Arts and Humanities Commons^™

Transforming A Public Flexible Space Into An Artistic Place For Leisure – An Artistic Intervention For Downtown Arlington., Sowmya Kanaka

Landscape Architecture Masters & Design Theses - Archive

Open flexible spaces are often underutilized, undefined, or lacking identity, hold immense potential to become vibrant artistic places that support leisure, culture, and community life. transforming such flexible spaces into Community-led arts places serve as adaptable environments that can shift to meet evolving cultural and recreational needs. By integrating artistic intervention through public art, interactive installations, and creative spatial programming, formerly Underutilized open space becomes an anchor of activity drawing residents and visitors and influencing adjacent areas to align with its renewed identity. Arts-driven public spaces attract consistent foot traffic and recurring events, stimulating social and economic exchange. When artistic …

The Alienated Self: A Solo Exhibtion, Kade Winterton

2025 Fall Honors Capstones Projects - Archive

Exhibiting works is an essential step for every artist; this capstone is a creative research project that explores feelings of alienation and otherness, as well as the multiple causes they stem from, resulting in a body of work ready for exhibition. First, research was conducted on exhibiting and curating works. Next, works by contemporary artists who also explored the same topic were examined. Completed works were curated, and an inventory of what was needed to create an exhibition-ready body of work was defined. After this was done, new works were uniquely created, each starting with an idea and a sketch. …

Dolce Vita Packaging Design, Milena S. La Via

Senior Art Portfolios

Dolce Vita Limoncello is a fictional hard Italian liqueur brand I created consisting of three different liqueur flavors—limecello, citruscello, and limoncello. Dolce Vita, which translates to “sweet life” in English, includes three unique bottle designs, merchandise, and promotional advertisements to establish the brand. The brand’s bright colors are inspired by colors found in Italian packaging and design. This project was influenced by my time spent abroad in Italy, where I photographed various Italian designs and landscapes that became a key source of inspiration.

Senior Show - Merch Design, Nicole Tranel

Senior Art Portfolios

This Senior Capstone Project serves as the culmination of my undergraduate journey, highlighting the skills I have acquired and demonstrating my ability to apply them in real-world professional settings such as merch design. Through this project, I expanded my expertise beyond artistry, embracing design as a complementary skillset that enhances my creative and problem-solving abilities.

A Pixel Odyssey, Claudia Tong

Inscape

Claudia Tong is an artist and quantitative researcher based in London, creating at the intersection of traditional and digital art. Her practice spans from painting, illustrations, and mixed media to visual computing, photography, and music. She graduated from Brown University in computer science and has lived, worked, and exhibited internationally.

Interview With Sonya Huber, Skylar Russel

Inscape

No abstract provided.

I Miss My Teeth; I Feel Your Teeth, Emma A. Brauser

Scripps Senior Theses

I miss my teeth and I feel your teeth are two projects that build on one another in an exploration of the mouth as a vessel for embodied experience and interpersonal translation. These pieces represent the mouth as an ever-changing landscape, one that requires multisensorial modes of understanding. I feel your teeth counters overreliance on the visual, introducing gum-chewing as a way to comprehend the translation from the visual to the tactile and back to the visual.

How To Remain A Stranger / Encountering, In A Basement, Hannah Rotwein

Theses and Dissertations

How to Remain a Stranger / Encountering, in a Basement consists of two parallel essays. On the lefthand side of the page, How to Remain a Stranger explores the ways that the legend of the Wandering Jew, the Tradescantia genus of plants, peddlers, and exile relate to my practice of collecting, sorting, and combining found objects. On the righthand side, Encountering, in a Basement describes my thesis exhibition at the Institute for Contemporary Art at Virginia Commonwealth University. Focusing on the idea of the encounter, I detail the materials, considerations, and processes behind four of the ten sculptures in the …

The Paradox Of Value, David Enrique Guarnizo

Theses and Dissertations

The present thesis project examines how, in the United States, and especially in the state of Virginia, archetypes of "wealth," "value," and "identity" have been constructed in relation to land and territory. This analysis explores the tension between the inherent value of life on the land and the economic value that can be derived from it. This tension is exemplified by a theory known as the "paradox of value", also referred to as the "paradox of water and diamonds", which was developed by the renowned Scottish economist and philosopher, Adam Smith. This theoretical framework serves as a fundamental axis for …

How Much Glass Can I Break Before They Fire Me? Negotiating Ethically-Constructive Education In A Fractured Political Landscape, Mya Scarlato, Katie Kelly

Faculty Works

Amid the myriad of political disagreements that arise among collective identity groups vying for space within the educational curriculum, we offer in this article a theoretical framework through which we argue that schools are uniquely positioned to serve as spaces in which students can negotiate the ethical and moral selves of their choosing. Drawing upon the work from educational philosopher Maxine Greene (1988) and ethics philosopher Kwame Anthony Appiah (2005), we suggest that 1) the development or ‘becoming’ of one’s identity is an ethical endeavour, 2) negotiating identity space in both education and society at large is a moral endeavour, …

Artist’S Note On This Is . . ., Eli Peterson

BYU Studies

The First Vision has always been an inspiration to me—the opening of heaven, the burst of such a powerful presence that our Father in Heaven and Savior brought to the earth after nearly two thousand years.

