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Articles 31 - 60 of 129
Full-Text Articles in African Languages and Societies
Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat
Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat
Présence Francophone: Revue internationale de langue et de littérature
Modern Moroccan theatre was born with non-professional artists and has remained intimately linked to this milieu. Unlike professional playwrights, non-professional artists have never bowed to the demands of political authorities, whether it be the French administration or the local Makhzen. They used this artistic medium as a forum for debate and resistance against the oppressor. This freedom of expression operated not just at the political level but also at the aesthetic level. Since non-professionals were not constrained by the need to please an audience fond of social comedies and melodramas, they could explore more risky avant-garde paths. In spite of …
L’Écriture De La Perte Chez Assia Djebar, Lila Kermas
L’Écriture De La Perte Chez Assia Djebar, Lila Kermas
Présence Francophone: Revue internationale de langue et de littérature
This study proposes a reflexion on the feeling of “loss” as a source of literary creation. The different tensions generated by an hybrid identity of a character in a quest, especially in La disparition de la langue française (“disappearance of the French language”) by Assia Djebar ; what matters here is to see how the feeling of crisis and the split reveals itself and how it dissolves in and through (the process of) writing.
Mutations Politiques Et Processus De Légitimation Culturelle : Considérations Sur Le Théâtre Populaire Camerounais, Pierre Fandio
Mutations Politiques Et Processus De Légitimation Culturelle : Considérations Sur Le Théâtre Populaire Camerounais, Pierre Fandio
Présence Francophone: Revue internationale de langue et de littérature
All forms of theatre have never been perceived the same way in contemporary Cameroon. Whereas the written theatre relatively received an acceptable treatment from the official instances of recognition, the non-written one has always been excluded. This communication sets out to show how, from this marginalized position and palpably inspired at the same time from the Italian commedia dell’arte, the French vaudeville and the African traditional dramaturgic shape, a new and popular form of theatre came to existence. Thanks to the exceptional capacity of adaptation and innovation of its discourse and thematic, the offer of this “street dramaturgy” rather matches …
La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal
La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal
Présence Francophone: Revue internationale de langue et de littérature
As an author always articulates his writing with idioms that reflect a specific time period and a given social group, Sony Labou Tansi talks about “tropicalité”, and gives himself the goal to create multiple “tropicalités”.
L’Art De L’« Écrire » Chez Patrick Chamoiseau, Savrina Parevadee Chinien
L’Art De L’« Écrire » Chez Patrick Chamoiseau, Savrina Parevadee Chinien
Présence Francophone: Revue internationale de langue et de littérature
In the works of Patrick Chamoiseau, the act of writing is a main, recurrent theme. The narrator, often, tries to define himself through his writings which have their own autonomy in the novel. This character questions his writing and is torn by the dissatisfaction he feels to get close to the “breath” of the creole storyteller : the chasm between orality and writing creates suffering. He, then, advocates l’“écrire”, closer, according to him, to the utterance of the storyteller and free of the “constraints” of an occidental writing, which he considers as stamped by the ideology of the Universal.
Genres Populaires Et « Érographiques » En Afrique Francophone : Le Cas Des Romans De La Collection Adoras, Sathya Rao
Genres Populaires Et « Érographiques » En Afrique Francophone : Le Cas Des Romans De La Collection Adoras, Sathya Rao
Présence Francophone: Revue internationale de langue et de littérature
This article will take the Adoras novels as a case study to address the aesthetics and institutional issues related to the emergence of popular literature in francophone Africa. As the promoter of an “erographic” discourse that strives to accommodate modernity and tradition, francophone romance, which has been largely under-examined if not denigrated, raises a wide range of questions on the status of francophone literature, the socioeconomic constraints on publication in Africa, and the construction of a truly African erotic imaginary.
Quand On Vient Aussi De L’Autre Monde: Appartenance(S), Conflit(S) Et Déchirement(S) Dans L’Enfant Des Deux Mondes De Karima Berger, Carla Calargé
Quand On Vient Aussi De L’Autre Monde: Appartenance(S), Conflit(S) Et Déchirement(S) Dans L’Enfant Des Deux Mondes De Karima Berger, Carla Calargé
Présence Francophone: Revue internationale de langue et de littérature
My essay analyzes Karima Berger’s first novel, L’enfant des deux mondes (1989). The author who has been living in France for more than 25 years tells the story of a Muslim Arab girl (herself ?) educated in the French school system of pre-independent Algeria. In this study, I examine linguistic, cultural and religious issues raised by the novel in an effort to identify the factors that keep the protagonist imprisoned in a permanent state of being in-between-two-worlds without fully belonging to any of them.
