American Studies Commons^™

"Only A Girl Like This Can Know What's Happened To You" : Traumatic Subjects In Contemporary American Narratives, Allison Virginia Craig

Legacy Theses & Dissertations (2009 - 2024)

This project is primarily concerned with the difficulty of representing traumatic experience and the problem of seeing violence and exploitation as natural and inevitable functions of social life. It argues that texts attempting to expose exploitive hierarchies and structural injustices often risk having their stories subsumed and commodified by the profuseness and proliferation of countervailing messages about individual choice and personal freedom. This struggle is highlighted through historicizing five contemporary American narratives--Margaret Atwood's Bodily Harm, the films Boys Don't Cry and Monster, Toni Morrison's Beloved, and Linda Hogan's Solar Storms--with and against critical concerns and popular texts. Furthermore, by employing …

Sylvia Plath At Yaddo : A Poet Finds Her Voice, Sarah Elizabeth Morse

Legacy Theses & Dissertations (2009 - 2024)

Since Sylvia Plath's death in 1963 critics have not stopped trying to piece together her life and work. Most of their focus lies on her last collection, Ariel, widely considered her best work. This thesis looks at a lesser-known time, before Plath had even published her first book of poetry named "The Colossus." In 1959 Plath spends eleven weeks at a writer's residence in Saratoga Springs, New York called Yaddo. While there she produces some of her most mature work to date, dealing with difficult topics for the first time such as suicide and issues with her deceased father and …

William Faulkner, William James, And The American Pragmatic Tradition (Review), Peter Lurie

English Faculty Publications

In his book's final sentence, David Evans is concerned that we "assure a future for Faulkner, and a Faulkner for the future" (236). Taken at a glance, this concern might imply a need to safeguard Faulkner's continuing relevance: pointing to the future and Faulkner together suggests that their mutuality is not, in fact, certain. And in light of shifting critical approaches to this canonical writer, not to mention the diminishing importance of author studies as well as scholarly genres like the monograph, Evans's caution makes a certain critical sense.

Yet the statement's fuller meaning within the context of this new …

"You Are Safe": Black Maternal Politics Of Resistance And The Question Of Community Consensus In African American Women's Literature, Daniela Marinova Koleva

Theses and Dissertations

The study focuses on a number of African American women's literary texts that employ the figure of the black mother and the motif of infanticide to engage in critical statements about system arrangements, repressive practices, and theory designs with direct effect upon black people's choices for organizing their lives and existence. Such critical statements are inevitably political and their construction is offered in a most provocative and startling way given the choice of maternal infanticide to make the claims.

Angelina Weld Grimke's "The Closing Door" (1919), Georgia Douglas Johnson's Safe (c.1929), Shirley Graham's It's Morning (c. 1938-1940), and Toni Morrison's …

"Undone By Murmurs Of Love": Traumatic Legacies And The Struggle For Personal And Communal Identity Formation In Toni Morrison's Trilogy, Fida Yasin

All Student Theses and Dissertations

Implications of racial oppression on personal and collective African American identity formation in Toni Morrison’s trilogy are explored in this thesis. Morrison reconstructs African American history in her trilogy, but she also enacts a cultural healing through content and form. Impossible choices are made by characters in Beloved, Jazz, and Paradise who are influenced by the racial trauma they experience and inherit. The legacies of oppression--traumatic memories, fragmentation, stereotypes and negative associations—distort the way these characters view themselves and one another. They are disoriented, isolated, and displaced. Characters recover from their past trauma— together—when they share their stories. …

Caribbean Hauntings And Transnational Regionalism In Nineteenth- And Twentieth-Century American Literature, Bethany Aery Clerico

Legacy Theses & Dissertations (2009 - 2024)

Caribbean Hauntings and Transnational Regionalism in Nineteenth- and Twentieth-Century American Literature offers a new literary map of U.S. history that is routed through the Caribbean and that intervenes in certain historiographic problems that exceptionalism creates for national literary studies. In the literature of Harriet Beecher Stowe, Martin R. Delany, Charles Chesnutt, William Faulkner, and Toni Morrison, I tease out references to the Caribbean that other critics have overlooked as a result of strictly national frames of analysis. These references evidence that each text is haunted by a Caribbean presence, a phrase that signifies both a "real" Caribbean, a political and …

