Arts and Humanities Commons^™

Contribuciones Cinematográficas Al Diálogo Necesario Para La Reconstrucción De Guatemala: Gasolina, Las Marimbas Del Infierno Y Polvo De Julio Hernández Cordón, Laura Reyes

La BloGoteca de Babel

No abstract provided.

La Guerra Civil En El Cine Español Contemporáneo: Nuevas Formas De Recordar, Sara Boyle

La BloGoteca de Babel

No abstract provided.

A Digital Media Exploration Of The Federal Writers' Project's Folk Song Collecting Expeditions In Depression Era Florida, Holly Baker

Electronic Theses and Dissertations

This digital thesis project examines the folk song collecting expeditions of the Federal Writers' Project (FWP) in Florida between 1935 and 1942. The FWP carried out numerous folk music collecting expeditions in Florida through the Works Progress Administration. Folklorists such as Zora Neale Hurston, Alan Lomax, and Stetson Kennedy led the expeditions and traveled throughout Florida to record blues, "jook" songs, work songs, and traditional music from African American, Cuban, Czech, Greek, Minorcan, Seminole, and Slavic communities. While romantic notions of nationalism in the 1930s often promoted homogenization, the FWP emphasized inclusiveness and highlighted cultural diversity. The FWP's approach challenged …

A Generative Model Of The Mutual Escalation Of Anxiety Between Religious Groups, F. Leron Shults, Ross Gore, Wesley J. Wildman, Christopher J. Lynch, Justin E. Lane, Monica D. Toft

VMASC Publications

We propose a generative agent-based model of the emergence and escalation of xenophobic anxiety in which individuals from two different religious groups encounter various hazards within an artificial society. The architecture of the model is informed by several empirically validated theories about the role of religion in intergroup conflict. Our results identify some of the conditions and mechanisms that engender the intensification of anxiety within and between religious groups. We define mutually escalating xenophobic anxiety as the increase of the average level of anxiety of the agents in both groups overtime. Trace validation techniques show that the most common conditions …

Unending Mazes: Gendered Inequalities, Drug Use, And State Interventions In Rural Appalachia, Lesly-Marie Buer

Theses and Dissertations--Anthropology

Prescription opioids are associated with rising rates of overdose deaths and hepatitis C and HIV infection in the US, including in rural Central Appalachia. Yet there is a dearth of published ethnographic research examining rural opioid use. The aim of this dissertation is to document the gendered inequalities that situate women’s encounters with substance abuse treatment as well as additional state interventions targeted at women who use drugs. These results are based on ethnographic fieldwork completed from 2013 to 2016 and centered around one county seat in rural Central Appalachia. Data are ascertained through semi-structured interviews with women who have …

Ursinus Magazine, Winter 2018, Brock Blomberg, Ed Moorhouse, Ellen Labrecque, Andy Edwards, Alan Novak, Mary Lobo

Ursinus Magazine, 1995–Present

Introducing the Institute for Inclusion and Equity • Clear path to a nursing degree • Podcasting 101 • Charles Rice Fellowship • Getting to know: Ed Onaci • A cinematic debut • Bear at the Super Bowl • Welcoming the Center for Talented Youth • Lost and found • Champion doctor • The man in the arena • Bears in Bucks County • The media resisters • The voice of Ursinus football • Burning question: Bipartisanship, do people really want it? • Anatomy of the Ursinusiana Collection • The real Mr. Universe • MLK Week • Class notes • Births …

A New Peircean Response To Radical Skepticism, Justin Remhof

Philosophy Faculty Publications

The radical skeptic argues that I have no knowledge of things I ordinarily claim to know because I have no evidence for or against the possibility of being systematically fed illusions. Recent years have seen a surge of interest in pragmatic responses to skepticism inspired by C.S. Peirce. This essay challenges one such influential response and presents a better Peircean way to refute the skeptic. The account I develop holds that although I do not know whether the skeptical hypothesis is true, I still know things I ordinarily claim to know. It will emerge that although this reply appears similar …

Nietzsche And The Death Of God, Justin Remhof

Philosophy Faculty Publications

Nietzsche is perhaps most famous for making the striking claim that God is dead. He writes, "God is dead! God remains dead! And we have killed him!" (GS 125).

What does this mean? Straightforwardly, it seems nonsensical. God is supposed to be eternal, and thus cannot die. Nietzsche’s claim, however, is that "God" is a fiction created by human beings. Thus, God "dies" when there is no good reason to believe that God exists.

This essay will help us understand this claim, his arguments for it, and its potential implications for contemporary religious and ethical thought.

The Sky Of Our Manufacture: The London Fog In British Fiction From Dickens To Woolf, Margaret Konkol

English Faculty Publications

No abstract provided.

Afterword: Horizons Of Transformation: When Age, Literacy And Scholarship Meet, Louise Wetherbee Phelps

English Faculty Publications

No abstract provided.

