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Review Of Imagining Minds: The Neuro-Aesthetics Of Austen, Eliot And Hardy, Kay Young

The George Eliot Review Online, ISSN: 2831-5375

Imagining Minds sets out to read nineteenth-century fiction in the context of modern theories of human cognition and of the mind/body relationship, making the central contention that 'the novel is an aesthetic map to and experience of the nature of the mind-brain' (9; Young's italics). Young takes up concepts from a range of modern psychological theories, especially those of Antonio Damasio, and also makes frequent reference to the revolutionary, and still seminal, work of William James, as a framework within which to investigate how the three major novelists of the title represent the mind's problematic relations with the world as …

Enter The Aunts...., Kathryn Hughes

The George Eliot Review Online, ISSN: 2831-5375

My title is taken from Chapter 7 of 'Book First' of The Mill on the Floss which describes the moment we first meet Aunts Glegg, Pullet and Deane in all their bustling, sharp-tongued, comic glory. The full title of the chapter is 'Enter the Aunts and Uncles' and the three redoubtable Dodson sisters are indeed accompanied by their husbands, the Uncles, as they descend upon Dorlcote Mill for a family summit about their nephew Tom Tulliver's education. Yet while Messrs Glegg, Pullet and Deane subsequently play their individual parts in the unfolding of the novel's plot, it is the Aunts …

A Portrait Of Lucy Deane, Barbara Hardy

The George Eliot Review Online, ISSN: 2831-5375

The young woman lifted her hands from the keys, and swivelled on her piano-stool to smile at the large bald-headed man comfortable in a crimson armchair.

'Well, sir, was that to your liking?'

'I seem to remember the piece, my dear, but not the composer. Is it something you haven't played for a long time? By one o’ your Germans? You know I never was musical, though I played the flute when I was a young man. Trade opened my eyes and sharpened my wits but I didn't have your expensive schooling.'

'No, papa, not one of my Germans but …

Annual Report 2010, John Burton

The George Eliot Review Online, ISSN: 2831-5375

It is pleasing to report another successful year for the Fellowship, albeit with the occasional blip where we were perhaps over-ambitious in our plans: we had to cancel two of our George Eliot Country Tours. We lost a few members, either as a result of age and infirmity or the increase in our subscription rates, but we also gained new ones, and made many new contacts as a result of our activities through the year

I start with thanks to the Fellowship Council, strengthened at the AGM with new members; I am glad to report that our Council meetings are …

Mr. And Mrs. Cross With The Artist John Wharlton Bunney In Venice, June 1880, Sarah Bunney

The George Eliot Review Online, ISSN: 2831-5375

The dramatic incident in Venice on the morning of 16 June 1880, when the newly married John Walter Cross jumped into the Grand Canal from his hotel room's balcony, has attracted much curiosity and speculation. Understandably Mrs. Cross (George Eliot) was reticent about the happening in her journal and letters, and also wrote little about her stay in Venice before and after the event. But there is another source of information about the couple's Venetian experiences - the personal recollections and correspondence of the English artist John Wharlton Bunney (1828-82).

Bunney, described by Marian as 'an excellent painter and an …

'Pier Glass Imagery' In George Eliot's Middlemarch And Its Fictional Treatment Of Spinoza's Ethics, Tapan Kumar Mukherjee

The George Eliot Review Online, ISSN: 2831-5375

In 'George Eliot's Middlemarch as a translation of Spinoza's Ethics' (GER 40), Miriam Henson refers to the author's use of 'pier glass' imagery to illustrate her theory of morality and to show how an individual looks at the world from his self as the centre of moral vision and limitation. It is well known that Spinoza expounds his ethical theory in terms of geometrical concepts and physical theories of concentric and eccentric circles and lines etc. He was a lens grinder by profession and it is natural that he used to explore the mechanism of his trade in terms of …

Wreath-Laying In Poets' Corner, Westminster Abbey 22 June 2010, Kathryn Hughes

The George Eliot Review Online, ISSN: 2831-5375

It seems extraordinary to think that ISO years ago Mary Ann Evans, a young woman with very few resources apart from a strong conscience and an enquiring mind, almost ruined her life by revealing to her father that she was no longer certain that the Bible was the literal word of God. Might it not instead be the work of men, she wondered, reaching out to report their sense of God at work in their own lives? Was it not, in fact, a record of human rather than divine history?

