Arts and Humanities Commons^™

Documenting Dylan: How The Documentary Film Functions For Bob Dylan Fans, Theodore G. Petersen

USF Tampa Graduate Theses and Dissertations

The purpose of this study is to explore the role of the documentary film in the relationship between the artist and the fan; specifically how Bob Dylan fans use the documentary films Dont Look Back, directed by D.A. Pennebaker, and No Direction Home, directed by Martin Scorsese. Dylan, Pennebaker, and Scorsese are three important figures in American popular culture, and these are the two most prominent films about Dylan. These films discuss relatively the same time period, yet delineate two different versions of Dylan's identity. Dont Look Back, released in 1967, documents Dylan's 1965 tour of England. Because of Pennebaker's …

"Why Do They Always Send The Poor?": Antiwar Lyrics In Contemporary Rock, Amy Kepple Strawser

Modern Languages & Cultures Faculty Scholarship

This presentation focuses upon the impact of antiwar lyrics in contemporary rock and roll songs.

The Study Of Music: A Valuable Part Of School Education, Melanye Crayton

Senior Honors Theses

Music has been a part of human experience since the existence of man. It has been studied throughout the ages by philosophers and students, laymen and courtesans. When America was settled, it became a part of a student's education, eventually becoming part of the curriculum of public schools. In the twentieth century, the study of music experienced a decline in the public educational systems.

The study of music is beneficial for all students. It provides students with an opportunity to excel in school work, the benefit of learning in a constructive and positive atmosphere, and the opportunity to learn about …

Privilege Of Being A Christian Artist, James Buswell

Pro Rege

James Buswell developed this paper, at the request of Pro Rege and the faculty of Dordt College, from his presentation at our eighth and final Jubilee Convocation, April 25, 2005.

Issue 06, Cariso! Summer 2006, Columbia College Chicago

Cariso! The Alton Augustus Adams Music Research Institute newsletter

Cariso! is the newsletter of the Alton Augustus Adams Music Research Institute (AMRI), which was located in the U. S. Virgin Islands and operated by the Center for Black Music Research at Columbia College Chicago from 1999 to 2006. Issue articles include: "More Than A Bandmaster: The Life and Times of Alton Augustus Sr., a Cultural Odyssey", CBMR Ends Tenure in the Virgin Islands", "Performance Forum on St. Croix Music and Dance Traditions", "Thanks from St. Lucia", "Come with Me and Let's Talk about Caribbean Quadrilles". Issue 6, Summer, 2006.

All Recital Programs For Spring Semester 2006, Music Department

General and Sophomore Recitals

This document contains all the recital programs for Spring Semester 2006.

General Recital - March 28, 2006, Music Department

General and Sophomore Recitals

This general recital program is from March 28, 2006.

Sight-Reading Versus Repertoire Performance On The Piano: A Case Study Using High-Speed Motion Analysis, Brenda Wristen, Sharon Evans, Nikolaos Stergiou

Health and Kinesiology Faculty Publications

This study was intended to examine whether differences exist in the motions employed by pianists when they are sightreading versus performing repertoire and to determine whether these differences can be c[uantified using high-speed motion capture technology. A secondary question of interest was whether or not an improvement in the efficiency of motion could be observed between two sight-reading trials of the same musical excerpt. This case study employed one subject and a six-camera digital infrared camera system to capture the motion of the pianist playing two trials of a repertoire piece and two trials of a sight-reading excerpt. Angular displacements …

General Recital - February 21, 2006, Music Department

General and Sophomore Recitals

A general recital program from Feb. 21, 2006.

Scroggins, Renee, Bronx African American History Project

Oral Histories

Interviewer: Andrew Tiedt

Interviewee: Renee Scroggins

Date of interview: 3 February 2006

Summarized by: Craig Teal, 17 March 2007

Renee Scroggins, member of the punk/funk group, ESG, was born in Bronx, New York in the Moore Projects. Located on Jackson Avenue and 149^th Street, the projects started to deteriorate within a couple of years of it being built. Renee calls this time the ‘drug era’ and recalls a lot of bad situations being present because of the poor economic situation of the people that lived there. Renee went to elementary school at PS 35 on Morris Avenue where her …

Barriers And Benefits: The Impact Of Learning Art Songs And Spirituals By African-American Composers On Voice Students From All Racial Backgrounds, Emery Stephens

Music Faculty Research Publications

An investigation into the barriers faced by singers of all racial backgrounds when performing spirituals and African American art songs and suggests ways to eliminate those barriers.

Presented at the 2006 International Society for the Scholarship of Teaching and Learning (ISSOTL), Washington, DC.

