Arts and Humanities Commons^™

The Man In The Frame, Joshua Holt

Persimmon Creek

The Man in the Frame - Poetry by Joshua Holt

Clicky Pen, Allison E. Potter

Persimmon Creek

This is a poem about a clicky pen, an inanimate object that I gave life to. It is an original work that I submitted as homework for my Poetry Class.

Kabul, A Memory Bittersweet, Medina Z. Mayar

Persimmon Creek

A free verse poem.

Girls Are Coming Out Of The Woods (Title Taken From Tishani Doshi), Jillian Canady

Persimmon Creek

This evocative haiku, inspired by Tishani Doshi’s poem, Girls Are Coming Out of the Woods, beautifully captures the essence of resilience and emergence. It portrays women as powerful forces, symbolized by roaring fires and vibrant sunsets, evoking warmth and intensity. The detail of "pink painted toes" adds a playful yet bold touch, blending femininity with strength. This concise piece invites readers to reflect on the dynamic spirit of women stepping into their own, embodying both elegance and fierce determination.

Untitled, Sarah K. Dubovik

Persimmon Creek

Photography - Yosemite, Fog, Landscape, Nature

Theodore B. Taverner, Joshua Holt

Persimmon Creek

A war veteran with PTSD wakes on abandoned train tracks, a gun in hand, blood on his clothes, and a body by his feet. Disoriented and haunted by fragmented memories, he struggles to piece together the truth as sirens close in.

Warmth, Brandi E. Shuler

Persimmon Creek

The short story Warmth is about an unnamed character who encounters a violent fire elemental. It is an experimental piece about what it feels like to experience a traumatic burn and what the character went through afterward.

Father's Circle, Samuel Bass

Persimmon Creek

An abusive Father and musically-inclined son go on a roadtrip through time and discover their universal connection.

The Work Of Persimmons, Aaliyah D. Wilkes

Persimmon Creek

I wanted to create a persimmon cover that was very light and abstract. I used illustrator to create a wallpaper of persimmons.

Women Deacons In The Catholic Church: Servants To The Servant, Elizabeth A. Screnock

Master of Theological Studies Honors Theses

Even as recently as this past fall at the 16th Ordinary General Assembly of the Synod of Bishops, the question of women serving as deacons in the Catholic Church is being internationally studied and discussed. This thesis repudiates arguments against women deacons and provides historical and Biblical evidence that support the argument to include women in the diaconate. A theology of the Holy Spirit is examined, presenting a way to perceive of the Sacrament of Holy Orders by including the Virgin Mary. It concludes that women discerning the “call” to be “servants to the Servant” should be ordained deacons. …

The Queer Holocaust, Jensen B. Stoneking

Geifman Prize in Holocaust Studies

Everyone knows that in Weimar Germany, Adolf Hitler's main target was the Jewish population, however, there were other oppressed groups who faced his wrath as well. Queer folks during this time also faced mass persecution from the Third Reich, and this essay is a focus on their struggles.

Visibly Invisible: Reclaiming Atlanta Black Architecture Through Black Expression, Sean M. Spencer

Bachelor of Architecture Theses - 5th Year

Architecture has long grappled with questions of self, community, and cultural identity. While the number of Black architects is growing, architecture that genuinely reflects Black identity remains rare. This lack of representation has contributed to a sense of invisibility for Black communities within the built environment—whether by design or neglect. There is an urgent need to define and celebrate Blackness and Black space in ways that reflect the cultural richness of Black communities. As George Will points out, broad labels like African American or African often obscure the unique cultural experiences within Black communities. Historically, the lack of economic and …

Embodied Stories: Painting The Figure, Diana Hoffman

Bachelor of Fine Arts Senior Papers

This thesis explores the enduring significance of figure painting as a means to record both a personal and cultural narrative. Figure painting reflects not only artistic evolution but also shifting societal values, technological advancements, and emotional expression. Through historical analysis and my own artistic practice, this paper traces the development of figurative painting - from ancient cave art to contemporary work - and examines how artists have used the human body to convey themes of identity, memory and connection. With reference images from my personal photo archive, my work reimagines everyday moments among family and friends, transforming them into open-ended …