Le Feu Sous La Soutane, Roman Populaire? Du Génocide À Sa Transposition Fictionnelle, Josias Semyjanga
Le Feu Sous La Soutane, Roman Populaire? Du Génocide À Sa Transposition Fictionnelle, Josias Semyjanga
Présence Francophone: Revue internationale de langue et de littérature
A reflective, first-person account, Benjamin Sehene’s Le feu sous la soutane is the story of memories of a double crime of rape and genocide by a Catholic priest, Father Stanislas. At the beginning of the killings of the Tutsi, some people take refuge in a parish in Kigali. Its priest takes under his protection a few Tutsi women, hiding them in the presbytery. But, the Holy man will rape them. He also participates alongside with the Hutu militia to the extermination of the Tutsi who came to take refuge in the parish. Later the priest took refuge in France where …
Soleil, Sexe Et Vidéo: La Comédie Populaire Aux Antilles, Françoise Naudillon
Soleil, Sexe Et Vidéo: La Comédie Populaire Aux Antilles, Françoise Naudillon
Présence Francophone: Revue internationale de langue et de littérature
The comedy of manners presented in the form of play or in the form of sketches or playlet by the medium of videos and DVDs is a phenomenon that develops in Guadeloupe, Martinique and Guyana, but also in France. These productions are the link between communities in the Creole area (Guadeloupe, Martinique and Guyana) and the outside (metropolitan France and diaspora). They will be analyzed for their popular and scholarly features between erudite comedy and farce, between traditional and postcréolitaire cultural affirmation, between Creole and French, between Italian theatre and yardplay, between creole comedy and vaudeville, between negropolitan diaspora and …
Un Autre Monde Est Possible: Création Et Résistance Dans L’Oeuvre D’Ousmane Sembène, David Murphy
Un Autre Monde Est Possible: Création Et Résistance Dans L’Oeuvre D’Ousmane Sembène, David Murphy
Présence Francophone: Revue internationale de langue et de littérature
During an artistic career that spanned half a century, Ousmane Sembène often played a pioneering role. However, although the many awards he received constitute recognition of the artistic quality of his work, his literary and cinematic output is best known for its denunciation of colonial and neo-colonial injustices. This article argues that Sembène’s importance is not solely political, and nor should it be limited to his role as a pioneer of African cinema. Sembène was also a great artist who developed a profound refl ection on his practice both as a writer and as a filmmaker. The article will trace …
Du Néoréalisme En Afrique: Une Relecture De Borom Sarret, Sada Niang
Du Néoréalisme En Afrique: Une Relecture De Borom Sarret, Sada Niang
Présence Francophone: Revue internationale de langue et de littérature
Critical evaluations of African cinema have tended in the past to confi ne the analysis of this corpus to its content. In books and articles published earlier, the colonial and postcolonial history of the continent abound, social dramas are explained at length, thefts at all levels, cultural mystifi cation, corruption as well as violence are amply described. The insights of such an approach notwithstanding, the aesthetic sources of African cinema are not limited to the rural and the traditional. Through a comparison of Vittorio De Sica Bicycle Thief and Sembène’s Borom Sarret, this paper argues that african cinema inserted itself …
La Quête Poétique Dans L’Oeuvre De Fouad Gabriel Naffah, Georges Khoriaty
La Quête Poétique Dans L’Oeuvre De Fouad Gabriel Naffah, Georges Khoriaty
Présence Francophone: Revue internationale de langue et de littérature
In his poetic search, Fouad Gabriel Naffah states his conception of a poetic image revealing the absolute and the universal, his verbal adventure which consists of disintegrating the conventional language with sclerotic forms in order to have access to the authenticity and to ensure the everlasting poem. He also sets out the poetry of the imaginary which, through a dialectic and harmonization of contradictories, extends all over the universe to include and reach the study of the eternal return that satisfies his longing for eternity.
Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty
Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty
Présence Francophone: Revue internationale de langue et de littérature
As a pioneer of African fi lmmaking, Ousmane Sembène has demonstrated a remarkable dedication to exploring the importance of women in African society. From the struggle against colonial oppression by Diouana in La Noire de… (1966) at the beginning of his career, to the character of Kiné and her struggle to build a life for her children in postcolonial Senegal in Faat Kiné (2000), Sembène has portrayed African women as agents of change and courage in their societies. This essay explores women’s representations in two fi lms from Sembène’s oeuvre, including Black Girl (1966) and Faat Kine (2000). Using narrative …
L’Éthique Et L’Esthétique Chez Ousmane Sembéne, Frederic Ivor Case
L’Éthique Et L’Esthétique Chez Ousmane Sembéne, Frederic Ivor Case
Présence Francophone: Revue internationale de langue et de littérature
The ethics and aesthetics of the films and novels of Sembène reflect the axiological principles of his work. Sembène’s impact can be felt throughout as his practice in both cinema and literature helped redefi ne the features of the African novel and film. For him, writing was fed by the experiences, however painful, of workers of diverse origins attempting to survive their difficult conditions. His novels reveal the agony of this world but also various opportunities for self realization among his characters. Such practice, born out of the sweat, resistance and determination of men and women eking out their living, …
Les Stéréotypes, Vecteurs De La Constriction Identitaire Chez Biyaoula, Françoise Cévaër
Les Stéréotypes, Vecteurs De La Constriction Identitaire Chez Biyaoula, Françoise Cévaër
Présence Francophone: Revue internationale de langue et de littérature
From the 1980s, writers in the francophone diaspora have examined the post-colonial African identity and its portrayal, according a special place to stereotyping. Thus, they denounce not only its tyrannical hold, but also the devastating effect of stereotyping on individuals and societies. Paradoxically, they show how stereotyping can offer to the post-colonial subject a means of manipulating identity features, therefore, of avoiding predetermination. In its study of, mainly, Biyaoula’s L’impasse, this article also proposes to show how the stereotypes, going beyond the limits of theory, is reborn within he body, becoming a veritable enclosure for forgery of identity.
De La Fiction Criminelle En Afrique. Relecture Des Films D’Ousmane Sembène, Alexie Tcheuyap
De La Fiction Criminelle En Afrique. Relecture Des Films D’Ousmane Sembène, Alexie Tcheuyap
Présence Francophone: Revue internationale de langue et de littérature
For institutional, ideological and even sociological reasons, the detective genre had difficulty rising to prominence within literatures and especially within the field of African cinema. If one observes today its shy emergence in the works of some West African film directors and within popular Nigerian video films, it is nonetheless possible, thanks to a finer scrutiny of theories developed on the subject, to realize that some films by Ousmane Sembène contain aesthetic strategies that allow for a fresh assessment of the works of a director whose films were often reduced to their ideological aspects. This second reading also unravels the …
Logiques Urbaines Dans Les Arts Plastiques : De La Filiation De Jean-Michel Basquiat Au Sénégal, Massamba Mbaye
Logiques Urbaines Dans Les Arts Plastiques : De La Filiation De Jean-Michel Basquiat Au Sénégal, Massamba Mbaye
Présence Francophone: Revue internationale de langue et de littérature
ertain Senegalese painters, including Soly Cissé, Camara Guèye, Birame Ndiaye and Samba Fall draw their inspiration from the city’s structure. Attentive to the tensions it produces as well as the daily struggles to survive, they transpose urban walls in their paintings to better transgress them, go beyond pre-imposed limits. One can therefore ask what is the influence of a painter like Basquiat on these contemporary painters ? Approaches and needs found in Senegal differ greatly from those found in the United States ; however interesting links can be traced that allow for a better understanding of present Senegalese art.
Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka
Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka
Présence Francophone: Revue internationale de langue et de littérature
This essay approaches contemporary arts in Senegal and their exhibition from the perspective of cultural policy. This is an especially salient approach in Senegal, where policy has played a significant role in exhibition and creative practice since the colonial period. This history is conventionally examined through a distinctly nationalist framework that reveals the government’s clear distinction between "tradition" and "modernity". State exhibition practice and rhetoric have reinforced this dichotomy, serving to position the Senegalese state as purveyor, definer, and arbiter of cultural heritage. However, diverse creative expressions throughout the capital city of Dakar call into question nationalist rhetoric’s rigid distinction …
Les Limites De L’Appartenance : Composition, Intertextualité Et Langue Dans Les Dents Du Topographe Et Méfiez-Vous Des Parachutistes De Fouad Laroui, Carla Calargé
Présence Francophone: Revue internationale de langue et de littérature
In this article, I examine two novels by Fouad Laroui, Les dents du topographe (1996) and Méfiez-vous des parachutistes (1999). I analyze the difficulties encountered by their narrators when they try to find and define non alienating cultural and geographical spaces to which they could belong. For that purpose, I study the composition of the two novels, the play of intertextuality as well as the language of the main characters.
