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Articles 361 - 390 of 18246
Full-Text Articles in Arts and Humanities
Selected Bibliography For The Study Of Belief In Contemporary Global Capitalism, Fu-Jen Chen, Su-Lin Yu
Selected Bibliography For The Study Of Belief In Contemporary Global Capitalism, Fu-Jen Chen, Su-Lin Yu
CLCWeb: Comparative Literature and Culture
No abstract provided.
Decolonizing Adoption Narratives For Transnational Reproductive Justice, Sung Hee Yook, Hosu Kim
Decolonizing Adoption Narratives For Transnational Reproductive Justice, Sung Hee Yook, Hosu Kim
CLCWeb: Comparative Literature and Culture
In their article “Decolonizing Adoption Narratives for Transnational Reproductive Justice,” Sung Hee Yook and Hosu Kim examine narratives emerging from transnational adoption practices, focusing on how birth mothers’ narratives—in which a victim-mother makes choices to give a child for adoption in hopes of a better life for the child, and awaits that child’s return—develop alongside and deviate from the normative orders of motherhood. While birth mothers’ self-transformative narrative illuminates their subjectivities—apart from victimhood, simmering in the latent form of agency—Yook and Kim argue that a compelling narrative of self-mastery produces another discursive trap which renders the numerous less-masterful birth mothers …
Mindfulness And Heightened Consciousness In Phillip Zarrilli’S Psychophysical Approach To Acting, Tsu-Chung Su
Mindfulness And Heightened Consciousness In Phillip Zarrilli’S Psychophysical Approach To Acting, Tsu-Chung Su
CLCWeb: Comparative Literature and Culture
In his article "Mindfulness and Heightened Consciousness in Phillip Zarrilli’s Psychophysical Approach to Acting," Tsu-Chung Su intends to explore the significance of mindfulness and heightened consciousness in Zarrilli’s psychophysical approach to acting. Su first traces and discusses the Chinese and Indian sources, resources, and knowledge that have forged Zarrilli’s psychophysical acting techniques, theories, and approaches. Then, he critically examines and assesses the efficacy of Zarrilli’s approach which combines Western theatrical concepts and techniques with what he self-consciously borrows from Chinese qi and taijiquan, Indian ayurvedic medicine, Vedic philosophy, performing aesthetics, Hindu religion, kathakali, yoga, meditation, massage, and kalarippayattu …
Adopting The Unadoptable/Disabled Subject In The Posthuman Era, Fu-Jen Chen
Adopting The Unadoptable/Disabled Subject In The Posthuman Era, Fu-Jen Chen
CLCWeb: Comparative Literature and Culture
In his article “Adopting the Unadoptable/Disabled Subject in the Posthuman Era,” Fu-Jen Chen first examines three memoirs that demonstrate prevalent features of today’s narratives by parents with adopted children of special needs and next offers a theoretical and ontological investigation of disability. He suggests that we have to change the way we relate to disability: to recognize it not as an external limitation but an internal as well as pre-existent division and to re-orient ourselves to the ontological truth that we are always already “disabled/otherized” especially in the posthuman era when the body is seen to exceed existing boundaries of …
A Sinful Reaction To Capitalist Ethics In No Quiero Quedarme Sola Y Vacía (2006), Celina Bortolotto
A Sinful Reaction To Capitalist Ethics In No Quiero Quedarme Sola Y Vacía (2006), Celina Bortolotto
CLCWeb: Comparative Literature and Culture
In her article “A Sinful Reaction to Capitalist Ethics in No quiero quedarme sola y vacía (2006)” Celina Bortolotto analyzes how Lozada’s characterization of the main character, La Loca, questions the ideals of free agency offered by consumerist capitalism and the urban gay male ideal under the promise of a liberating gay lifestyle in a social context defined by identity politics. The novel is a fictionalized autobiographical account of Puerto Rican author Angel Lozada’s misadventures in the early 2000s gay scene in New York. This essay plays with the punitive sense of the word “capital” in the seven capital sins …
Changez/Cengiz's Changing Beliefs In The Reluctant Fundamentalist, Valerie Kennedy
Changez/Cengiz's Changing Beliefs In The Reluctant Fundamentalist, Valerie Kennedy
CLCWeb: Comparative Literature and Culture
