Hip Hop Studies Commons^™

Black Sonicism: Cultural Maintenance And Evolution Through New Orleans Bounce Music, Leandrea L. Clay

Senior Honors Papers / Undergraduate Theses

As a form of regional hip-hop, Bounce music operates as an expressive culture native to New Orleans with generational lineages of artists. Black sonicism is a regionally and digitally-sensitive theoretical framework that seeks to conceptualize how Black soundmakers and their audiences create a dialogic relationship through three components: responsive participation, spatial relatability, and expressed ratchetry. I catalog each of these components through three audience formations—origin, scope, and reception—to understand the tensions between Black music, regional identity, and technology. From this project, I propose a theoretical development to consider how Black artists continually pass down communal histories through their music while …

Analyzing Rap Through Poetry: “Zen Scientist” By Milo & Kenny Segal, Mason S. Jensen

Anthós

milo, now known as R.A.P. Ferraria, has described his music as synonymous with poetry. This article examines his song “zen scientist,” testing the linkage of poetry and rap through poetic analysis. Jensen analyzes the song through metrical systems, marking it in scansion, poetic feet, and rhyme to delineate rhythm and to show how rhythm is created and experimented with. Jensen then applies Vendler and Chan’s methods for deriving poetic meaning, providing potential interpretations of “zen scientist.” Jensen argues these poetic methods dissect the rap song into perspicuity. The article concludes that poetic analysis can be used effectively to analyze rap …

The Breakbeat Poets: Translocal Placemaking In The Contemporary Midwestern Lyric, Andy Oler

Publications

In the introduction to the Haymarket Books collection The BreakBeat Poets: New American Poetry in the Age of Hip-Hop (2015), co-editor Kevin Coval asserts that the anthologized poems are not simply influenced by hip-hop; “these poems are hip-hop.”¹ The anthology’s focus on a genre, a cultural phenomenon, might seem like an odd fit for a special issue on placemaking. Its national frame might seem too expansive for the study of regionalism (though there is a history, established by James Shortridge, of conflating the Midwest with the nation).² But The BreakBeat Poets is also attentive to more precise versions …

Mc Means Mentor The Child: Examining School-Based Hip-Hop Clubs For Youth Empowerment, Leadership Development, And Capacity For Change, Daniel Wolford

Theses and Dissertations--Educational Leadership Studies

This dissertation examined the relationship between students in a school-based hip-hop club and their ability to develop leadership capabilities through club activities. This study followed a hip-hop club at an urban high school in the Midwest to better understand how hip-hop spaces impact youth participants. The participants included four current members of the club and three alums, all of whom were African American. This study used qualitative methods through heuristic inquiry to understand the phenomenon of hip-hop clubs. Data collection methods included session notes, musical creations, semi-structured interviews, and a Microsoft Teams group chat. Additional heuristic data was collected through …

Give The Drummer Some: A Dive Into Drum Breaks And Drum Break Production, Kyle Kaldhusdal

Capstone Projects and Master's Theses

This paper traces the history of hip-hop culture through the evolution of the drum break, the original context of drum breaks in funk and soul music, their influence on DJ culture, and the subsequent impact of drum breaks on music and music production. It follows the development of breakbeat compilations in the 1970s and 1980s, parallel to the development of turntablism and sampling techniques. It also examines in detail how copyright litigation in the 1990s shaped the development of sample-based music genres and created a niche market for originally-recorded drum breaks over the subsequent decades.

'Space Is The Place:' Afrofuturism In Black Popular Music, Tamyka Jordon-Conlin

LSU Doctoral Dissertations

This dissertation focuses on developing a theory of Afrofuturist music. Afrofuturism is an umbrella term used to describe Black cultural productions that reflect on the African diasporic culture of the past while imagining potential futures, often while appropriating imagery of technology and science-fiction tropes. With the intent of redefining notions of blackness, Afrofuturist artists create alternative historical narratives and speculative future projections. These productions create space that allows the Afrofuturist to discorporately negotiate the limits of Black subjectivity. Poet, activist, and avant-garde musician Sun Ra is credited as the progenitor of Afrofuturism, and his model has since been adapted by …

Hip-Hop History: Grades 9-12 Local History Curriculum, Sivia K. Malloy

Instructional Design Capstones Collection

As the founders and trailblazers mature, and sadly depart this life, a new generation is left behind with limited to no knowledge of the influence hip-hop has on current popular culture locally, nationally, or internationally. Research for this learning intervention determines what and how local hip-hop history incorporates into a social studies/history course with high school (9-12 grade) students, bridging local stories to the national and international trends and events of the past. Informal discussions took place with local hip-hop subject-matter experts throughout the northeast region of New England with ties to Massachusetts. Their recommendations were to wrestle with the …

Hip-Hop In Africa : Prophets Of The City And Dustyfoot Philosophers, Msia Kibona Clark

Ohio University Press Open Access Books

Throughout Africa, artists use hip-hop both to describe their lives and to create shared spaces for uncensored social commentary, feminist challenges to patriarchy, and resistance against state institutions, while at the same time engaging with the global hip-hop community. In Hip-Hop in Africa, Msia Kibona Clark examines some of Africa’s biggest hip-hop scenes and shows how hip-hop helps us understand specifically African narratives of social, political, and economic realities.

Clark looks at the use of hip-hop in protest, both as a means of articulating social problems and as a tool for mobilizing listeners around those problems. She also details the …

Break Beats In The Bronx: Rediscovering Hip-Hop’S Early Years (Book Review), Matthew Oware

Sociology and Anthropology Faculty Publications

Review of the book, Break Beats in the Bronx: Rediscovering Hip-Hop’s Early Years, by Joseph C. Ewoodzie, University of North Carolina Press, 2017, https://www.uncpress.org/book/9781469632759/break-beats-in-the-bronx/.

Tupac Shakur And The Search For The Lost Tribe, Christopher Jacob Marcos

Theses Digitization Project

Interviews are analyzed by the author in reference to the music and the poetry of Tupac Shakur in a way that will work to create a space within Hip Hop culture that does not focus on race, class, or region as the basis for inclusion and genuine participation in the culture. In Tupac Shakur's last interview, he calls for a new political party and alludes to the lost tribe metaphor to describe the diversity of backgrounds that he wanted to include. The lost tribe works to include rather than exclude participants of Hip Hop culture. This thesis is an attempt …