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2012

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Articles 5131 - 5160 of 14309

Full-Text Articles in Arts and Humanities

“I Have Something To Say, If People Only Would Hear It”: The Voiceless Artist And The Idea Of Reform In The Work Of Rebecca Harding Davis, Kathryn Plunkett May 2012

“I Have Something To Say, If People Only Would Hear It”: The Voiceless Artist And The Idea Of Reform In The Work Of Rebecca Harding Davis, Kathryn Plunkett

Honors Theses

In her 1904 memoir, Bits of Gossip, American journalist and fiction writer Rebecca Harding Davis wrote that “nobody has sketched those uneasy, unsuccessful ghosts who haunt the gates and hedges of the scribbling world; always outside, yet always hoping to enter in” (142). In this remark, Davis reveals her desire to write about ordinary people in ordinary situations and to give her writings a sense of realism that had not been portrayed by the idealistic Romantic writers that preceded her. Throughout the first half of the nineteenth century, American writers had emphasized emotion and imagination over reason, allowing them to …


“Critical Habitat” And Other Stories, Jon Michael Mitchell May 2012

“Critical Habitat” And Other Stories, Jon Michael Mitchell

Honors Theses

The nature of writing, that is, storytelling, is difficult to discuss in a technical manner. Often it is easier to demonstrate by example rather than theory how storytelling does and does not work. This thesis is a collection of short stories written to practice the art of writing and storytelling. They do not follow a central theme or motif; they are self-contained projects demonstrating the application of the theories discussed in the introduction. The point of this thesis is not to show the correct way to write or provide examples of perfect stories. It is to show the learning process …


What Makes A Man: Social Constructions Of Masculinity In The Works Of Stanley Kubrick, Michael Cory Taylor May 2012

What Makes A Man: Social Constructions Of Masculinity In The Works Of Stanley Kubrick, Michael Cory Taylor

Honors Theses

This study examines three male protagonists from films by Stanley Kubrick, and the original literary texts, with specific focus on the social influence of each character’s sense of masculinity. Much has been written about literature and film as a social critique, but there is a particular need for study through Kubrick’s lens. The original literary texts are Lolita, A Clockwork Orange, and The Shining. By considering the historical context of both the novel and its adaptation, it is possible to provide an indication of each protagonist’s effect on social constructions of manhood. It is also necessary to note the …


Gabriel Bizen Akigawa Interview, Joe Ondrey May 2012

Gabriel Bizen Akigawa Interview, Joe Ondrey

Asian American Art Oral History Project

Artist Bio: Gabriel Bizen Akagawa is the Assistant Director of Academic Advising and recently former Academic Advisor in the Office of Student Affairs and Assistant Adjunct Professor in the Sculpture department at the School of the Art Institute of Chicago. He exhibits regularly as a Chicago-based artist. He has been awarded Artist-in-Residencies at the Alternator Gallery for Contemporary Art in Kelowna, British Columbia, at Crabtree Farm in Lake Bluff, Illinois, and at Ox-Bow in Saugatuck, Michigan. His curatorial projects include an ongoing and changing series he initiated in 2005 called “Faketure” (fake nature), which lead to founding the Faketure Consortium …


Filipino-Japanese Marriages, Leslie E. Bauzon May 2012

Filipino-Japanese Marriages, Leslie E. Bauzon

Philippine Studies: Historical and Ethnographic Viewpoints

No abstract provided.


In Tub And Wig Out, Ryan Crowley May 2012

In Tub And Wig Out, Ryan Crowley

Theses and Dissertations

Using short stories, descriptions of objects and thoughts on process, I aim to establish a few ideas about the way I see and think through making in the studio.


Auto Tune, Dana Ollestad May 2012

Auto Tune, Dana Ollestad

Theses and Dissertations

This thesis is an overview of the source material, methodologies, artistic influences, and conceptual decisions that inform my artwork and characterize my art practice. Utilizing participation (audience, community, viewer), I engineer experiences and encounters for the general public. Whether through directed physical interaction or implicit reaction, I create open-ended situations or environments that I may influence, but not fully control. The democratic cede of authorial control, as well as the heightened risk and unpredictably in my work, instigates a more positive, non-hierarchical social model in which every viewer is an “author,” who produces content and communication signals, and has a …


Freedom Of Interpretation, Georgi Ivanov May 2012

Freedom Of Interpretation, Georgi Ivanov

Theses and Dissertations

The photographic series Ideal Cities that I started in 2011 is inspired by the conflict between my idea of the “west” and my evolving experience in the United States. What struck me was the popularity of what I see as model experience – a spatial experience controlled by the Spectacle. In the terms of the Situationist International and its most prominent figure Guy Debord, the Spectacle is the collapse of reality into the streams of images, products and activities sanctioned by centralized monopolist business or state bureaucracy. Thus, personal experience is replaced with preconceived notions, which control the way people …