Speaking Through Self-Effacement : The Sermonic Influence In Melville, Dickinson, And Thoreau, Katsuya Izumi

Legacy Theses & Dissertations (2009 - 2024)

This dissertation focuses on how some of the major literary authors of nineteenth-century America attempt to speak through self-effacement by adopting the preaching styles and effects of early Protestant sermons, as well as their purposes for doing so. There is the evanescence of characters in Herman Melville's novels such as Moby-Dick (1851) and Pierre (1852), of the speaker in Emily Dickinson's poems, and of the narrator in Henry David Thoreau's A Week on the Concord and Merrimack Rivers (1849) and Walden (1854). In their works there is a certain type of abhorrence toward the self, and they constantly try to …

Poe As Magazinist, Kay Ellen Mckamy

USF Tampa Graduate Theses and Dissertations

Edgar Allan Poe has long been recognized as one of American literature's most intriguing authors, usually for reasons other than his writing. Most literary studies examine one or two of his tales and perhaps one or two comments he made about the short tale. This dissertation will instead look at the work Poe did while involved in the world of early-American magazines for the last seventeen years of his life. It will explore how the magazine world affected his writing and his theories, especially his theories on the genre of the short story, a genre that Poe essentially described and …

The Willa Cather Archive In The Classroom, Andrew Jewell

UNL Libraries: Faculty Publications

This essay discusses many of the opportunities for teachers I believe are present in the Willa Cather Archive (http://cather.unl.edu), particularly in the way the Archive makes new materials available or older materials available in a new way. Additionally, this essay suggests some of the implications of the Archive’s digital presentation of resources. However, the place of digital scholarship in academic life is still evolving, and students and teachers are just getting accustomed to using the form. Given this circumstance, many of my thoughts are inconclusive, observations based upon preliminary understandings into how this resource affects our classrooms. I avoid confident …

Discreetly Depicting "An Outrage": Graphic Illustration And "Daisy Miller"'S Reputation, Adam Sonstegard

English Faculty Publications

Rendering the first illustrated edition of "Daisy Miller" in 1892, Harry Whitney McVickar had to reconcile the novella's scandalous reputation with the polite medium of graphic illustration. McVickar highlights insignificant scenery, shows solitary figures instead of social interaction or playful flirtation, and nearly omits the heroine. His depictions and omissions contain the characters' indiscretions, and ensure that aspiring flirts and would-be Winterbournes who view his images do not "get the wrong idea." Cinematic adaptations amplify Daisy's public displays and encourage Winterbourne's voyeurism, but "Daisy Miller"'s first graphic illustrations strove instead to redeem the reputation of James's "outrage on American girlhood."

Tragic No More?: The Reappearance Of The Racially Mixed Character, Suzanne W. Jones

English Faculty Publications

During the nineteenth century and early in the twentieth, the tragic mulatto/a figured prominently in American fiction, only to recede after the Harlem Renaissance when African-American writers called for "race pride" and racial solidarity and to disappear entirely in the late 1960s after the Black Power movement ushered in racially conscious concepts such as "Black Is Beautiful." Since 1990, however, the mixed black-white character has made a significant comeback in American fiction. Contemporary representations suggest that choosing one's racial identity is only slightly less difficult than it used to be because of American society's conflation of skin color and identity. …

Black Girl In Paris: Shay Youngblood's Escape From "The Last Plantation", Suzanne W. Jones

English Faculty Publications

Twentieth-century African-American writers have shared with their white American counterparts the expectation that in Paris they would find an community of writers and artists. And to varying degrees each did. Much like Edith Wharton, African-American writers viewed the French as a people who value art and creativity, the aesthete and the intellectual. And much like American writers from Hawthorne to Henry Miller, African-American expatriates viewed Paris as an "outlet for repressed sexuality," an unpuritanical place, which would allow, even encourage, people to live and love and create as the pleased. In Black Girl in Paris (2000) these are certainly the …

Following Tradition: Young Adult Literature As Neo-Slave Narrative, Kaavonia Hinton

Teaching & Learning Faculty Publications

No abstract provided.