Gunnar Johansen: The Gentlemanly Dane, Solon Pierce

The Bridge

It is about three score and five years ago now since a certain Dane came to Dane County, Wisconsin-a decisive step, he later recounted on many occasions, "that I have never regretted." To this native Midwestern observer, it was a perfect fit. There was something homespun and authentic in the nature of the man -a sense that he was cut from the same cloth.

Nietzsche’S “Gay” Science, Babette Babich

Articles and Chapters in Academic Book Collections

Offers a reading of the allusion to the 'Provencal' in Nietzsche’s The Gay Science, including the troubadour’s art (or 'technic') of poetic song, an art at once secret, anonymous and thus nonsubjective, but also including logical disputation, for which it is the model, and comprising, perhaps above all, the important ideal of action (and pathos) at a distance: l’amour lointain. But beyond the Provençal character and atmosphere of the troubadour, Nietzsche’s conception of a joyful science, Nietzsche's 'gay' science also adumbrates a critique of science understood as the collective ideal of scholarship, and including classical philology as much as logic, …

Issue 05, Cariso! Winter 2006, Columbia College Chicago

Cariso! The Alton Augustus Adams Music Research Institute newsletter

Cariso! is the newsletter of the Alton Augustus Adams Music Research Institute (AMRI), which was located in the U. S. Virgin Islands and operated by the Center for Black Music Research at Columbia College Chicago from 1999 to 2006. Issue articles include: "Adams Institute is Repository, Distributor for Alan Lomas's 1962 Caribbean Fieldwork", "Alan Lomax's Caribbean Voyage: Nevis Historical and Conservation Society Received 1962 Recordings Made in St. Kitts and Nevis", "St. Thomas-Born Composer Presents Score of "Virgin Islands Christmas" to AMRI", "Students Learn V.I. Music from Master Musicians", "Cuban Abakua Society Is Derived from Calabari Region of Nigeria", "The …

Gonna Spread The News All Around: Early, African-American Popular Song As Spoken Newspaper, Randall Lawrence Stamper

Theses and Dissertations

Most research into blues music over the past thirty years has examined either how the blues contribute to or reflect African-American identity, or how blues lyrics may be used as windows into African-American culture, values, and attitudes. Scholars have generally relied on more conventional songs about male-female relationships in this research, largely ignoring the subset of topical blues songs that related information about current events. Given the widespread illiteracy among African Americans during the height of the blues' popularity, these topical songs are particularly compelling. To date, however, no one has coupled topical blues together with their consumers' educational attainment …

Gesture, Pulsion, Grain: Barthes' Musical Semiology, Michael Szekely

Contemporary Aesthetics (Journal Archive)

Although Barthes is perhaps best known as a semiotician, he is paradoxically always in search of precisely that which defies the constraints of language, whether art, signs or, in fact, language itself. Enter the relevance of music for Barthesian aesthetics. Barthes called for a "second semiology," in contrast to the classical semiology, which would explore "the body in a state of music." In this essay, I explore Barthes' musical semiology in terms of key concepts, including gesture, pulsion, grain, and jouissance. I extend the relevancy of Barthes' concepts, often articulated within the context of the Western classical musical tradition, to …

The Sonic Representation Of Mathematical Data, Charlie Cullen

Doctoral

Conveying data and information using non-speech audio is an ever growing field of research. Existing work has been performed investigating sonfication and its applications, and this research seeks to build upon these ideas while also suggesting new areas of potential. In this research, initial work focused on the sonification of DNA and RNA nucleotide base sequences for analysis. A case study was undertaken into the potential of rhythmic parsing of such data sequences, with test results indicating that a more effective method of representing data in a sonification was required. Sonification of complex data such as DNA and RNA was …

Hans Christian Andersen In Musical Translation, Jean Christensen

The Bridge

Those of us who work in two cultures are fascinated by the peculiar demands and limitations of translating the sensual and intellectual qualities of one language to those of another, and by the challenges of transferring ideas from one historical time to another. A similar challenge exists for today's composers who set out to transform a text into music, but this is a process that also involves other considerations, for music has the additional potential to project multidimensional time and space. H.C. Andersen was no stranger to musical renditions of his work during his lifetime. In fact, because of his …

Symphony Iii, Michael Berthelot

LSU Master's Theses

In the summer of 2003 in the outskirts of Portland, Oregon, inspiration was found, and Symphony III is the result. It was here that two conflicting ideas became clear. The juxtaposition of these two ideas is evident throughout this work. Symphony III is a one-movement piece of twenty minutes in duration that consists of five different sections in the arch form ABCBA. One idea is very lyrical, as in Section A, while the other is very rhythmic, as in Section B. The lyrical inspiration can be heard in the opening flutes, and in the piccolo trio, which perfectly reflects the …

