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Articles 841 - 870 of 3839
Full-Text Articles in Arts and Humanities
The Face Of Power: A Chronological Comparison Of Byzantine Coinage, Emma Duffin
The Face Of Power: A Chronological Comparison Of Byzantine Coinage, Emma Duffin
BYZANTIUM: Trade, Treasure, Tradition
Coinage was an effective tool for representing imperial power in the Byzantine Empire. This short essay focuses on the evolution of power representation in coinage and argues that Byzantine emperors displayed power by employing classical Roman elements in their coinage. This argument is communicated through a chronological comparison of five coins ranging in date from 288 to 1425 C.E. These coins are a small example of the transition from imperial iconography to Christian iconography in which we see how classical forms are preserved even among a drastic change in style and narrative.
"The Christ Chosen Emperor": Representation Of Emperors As Divine Figures In Byzantine Art, Aly Hutchinson
"The Christ Chosen Emperor": Representation Of Emperors As Divine Figures In Byzantine Art, Aly Hutchinson
BYZANTIUM: Trade, Treasure, Tradition
The concept of power has been evident throughout Byzantine culture, whether in its aristocratic and bureaucratic politics, textiles, architecture, or minted coinage. Consequently, the arts were frequently utilized to represent imperial and religious power with various renderings of symbols, colors, and icons. In addition, images portrayed significant visual and spiritual value as the viewers looked to them for knowledge, guidance, and prayer. The ruling emperors were held in high regard, and imperial families were dominant over Byzantine society. The emperor was created in God's image, given the responsibility to rule on earth and carry out the ten commandments. This essay …
The Constantine And Zoe Mosaic, Lilly Jones
The Constantine And Zoe Mosaic, Lilly Jones
BYZANTIUM: Trade, Treasure, Tradition
In this case study I will go over the history behind the Constantine and Zoe mosaic in the Hagia Sophia, why it was hidden for so long, and the multiple theories behind its alterations. I will also cover the history of Zoe and her many husbands and why altering the mosaic would have been necessary to show history and they wanted it to be remembered. There is not the same record of events in Byzantium like we have today, history was written by the powerful and important to write to narrative they wanted. Because of the clues left behind we …
Utility, Liturgy, And Luxury, Olivia Brock
Utility, Liturgy, And Luxury, Olivia Brock
BYZANTIUM: Trade, Treasure, Tradition
The material legacy of medieval Byzantium is one of intricate luxury objects made of precious materials. As was evident in many cultures and periods, including the Byzantine, high-quality luxury materials were used to promote the status of individuals and institutions. The Attarouthi Treasure out of the Church of St. Stephen in Syria presents an excellent case study of luxury liturgical objects used to promote the social status of the church, as well as imbed the church in a series of complex social networks that both enhanced and retracted from the church’s social role. These objects were also physically dynamic as …
Khruangbin On Tour, Meghan Eileen Connolly
Khruangbin On Tour, Meghan Eileen Connolly
Graphic Communication
My senior project, Khruangbin On Tour, creates the opportunity to ideate and promote Khruangbin’s, a three-person band, tour through branding and merchandise. The goal is to create visuals, such as a poster or t-shirt design, to complement their songs and the band as a whole through the use of color palettes, typography, objects and illustrations. The music’s feeling and aesthetic should be reflected in the visual aspects as it represents the artist overall and speaks to the audience.