Sex, Drugs, And Mingling Spirits: Teaching Nineteenth-Century Women Poets, Cheryl Walker

Scripps Faculty Publications and Research

Book abstract:

Twentieth-century modernism reduced the list of nineteenth-century American poets to Walt Whitman, Emily Dickinson, and (less often) Edgar Allan Poe. The rest were virtually forgotten. This volume in the MLA series Options for Teaching marks a milestone in the resurgence of the study of the rest. It features poets, like Henry Wadsworth Longfellow and Lydia Huntley Sigourney, who were famous in their day, as well as poets who were marginalized on the basis of their race (Paul Laurence Dunbar, Alexander Posey) or their sociopolitical agenda (Emma Lazarus, John Greenleaf Whittier). It also takes a fresh look at poets …

Cuban Femininity And National Unity In Louisa May Alcott's Moods And Elizabeth Stoddard's "Eros And Anteros", Nina Bannett

Publications and Research

This book chapter compares the depictions of Cuban women in Louisa May Alcott's first adult novel Moods (1864) and Elizabeth Stoddard's short story "Eros and Anteros" (1862). Both writers configure a love triangle between an Anglo man and two women, one Anglo and one Cuban. In both texts, the Cuban woman is rejected as an unsuitable choice for an Anglo man. Alcott’s and Stoddard’s decision to re-value the Anglo woman as the more appropriate choice can be read as a rejection of the popular nineteenth-century political doctrine of manifest destiny and, at least with Alcott, of the United States’s dependence …

The Romance Of The Holy Land In American Travel Writing, 1790-1876, Brian Yothers

Brian Yothers

This book is the first to engage with the full range of American travel writing about nineteenth-century Ottoman Palestine, and the first to acknowledge the influence of the late-eighteenth-century Barbary captivity narrative on nineteenth-century travel writing about the Middle East. Brian Yothers argues that American travel writing about the Holy Land forms a coherent, if greatly varied, tradition, which can only be fully understood when works by major writers such as Twain and Melville are studied alongside missionary accounts, captivity narratives, chronicles of religious pilgrimages, and travel writing in the genteel tradition. Yothers also examines works by lesser-known authors such …

Sins Of The Father: Patriarchy And The Old South In The Early Works Of William Faulkner, John Easterbrook

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Holy Fools, Secular Saints, And Illiterate Saviors In American Literature And Popular Culture, Dana Heller

English Faculty Publications

In her article, "Holy Fools, Secular Saints, and Illiterate Saviors in American Literature and Popular Culture," Dana Heller identifies and analyzes characteristics of the holy fool figure in American literature and culture. Heller defines the holy fool, or divine idiot, as a figure central to U.S. myths of nation. One encounters such figures in American literature as well as in American folklore, popular culture, and mass media. In American culture, the Divine Idiot is a hybrid form which grows out of the crossings of numerous literary and historical currents, both secular and non-secular. This unwieldy hybridity -- the fact that …

The Lunatic's Fancy And The Work Of Art, Shelly J. Eversley

Publications and Research

No abstract provided.

Why Are Those Women So Angry? (Alienating People Of Good Will), Janet Bing

English Faculty Publications

(First paragraph) Until quite recently, I dismissed criticisms of "angry feminists" as a sexist stereotype. I was tired of hearing people say, "I believe in equal pay for equal work, but I dislike those bra-burning feminists!" Perhaps I'm too young, but almost all of my friends are feminists, and I have yet to meet anyone who has burned her bra, so this comment always strikes me as bizarre. However, recently I have begun to think seriously about the power of stereotypes and the ability of people to disregard messages they do not want to hear. I now realize that feminists …

The Psychology Of Uncertainty: (Re)Inscribing Indeterminacy In Rudolph Fisher's The Conjure-Man Dies, Adrienne Gosselin

English Faculty Publications

No abstract provided.

Refighting Old Wars: Race Relations And Masculine Conventions In Fiction By Larry Brown And Madison Smartt Bell, Suzanne W. Jones

English Faculty Publications

Since the Civil War white male writers of the American South have created fond fictions about childhood friendships that crossed the color line. For example, much of the poignancy of Faulkner's The Unvanquished (1938) comes from Bayard Sartoris's description of the close relationship he had with a black servant boy Ringo in the Mississippi small town that will separate them as they grow older and that from the beginning marked them as different, based on race. After their boyhood games and real Civil War adventures together, Bayard and Ringo grow up to be, not close friends, but master and faithful …

Reading Elizabeth Bishop As A Religious Poet, Cheryl Walker

Scripps Faculty Publications and Research

Elizabeth Bishop is usually described as a modernist poet with a skeptical mind. This essay contests the critical tendency to dismiss religion as a serious concern in her poetry, by first challenging the widespread dismissal in the United States of all religious approaches to modern poetry and then challenging the tendency to disclaim attempts to read Elizabeth Bishop in religious terms. The essay includes a close reading of “The End of March” as a text which invites intertextual commentary from a Christian perspective.