Black Cats, Berlin, Broadway And Beyond: The Genre Of Cabaret, Deborah Tedrick

Electronic Theses and Dissertations

Music and Theatre have always captivated me. As a child, my parents would take me to live performances and cinematic shows and I would sit rapt, watching the theatrical events and emotional moments unfold before my eyes. Movie musicals and live shows that combined music and theatre were my favorite, especially theatrical banter and improvisation or sketch comedy. Some of my favorite youthful memories were my annual family summer trips to Las Vegas to visit my grandparents for six weeks. As a youngster, I got to experience the "old school" Las Vegas, replete with extravaganza, spectacle, cabaret, circus, lounge and …

Black Cats, Berlin, Broadway And Beyond: Cabaret History In The Making, Josephine Leffner

Electronic Theses and Dissertations

Cabaret as a genre has influenced and is influenced by musical theatre. As cabaret has evolved throughout history, musical theatre has often paralleled its journey. Cabaret thrived before the term "musical theatre" was coined and suffered hard times during the Golden Age of Musical Theatre. The correlation of the two genres cannot be denied, and exploring cabaret history will reveal how deeply the connection lies. My collaborator Debbie Tedrick and I will attempt to define cabaret through a two-woman cabaret show we will write, produce, and perform together. The show, Black Cats, Berlin, Broadway and Beyond, will be a one-act …

Teaching Strategies Of Successful College Trombone Professors For Undergraduate Students, Matthew T. Buckmaster

USF Tampa Graduate Theses and Dissertations

This study identified teaching strategies of successful trombone professors for undergraduate trombone students. Participants were three professors at accredited colleges in the United States who had received international awards in the field of trombone pedagogy. A comprehensive interview instrument was administered to each participant in a multiple case studies research design. From the gathered data, a classical content analysis revealed 79 emergent themes from 375 coded passages, with 45 of the emergent themes being commonalities among the three participants. In addition to specific teaching strategies, three meta-themes emerged from an examination of these commonalities: Product Over Process, Individualized Teaching Approaches, …

The Integrated Sound, Space And Movement Environment : The Uses Of Analogue And Digital Technologies To Correlate Topographical And Gestural Movement With Sound, Jonathan A. Mustard

Theses: Doctorates and Masters

This thesis investigates correlations between auditory parameters and parameters associated with movement in a sensitised space. The research examines those aspects of sound that form correspondences with movement, force or position of a body or bodies in a space sensitised by devices for acquiring gestural or topographical data. A wide range of digital technologies are scrutinised to establish what the most effective technologies are in order to achieve detailed and accurate information about movement in a given space, and the methods and procedures for analysis, transposition and synthesis into sound. The thesis describes pertinent work in the field from the …

General Recital - December 8, 2005, Music Department

General and Sophomore Recitals

This general recital is from December 8, 2005.

General Recital - December 6, 2005, Music Department

General and Sophomore Recitals

A general recital from December 6, 2005.

Senior Violin Recital And Notes On The Works, Angela Carpenter

Undergraduate Honors Capstone Projects

It all began with a string of music, a melody. It seemed fitting for strings and so it was decided to begin a work for strings. The first movement was intended to stand alone, but once the idea to complete a string quartet was born it progressed from there. It is easy to see a progression in the compositional style of Juan-Carlos Mackey from the beginning to the end, and it is somehow fitting for the piece as well.

Remediating The Transient Music Student Using Hypermedia And Finale Performance Assessment™ : A Recorder Based Model., Nancy K. Philbeck

Electronic Theses and Dissertations

The purpose of this study was to develop, implement and test a tool designed to help transient students gain the basic musical knowledge and skills needed to successfully complete a fourth-grade unit of recorder study. The project resulted in the development of a hypermedia-based application.

The seven-week study consisted of 49 fourth-grade students. Students were given pitch reading and rhythm pattern identification pre-tests and post-tests. Students participated in weekly tests and tutorial sessions via the hypermedia-based application. At the conclusion of the study, the students were given post-tests and a performance test.

The pre-test and post-test scores for the transient …

General Recital - November 15, 2005, Music Department

General and Sophomore Recitals

This general recital is from November 15, 2005.

All Recital Programs For Fall Semester 2005, Music Department

General and Sophomore Recitals

This document contains all recital programs for Fall Semester 2005.

Birth Of Cool, Blake Nelson

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.