In her article, “Changez/Cengiz's Changing Beliefs in The Reluctant Fundamentalist” Valerie Kennedy analyzes the interrelation of individual subjectivity and global capitalism and the conflict between two belief systems in Mohsin Hamid’s novel. These are, first, a neoliberal system that sees individuals as rationally self-interested, mobile, economic units, and, second, a system based on a humanist definition of individuals as defined by nation, family, and tradition. Changez, the novel’s protagonist, initially endorses the first, but later rejects it for the second, due to his growing awareness of the impact on Pakistan of American geopolitics after 9/11. The essay also examines …
The Rise Of The Neoliberal Chinese Female Subject In Go Lala Go, Su-Lin Yu
The Rise Of The Neoliberal Chinese Female Subject In Go Lala Go, Su-Lin Yu
CLCWeb: Comparative Literature and Culture
Built upon feminist critique of neoliberalism, this paper will examine a prominent medium through which neoliberal feminist ideology is disseminated: Go Lala Go. By analyzing the film, I will show how it co-opts the discourse of neoliberalism, and reworks it to construct neoliberal female subjects. First, I will explore what kind of role neoliberalism has enacted in the formation of an emergent type of female subject in China. Then, I will demonstrate how the contentious process of neoliberal feminism affects young career women’s identities. More than career guides promoting different techniques for making women more successful at their workplaces, …
Innovation, Entrepreneurship, And The Spirit Of Digital Capitalism, Collin Chua
Innovation, Entrepreneurship, And The Spirit Of Digital Capitalism, Collin Chua
CLCWeb: Comparative Literature and Culture
In his article “Innovation, Entrepreneurship, and the Spirit of Digital Capitalism,”Collin Chua analyzes the myth of innovation and the fantasy of entrepreneurship. The article draws on foundational perspectives regarding the spirit of capitalism established by Max Weber, later extended by Luc Boltanski and Eve Chiapello. The myth of innovation is interrogated, as innovation now operates as a rhetorical and managerial strategy that must be pursued in order to be competitive in today’s capitalist system. The fantasy of entrepreneurship is explored, as it serves as a coping mechanism for the fragmentation and erosion of traditional work arrangements and structures. The article …
Introduction To Belief In Contemporary Global Capitalism, Fu-Jen Chen
Introduction To Belief In Contemporary Global Capitalism, Fu-Jen Chen
CLCWeb: Comparative Literature and Culture
This special issue addresses the broad and complex nexus among three topics: belief, subjectivity, and contemporary global capitalism. It explores the intersection of material practices, ideational dimensions, and the subjective dynamics of global capitalism. The interdisciplinary contributions in this special issue come from authors in Australia, New Zealand, Taiwan, South Korea, Turkey, and the United States. And the articles gathered in this issue are to explore a wide range of topics, varying from entrepreneurship and digital capitalism to neoliberalism and postfeminism; from fundamentalism and terrorism to Protestantism and contemporary homosexual identity; from body and ableism to mind and New Age …
Eternal Now: Recent Time Loop Movies And The Sanctity Of The Moment, John C. Lyden
Eternal Now: Recent Time Loop Movies And The Sanctity Of The Moment, John C. Lyden
Journal of Religion & Film
I will examine three time-loop films—Source Code (2011), About Time (2013), and Before I Fall (2017)—to suggest that while they all look to this world as the place where meaning can be found, they do not entirely reject transcendence. The hero of Source Code actually transcends the cycle only when he accepts to exist in it fully, suggesting a view like Buddhism that one only finds transcendence when one stops looking for it. In About Time the hero learns that he must accept certain things that he cannot change, and that his ability to relive the past without changing …
Neo-Gnosticism At The Movies, Michael Kaler
Neo-Gnosticism At The Movies, Michael Kaler
Journal of Religion & Film
A number of American films released in the mid/late 1990s drew on, or have been discussed in the context of, gnosticism—a loose, imprecise umbrella term usually applied to a number of heterodox early Christian literary traditions. The Matrix is the most famous of this group of films, which also includes such films as Pleasantville, Dark City, The Truman Show, and Thirteenth Floor. This curious trend would not have been possible had it not been for the emergence of gnosticism in mainstream culture generally; as well, gnosticism’s emphasis on the spectacular, constructed and ultimately illusory nature of apparent reality became especially …