For this piece of heresy, as we know, Mary Ann …

Between Deafness And Sound: Aurality And The Limits Of Sympathy In The Mill On The Floss, Kyriaki Hadjiafxendi

The George Eliot Review Online, ISSN: 2831-5375

In his review of The Mill on the Floss on 19 May 1860 for The Times, E. S. Dallas began by arguing that Eliot's first novel Adam Bede was successful because 'the temporary delight of listening to a pleasant tale' it gave its readers helped to achieve 'the permanent good of an increased sympathy with our kind'.1 Although the publication of The Mill on the Floss proved, according to Dallas, that 'George Eliot' was 'as great as ever', it could not match the triumph of Adam Bede because she was determined not to repeat the idealism of a world that …

The Thirty-Nine George Eliot Memorial Lecture, 2010- The Mill On The Floss And The Difficulties Of Relationships, Rosemary Ashton

The George Eliot Review Online, ISSN: 2831-5375

By late 1859, when she had almost finished writing The Mill on the Floss, George Eliot was still unsure of its final title. The working title was 'Sister Maggie', which was particularly appropriate to the first two thirds of the novel, where interest is concentrated on the pleasures and pains of the childhood relationship between Tom and Maggie Tulliver. But in the last third of the book, attention had turned to the romantic relationship between Maggie and Stephen Guest, itself intruding into Maggie's near-engagement to Philip Wakem, with Tom kept in the background until the death of brother and sister …

'Even Our Failures Are A Prophecy': The Mill On The Floss And The 1860s*, Marilyn Orr

The George Eliot Review Online, ISSN: 2831-5375

My title comes from a poem, 'A Minor Prophet' " written by George Eliot in 1865, and I want to enlist its help in showing in this paper how the failures she experienced during the decade following the publication of The Mill on the Floss turned into a prophecy that shaped an aesthetic for the rest of her career.

Also known as 'My Vegetarian Friend’, this poem traces many of the important ideas that Eliot has been working with from the start of her career. It begins as a humorous characterization of 'a vegetarian seer', who anticipates a glorious 'Millennium' …

The Best Job In The World: Documentary Editor, Beth Luey

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Graduates of the Institute for the Editing of Historical Documents deserve congratulations, not only because they have learned a great deal but also because being a documentary editor is the best job in the world. I can speak of this with some authority. Although I am a 1981 graduate of the Institute, I officially became a documentary editor only after retiring from university teaching, which was my second career. My first was as a university press and textbook editor. Those were all good jobs, but documentary editing is the best. Here is why.

Editing Harriet Beecher Stowe’S Uncle Tom’S Cabin And The Fluid Text Of Race, Wesley Raabe

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

I suspect that many scholars begin to edit a work by accident: I begin with the anecdote of how I became an accidental editor of Uncle Tom’s Cabin in academic year 2002. I had read not a single work by Harriet Beecher Stowe when I was admitted to the Ph.D. program at the University of Virginia. During my first semester, I was often at Alderman Library’s Special Collections floor to subject a copy of Delariviér Manley’s Memoirs of Europe (1710) to bibliographical analysis. I was reading Stowe’s work in another course, was already in Alderman for the Manley work, and …

Documentary Editing: Journal Of The Association For Documentary Editing, Volume 32: 2011

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Articles

• Editing Sophia Peabody Hawthorne’s Travel Writing and the Conundrum of Copies, Patricia Dunlavy Valenti
• On Editing Late-Nineteenth-Century Author Interviews, Gary Scharnhorst
• “A Broad, Generous Stream of Love and Bounty”: The Concord Sewing Circle and the Holley School for Freedmen, Mary Lamb Shelden
• What’s in a Name? Cultural Onomastics and Other Scary Things about the Lincolns and Their Contemporaries, James M. Cornelius
• Issues and Challenges of Moving and Maintaining The Papers of Ulysses S. Grant, Ryan P. Semmes and John F. Marszalek
• The Best Job in the World: Documentary Editor, Beth Luey
• Preserving the Alliance: The Artful Diplomacy of Benjamin …