Review: The Shape Of Power: Stories Of Race And American Sculpture, Jiaying (Gloria) Dai

Art Inquiries

The Shape of Power: Stories of Race and American Sculpture, co-curated by Karen Lemmey,

Tobias Wofford, and Grace Yasumura, ambitiously asked: How does American sculpture

intersect with the history of race in the United States?1 Positioning itself as the first major survey

exhibition of American sculpture in decades, this exhibition featured 82 sculptures created by 70

artists spanning from 1792 to 2023.

The Divine Invitation To Co-Creation: The Effects Of Creative Practice On The Vocation Of Clergy In The Anglican Church Of Canada, Dawn Dickieson-Leger

Theses and Dissertations (Comprehensive)

Creative practice has been confirmed as having benefits for health and well-being for people as well as an effective spiritual practice aiding in discernment. Clergy find their purpose in their sense of vocation, often formed and discerned in the context of seeking ordination. The researcher, an Anglican priest and amateur artist, presents a renewed idea of vocation as co-creation with God by engaging in creative practice. Throughout the dissertation she offers reflections from her own experiences in art, health recovery, and ministry. Fifteen Anglican clergy were interviewed about their vocation, ministry, and creative practice. Each of these clergy met the …

The Masa That Holds Us: Indigenous Epistemologies And The Food We Share, Necahual Gamboa

Cal Poly Humboldt theses and projects

The U.S. higher education system is built on histories and infrastructures of colonization, white supremacy, and western imperialism. Among many of the institutions produced from a history of domination and genocide, the systems of higher education need to shift their focus to decolonial frameworks including Indigenous epistemologies (ways of knowing and being) in order to work toward true reparations between these imperial systems and the Indigenous people they have displaced and disregarded. This project brings these systems into question, but also uses art, prose, and storytelling to better align with what it means or what it could look like to …

The Boondocks, Winston Broiles

Jurgen Banned Art Comics Contest

Honorable mention in the 2025 Jurgen Banned Art Comics Contest.

A controversial and over-the-top parody of the racist character trope, "The Story of Jimmy Rebel" became the only episode of the television show "The Boondocks" excluded in a 2020 streaming run.

The War On Degenerate Art, Nathan Persson

Jurgen Banned Art Comics Contest

Honorable mention in the 2025 Jurgen Banned Art Comics Contest.

A dark historical tale about the modernist and avant-garde painters and sculptors whose art was attacked and derided in the Nazi Party's 1937 Degenerate Art Exhibition

To And From Guantanamo Bay, Naomy Cardoso Perez

Jurgen Banned Art Comics Contest

Research prize winner in the 2025 Jurgen Banned Art Comics Contest.

A man's art becomes his only tether to the real world during his unlawful detention at Guantanamo Bay. When he is offered the opportunity to exhibit his work for a small nonprofit gallery, the Department of Defense forbids the artwork from leaving the compound.

Carpetas. | 1. Vuelo Blanco, Heciel Nieves-Bonilla

Jurgen Banned Art Comics Contest

Honorable mention in the 2025 Jurgen Banned Art Comics Contest.

Set in a time when Puerto Rican nationalist sentiments were strongly suppressed and an FBI surveillance program known locally as "Carpetas" was carried out on the island, the children of censored and imprisoned artists, musicians, and poets navigate their restricted personal and communal identity.

Of Kings And Queens, Alyssa Hwee

Jurgen Banned Art Comics Contest

Artistry prize winner in the 2025 Jurgen Banned Art Comics Contest.

Set against the backdrop of the Stonewall riots, this comic book cover highlights the role of drag kings and queens at the forefront of political activism and community organizing.

The Red Scare, Ingo Taylor

Jurgen Banned Art Comics Contest

Grand prize winner in the 2025 Jurgen Banned Art Comics Contest.

The Masked Moth, scourge of supervillains and protector of artists from censorship, battles his greatest foe yet—The Red Scare, who emits a scream so terrifying it sends people into a paranoid, anti-Communist frenzy.

Blacklisted. Hollywood 1950, Ana Gonzalez

Jurgen Banned Art Comics Contest

Storytelling prize winner in the 2025 Jurgen Banned Art Comics Contest.

A successful screenwriter is falsely accused of being a Communist sympathizer and must endure suffocating censorship, surveillance and the struggle to preserve both his creativity and his freedom.