Weep No More, My Lady (Oh! Weep No More Today): Love, Violence, Printmaking, And Kentuckian Futurity, Madison Brown, Marshall Brown

Bachelor of Fine Arts Senior Papers

Situated within a regressive political climate, this essay considers the writer’s thesis artwork Weep No More, My Lady as a simultaneous account of Southern gendered violence and a desire for healing. Through personal and historical connections to Kentucky’s material culture, the work navigates binaries of class, race, and gender that have dictated the dominant contemporary conception of the region. Placing the competing forces of care and brutality in dialogue, Weep No More, My Lady translates these theoretical challenges into formal attributes. The work suggests modes of making — stitching, unraveling, tearing — can act against the construction and naturalization of …

Trans-Dimensional Coexistence: I No Longer Hold You But I See You, Keren Guo

Bachelor of Fine Arts Senior Papers

We live in a world where impermanence is the only lasting truth. Fleeting moments and fading relationships reoccur in our lives, but the journey continues, nonetheless. My practice projects my individuality onto universal connections between humans through depicting worlds full of colorful imaginations, experiences, creatures, and figures. I draw inspiration from work by Inka Essenhigh, Yoko Ono, and Pipilotti Rist, studying contemporary artists’ use of colors, materials, and audience participation to make an array of works from paintings to an interactive installation as my final work. Additionally, I look into historical sources about mythical creatures and religious beliefs to enhance …

Containers Of Becoming, Embodied Thresholds: Wearable Art As Performance, Bei Qi Ms.

Bachelor of Fine Arts Senior Papers

My interdisciplinary art practice investigates wearable sculpture as a tool for emotional processing, identity negotiation, and embodied performance. Beginning with early works like a cape made from thrifted scarves—exploring how different wearers transform the same garment—I have expanded their role into vehicles for personal and collective meaning. Drawing from the work of artists including Nick Cave, Stan Brahkage, Lucy McRae, Lucy Orta, and Rebecca Horn, I examine how bodily concealment, distortion, and constraint can foster new modes of self-discovery.

Over time, my practice has evolved to incorporate performance, time-based media, and psychological frameworks. For example, my choreographed dance Enneagram: Beings …

Held Together, Falling Apart: Classical Ehlers-Danlos Syndrome As Embodied Abstraction, Chloe S. Macaulay

Bachelor of Fine Arts Senior Papers

Reconciling life within a body defined by fragility, I create worlds of connectivity to embody and refigure Classical Ehlers-Danlos Syndrome (cEDS)–a connective-tissue disorder causing hypermobile joints, fragile skin, easy bruising, and poor wound healing. Large-format oil paintings employ a multi-layer method, layering paint like skin to reform the body onto canvas. Drawing on Surrealist automatic processes and theories of unconscious production, my methodology combines intuitive, process-based mark-making with traditional oil painting techniques and experimental material practices to subvert and reassert artistic agency, weaving between control and surrender. Scientific imagery, particularly SHG imaging of cEDS collagen tissue, informs a visual language …

Imaginary Friends: Engaging The Unconscious Mind Through Picture Books, Cleonique Hilsaca

MFA in Illustration & Visual Culture

“Imaginary Friends” investigates the potential of the ‘imaginary friend’ as a narrative device in picture book storytelling. By combining the research of Marjorie Taylor on ‘imaginary companions’ and Lois Rostow Kuznets on ‘toy animals’ in literature, I seek to give form to the concept of the imaginary friend, to then explore the phenomenon further by delving into the intellectual heritage of the imaginary and the unconscious mind. To explain how the imaginary friend works as a visual metaphor in illustrated narratives, I borrow principles of image-making and their effect on children, as discussed by Martin Salisbury, Morag Styles, and Molly …