Willa Cather’S Many-Colored Medusa Of Art: Review Of Youth And The Bright Medusa Willa Cather. Historical Essay And Explanatory Notes By Mark J. Madigan. Textual Essay And Editing By Frederick M. Link, Charles W. Mignon, Judith Boss, And Kari A. Ronning., Nancee Reeves

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The latest edition to the Willa Cather Scholarly Edition series, Youth and the Bright Medusa, is a monument to Cather’s own standards of excellence. The thick paper stock is warm and creamy—the kind of paper that feels smooth and comforting to fingers well used to thumbing the cheap texts that are so common today. The type is large and dark, and the wide margins showcase the text while filling the consummate note-taker’s heart with joy. As the series general editors, Susan J. Rosowski and Guy J. Reynolds, point out in the preface, “[g]iven Cather’s explicitly stated intentions for her works, …

Contributors

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Contributors to Documentary Editing: Journal of the Association for Documentary Editing, Volume 32: 2011

In Memoriam-Jo Ann Boydston (1924–2011), Larry A. Hickman

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Jo Ann Boydston enjoyed a distinguished career as general editor of the Collected Works of John Dewey and director of the Center for Dewey Studies at Southern Illinois University Carbondale. Born in Poteau, Oklahoma, of Choctaw Indian heritage, she graduated summa cum laude from Oklahoma State University in 1944. She received an M.A. from Oklahoma State in 1947, a Ph.D. from Columbia University in 1950, and honorary doctorates from Indiana University (1994) and Southern Illinois University (2004).

Recent Editions, W. Bland Whitley

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This annual bibliography of documentary editions recently published in the fields of American and British history, literature, and culture is generally restricted to scholarly first editions of English-language works. In addition to the bibliographical references, Internet addresses are provided for the editorial project or the publisher.

From The Canonical To The Non-Canonical: Editing, The Walt Whitman Archive, And Nineteenth-Century Newspaper Poetry, Elizabeth M. Lorang

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This paper draws on my experiences at the Walt Whitman Archive as I begin thinking about my own digital editing project that will treat nineteenth century newspaper poetry. Until recently, I have imagined my project as a fairly straightforward digital documentary edition of newspaper poems, one in which a selection of newspaper poems would comprise the primary texts for editorial treatment. The edition also would accommodate the surrounding text of the newspapers in some capacity, whether with page images or within a critical apparatus. As I have become more familiar with the texts I want to recover, edit, and present—the …

Julian P. Boyd Award Presented To John P. Kaminski, Barbara Oberg

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The Julian P. Boyd Award is the highest award presented by the ADE. It was established in 1980 through the contribution of an anonymous donor. The award commemorates Boyd’s commitment to excellence and the breadth of his scholarly interests. First presented in 1981, the Boyd Award is now given every three years to a senior scholar in honor of a distinguished contribution to the study of American history and culture.

Documentary Editing: Journal Of The Association For Documentary Editing, Volume 32: 2011-Front Matter

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Front matter: Officers, Publication Committee, Editorial Staff, Table of Contents

Issues And Challenges Of Moving And Maintaining The Papers Of Ulysses S. Grant, Ryan P. Semmes, John F. Marszalek

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

In December 2008 two large moving vans arrived at the Mitchell Memorial Library at Mississippi State University, Starkville, containing over ninety filing cabinets and hundreds of boxes of materials belonging to The Ulysses S. Grant Association (USGA), formerly housed at Southern Illinois University Carbondale (SIUC). These materials represented over forty-six years of work by the late John Y. Simon and The Papers of Ulysses S. Grant project.

On Editing Late-Nineteenth-Century Author Interviews, Gary Scharnhorst

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Contrary to the assertions of the marketing department of the Paris Review, the celebrity interview was not invented in 1953. In fact, the first interviews with prominent authors began to appear in American newspapers in the early 1870s. No interviews with Edgar Allan Poe, Henry David Thoreau, or Nathaniel Hawthorne, each of whom died before or during the Civil War, are known to exist. Charles Dickens sat for no interviews during any of his U.S. speaking tours, including the final one in 1867–1868. The first known interview with Mark Twain appeared in 1871, and the second was not published until …

Rethinking Digital Editing Practices To Better Address Non-Canonical Texts, Amanda A Gailey