La Parole Au Féminin : La Narratrice De Cette Fille-Là De Maïssa Bey, Ana Soler
La Parole Au Féminin : La Narratrice De Cette Fille-Là De Maïssa Bey, Ana Soler
Présence Francophone: Revue internationale de langue et de littérature
In Maïssa Bey’s novel, Cette fille-là, the character of Malika serves as a narrative plea for change. Since her childhood, Malika has strived to create an inward, personal imaginary for herself, as a defence mechanism against a hostile environment. In the workhouse, she adopts the role of storyteller for all those companions of hers, excluded as she is, from society. As the receptor of confidential information, she delights in verbally re-enacting their intimate stories, sprinkling them with accounts of her own experiences. By thus establishing Marika’s voice as a “link-route” to the novel’s subjacent vocal polyphony, the character is presented …
La Dimension Cachée De L’Art Sénégalais Contemporain, Allen F. Roberts, Mary Nooter Roberts
La Dimension Cachée De L’Art Sénégalais Contemporain, Allen F. Roberts, Mary Nooter Roberts
Présence Francophone: Revue internationale de langue et de littérature
For nearly fifty years now, Dakar has been an epicenter of contemporary art, not just for continental Africa but for the entire world. Senegalese artists are well known internationally through participation in biennials, exhibitions, and gallery shows ; and many argue that they are contemporary artists from Senegal rather than “Senegalese artists” defined or constrained by their african identity. Among these, however, some match the global techniques and aesthetics of their works with local meanings derived from mystical Islam. Indeed, this “hidden side” can be very significant to the artists themselves even though it may be ignored by cosmopolitan connoisseurs.
Projets De Collection Et D’Exposition D’Art Sénégalais : Être Mécène D’Art À Dakar, Joanna Grabski
Projets De Collection Et D’Exposition D’Art Sénégalais : Être Mécène D’Art À Dakar, Joanna Grabski
Présence Francophone: Revue internationale de langue et de littérature
The collection of Bassam Chaitou and its recent exhibition in Dakar offers a focal point to examine issues associated with private projects of collecting and exhibiting Senegalese art in Dakar. This article considers the relationship of Dakar’s collectors to historical patronage under Senghor and Dakar’s contemporary art scene. It proposes that private Dakar-based projects of collecting make visible a story about local propositions and dialogues about art. Dakar-based projects of collecting reveal a great deal about the city’s art scene, its history, artists, and trends.
L’Éthique De La Différence En Traduction : Le Cas De Deux Romans Africains Francophones Et De Leur Restitution En Anglais, Augustine H. Asaah
L’Éthique De La Différence En Traduction : Le Cas De Deux Romans Africains Francophones Et De Leur Restitution En Anglais, Augustine H. Asaah
Présence Francophone: Revue internationale de langue et de littérature
Translation advances the cause of the international community as it plays a vital role in global development and understanding. The literary text needs to be translated before readers from diverse linguistic communities can apprehend and enjoy it. To a large extent, the success of the translation enterprise is a function of the accuracy of the target-text. With illustrations drawn from two francophone african masterpieces, Ahmadou Kourouma’s Les soleils des indépendances and Mariama Bâ’s Une si longue lettre, this article seeks to determine the extent to which the target-texts in English respect the spirit and the letter articulated by the source-texts. …
Raharimanana : « Le Viol Des Douceurs », Patricia Célérier
Raharimanana : « Le Viol Des Douceurs », Patricia Célérier
Présence Francophone: Revue internationale de langue et de littérature
constant and paradoxical paradigm, violence is at the core of the Malagasy writer, Jean-Luc Raharimanana’s work. What are its representations, its modulations and functions in his shortstories, his novel, Nour, 1947, and his narrative, L’arbre anthropophage ? His poetic elaboration of violence puts his production at the juncture of postmodern and committed literatures and gives it a singular value in the world of postcolonial literature.