Broad And Narrow, James C. Schaap
Portraits: A Study In Objects, Family Relations, And Race, Julie Quintero
Portraits: A Study In Objects, Family Relations, And Race, Julie Quintero
Theses
My final project is a body of mixed-media portraits which were exhibited at SculptureWorks Ferguson in December, 2021. Each of the twenty works are visual representations of events, identities, or relationships, experienced in both the past and the present. The materials used to help push each narrative include fabric, yarn, coffee filters, embroidery, wood, stain, plaster, metal, concrete, inks, conte, paints, and/or found objects. Each piece demonstrates a unique combination of image, media, and technique in the field of contemporary art. Some of the works include objects made by the people being portrayed. Others include materials that were acquired via …
Artist And Patron Relationships: Social Power Dynamics In Renaissance Italy, Katherine E. Siegler
Artist And Patron Relationships: Social Power Dynamics In Renaissance Italy, Katherine E. Siegler
Graduate Theses/Dissertations
In historical discourse, one of the main discussions that can be found is in relation to determining who holds power in social and political environments. The world of art in Renaissance Italy is a place where such power dynamics were of great importance. My thesis examines social power dynamics in the artist-patron relationship in Renaissance Italy in order to discern who held power in these complex bonds and how such relationships influenced and impacted Renaissance society at large. This work is divided into two units. The first unit provides examples and arguments that maintain that the patron was the main …
Everybody Is A Critic: A Guide To The Critical Evaluation Of Visual Media For Generation Z, Cody Alexander Rusk
Everybody Is A Critic: A Guide To The Critical Evaluation Of Visual Media For Generation Z, Cody Alexander Rusk
Masters Theses
The youth of today, especially Generation Z, lack the ability to think critically. An area that seems to be especially difficult for Generation Z to critically evaluate is visual media. This is an issue because visual media has an influential hold (both emotionally and mentally) over this generation and is a key factor in swaying the opinions and behaviors of these young minds. Visual media is a powerful tool that. should continue to be used by future generations, but with the knowledge that there will always be potentially negative influences, and more importantly, ways to identify and defend against them. …
Proof Positive: Applications Of Chemical Analysis Techniques In Art Forgery Detection, Joseph Fryc
Proof Positive: Applications Of Chemical Analysis Techniques In Art Forgery Detection, Joseph Fryc
Museum Studies Theses
In response to the subjective nature of older forgery detection techniques, modern forgery detection methods rely heavily on chemical analysis of the materials utilized in a given piece of work in order to make authenticity determinations. Chemical methods of detection at their core provide an objective determination of facts regarding the composition of materials utilized in contested pieces and provide a relative date of production for those materials. In this way, chemical analysis helps service the field of modern forgery detection as a direct compliment to traditional stylistic analysis, by providing extra data on the piece that can often be …
Q&A Tanya Sheehan: On Photography, Human Migration, And What Their Intersection Does And Doesn't Tell Us, Colby College
Q&A Tanya Sheehan: On Photography, Human Migration, And What Their Intersection Does And Doesn't Tell Us, Colby College
Colby Magazine
William R. Kenan Jr. Associate Professor of Art Tanya Sheehan is the editor of Photography and Migration, a timely collection of essays about photography and its role in portraying this ongoing humanitarian crisis (See P. 38). At Colby she launched the Photography and Migration Project, which draws connections between global migration and Waterville’s history as a destination for immigrants. She spoke to Colby Magazine Managing Editor Gerry Boyle ’78 about the ways photographs shape our perception of migration.
Un Modernisme Méditerranéen? Usages Du Voyage De Klee En Tunisie, Dominique Jarrassé
Un Modernisme Méditerranéen? Usages Du Voyage De Klee En Tunisie, Dominique Jarrassé
Artl@s Bulletin
Parler de « modernisme méditerranéen » ne serait-il pas déguiser d’oripeaux bien-pensants le maintien de l’hégémonie dogmatique occidentale, donc « nordique » ? Le Sud revendique un rôle dans l’émergence de la modernité à travers le mythe de l’artiste qui y connaît une révélation, de la couleur ou du primitif. Le voyage de Klee en Tunisie en 1914, contrairement à celui de Kandinsky et Munter dix ans plus tôt, a donné lieu à une mythification (Klee n’y est pas étranger). Son récent centenaire à Tunis le montre : on a même parlé de kleeification. Il ne s’agit pas ici …
Chaos Coordinate System, Shuai Xu
Chaos Coordinate System, Shuai Xu
CGU MFA Theses
我目前的作品聚焦于看不见的世界,我的很多灵感都来自于我的梦想。我对人类与宇宙的关系感兴趣,尤其是当它在地球上发生时,个人与自然之间的关系。我希望在向外扩展的同时更深入地探索我的内部世界,以参与社会和超越。
My current works focus on the invisible world, and much of my inspiration comes from my dreams. I am interested in humanity's relationship to the cosmos, particularly as it plays out here on Earth, in the relationship between individuals and nature. I hope to explore my interior world more deeply while expanding outward, to engage society and beyond.