Edith Wharton's "Secret Sensitiveness" The Decoration Of Houses, And Her Fiction, Suzanne W. Jones

English Faculty Publications

Surely one of the reasons that Edith Wharton lived most of her life in France was that she greatly admired the way the French "instinctively applies to living the same rules that they applies to artistic creation." Wharton believed that the French had an eye for beauty, or what she called "the seeing eye," in contrast to Americans whose sight had been dimmed by the puritanism of their Anglo-Saxon heritage. However, in her last and unfinished novel, The Buccaneers (1938), Wharton suggests through her American protagonist's relationship with her European governess, Laura Testvalley, that the art of seeing can be …

Antimodern, Modern, And Postmodern Millay: Contexts Of Revaluation, Cheryl Walker

Scripps Faculty Publications and Research

In this chapter, Walker examines questions concerning renewed scholarly interest in Edna St. Vincent Millay toward the end of the twentieth century. Specifically, these questions center on whether to rethink the principles of establishing the canon of American literature--indeed, whether the poet changes literary fashions or literary fashions change the poet. Walker's answer is the latter, and her essay examines how Millay is different received through three different periods: antimodern, modern, and postmodern. She argues that whether a poet becomes central to literary study has less to do with the "quality" of the poetry than with complex cultural factors that …

The Female Body As Icon: Edna Millay Wears A Plaid Dress, Cheryl Walker

Scripps Faculty Publications and Research

The female body has never been so prominently displayed or so critically examined as it is today under the dominance of late capitalism. The results of this display, we can now see, have been mostly negative: women regard themselves at best self-consciously, at worst with disgust. Given this emphasis on self-scrutiny, it comes as no surprise that middle-aged women experience a reduction of self-confidence regarding their physical presences and a concomitant increase in self-dissatisfaction. It is also worth noting that a querulous tone often afflicts them as they grow older, suggesting that they are at odds not only with others …

Poems And Songs Of The Cuicapicqueh, Contemporary Nahuatl Poets, Willard Gingerich

Department of English Faculty Scholarship and Creative Works

No abstract provided.

Teaching Dickinson As A Gen(I)Us: Emily Among The Women, Cheryl Walker

Scripps Faculty Publications and Research

In this article, Walker argues that those who teach the poetry of Emily Dickinson should not only compare her to other recognized and lauded American poets, such as Walt Whitman, Robert Frost, T. S. Eliot, Ezra Pound, Hart Crane, Wallace Stevens, and Marianne Moore. This method offers no cultural context to provide ligature. It views high art as to be only about language and, on the score of tropological discourse, any two poets could be connected, even across vast expanses of time and distance. While it's useful for students to see how elements of her work connect her not only …

Reading The Endings In Katherine Anne Porter's "Old Mortality", Suzanne W. Jones

English Faculty Publications

With these final sentences of "Old Mortality" (1937), Katherine Anne Porter qualifies the progress eighteen-year-old Miranda has made toward self-knowledge and sophisticated reading strategies. This long story is a bildungsroman of sorts, tracing Miranda's development from childhood to young adulthood, but focusing particularly on her apprenticeship as a reader. Porter links Miranda's quest for self-discovery with her attempts to determine fact from fiction in the stories her family tells about the love affairs, brief marriage, and early death of her beautiful Aunt Amy. By dismissing both her father's romantic legend and her Cousin Eva's feminist critique as untrue--by focusing on …

Professing American Literature: A Report From Brazil, Arnold Gordenstein

New England Journal of Public Policy

This American professor discovered that although his Brazilian students appeared to be entirely receptive to American literature, they were often culturally blocked from the concepts the books contained. He also found that some key American ideas don't translate well into Brazilian culture and that it is nearly impossible for a professor abroad to present literature in a politically and culturally neutral way.