Biennale Et Effervescence Artistique Au Sénégal : Conjonctions Et Passerelles, Hélène Tissières
Biennale Et Effervescence Artistique Au Sénégal : Conjonctions Et Passerelles, Hélène Tissières
Présence Francophone: Revue internationale de langue et de littérature
The Dakar Biennial, Dak’Art, plays a key role and is the only event of this kind on the african continent. Held in a country where there is an abundant artistic production, it prolongs Senghor’s objectives (underlining the importance of the collective, intertwining art forms, investing mystical positions). Made of an “In” and “Off”, its structure dismantles divisions between popular/theoretical, accessible/obscure, autodidact/trained and promotes a dialog between people and approaches. Many Senegalese artists proceed in a similar fashion, assembling concepts (orality, signs, cultural references, categories), drawing from the world at large. Inscribing memory, they invite us to interrogate our future beyond …
La Pensée Du Témoignage : De La Scène Du Génocide À La Scène Judiciaire, Sélom Gbanou
La Pensée Du Témoignage : De La Scène Du Génocide À La Scène Judiciaire, Sélom Gbanou
Présence Francophone: Revue internationale de langue et de littérature
This paper intends to study the stories of witnesses of the genocide of the Tutsi people in Rwanda from the angle of both History and Justice. It analyses how the actual event is brought back by the victims’s stories and shows the tormentors that the lives they have undone have been redone in defiance of the effort to wipe out all traces, the basic idea of genocide. Furthermore, the witnesses report seems to be a judiciary scene where, trying to understand what has happened, the victims put themselves in the witness box of their conscience in order to find their …
Le Témoignage Dans L’Oeuvre De Yolande Mukagasana, Théopiste Kabanda
Le Témoignage Dans L’Oeuvre De Yolande Mukagasana, Théopiste Kabanda
Présence Francophone: Revue internationale de langue et de littérature
this article analyzes the status of testimony in Mukagasana’s La mort ne veut pas de moi and N’aie pas peur de savoir, by bringing out the main narrative strategies allowing to get round the unspeakable. It demonstrates the connection of the testimony, the memory and the history of the genocide in Rwanda as event which marked the humanity in 20th century. This link is studied through the conditions and the postures of testimony, the textual marks of dentification of the addressees and the roles of the testimony.
Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières
Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières
Présence Francophone: Revue internationale de langue et de littérature
Bent Familia by the Tunisian filmmaker Nouri Bouzid breaks down silences by questioning norms and power structures, including patriarchal authority. Centered on an exceptional friendship between three women and examining their preoccupations as well as their needs, the film reveals the empowering forces of sharing, insightfulness and engagement. Through the character of Aïda and the intertwinement of arts – in particular music and painting – the film dismantles absolutes and illusions. It encourages deep questioning in order to trace new paths, valuing the clear-sighted contributions of women in a continuously changing society.
Témoigner : Les Voies De La Connaissance, Catalina Sagarra
Témoigner : Les Voies De La Connaissance, Catalina Sagarra
Présence Francophone: Revue internationale de langue et de littérature
The author analyzes the narrations of Survivors of the genocide of the Tutsi, in 1994. A particular attention is paid to how the witnesses express two affects : guilt and responsibility. Their life stories explore these concepts which help them to carry out a search for Truth, which is deeply linked with the sufferings the horror of the past inflicted to them to the point of being haunted by the past. The Survivors ask themselves an array of questions, not always finding a satisfying answer which could bring them some peace. They address their questioning to different agents, telling them …
Maggy Corrêa : Passer Le Témoin, Avec Ou Sans Le Feu Sacré, Isabelle Favre
Maggy Corrêa : Passer Le Témoin, Avec Ou Sans Le Feu Sacré, Isabelle Favre
Présence Francophone: Revue internationale de langue et de littérature
In her book entitled Tutsie, etc., Rwandan Swiss author Maggy Corrêa recounts how in july 1994, she was able to rescue her mother from the Rwandan genocide of the Tutsi. This essay begins by examining the status of the testimonial genre within the literary institution. Then, based on Maggy Corrêa’s text, the analysis will demonstrate how Derrida’s concept of sacramentum can be traced in Corrêa’s adventure, and how this same notion proved to be absent from the United Nations’s discourse taking place in Geneva at the same time.