Crossings Of Heritage, Memory And Archives: A History Of Moroccan Cinema In The Bouanani Archives, Sarah Dornhof
Crossings Of Heritage, Memory And Archives: A History Of Moroccan Cinema In The Bouanani Archives, Sarah Dornhof
Regards
This article interrogates archival forms and practices in relation to remembering the “lost archives” of Moroccan cinematographic history.
It presents the Bouanani Archives — a private, fragmented, and still largely uncatalogued collection located in the Bouanani family apartment in Rabat, comprising a variety of texts, visuals, and objects connected to Morocco’s cinematographic and cultural memory.
The archive is the personal legacy of filmmaker, writer, and artist Ahmed Bouanani (1938–2011), his wife Naïma Saoudi (1947–2012), and their daughter Batoul Bouanani (1969-2003), all of whom worked for Moroccan cinema.
Today, it is preserved and cared for by his daughter Touda Bouanani and …
Adapting The Ceramics Process With Creative Problem-Solving, Jennifer K. Fortuna
Adapting The Ceramics Process With Creative Problem-Solving, Jennifer K. Fortuna
The Open Journal of Occupational Therapy
Madeline Kaczmarczyk, a ceramics sculptor based in Rockford, MI, provided the cover art for the Fall 2021 edition of The Open Journal of Occupational Therapy (OJOT). The piece is a wall vase made from clay, luster glaze, and glass beads. Madeline has been creating decorative ceramics for over four decades. In recent years, Madeline has found creative ways to adapt the ceramics process so she can continue creating beautiful works of art. For Madeline, ceramics is more than a means to make a living. This meaningful activity brings focus to her life.
National Spiritual Educational Role Of Songs Praising The Country, Nozbuvi Boychayeva
National Spiritual Educational Role Of Songs Praising The Country, Nozbuvi Boychayeva
Mental Enlightenment Scientific-Methodological Journal
Introducing young people to the types of national musical art in accordance with modern requirements and promoting its content and essence in the lessons of music culture is a very convenient means of music education. Praising patriotism and humanity in songs. Correct understanding of the content of the songs, the specific complex processes of performance and attention to the educational and spiritual essence of the works. A deep understanding of the professional content of the song’s focus on song poetry and performance skills in the art of music. From this point of view, this article deals with the issues of …
Art In A Democratic Society (Art 285), Brandon Bauer
Art In A Democratic Society (Art 285), Brandon Bauer
Open Access Academic Service Learning Syllabi
This course explores the role of art in a democratic society through a combination of individual and collaborative project development, community engagement, as well as research and reflection on a variety of related topics and concepts. Recently, an increasing number of artists, curators, critics, and arts administrators have begun to turn their energies toward a new type of participatory social practice art that seeks to bring about positive change within a contemporary society confronted by complex issues and challenges on many fronts. To thrive, democratic societies need citizens to participate in their community for the common good. This participation has …
Theatre And Art Club Lesson Plans, Hailey Revord, Madelyn Kreifels
Theatre And Art Club Lesson Plans, Hailey Revord, Madelyn Kreifels
Honors Program: Expanded Learning Clubs
After school club that explores elements of theatre and art.
Reconstructing Isotelus Rex, Brian White
Reconstructing Isotelus Rex, Brian White
Fall Showcase for Research and Creative Inquiry
Isotelus rex is the largest trilobite currently known at over 720 mm in length, and by extension is one of the largest arthropods known. However, despite these accolades, it is relatively unknown in both the public consciousness and in the scientific community. This is partially due to its scant visual database, with barely any artistic restorations to help represent its life appearance. In order to rectify this, a digital reconstruction of Isotelus rex is produced utilizing programs such as Blender and Zbrush. The final result of the work is a fully animated restoration of the trilobite, bolstering its visual database …
Where Are The Women? A Feminist Field Guide To The Museum, Taylor Weaver
Where Are The Women? A Feminist Field Guide To The Museum, Taylor Weaver
Theses
Linda Nochlin’s seminal 1971 essay, “Why Have There Been No Great Women Artists?” was at the fore of the great battle cries of many feminist scholars that drew attention to the limitation’s that female artist’s face in the art world. Women have systematically been left out of the art historical narrative while their male counterparts remain at the forefront.
