Arts and Humanities Commons^™

Remains Of A Monastery At The Foot Of Tel Ashdod (Hebrew, Pp. 1*–2*; English Summary, P. 233), Shlomo Gudovitch

'Atiqot

A mosaic floor was uncovered, consisting of a square surrounding a medallion, in which a seven-line Greek inscription was preserved. It is suggested that the mosaic adorned the entrance to a monastery or a church that existed at the site during the Byzantine period.

Note On A Glazed Bowl With A Medallion Of A Feline From Khirbat Burin (Pp. 215–219), Lev Kapitaikin

'Atiqot

A fragment from a large, Mamluk-period glazed-ware bowl was found in the Khirbat Burin excavations, decorated with a molded relief. The decoration is divided into three registers: the upper register is occupied by a naskh inscription, interrupted by a medallion enclosing a figure of a large feline; the two lower registers are decorated with simple geometric motifs. This vessel type dates from the fourteenth–fifteenth centuries CE, and is reported from many sites in the Levant. It might have been produced in greater Syria.

Burials From The Intermediate Bronze Age And The Roman Period At Bet Dagan (Pp. 23–30), Martin Peilstöcker

'Atiqot

Nine tombs were excavated: seven dated to the Intermediate Bronze Age (IBA), and two, to the Early Roman period. The IBA tombs were all simple burial pits, dug into hamra soil. The Roman-period tombs were cist graves. The pottery finds from the IBA pits included a bowl, cups, jars, amphoriskoi and a lamp, all resembling Dever’s Southern Family. The finds from the Roman period comprised two pottery vessels and a rare bronze jug with a decorated handle.

A Ceramic Zoomorphic Figurine From Tel Bet Yeraḥ, Nadeshda B. Knudsen

'Atiqot

A well-made ceramic zoomorphic figurine was recovered from a domestic EB IB context (Stratum V) in the southern part of Tel Bet Yeraḥ. The physical characteristics of this figurine suggest that it was intended to represent an equid, possibly a donkey. Such animal figurines are common at Early Bronze Age sites, usually representing familiar domesticate animals. The purpose of these figurines remains obscure, with multiple suggestions offered, including their use as toys, talismans, teaching aids, exchange tokens, or for rituals.

Ultraviolent, Jin Mateo Kim

Theses and Dissertations

How do you reconceive yourself in a society that has failed you? Jin Mateo Kim's works examine the reckoning of self-conception in postwar youth subculture of the 1960s.

To Swallow The Stars, Catie Dillon

Theses and Dissertations

Through abstract paintings of illuminated voids, Catie Dillon explores ideas of interconnectedness. In "To Swallow the Stars", she traces the layers of her process, examining the function of gesture, color, light, and space as a means to capture the ineffable.

List Of No's, Hwi Hahm

Theses and Dissertations

Through abstract paintings with an emphasis on the absence of the human form, Hwi Hahm creates an esoteric, veiled expression, prompting the question: when do swaths of paint become something? In this paper he discusses the dissociation of identity, and how it offers a balance between material properties and the illusionistic possibilities of painting.

The Price Of Zero: On Aesthetics, The Market, And The Salvage Art Institute, Emily Henson

Theses and Dissertations

Founded by Elka Krajewska, The Salvage Art Institute (SAI) recontextualizes artworks classified as "total loss" through public exhibition and archival practices, and challenges conventional art market values by exploring alternative frameworks for artistic worth.

Free Fall, Mariam Bolkvadze

Theses and Dissertations

Free Fall, a mixed media project, addresses the horrifying cases of infant abduction experienced in the country of Georgia over the last 40-50 years, and how the nation's systemic issue became one of the causes of illegal child trafficking in the country. The project features an infant room setting with video projections, TV screens with interviews, and custom sound effects. The setting of Free Fall is a visual metaphor of the experiences of those affected by the abductions and illegal child trafficking drawing from the iconography of early childhood. Ultimately, my installation seeks to advocate for justice and support …

Arden 2025, Elizabeth Woods, Maddie Ginter

The Arden

An amalgamation of creative student works. Items contained include, but are not limited to, art, photography, short stories, prose, poetry, and other avenues of creative composition.