Record Scratch: The Podcast, Kate Widmer

Undergraduate Theses, Professional Papers, and Capstone Artifacts

“Record Scratch: The Podcast” is an attempt to gather some of the history of Missoula’s alternative music scene from the 1990s until now, to contribute to documentation of Montana’s art scenes as well as to summarize and finalize my two and a half years of doing music reporting in Missoula. For the podcast, I interviewed four people who are active in Missoula’s music scene. Our discussions range from their youth through to the present day, giving several perspectives on Missoula’s changing music culture, as well as what it means to be a punk in Montana. My guiding reason for this …

Creatura, Carly Marie Odegard

Master's Theses or Doctor of Nursing Practice

My sculptural practice is rooted in the belief that humans and nature are not separate, but deeply interwoven. I create immersive installations that embody cycles of life, death, and transformation; spaces where spiritual and material realities coexist in tension and harmony. Through cast metal, organic materials, and fabricated forms, I channel archetypal symbols from mythology, ritual, and the collective unconscious to create environments that speak to both personal and universal experience.

During my time at Fort Hays State University, I developed a body of work grounded in installation and cast metal. I forged branches, flowers, and leaves from steel, and …

Heiniboxitittel, Harry Ritchie

All Graduate Theses, Dissertations, and Other Capstone Projects

This exhibit can be considered a sort of parody of an average gallery exhibition. Sacrilegious elements such as shoddy hand-written labels, tilted shelves, and lack of measurement call attention to the standard formula of a visual art exhibit. Artists are meant to think outside the box, but many adhere to strict guidelines when it comes to showcasing artwork. Everything must be just so.

But expecting perfection leads to disappointment. Having an exact plan means things will go wrong. This exhibition challenges conventional notions of beauty and shows that some of the most truly beautiful things in the world happen not …

Perception As Creation In Swann's Way, Ethan D. Snowball

Electronic Theses & Dissertations (2024 - present)

Marcel Proust’s Swann’s Way is written with such detail that it overwhelms both the reader’s and the character’s sensory experience. Despite all the details, each character takes their senses of the world and strings them together as coherent images and stories. Proust shows that perceptions and memories are malleable, as individuals perceive objects in a way that brings entire stories or images to their conscious experience. The way that Proust’s characters take sensory objects and create images shows that each character can consciously interpret the world around them. Social images find themselves competing with the personally constructed images of an …

Creating An Ofrenda, Sara Hinojos

Open Educational Resources

You do not need to be Mexican to celebrate Dia de los Muertos (Day of the Dead). What you need however is a deep and thoughtful cultural understanding of the practice. This lesson plan teaches students what Dia de los Muertos is, the influence of colonialism (past and present), how mainstream media understands the celebration in the U.S., and how local communities honor the celebration. This approach is from a media studies perspective and a particular focus on art, specifically altar making or making an ofrenda. Writer, philosopher, tejana Gloria E. Anzaldúa details that altars are “‘the sanctuary of the …

Drawing 1 Course Syllabus, Fall 2025, Jennifer Sullivan

Open Educational Resources

This introductory drawing course offers an immersive, practice-based exploration of observational drawing from life. Emphasizing perceptual skills, students will engage with key visual principles—such as proportion, space, perspective, and composition—through projects focused on still life, the human figure, and portraiture. Working with graphite, charcoal, and ink, students will develop both technical fluency and expressive range, learning to convey presence, mood, and memory through mark and form. The course blends rigorous studio practice with critical looking and discussion, encouraging students to cultivate their own artistic voice through sustained attention, experimentation, and care.

Grasshoppers, Ants, And Philosophical Fables, Maughn Rollins Gregory

Picture Books

Aesop contrasted the ant’s virtues of industry, forward planning, and group loyalty with the idleness of a cicada interested only in merry-making and music-making. That contrast is challenged in many picture book versions of his fable. What does it mean to work? What is the value of making music and art? Can finding delight in an occupation be as important as denying gratification? When is it right to refuse help to someone who asks for it? This review compares six picture books—Ant and Grasshopper by Luli Gray (2011), The Ant and the Grasshopper by Amy Lowry Poole (2000), The …

Marcescence, Ben Liebl

All Graduate Theses, Dissertations, and Other Capstone Projects

Marcescence is the withering yet attachment of a leaf to its stem. This withering but futile persistence conceptually intrigues me, as well as the inclusion of nuance into dichotomies. In this installation, many of the forms are derived from the burls and galls of trees, phenomena resulted from damage but a testament of healing--scar tissue--to anthropomorphize. Here, I use marcescence as an extended metaphor, to relate with that very persistence. This body of work sheds off personal items, writings, former works of art, and memories, which, have undergone transformation to be gawked at before their next transition.

The next part …

Wavering Masculinities, Riley Rist

All Graduate Theses, Dissertations, and Other Capstone Projects

Wavering Masculinities is a compilation of anthropological research, exploration of self-identity/belonging, and deep dive into the cultural expectations of heterosexuality (as it relates to gender expression). The works convey a physical connection to my anthropological research to produce imagery about masculine behaviors and appearances, and the deviations of those appearances and behaviors. This exhibition looks at the line between masculine and feminine expression from the male-identifying perspective to inquire about the amount of feminine traits that can be possessed until sexuality is questioned/assumed (and why does being feminine have to be a bad thing?! )