There are many women that are very prominently represented in museums. They are largely nude and have been represented by male artists. While I do not argue that nudity in paintings should not exist, I do insist that museum goers become …
Sio Fakatonga ‘Ae ‘Aati Fakatonga: Tongan Views Of Tongan Arts, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Manuesina ‘Ofakihautolo Māhina, Kolokesa Uafā Māhina-Tuai, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina
Sio Fakatonga ‘Ae ‘Aati Fakatonga: Tongan Views Of Tongan Arts, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Manuesina ‘Ofakihautolo Māhina, Kolokesa Uafā Māhina-Tuai, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina
Pacific Studies
As inherent in the title of this essay, we present a critical exercise in viewing Tongan arts from a Tongan lens by combining ontology and epistemology in both process and outcome. By ontology and epistemology, reference is made to ways of being as subject matters of creation and ways of knowing (or seeing and doing) as works of art and literature. The latter engages in the abstraction of the single level of reality with respect to the subject matters in both the creative and the consumptive processes, whether they be faiva performance, tufunga material, or nimamea‘a fine arts. Herein, we …
Sacrality In Modern Ukrainian Poetics: Metamorphoses Of Values, Iryna Lazorevych
Sacrality In Modern Ukrainian Poetics: Metamorphoses Of Values, Iryna Lazorevych
Occasional Papers on Religion in Eastern Europe
This is a study of the influence of religious sacrality on modern Ukrainian literature, particularly poetry, analyzing those sacred meanings that the current Ukrainian mentality actively uses. So far, it eclectically synthesizes the ideological impulses of traditional Christian religiosity (which even in the times of Communism retained its natural strength, especially in the Western regions of Ukraine), and elements of Soviet ideologemes and pragmatism of the modern transitional period. At the same time, it uses certain inclinations to new communication with sacred, which is felt by some of the important creators of modern Ukrainian culture. In this article, the author …
Sino, ‘Ilo, Moe Ongo: Body, Knowing, And Feeling, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Kolokesa U. Māhina-Tuai, Sione L. Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina
Sino, ‘Ilo, Moe Ongo: Body, Knowing, And Feeling, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Kolokesa U. Māhina-Tuai, Sione L. Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina
Pacific Studies
This essay critically examines the intersection of sino body, ‘ilo knowing, and ongo feeling. The latter two are considered indivisible tendencies situated in the former, which is, in turn, taken merely as a vaka/hala medium/vessel/vehicle. The authors address examples from Tongan faiva performance arts of ta‘anga poetry, hiva/fasi music, and lea oratory, in which this topic is highly developed and refined, in contrast to academia, where it is largely, if not, entirely unexplored. By drawing on the Indigenous Tongan Tā-Vā Time-Space Philosophy of Reality, the critique is placed in the Indigenous Tongan thinking and practice of ‘atamai mind and mafu/fatu …
Vaka, Fale, Moe Kava: Boat, House, And Kava – Mana Structures, Mana Spaces, Tavakefai‘Ana, Sēmisi Fetokai Potauaine, Bruce Sione To‘A Moa, Sione Lavenita Vaka, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina
Vaka, Fale, Moe Kava: Boat, House, And Kava – Mana Structures, Mana Spaces, Tavakefai‘Ana, Sēmisi Fetokai Potauaine, Bruce Sione To‘A Moa, Sione Lavenita Vaka, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina
Pacific Studies
Our collective aim in this essay is to critically examine the fakafelavai intersection, or fakahoko connection and fakamāvae separation, of the vaka boat, fale house, and kava in terms of both art work and art use. The vaka boat and fale house are associated with tufunga the material arts of tufunga fo‘uvaka boat-building and tufunga langafale house-building, and kava with faiva the performance art of faiva inukava kava-drinking; all bearing immense material–physical, psychological–emotional, and social–cultural significance. All three are variously associated with the ceremonial as tapu structures and places possessing mana power and ivi energy of great potupotutatau harmony and …
Contemporary Native American Art: Contemplating Fashion And Indigenous Craft, Madison Seiter
Contemporary Native American Art: Contemplating Fashion And Indigenous Craft, Madison Seiter
Theses and Dissertations
