Arts and Humanities Commons^™

Contemporary Church, Reformed Theology, And The Practice Of Public Worship, John D. Witvliet

Pro Rege

This essay is based on a lecture delivered at the Dordt College Pastor's Conference held in April, 1996.

The Darius Milhaud Society Newsletter, Vol. 13, Spring/Summer/Fall 1997, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

Sing 'Til The Spirit Moves My Heart- Cd Jacket, Marvin V. Curtis

Choir History

CD jacket of the official recording of the concert "Sing 'til the Spirit Moves Into My Heart".

Performed by the Fayetteville State University Concert Choir.

Conducted by Dr. Marvin V. Curtis

Music | 21-20536, Valerie Shields, Katie Thorpe

Music Faculty Scores

Music

Part Number:
21-20536

Previous Part Number:
HL-536

Price:
$1.90

Voicing:
SA

Lyrics By:
Katie Thorpe

Music By:
Valerie Shields

The Interplay Of Language And Music In Machaut's Virelai 'Foy Porter', Phyllis Brown, William Peter Mahrt

English

Scarcely anywhere else in the repertory of lyric poetry is the identity of the poet and the composer quite as apparent as in the works of Guillaume de Machaut, the foremost French poet and musician of the fourteenth century (d1377). His works with music should be approached confidently as integral lyrics, as composite works of poetry and music, because he wrote about the process of providing music for poetry and writing texts to be set to music. Furthermore, he specified the sequence of his own compositions- narrative and lyrical, poetical and musical - all in a single book.

Azi's Curly Heads, Azi Rad, Fleet Library, Special Collections, Jan Baker

Senses

This book was completed for Jan Baker's artists' book class, Printed Books.

Gymnopaedia, Second Movement, Barbara Tetenbaum, Special Collections, Fleet Library

Artists' Books

pamphlet stitch variation with hard cover; cover; title page; interior spread; colophon. Reflecting the music of Erik Satie who composed several "Gymnopaedia", an antique ledger forms the visual foundation for playful layers of "toe-tapping" imagery.

The Sound Of Utah: The Presence Of Geographical Elements In Music Written About The State Of Utah, Kamia Walton Holt

Theses and Dissertations

Music is a by-product of place and time. Musicians have opportunities to use the idea of place in their music. Thus, music has regionally distinctive characteristics which reflect human perceptions of the physical environment. Artists of the past and present focus on geographical themes, and paint a picture of ‘place’ in their music. This thesis focuses on the music of a geographical location: Utah. Musicians wrote of Utah in hymns of the past, and contemporary musicians continue to write music about Utah. This thesis answers the questions: Is music characterized by geography? How have the local musicians been influenced by …

Choral Symposium Concert, Illinois Mathematics And Science Academy

Choral

2nd Annual Choral Symposium

Greater Fox Valley Area Musicians

Untitled, Jennifer Wesolowski

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Untitled, Jennifer Barber

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

George Crumb And Makrokosmos, Volume 1, Jennelle Anderson

Undergraduate Honors Capstone Projects

In the words of David Burge, "George Crumb provided his listeners with something of the sensation of awe, wonder, and enigmatic beauty that he himself felt concerning the 'mysteries.' He named movements after geological eras, referred to images as coming from 'the dark land,' invented visual symbols for his scores, and concocted numerological schemes. For many listeners these extra musical trappings provided an avenue into the music itself, allowing them to listen to it openly and with interest rather than with resistance and skepticism" (Burge, 1990, p. 212).

Oh, For A Thousand Tongues To Sing: Hymns, Songs, And Readings Of Lament And Praise, Calvin Symposium On Worship Planning Committee

Symposium on Worship Archive

The program for a hymn festival of lament and praise on the theme of Christian unity, held during the 9th Calvin Symposium on Worship. Includes these sections: Entering God's Presence, Lamenting Our Brokenness, Celebrating Unity in Diversity, and Looking Forward to a New Heaven and Earth.

The Darius Milhaud Society Newsletter, Vol. 12, Spring/Summer/Fall 1996, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

Music | 10-96850, James Q. Mulholland

Music Faculty Scores

Music

Part Number:
10-96850

Price:
$1.85

Voicing:
SATB

Lyrics By:
Thomas Moore

Music By:
James Q. Mulholland

Commissioned by the American Choral Directors Association
for the 1997 National Junior High Honors Chorus
Nancy Cox, Director

Statesboro-Georgia Southern Symphony Guild Scrapbooks, Zach S. Henderson Library Special Collections

Finding Aids

This collection consists of fourteen scrapbooks containing programs, newspaper clippings, and memorabilia .concerning the Statesboro-Georgia Southern Symphony Guild. The dates of the scrapbooks range from 1972 to 1996.

Find this collection in the University Libraries' catalog.

Popular Music And A Sense Of Place In Singapore, Lily Kong

Research Collection School of Social Sciences

This paper illustrates how popular music written, produced, and performed by Singaporeans provides a means through which the culture and society of Singapore may be understood. Music with English language text conveys a sense of place and reflects a distinctively Singaporean spirit and identity. The paper examines four themes: the portrayal of Singapore's multiracial population which reflects a unique cultural synthesis; the Singaporeans' concept of urbanity, manifested as the simultaneous attraction and repulsion towards the city and the desire for nature and the rustic; the distinctive social engineering in Singapore; and the way in which global issues are imported into …

Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis

History: Faculty Publications and Other Works

A review of Michael H. Kater's article, "Carl Orff im Dritten Reich." Vierteljahrshefte für Zeitgeschichte 43, 1 (January 1995): 1-35.

Lindenwood Night At The Sheldon (October 17, 1995), Lindenwood College

Student Music Performance Programs

Event program for the Lindenwood Night at the Sheldon (October 17, 1995).

Dark Broadway, Amanda Jedlicka

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Dead Dreams, Michael Denckhoff

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

(If You're Ever In Toronto On The Last Day Of March), Matt Dellinger

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Food, Sex, And The Death Of Brian Jones, Kevin Waltman

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Beau Soir, Kate Bostwick

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Appropriate Data / Dada: A Partial Reading Of A Fragment Of Shona Mbira Dza Vadzimu Music, Martin Scherzinger

disClosure: A Journal of Social Theory

No abstract provided.

The Darius Milhaud Society Newsletter, Vol. 11, Spring/Summer 1995, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

The Darius Milhaud Society Newsletter, Vol. 11, Fall 1995, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

A Musical Journey 1890-1993: From Municipal School Of Music To Technological University Dublin, Jim Cooke

Books/Book Chapters

No abstract provided.

A Musical Journey 1890-1993: From Municipal School Of Music To Dublin Institute Of Technology, Jim Cooke

Books

No abstract provided.

Pioneer Harmonies: Mormon Women And Music In Utah, 1847-1900, Jennifer L. Fife

All Graduate Theses and Dissertations, Spring 1920 to Summer 2023

By drawing on local newspapers and the diaries, journals, and autobiographies of nearly fifty pioneers, this thesis examined the varied musical experiences of Utah's Latter-day Saint women during the years 1847-1900, and sought to determine whether they followed national gender trends in music during this era. Women in nineteenth-century Utah participated in a wide variety of musical activities, including using music in their homes, taking lessons, and teaching. Women also composed and wrote song lyrics. Many women performed in community musical events, such as concerts and operas. Despite their accomplishments, women did face conflict over the demands of family responsibility …