Screening Religiosity In Contemporary Polish Films. The Role Of Religious Motifs In Visual Communication., Mariola Marczak
Screening Religiosity In Contemporary Polish Films. The Role Of Religious Motifs In Visual Communication., Mariola Marczak
Journal of Religion & Film
In the paper the Polish contemporary cinema has been explored as a vehicle through which films can reflect and communicate social issues, such as religiosity of Polish society, the character of it, the ways of expression and values promoted by it. The main components of modern Polish religiosity are shown as they are exhibited in film works perceived as part of modern visual culture. The examination also comprises most frequently and typically tools used for communicating or revealing the transcendent sphere in the contemporary Polish films, such as Christ-figures - including apocryphal ones and parables. They are considered as a …
Visual Grandeur, Imagined Glory: Identity Politics And Hindu Nationalism In Bajirao Mastani And Padmaavat, Baijayanti Roy
Visual Grandeur, Imagined Glory: Identity Politics And Hindu Nationalism In Bajirao Mastani And Padmaavat, Baijayanti Roy
Journal of Religion & Film
This paper examines the tropes through which the Hindi (Bollywood) historical films Bajirao Mastani (2015) and Padmaavat (2018) create idealised pasts on screen that speak to Hindu nationalist politics of present-day India. Bajirao Mastani is based on a popular tale of love, between Bajirao I (1700-1740), a powerful Brahmin general, and Mastani, daughter of a Hindu king and his Iranian mistress. The relationship was socially disapproved because of Mastani`s mixed parentage. The film distorts India`s pluralistic heritage by idealising Bajirao as an embodiment of Hindu nationalism and portraying Islam as inimical to Hinduism. Padmaavat is a film about a legendary …
‘Love-Jihad’ And Bollywood: Constructing Muslims As ‘Other’, Nadira Khatun
‘Love-Jihad’ And Bollywood: Constructing Muslims As ‘Other’, Nadira Khatun
Journal of Religion & Film
In the postcolonial nation state that is India, cinema has become an important tool for propagating the idea of nationalism. In recent times, one of the most controversial components of Hindu nationalism has been the hate campaign against what is termed as ‘love-jihad’, which is deployed as a weapon to mobilize, polarize, and communalize citizens. The Indian Hindi-language film industry, popularly known as Bollywood, has also become a controversial site. In this paper, I argue that if ‘Indian nationalism’ is to be represented as ‘Hindu nationalism’ and ‘Indian culture’ as ‘Hindu culture,’ it logically follows that this majoritarian construction needs …
Myth And Monstrosity: Teaching Indigenous Films, Ken Derry
Myth And Monstrosity: Teaching Indigenous Films, Ken Derry
Journal of Religion & Film
The past few times that I have taught my course on religion and film I have included a number of Indigenous movies. The response from students has been entirely positive, in part because most of them have rarely encountered Indigenous cultural products of any kind, especially contemporary ones. Students also respond well to the way in which many of these films use notions of the monstrous to explore, and explode, colonial myths. Goldstone, for example, by Kamilaroi filmmaker Ivan Sen, draws on noir tropes to peel back the smiling masks of the people responsible for the mining town’s success, …
‘I Am That Very Witch’: On The Witch, Feminism, And Not Surviving Patriarchy, Laurel Zwissler
‘I Am That Very Witch’: On The Witch, Feminism, And Not Surviving Patriarchy, Laurel Zwissler
Journal of Religion & Film
While contemporary discussions about witchcraft include reinterpretations and feminist reclamations, early modern accusations contained no such complexity. It is this historical witch as misogynist nightmare that the film, The Witch: A New England Folktale (2015), expresses so effectively. Within the film, the very patriarchal structures that decry witchcraft – the Puritan church from which the family exiles itself, the male headship to which the parents so desperately cling, the insistence, in the face of repeated failure, on the viability of the isolated nuclear family unit – are the same structures that inevitably foreclose the options of the lead character, Thomasin.