Corporate Style Guides: Understanding And Construction, Riley Ann Ashcroft May 2012

Corporate Style Guides: Understanding And Construction, Riley Ann Ashcroft

Undergraduate Honors Capstone Projects

Style guides have existed for many years and yet there is almost no information concerning how to write one. Since corporations are so different from one another, each could have its very own style guide. Most, however, use an existing style guide and fill in any gaps with customer specific information. One such corporation is the Utah State University Research Foundation (USURF). To answer the question “how to write a style guide,” this paper compares five style guides with similar content to what would appear in a USURF guide. The paper then discusses interviews from USURF’s technical writers to determine …


Going International: The Development And Operations Of Al Qaãida In The Islamic Maghreb, Sarah Faye Mangrem May 2012

Going International: The Development And Operations Of Al Qaãida In The Islamic Maghreb, Sarah Faye Mangrem

Theses and Dissertations

Since 2006 there has been a uniquely independent and autonomous branch of al Qa’ida operating in the Sahel and Sahara region of North and West Africa. Relative to associated movements elsewhere, al Qa’ida in the Islamic Maghreb is geographically and financially isolated, dependent on its own members to mobilize both human and financial resources. Yet at this they have been particularly successful; smuggling contraband across African borders, kidnapping Europeans for ransom and playing middleman for Latin American cartels transporting huge amounts of drugs to Europe. The 2012 Tuareg rebellion and subsequent military coup in Mali has provided opportune timing as …


Pastors’ Influence On Research-Based Health Programs In Church Settings, Shirley M. Timmons May 2012

Pastors’ Influence On Research-Based Health Programs In Church Settings, Shirley M. Timmons

Journal of Health Disparities Research and Practice

Churches, in the United States, are recognized essential players in addressing our mounting health and social service needs. Yet, even though they implement a relatively large number of programs, few are research-based. Focus groups were conducted with pastors from 11 Baptist churches in a small Southeastern town to explore factors that influence the implementation of research-based health programs. Transcripts were coded for domains resulting in four themes: congregant needs, shared programming ethics, common understanding of programming processes, and care for the church and congregation. Pastors value research and seek church-based programs that enhance the health of congregants. Yet, future study …


Puddle Reflection Of St. Louis Priory, Patrick Carr May 2012

Puddle Reflection Of St. Louis Priory, Patrick Carr

Studio One

No abstract provided.


Seattle At Sunset, Melissa Bradley May 2012

Seattle At Sunset, Melissa Bradley

Studio One

No abstract provided.


Underwater, Melissa Bradley May 2012

Underwater, Melissa Bradley

Studio One

No abstract provided.


Adorable Kittens Behind Table, Patrick Carr May 2012

Adorable Kittens Behind Table, Patrick Carr

Studio One

No abstract provided.


Snail Love, Kirsten Peterson May 2012

Snail Love, Kirsten Peterson

Studio One

No abstract provided.


The First Frost, Kellen Witschen May 2012

The First Frost, Kellen Witschen

Studio One

No abstract provided.


Whimsy, Laura Posthumus May 2012

Whimsy, Laura Posthumus

Studio One

No abstract provided.


Butterfly, Rachel Oveson May 2012

Butterfly, Rachel Oveson

Studio One

No abstract provided.


Played, Not Heard, Kirsten Peterson May 2012

Played, Not Heard, Kirsten Peterson

Studio One

No abstract provided.


Lub Ntuj Tshiab "Under A New Sky", Kia Marie Lor May 2012

Lub Ntuj Tshiab "Under A New Sky", Kia Marie Lor

Studio One

No abstract provided.


Bees In The Night, Melissa Hendrickx May 2012

Bees In The Night, Melissa Hendrickx

Studio One

No abstract provided.


An End, Joey Hillesheim May 2012

An End, Joey Hillesheim

Studio One

No abstract provided.


Imparting, Peter Harris May 2012

Imparting, Peter Harris

Studio One

No abstract provided.


Vacating, Peter Layton May 2012

Vacating, Peter Layton

Studio One

No abstract provided.


Nude Modeling, Larry Schug May 2012

Nude Modeling, Larry Schug

Studio One

No abstract provided.


Wabi-Sabi, Megan Deutschman May 2012

Wabi-Sabi, Megan Deutschman

Studio One

No abstract provided.


Lost Is Not A Place, Doris Ferleger May 2012

Lost Is Not A Place, Doris Ferleger

Studio One

No abstract provided.


Mercy Café, Kate Asche May 2012

Mercy Café, Kate Asche

Studio One

No abstract provided.


You Were A Storm, Aimee Hein May 2012

You Were A Storm, Aimee Hein

Studio One

No abstract provided.