The Kinship Of Creatives, Saba Saif Ur Rehman

MFA in Illustration & Visual Culture

This research essay contends that artists and creative individuals must recognize their agency in shaping societal narratives, particularly during times of technological and political upheaval. The essay draws on the insights and contributions of visionaries like Walter Benjamin, Ursula K. Le Guin, and Tomm Moore to emphasize the power of imagination and creativity in addressing real-world issues. It argues that previous technological advances have often reinforced hierarchical and oppressive systems, benefitting a select few while neglecting the masses. As we enter the fourth Industrial Revolution, this essay calls the artists to reclaim their tools from being co-opted for exclusionary and …

Counter-Environments And The Myth Of Progress: A Practice Of Participatory Disruption, Elliott J. Andrew

Bachelor of Fine Arts Senior Papers

This thesis explores the potential of archival and participatory practices to illuminate and disrupt societal barriers to genuine human connection, particularly those arising from productivity, routine, and capitalist notions of progress. Rooted in an extensive personal archive—over 70,000 photographs, hundreds of journal entries, and fragmented sensory experiences—my artistic process involves meticulously collecting, rearranging, and interpreting patterns within everyday consumption. Through iterative methods akin to artists such as Wolfgang Tillmans, I juxtapose images, texts, and found materials, embedding personal narratives and subjective insights to uncover deeper connections and overlooked truths.

Central to my practice is the critique of contemporary societal norms, …

Hot Girls Don't Worry About Copyright: Trans/Formative Works And The Femmage Lifestyle, Czeslawa Wojtkowski

MFA in Visual Art

This thesis examines the ways in which collage is an ontologically transgender medium due to its freedom from traditional artistic formal and narrative structures. Considering that many trans experiences center around dichotomies, juxtaposition, and self-definition, collage is the best equipped to communicate these experiences in innovative ways. Through interrogations of feminized labor and the ways in which the art world upholds harmful gender binaries, as well as discussions of Femmage, maladjustment, and obsession, I argue that the fragmentary nature of photomontage, digital collage, and videomontage can externally express the multitude of feelings and identities contained within a body, to a …

Hauntological Warfare: Explorations In Propaganda, Influence Campaigns, And Online Affect, Roy Uptain

MFA in Visual Art

This thesis, Hauntological Warfare: Explorations in Propaganda, Influence Campaigns, and Online Aesthetics, investigates how ideological power continues to shape contemporary reality through both overt and spectral means. Drawing from concepts like hauntology, psychological operations (PsyOps), and disinformation aesthetics, I examine how propaganda does not simply vanish once its immediate goals are achieved, but instead lingers—reshaping memory, identity, and cultural narratives through what I call hauntological warfare.

My post-conceptual research-based art practice engages this terrain by creating site-specific installations, performances, and media works that make these invisible forces perceptible. Works such as Kill Zones (for Boeing) (2024), r/RoastMe (2024), …

Shell Quilt: Piecing Memory Through Quilting, Collage, And Printmaking, Grace M. Woodruff

Bachelor of Fine Arts Senior Papers

Shell Quilt is a mixed media quilt and accompanying book which collect an amalgamation of found, hand dyed, and printed fabric pieces. This project serves as a visual tether and inquiry into my late grandmother Sylvia’s life and a way of piecing together memories of my time with her. As a conceptual frame for my thesis project, Shell Quilt, I have looked to the process of femmage, a term initially coined by Miriam Schapiro and Melissa Meyer, which I interpret as a portmanteau of feminism and collage. Through the lens of femmage, I explore the processes of collage, quilting, …

Adler, Asterios, & Maus, Crystal Ganatra

MFA in Illustration & Visual Culture

Adler, Asterios, & Maus examines how small visual decisions in illustrations make up a language. And when the dialect changes from the predominant one in a graphic novel, something novel happens. A scene or specific quality gets the spotlight. It also explores how these visuals tie to Adlerian psychology and El Refaeian ideas on autobiography, behavior, and emotion. It identifies through two interesting grpahic novels- Asterios Polyp by David Mazzuchelli and Maus by Art Spiegelman- how these ideas can be used to understand ourselves. It intensely zeroes in on specific moments of visual language shift. Some of these change range …

