and hopes he and Christopher Lasch enjoyed their stay.

Letter From Linda Grace Hoyer To John Updike, March 22, 1951, Linda Grace Hoyer

Linda Grace Hoyer Family Correspondence

In this typed letter from Linda Grace Hoyer to her son, John Updike, Linda updates John on her progress with the novel and wonders how her husband will spend his time at home during break. She also speculates about John's class rank at Harvard.

Letter From Linda Grace Hoyer To John Updike, March 19, 1951, Linda Grace Hoyer

Linda Grace Hoyer Family Correspondence

In this typed letter from Linda Grace Hoyer to her son, John Updike, Linda describes plans for John to visit with the Greenwich Updikes during spring break. She also comments on John's school work, discussing philosophies of education and happiness.

Letter From Linda Grace Hoyer To John Updike, March 16, 1951, Linda Grace Hoyer

Linda Grace Hoyer Family Correspondence

In this typed letter from Linda Grace Hoyer to her son, John Updike, Linda inquires about John's plans for spring break and warns him not to accept charity from the Greenwich Updikes. She also praises John for his exam grades.

Letter From Linda Grace Hoyer To John Updike, March 14, 1951, Linda Grace Hoyer

Linda Grace Hoyer Family Correspondence

In this typed letter from Linda Grace Hoyer to her son, John Updike, Linda wishes John a happy birthday and updates him on the expected arrival of his cake to Harvard.

Letter From Linda Grace Hoyer To John Updike, March 12, 1951, Linda Grace Hoyer

Linda Grace Hoyer Family Correspondence

In this typed letter from Linda Grace Hoyer to her son, John Updike, Linda notes that Wesley and her father have been arguing lately. She shares her plans for sending a birthday cake to John and comments about boys in the community and the draft.

Letter From Linda Grace Hoyer To John Updike, March 9, 1951, Linda Grace Hoyer

Linda Grace Hoyer Family Correspondence

In this typed letter from Linda Grace Hoyer to her son, John Updike, Linda relates a story about selling hay. She updates John about her progress on the novel and writes about Wesley receiving cards from an "unknown woman".

Letter From Linda Grace Hoyer To John Updike, March 7, 1951, Linda Grace Hoyer

Linda Grace Hoyer Family Correspondence

In this typed letter from Linda Grace Hoyer to her son, John Updike, Linda thanks John for conducting research on the historical facts within her novel. She updates John about her progress and worries that an early spring might set her behind schedule.