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Full-Text Articles in Hip Hop Studies
Real #Hotgirl Sh*T: Practical Application Of Intersectional Re-Presentation Instruction, Jessica F. Love
Real #Hotgirl Sh*T: Practical Application Of Intersectional Re-Presentation Instruction, Jessica F. Love
Feminist Pedagogy
This critical commentary outlines how the Real #HotGirl Sh*T: Megan Thee Stallion & Mediated Hip Hop, Black Feminist and Communication Pedagogy promotes active learning via popular culture and digital media, and it provides a practical model for employing intersectionality in classroom settings. Previous critical media pedagogy exploring minority media re-presentation primarily focused on the effects of master narratives produced by traditional media. This syllabus's incorporation of social and digital media helps students understand how collective minority groups use and interact with media as a political tool to challenge re-presentational regimes. More importantly, this syllabus employs real-world examples of popular culture …
Motherland Drip: Examining Performativity In Southern Black Motherhood, Daisha Huiel
Motherland Drip: Examining Performativity In Southern Black Motherhood, Daisha Huiel
Master's Projects
This capstone project explores the possibilities of the societal standards of southern Black motherhood creating oppositional experiences for Black women and their claims to freedom and bodily autonomy. I am writing about the lived experiences of southern Black women, including myself, within their communities to explore anti-respectability themes in the lives and performances of southern women and female hip hop performers through the lens of intersectionality. This creative nonfiction1 and scholarship reflect my academic exploration into the ways foundational Black feminist theory and relevant texts connect to my individual lived experiences of motherhood and identity within the post-hip-hop generations. I …
Black Female Artists Reclaiming Their Sexual Power, Nicole E. Heller
Black Female Artists Reclaiming Their Sexual Power, Nicole E. Heller
Student Publications
The emergence of hip hop in the 1980s and 90s is representative of the struggle that Black men and women face in modern society. As a result of a New York City housing crisis, crime, and poverty, hip hop arose as a coping mechanism, as many art forms do; hip hop provided a way for Black men to express their experiences and struggles. Hip hop has been used as a vehicle for self- expression, social views and political views among disadvantaged urban groups (White, 2013). However, it was and still is common for male hip hop artists to sexualize and …