Go Cry About It!, Grace C. Ryder

MFA in Visual Art

I have always been a crier. I have always felt deeply and intensely. Goodbyes, heartbreak, joy, and empathy—I’m grateful to feel it all, even when it hurts. My artwork often investigates vulnerable topics through making the personal public using self archival and diaristic elements. Inspired by my familial and romantic relationships, I explore my connections to other people and how I memorialize and honor them. My painted works often depict ephemeral objects, establishing their value through the use of oil paints while my sculptures are often exaggerated, oversize forms, emphasizing the passage of time.

From January 1st to December 31st …

Unmeasured, Detached, And Isolated: The Legitimation Of A Domesticated Identity, Eva M. Agüero

MFA in Visual Art

Unmeasured, detached and isolated explores the lingering effects of colonialism on identity, behavior, and cultural perception through the lens of my personal experience as a Venezuelan immigrant in the United States. I investigate how colonial legacies—especially those codified through manuals of etiquette like Manuel Antonio Carreño’s Manual de Urbanidad y Buenas Maneras—continue to shape self-perception and societal expectations. Through video, sculpture, miniatures, and installation, I reconstruct a visual language that resists simplification and reclaims complexity. Engaging with the symbolic weight of tropical imagery, domestic spaces, and hybrid aesthetics, my work challenges Eurocentric frameworks and examines the figure of the migrant …

Illustrated Nonfiction In The Screen Age, Katie Klaras

MFA in Illustration & Visual Culture

The addictive qualities of our phones and incessant demands on our attention pose consequential challenges to individuals and the collective. In the age of screens, what are illustrated nonfiction books uniquely positioned to offer modern audiences? This essay seeks to understand how the genre can serve as one possible antidote to the infinite scroll. I examine the qualities of three illustrated nonfiction texts: Abbi Jacobson’s I Might Regret This, Shaina Feinberg and Julia Rothman’s How We Got By, and Nora Krug’s Diaries of War. The essay considers how the slower pace of the reading experience, the careful curation of image …

Code-Switching: A Study On College Students’ Languaging Practices, Neyda Perez

Honors Theses

My linguistic background is composed of many contrasting elements. I grew up speaking Spanish and English in rural Texas, and I have an accent. Words would have a southern drawl, and when saying words that were similar in English and Spanish, I would pronounce them with a Spanish accent. In contrast, many of my language arts teachers prior to high school put great value on Standard English. My accent was often corrected and dismissed, and while it wouldn’t affect my ability to navigate a classroom, I would hold it back in class nonetheless. Due to all these components, I had …

The Intersection Of Spirituality, Commerce, And Art In The Work Of William Keith, Joan Gallagher

Theses

This thesis examines the nineteenth-century Tonalist artist William Keith, focusing on how he successfully integrated commerce, art, and spirituality to achieve financial success, artistic innovation, and spiritual depth. While scholars often emphasize the symbolism and religiosity in his work, they tend to overlook his financial accomplishments. This study explores Keith's background, religious influences, and artistic development within the cultural, economic, and social context of nineteenth-century America. As a Tonalist, Keith produced popular works for the art market; as a Swedenborgian, his art reflected the spiritual principles of that faith. Unlike his East Coast counterparts, Keith’s California-based landscapes captured the dramatic …

C. S. Lewis And The Process Of Sanctification: A Literary Analysis Of Till We Have Faces, Samantha Fullmer

Student Research

This article analyzes C. S. Lewis’s Till We Have Faces as a mythical representation of the Christian process of sanctification. Through the main character, Orual, and her transformation, Lewis portrays the Christian journey from pride to love through submission to divine intervention. This tale reveals how pride and self-deception can prevent humanity from recognizing the truth of the Divine. Orual’s story illustrates that the barriers between humanity and the Divine often come placed there by humanity themselves. By examining the process of transforming from hubris to love through sanctification, and by comparing this narrative to other works by Lewis, such …