Remnants Of Us: Collective Dance-Making As Multi-Art Form Praxis, Lucinda Coleman

Research outputs 2014 to 2021

The Australian dance theatre collective, Remnant Dance, was established with a vision to ‘create, make, connect’ through artistic practice and performances. Remnant Dancers have generated unexpected social networking and community development whilst exploring connectivity through dance in the collective environment. In particular, during 2015/2016, Remnant Dance ventured into ambitious creative territory by inviting 22 artists from the fields of music, contemporary dance, and visual/multi-media arts to collaborate in response to fragments of literary texts, matched with wines. The project, winery psalms–the mixed half-dozen, generated six short, multi-art form pieces which were installed/performed on site at a winery, inviting audiences to …

1 - 2 - 3, Austin Shutov

Digressions: Literary & Art Journal

No abstract provided.

Owlet, Amanda Marie Barrera

Digressions: Literary & Art Journal

No abstract provided.

It's Not Agoraphobia, Sarah I. Goltsman

Digressions: Literary & Art Journal

No abstract provided.

"We Moved All Men Underground", Logan N. Stewart

Digressions: Literary & Art Journal

No abstract provided.

The Driveway, Emalee M. Shrewsbury

Digressions: Literary & Art Journal

No abstract provided.

Family Issues, Kyle Boltson

Digressions: Literary & Art Journal

No abstract provided.

Miss, Qaas Shoukat

Digressions: Literary & Art Journal

No abstract provided.

My Favorite Jeans, Jenna Kopec

Digressions: Literary & Art Journal

No abstract provided.

Don't Date A Writer, Re'nyqua Farrington

Digressions: Literary & Art Journal

No abstract provided.

Homecoming King, Adam Deross

Digressions: Literary & Art Journal

Grime of my close friend and 2017 hoco king, Chase Book.

Under The Sea, Skylyr J. Vanderveer

Digressions: Literary & Art Journal

No abstract provided.

Silence, Sarah I. Goltsman

Digressions: Literary & Art Journal

No abstract provided.

Enter The Void, Pryscila C. Salinas

Digressions: Literary & Art Journal

No abstract provided.

Fooled Me Once, Tyrianna D. Richards

Digressions: Literary & Art Journal

No abstract provided.

Curious Creature, Monique Cole

Digressions: Literary & Art Journal

No abstract provided.

Working Memory And Auditory Imagery Predict Sensorimotor Synchronisation With Expressively Timed Music, Ian D. Colley, Peter E. Keller, Andrea R. Halpern

Faculty Journal Articles

Sensorimotor synchronisation (SMS) is prevalent and readily studied in musical settings, as most people are able to perceive and synchronise with a beat (e.g., by finger tapping). We took an individual differences approach to understanding SMS to real music characterised by expressive timing (i.e., fluctuating beat regularity). Given the dynamic nature of SMS, we hypothesised that individual differences in working memory and auditory imagery—both fluid cognitive processes—would predict SMS at two levels: (1) mean absolute asynchrony (a measure of synchronisation error) and (2) anticipatory timing (i.e., predicting, rather than reacting to beat intervals). In Experiment 1, participants completed two working …

Attraction To Sad Music: The Role Of Imagery, Absorption, And Rumination, Emery Schubert, Andrea R. Halpern, Gunter Kreutz, Sandra Garrido

Faculty Journal Articles

Previous studies have identified links between attraction to negative emotion in music with the traits of absorption and rumination. However, no studies have examined the possible interdependencies and influences of these traits. We sought to determine whether a cognitive processing path that leads to attraction to sad music could be identified. We argued that auditory imagery might be an interesting competency to add to the investigation because of the links between imagery and absorption. Participants completed validated surveys measuring the three target cognitive measures, as well as a Like Sad Music Scale. Mediation analysis revealed that absorption mediated imagery in …

Score One For Jazz: Working Memory In Jazz And Classical Musicians, Bryan E. Nichols, Clemens Wöllner, Andrea R. Halpern

Faculty Journal Articles

Jazz musicians rely on different skills than do classical musicians for successful performances. We investigated the working memory span of classical and jazz student musicians on musical and nonmusical working memory tasks. College-aged musicians completed the Bucknell Auditory Imagery Scale, followed by verbal working memory tests and musical working memory tests that included visual and auditory presentation modes and written or played recall. Participants were asked to recall the last word (or pitch) from each task after a distraction task, by writing, speaking, or playing the pitch on the piano. Jazz musicians recalled more pitches that were presented in auditory …

Splitting Hair: Reviving The American Tribal Love-Rock Musical In The 1970s, Bryan M. Vandevender

Faculty Journal Articles

When Hair premiered on Broadway in 1968, the musical garnered attention

for its reflection the current cultural moment. Critics acknowledged

this congruence of form, content, and zeitgeist as the production’s greatest

asset. This alignment with the Vietnam era proved a liability nine

years later when Hair received its first Broadway revival, particularly

when the musical’s authors replaced many of the libretto’s cultural references

with allusions to the 1970s, further illuminating the musical’s

inherently time-bound qualities.