Coeval 2025, Amy Holmberg Editor, Trina Warkentin Editor, Sadie Buteyn Fiction Editor, Emily Costa Fiction Editor, Katelyn Bierma Nonfiction Editor, Michael Harjo Poetry Editor, Lauren Groff Poetry Editor, Tiana Higgins Art Editor, Bright Holst Design Editor, Elizabeth Caneday Contributor, Abby Chalmers Contributor, Kaleb Cramer Contributor, Malachi Fox Contributor, Jayda Francis Contributor, Chloe A. Harvick Contributor, Amelia Keillor Contributor, Kade Nystrom Contributor, Elle Pehrson Contributor, Alyse Petersen Contributor, Eleanor Schuebel Contributor, Kailey Tan Contributor, Elizabeth Turner Contributor

Coeval

On behalf of the Coeval editing team, we proudly present the 2025 issue of Bethel University’s Coeval Literary magazine. As you read through this journal, you will find poetry, prose, fiction, and visual art about the beauties and hardships of life. Together, Bethel University students and faculty contributed to make this magazine happen. We loved reading each submission and viewing every art piece. More than anything, we look forward to what students will continue to create! Thank you for reading.

Sincerely, Trina Warkentin and Amy Holmberg

Cover Art: Places to Be by Natalie Enos

Blue Room 2025, Blue Room Magazine Rso

Blue Room

Editorial Team

• Alexandra Bradley
• Eli Elkins
• Gabby Hetzel
• James Schnitzler
• Jenna Peck
• Lynn Judy
• Natalie Hansen
• Rachael Perino
• Sam Pickett
• Sarah Brown
• Sofia King

Queerness Through The Lens Of Abjection, Games, And Ai, Ryan Nguyen

HMC Senior Theses

I have always understood queerness in relation to the heteronormative standards that our modern society imposes. That is, despite being queer, my own perception of my identity has been that it is abject. The abject is what disturbs identity, system, order, and what does not respect borders, positions, and rules. I have been indoctrinated to believe that queerness is a disturbance to the current system, that it is unnatural and repulsive. However, there is value in abjection. When faced with a primal repulsion, the boundaries between the Self and the Other are confronted and begin to break down. By breaking …

Transforming A Public Flexible Space Into An Artistic Place For Leisure – An Artistic Intervention For Downtown Arlington., Sowmya Kanaka

Landscape Architecture Masters & Design Theses - Archive

Open flexible spaces are often underutilized, undefined, or lacking identity, hold immense potential to become vibrant artistic places that support leisure, culture, and community life. transforming such flexible spaces into Community-led arts places serve as adaptable environments that can shift to meet evolving cultural and recreational needs. By integrating artistic intervention through public art, interactive installations, and creative spatial programming, formerly Underutilized open space becomes an anchor of activity drawing residents and visitors and influencing adjacent areas to align with its renewed identity. Arts-driven public spaces attract consistent foot traffic and recurring events, stimulating social and economic exchange. When artistic …

The Alienated Self: A Solo Exhibtion, Kade Winterton

2025 Fall Honors Capstones Projects - Archive

Exhibiting works is an essential step for every artist; this capstone is a creative research project that explores feelings of alienation and otherness, as well as the multiple causes they stem from, resulting in a body of work ready for exhibition. First, research was conducted on exhibiting and curating works. Next, works by contemporary artists who also explored the same topic were examined. Completed works were curated, and an inventory of what was needed to create an exhibition-ready body of work was defined. After this was done, new works were uniquely created, each starting with an idea and a sketch. …

Dolce Vita Packaging Design, Milena S. La Via

Senior Art Portfolios

Dolce Vita Limoncello is a fictional hard Italian liqueur brand I created consisting of three different liqueur flavors—limecello, citruscello, and limoncello. Dolce Vita, which translates to “sweet life” in English, includes three unique bottle designs, merchandise, and promotional advertisements to establish the brand. The brand’s bright colors are inspired by colors found in Italian packaging and design. This project was influenced by my time spent abroad in Italy, where I photographed various Italian designs and landscapes that became a key source of inspiration.

Senior Show - Merch Design, Nicole Tranel

Senior Art Portfolios

This Senior Capstone Project serves as the culmination of my undergraduate journey, highlighting the skills I have acquired and demonstrating my ability to apply them in real-world professional settings such as merch design. Through this project, I expanded my expertise beyond artistry, embracing design as a complementary skillset that enhances my creative and problem-solving abilities.

A Pixel Odyssey, Claudia Tong

Inscape

Claudia Tong is an artist and quantitative researcher based in London, creating at the intersection of traditional and digital art. Her practice spans from painting, illustrations, and mixed media to visual computing, photography, and music. She graduated from Brown University in computer science and has lived, worked, and exhibited internationally.

Interview With Sonya Huber, Skylar Russel

Inscape

No abstract provided.