A Journey Into The Heart Of God: Darren Aronofsky’S Noah (2014) As A Subversive Kabbalistic Text, Lindsay Macumber, Magi Abdul-Masih
A Journey Into The Heart Of God: Darren Aronofsky’S Noah (2014) As A Subversive Kabbalistic Text, Lindsay Macumber, Magi Abdul-Masih
Journal of Religion & Film
The title of this paper reflects our interpretation of this film as a subversive mystical text, from within the Jewish tradition of Kabbalah. This interpretation is itself the product of a long journey of thinking about, and wrestling with this film in various ways. In this paper, we will outline this journey, concentrating on our first impressions of the film, some notable shifts in our thinking on this film that alerted us to the connection between the film and Jewish mysticism, and some concluding remarks about the implications of this reading.
Representations Of Nineteenth Century Mormonism In A Mormon Maid: A Cinematic Analysis, Elisabeth Weagel
Representations Of Nineteenth Century Mormonism In A Mormon Maid: A Cinematic Analysis, Elisabeth Weagel
Journal of Religion & Film
During the first quarter of the 20th century there was a trend in Hollywood to make films about Mormons. Practices such as polygamy created just the kind of sensationalism that attracted filmmakers (even Thomas Edison contributed with his 1902 film A Trip to Salt Lake). Many of these were B-pictures, but the 1917 film A Mormon Maid stands out because it was produced by a major production company (Paramount) and was backed by top director Cecil B. DeMille. It is often given passing reference, but very little genuine scholarship has been done on the film. A hundred years …
Ask The Beasts Of The Southern Wild: Exploring Human Identity As Beast, Being And Beholder In Ask The Beasts: Darwin And The God Of Love And Beasts Of The Southern Wild, Stephanie Cherpak Clary
Ask The Beasts Of The Southern Wild: Exploring Human Identity As Beast, Being And Beholder In Ask The Beasts: Darwin And The God Of Love And Beasts Of The Southern Wild, Stephanie Cherpak Clary
Journal of Religion & Film
Anthropocentrism and hierarchical dualism together encourage a dangerous anthropology where human primacy among creation and the prioritization of certain humans leads to destruction for all. During a time when suffering caused by climate change continues to intensify, it is increasingly important to find compelling ways to share the stories of those who suffer most. I will explore how Beasts of the Southern Wild (Zeitlin, 2012) contextualizes the ecofeminist theology found in Johnson’s Ask the Beasts: Darwin and the God of Love (2014), specifically the idea of humans identifying as beasts, beings and beholders. Furthermore, I will discuss how the representation …
Trickster Ambivalence In Kwaw Ansah’S Praising The Lord Plus One, Adwoa Opoku-Agyemang
Trickster Ambivalence In Kwaw Ansah’S Praising The Lord Plus One, Adwoa Opoku-Agyemang
Journal of Religion & Film
Kwaw Ansah’s film Praising the Lord Plus One revolves around a crooked charismatic preacher. This paper examines him as one of the manifestations of the West African trickster. Though the figure of the trickster is bound to West African folktales, his familiar, contradictory and ultimately funny features transcend the oral tale to manifest in other media. The article examines Gabriel’s self-transformation into a miracle-maker, his utilization of that identity, and his unmaking. It looks at how biblical exegesis and Christian rites, while apparently major aspects of the film, are reduced to marketing tools for sustaining the trickster ethos. The paper …
Solidarity Beyond Obligation: Three Billboards Outside Of Ebbing, Missouri, Grace Chiou
Solidarity Beyond Obligation: Three Billboards Outside Of Ebbing, Missouri, Grace Chiou
Journal of Religion & Film
In his film, Three Billboards Outside Ebbing Missouri, writer-director Martin McDonagh creates a compelling parable regarding suffering, justice and solidarity. This unfiltered and witty, dark comedy examines the interlaced connections between humans and non-human agents during periods of anguish. Frequently, the ensuing communication includes abusive or belittling language and violent physical attacks. These extraordinary assaults are then contrasted with small gestures of kindness. While the film has faced various critiques, this piece of cinema creates a dynamic narrative to consider the human experience of grief and experiencing grace from one’s enemies. In doing so, Three Billboards paints an inclusive …
Grit & Ghetto: American Pop Music From The '90s To The '00s, Ernest M. Oleksy
Grit & Ghetto: American Pop Music From The '90s To The '00s, Ernest M. Oleksy
The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University