This thesis focuses on Indigenous and contemporary cultural representation expressed in the art of Wendy Red Star, Lisa Telford, and Jamie Okuma as presented in their clothing, shoes, and jewelry. These artists challenge marginalization through their works while also showcasing hybridity, cultural reclamation, and continuity through the materials and processes utilized. This thesis examines the elevation of Indigenous craft within the framework of recent craft theory. It explores what their art communicates in the contemporary art world and considers their significance to Native tradition, generational knowledge, innovation, and technical skill. The works discussed recognize the importance of Native art expressing …
Transcendentalism, Art, And Social Change: An Overview For A New Generation, Nidra Kilmer
Transcendentalism, Art, And Social Change: An Overview For A New Generation, Nidra Kilmer
Theses - ALL
The purpose of this study is to investigate the philosophy, art, methods, and outcomes of the Transcendentalist movement in 19th century America, with the aim of identifying strategies for creative practice that may inspire artists and educators in the 21st century. In the introductory section, the need for such an inquiry is established. Correlations are drawn between transcendental art from China, India, and America, in order to enrich the conversation by examining how ideas of transcendentalism, art, and social change are approached from different cultural perspectives. The historical context and philosophical roots of the American Transcendentalists is summarized, followed by …
Painting Outside Of The Lines: How Race Assignment Can Be Rethought Through Art, Giovanni Mella-Velazquez
Painting Outside Of The Lines: How Race Assignment Can Be Rethought Through Art, Giovanni Mella-Velazquez
Gettysburg Social Sciences Review
For centuries art has been used to make us think about our own human experiences. Unfortunately, works usually reflect the era which they were painted in; this has led to various artists showing, maintaining, and therefore reinforcing racist thoughts in our cultures. Art can be used to create a new narrative for our race assignments and their meanings. The idea of loving one's roots has been prevalent in many cultures, but in art form a disconnect between history and the everyday experience can arise which could miss the mark in helping us redefine our own race. Therefore, artwork which empowers …
An Investigation Of The Impact Of Covid-19 Infection Control On Visual Art Installations In Hospitals With Pediatric Patients, Shannon Kimich
An Investigation Of The Impact Of Covid-19 Infection Control On Visual Art Installations In Hospitals With Pediatric Patients, Shannon Kimich
Electronic Theses and Dissertations
This study investigated the impact of COVID-19 infection control on visual artwork in pediatric hospitals and hospitals caring for pediatric patients. The study involved five hospitals in three southern America states and addressed visual artwork and art installations. The researcher administered an internet-based survey to participants in job functions related to hospital administration, environmental services, and project management across the facilities and received participation from 18 respondents. Additionally, telephone interviews were conducted with three participants with the job titles project manager/analyst, child-life specialist, and environmental services director. Survey questions were designed to examine visual art programs in selected children’s hospitals …
The Art Of The Climbing Wall, Gavin P. Day
The Art Of The Climbing Wall, Gavin P. Day
Undergraduate Honors Theses
The aim of my thesis is to share the intricacies of climbing wall design, and the building blocks of art, science, and philosophy that go into the work. I will also be detailing my journey of learning through mentorship, trial and error, and my own experience with climbing. All of this culminates in a redesign of the current climbing wall at ETSU’s Basler Center for Physical Activity. While there is limited information on climbing wall design theory, insight is given through industry standards, competition regulations, and interdisciplinary design philosophies
Insight Ar. Relating Virtual Sculptures To Real Places., Volker Kuchelmeister
Insight Ar. Relating Virtual Sculptures To Real Places., Volker Kuchelmeister
Frameless
InSight AR is a site-specific Augmented Reality project and mobile phone app produced for the popular Sculptures by the Sea Bondi exhibition, to be held in Sydney Australia in 2021. It forms uncanny relations between virtual sculptures, visitors, the environment and the art on site. The project is comprised of three parts: an outdoor work using AR plane detection and geo-location, AR image and spatial tracking for an indoor exhibit and a 3D map of the coastal walk, also presented in AR. The work is designed to be playful, fun and it encourages its viewers to share their experience on …