How Much Glass Can I Break Before They Fire Me? Negotiating Ethically-Constructive Education In A Fractured Political Landscape, Mya Scarlato, Katie Kelly

Faculty Works

Amid the myriad of political disagreements that arise among collective identity groups vying for space within the educational curriculum, we offer in this article a theoretical framework through which we argue that schools are uniquely positioned to serve as spaces in which students can negotiate the ethical and moral selves of their choosing. Drawing upon the work from educational philosopher Maxine Greene (1988) and ethics philosopher Kwame Anthony Appiah (2005), we suggest that 1) the development or ‘becoming’ of one’s identity is an ethical endeavour, 2) negotiating identity space in both education and society at large is a moral endeavour, …

Artist’S Note On This Is . . ., Eli Peterson

BYU Studies

The First Vision has always been an inspiration to me—the opening of heaven, the burst of such a powerful presence that our Father in Heaven and Savior brought to the earth after nearly two thousand years.

Creatura, Carly Marie Odegard

Master's Theses or Doctor of Nursing Practice

My sculptural practice is rooted in the belief that humans and nature are not separate, but deeply interwoven. I create immersive installations that embody cycles of life, death, and transformation; spaces where spiritual and material realities coexist in tension and harmony. Through cast metal, organic materials, and fabricated forms, I channel archetypal symbols from mythology, ritual, and the collective unconscious to create environments that speak to both personal and universal experience.

During my time at Fort Hays State University, I developed a body of work grounded in installation and cast metal. I forged branches, flowers, and leaves from steel, and …

I Miss My Teeth; I Feel Your Teeth, Emma A. Brauser

Scripps Senior Theses

I miss my teeth and I feel your teeth are two projects that build on one another in an exploration of the mouth as a vessel for embodied experience and interpersonal translation. These pieces represent the mouth as an ever-changing landscape, one that requires multisensorial modes of understanding. I feel your teeth counters overreliance on the visual, introducing gum-chewing as a way to comprehend the translation from the visual to the tactile and back to the visual.

Heiniboxitittel, Harry Ritchie

All Graduate Theses, Dissertations, and Other Capstone Projects

This exhibit can be considered a sort of parody of an average gallery exhibition. Sacrilegious elements such as shoddy hand-written labels, tilted shelves, and lack of measurement call attention to the standard formula of a visual art exhibit. Artists are meant to think outside the box, but many adhere to strict guidelines when it comes to showcasing artwork. Everything must be just so.

But expecting perfection leads to disappointment. Having an exact plan means things will go wrong. This exhibition challenges conventional notions of beauty and shows that some of the most truly beautiful things in the world happen not …

The Boondocks, Winston Broiles

Jurgen Banned Art Comics Contest

Honorable mention in the 2025 Jurgen Banned Art Comics Contest.

A controversial and over-the-top parody of the racist character trope, "The Story of Jimmy Rebel" became the only episode of the television show "The Boondocks" excluded in a 2020 streaming run.

The War On Degenerate Art, Nathan Persson

Jurgen Banned Art Comics Contest

Honorable mention in the 2025 Jurgen Banned Art Comics Contest.

A dark historical tale about the modernist and avant-garde painters and sculptors whose art was attacked and derided in the Nazi Party's 1937 Degenerate Art Exhibition

To And From Guantanamo Bay, Naomy Cardoso Perez

Jurgen Banned Art Comics Contest

Research prize winner in the 2025 Jurgen Banned Art Comics Contest.

A man's art becomes his only tether to the real world during his unlawful detention at Guantanamo Bay. When he is offered the opportunity to exhibit his work for a small nonprofit gallery, the Department of Defense forbids the artwork from leaving the compound.

Carpetas. | 1. Vuelo Blanco, Heciel Nieves-Bonilla

Jurgen Banned Art Comics Contest

Honorable mention in the 2025 Jurgen Banned Art Comics Contest.

Set in a time when Puerto Rican nationalist sentiments were strongly suppressed and an FBI surveillance program known locally as "Carpetas" was carried out on the island, the children of censored and imprisoned artists, musicians, and poets navigate their restricted personal and communal identity.

Of Kings And Queens, Alyssa Hwee

Jurgen Banned Art Comics Contest

Artistry prize winner in the 2025 Jurgen Banned Art Comics Contest.

Set against the backdrop of the Stonewall riots, this comic book cover highlights the role of drag kings and queens at the forefront of political activism and community organizing.

The Red Scare, Ingo Taylor

Jurgen Banned Art Comics Contest

Grand prize winner in the 2025 Jurgen Banned Art Comics Contest.

The Masked Moth, scourge of supervillains and protector of artists from censorship, battles his greatest foe yet—The Red Scare, who emits a scream so terrifying it sends people into a paranoid, anti-Communist frenzy.