Since music became easily accessible through technological advances, the industries progression has been largely dictated by the preferences of middle-class, adolescent Caucasians. When bearing this in mind, the prevalence of pop music that was either made or inspired by African American influences, particularly from an urban setting, or that invokes the persona of the white, suburban "rejects", like Nirvana, becomes an interesting inquiry. This article charts how both members and pretenders of the seemingly unpopular subgroups of black "ghetto" city-folk and awkward, friendless scruffy white males has led to some of the most critically-acclaimed and popularly adored genres of music …
Daniel Webster Presidential Campaign Broadside, Ernest M. Oleksy
Daniel Webster Presidential Campaign Broadside, Ernest M. Oleksy
The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University
A picture is worth a thousand words. When it comes to learning about history, a strong image can engage students in thinking about the way society operated better than reading a chapter out of a history book. This broadside is a creative design used not to imply that Daniel Webster had a presidential campaign flyer similar to it, but rather as an artistic re-imagining of what campaigning was like in 19th century U.S.A. This broadside serves two purposes. The first is as a creative expression and artistic venture. The second is as a rough approximation to traditional broadsides so that …
A Newcomer's Guide To Kabbalah, Ernest M. Oleksy
A Newcomer's Guide To Kabbalah, Ernest M. Oleksy
The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University
Kabbalah is a mystical and highly spiritual form of Judaism. Popularized by its endorsement by high-profile celebrities like Madonna, the average layperson knows enough about Kabbalah to recognize it as a vaguely familiar term, but not much else. This article strives to serve as an entry-point for both an intellectual and a popular audience to help familiarize readers with core components of Kabbalah and to help to begin fostering an appreciation for this very sophisticated faith. Matters of history, philosophy, science, doctrine, and more pertaining to Kabbalah will be discussed in this article
An Examination Of The Death Penalty, Alexandra N. Kremer
An Examination Of The Death Penalty, Alexandra N. Kremer
The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University
The death penalty, or capital punishment, is the use of execution through hanging, beheading, drowning, gas chambers, lethal injection, and electrocution among others in response to a crime. This has spurred much debate on whether it should be used for reasons such as ethics, revenge, economics, effectiveness as a deterrent, and constitutionality. Capital punishment has roots that date back to the 18th century B.C., but, as of 2016, has been abolished in law or practice by more than two thirds of the world’s countries and several states within the United States. Here, the arguments for and against the death …
“A New Way Of Thinking”: Frantz Fanon’S True Opinion On Violence, Caroline D. Renko
“A New Way Of Thinking”: Frantz Fanon’S True Opinion On Violence, Caroline D. Renko
The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University
In an attempt to clear Frantz Fanon’s name, on account of his opinion on the role of violence in decolonizing a nation, this paper focuses on two important chapters in his last book, The Wretched of the Earth. By closely reading his articulation of the Algerian war and the wounds brought on by mental illness at such a time, Fanon’s true opinion concerning violence becomes clear. For too long, he has been seen and used as a proponent for inciting violence, but this is a misconception that has been perpetuated by devaluing the importance of his descriptions of the …
A Research Program For Studying Lams And Community In The Digital Age, Andreas Vårheim, Roswitha Skare, Noah Lenstra, Kiersten F. Latham, Geir Grenersen
A Research Program For Studying Lams And Community In The Digital Age, Andreas Vårheim, Roswitha Skare, Noah Lenstra, Kiersten F. Latham, Geir Grenersen
Proceedings from the Document Academy
The paper outlines a research effort into the changing representations, policies, strategies, activities, and practices of libraries, archives, and museums (LAMs) in the digital age. Comprehensive social changes including big slow-moving processes, such as aging populations, global migration, technological change, and environmental change, expose communities and LAM institutions to vulnerabilities. How do the institutions handle vulnerabilities, how do they become more resilient, and how do they contribute to building the resilience of their local communities?