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This article stems from my recent work on Race and Children’s Literature of the Gilded Age (RCLGA),1 a digital archive that aims to provide a heavily annotated resource for scholars and students of literature, history, African American studies, visual communication, and education to examine how adults wanted children to think about race during the era of Jim Crow. I edit the archive with Gerald Early, Professor of Modern letters, English, African studies, and African American studies at Washington University in St. Louis, and D. B. Dowd, Professor of Communication Design and American Culture Studies, also at Washington University. When complete, …

Editing Non-Canonical Texts: Issues And Opportunities, Kenneth M. Price

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The three articles that follow—by Elizabeth Lorang, Amanda Gailey, and Wesley Raabe—highlight challenges and opportunities faced by editors who address non-canonical texts.1 These essays, while commenting on individual projects, also help narrow the gap separating the disciplines of literary studies and documentary editing. That is, in the past few decades in literary studies, a great deal of attention has been directed toward previously neglected writers. This work—and the debates it has engendered—is contributing to a more complex and multi-faceted sense of our cultural history. Remarkably, full-scale editorial work has barely addressed our altered intellectual landscape.2 Most work by editors has …

Association For Documentary Editing Business Meeting, 15 October 2010, Hilton Garden Inn, Philadelphia, Pennsylvania

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Program Committee--President’s Report--Liaison Committee Report--Membership Committee Report--Secretary’s Report--Treasurer’s Report--Federal Policy Committee Report--Motion to adjourn was passed unanimously at 4:36 pm.

Preserving The Alliance: The Artful Diplomacy Of Benjamin Franklin, John P. Kaminski

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Documentary editions are filled with stories—stories that often are rich with detail. One of many such stories is found in The Emerging Nation, a three-volume work edited by Mary A. Giunta and J. Dane Hartgrove and published by the NHPRC in 1996. I would hope that this short article might inspire editors and the users of these documentary editions to bring these kinds of stories to life.

Helen R. Deese Honored With The 2010 Lyman H. Butterfield Award, Butterfield Award Selection Committee

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The Lyman H. Butterfield Award is presented this year to Helen R. Deese. With this award the Association for Documentary Editing recognizes, first and foremost, Professor Deese’s achievements as a scholar who works on both sides of our putative divide, producing acclaimed editions of both literary and historical texts. We also recognize her generous service to the Association over many years as a member of its committees and Council, a presenter at annual meetings, an author in Documentary Editing, and a thoughtful contributor to our ongoing discussions of editorial theory and practice.

Presidential Address--New Editorial Futures For The Past, Kenneth M. Price

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Documentary Editing has served the association well since 1979 as a print journal, but it has run into the familiar problems of a print journal with a limited circulation and ever-increasing costs for paper, printing, and mailing. There have also been problems in having a lack of continuity in the position of editor. The association owes many thanks to the publications committee, and in particular to Ron Bosco and Rich Leffler for their recent work as co-editors. Bosco and Leffler agreed to serve for two years, and with time slipping away we needed new leadership. Luckily Amanda Gailey and Andrew …

Review Of Seldom Seen: A Journey Into The Great Plains By Patrick Dobson, Geitner Simmons

Great Plains Quarterly (through 2013)

The Great Plains often are dismissed as ho-hum fly-over country lacking in significance or appeal. But in the skillfully written narrative of Seldom Seen, Patrick Dobson describes how he finds the Plains a source of emotional sustenance and, ultimately, rejuvenation. Seldom Seen is the story of the author's trek, largely by foot, from Kansas City, Missouri, to Helena, Montana. Along the way Dobson-- a 32-year old blue-collar worker seeking relief from a variety of intense personal frustrations-meets a long string of open-hearted if often dirt-poor souls and comes to find hope in what he'd largely considered a "mean and …

The American Imprint On Alberta Politics, Nelson Wiseman

Great Plains Quarterly (through 2013)

Characteristics assigned to America's classical liberal ideology-rugged individualism, market capitalism, egalitarianism in the sense of equality of opportunity, and fierce hostility toward centralized federalism and socialismare particularly appropriate for fathoming Alberta's political culture. In this article, I contend that Alberta's early American settlers were pivotal in shaping Alberta's political culture and that Albertans have demonstrated a particular affinity for American political ideas and movements. Alberta came to resemble the liberal society in Tocqueville's Democracy in America: high status was accorded the selfmade man, laissez-faire defined the economic order, and a multiplicity of religious sects competed in the market for …