Arts and Humanities Commons^™

Perry B Marks • Artist Statement, Perry B. Marks

CGU MFA Theses

My work cuts through the distractions and travesties of modern American life, revealing the nonsense that multinational corporations spew. Consumption as a way of life is now a familiar part of the global culture. Political and corporate icons have made their way into individual identity by means of branding, product placement and crossover promotion. They are ubiquitous, embedded in myriad experiences to attract, entertain and satisfy artificially stimulated appetites. Similar to placating drugs, they function like the bread and circuses of the Roman Empire.

My process breaks down elements and symbols from the past and present, remixing old and new …

Why Not Kinkade? An Evaluation Of The Conditions Effecting An Artists Exclusion From Academic Criticism., Kelly Drum Moran

Electronic Theses and Dissertations

Though prevalent in non-academic debate, the subject of Thomas Kinkade and his artwork is discernibly absent from the realm of academic discourse. This paper is an investigation into that condition and the circumstances for its perpetuation. Central to the issue is Kinkade's art theory and practice, which establishes his coexistence in both the art and business domains, creating inherent contradictions. Further explication is revealed through an evaluation of the contemporary criticism of four posthumously canonized artists: William Blake, Phillip Otto Runge, Vincent van Gogh, and Henri Rousseau. Consistencies among them correlate to the treatment of Thomas Kinkade, suggesting a common …

The Art Of Emptiness: Buddhist Nature In Picture Books Of Miyazawa Kenji's Donguri To Yamaneko (Wildcat And The Acorns), Helen Kilpatrick

Helen Kilpatrick

Miyazawa Kenji (1896-1933), the author of Donguri to Yamaneko [3], is recognised as one of "the most imaginative spinner[s] of children's stories, of twentieth-century Japan" (Satô xvii). Moreover, Kenji, as he is commonly known, is probably Japan's most renowned Buddhist writer and his work is now taught in schools and universities. [4]He was writing at a time when Japan was undergoing rapid modernisation and much of his work, including Donguri, was created as a protest against the spiritual desolation associated with rampant industrialisation, commodification and consumerism. Donguri should be considered in this context as the story ultimately foregrounds a communion …

Discovery Through The Art Of Making, Andrew Daly

All Theses

Between growing up on a farm, and working in a saddle shop, I have been conditioned to understand my environment in an empirical and experiential manner. There is a certain kind of education that can only be achieved through working with your hands, and the knowledge obtained in that fashion cannot be sufficiently translated through the written word, or with the use of technology. It is important to me to keep this type of education alive.
I have disciplined myself to learning the traditional printmaking techniques of engraving and lithography for their laborious hands on qualities so that I can …

Magic Meat, Adam Stewart

All Theses

Have you ever been really secure in what it means to be? If not, it's ok. If so,
don't be delusional. Either way, I have created a series of devices that present the
challenges of self-division and fluctuation, and reveals this complicated human
characteristic not as a product of being broken, fractured, and dysfunctional, but as an
advantageous ability to adopt complex multiple perspectives, sometimes simultaneously.
These devices can be thought of as 'gym equipment' to exercise the more
immaterial, invisible portions of ourselves. Strengthening the connections between
physicality and the mental/emotional aspects of our bodies demonstrates an ability to …

The In-Between, Derrick Logan

All Theses

This body of work explores my perception of the landscape. I traverse spaces that exist in the in-between. My work functions on a personal level in that I am seeking a reconnection with my surroundings through a physically intense interaction with the land. It is an attempt to reengage the land, to form knowledge, awareness, and a sense of belonging.
Through performance I explore transcendent potential within the landscape. These performances of slow walks through the landscape are documented through video. Viewing of the documentation grants points of projection for the viewer. The videos both engage and undermine how people …

Go Big Or Go Home, Concepcion M. Sanford

CGU MFA Theses

My work embodies my response to the American Dream. Big houses, flashy cars and glamorous lifestyles are what many of us work for. Coming from a military family, I grew up moving often without an idealized connection to a single structure. In response to this, I use artwork to create translucent, ephemeral sculptures of these items, revealing them as tangible, hollow shells of their former selves. Clear plastic and packing tape sculptures leave a ghostlike reflection of what was. These shells of inanimate objects are personified through their creation, a process similar to what I compare to mummification or embalming. …

Australian Textile Art: The Material Speaks, Diana Wood Conroy

Diana Wood Conroy

No abstract provided.

Mihyang Kim - Mfa Thesis Show, Mihyang Kim

CGU MFA Theses

My works are a sort of journal, which is truly personal but at the same time belongs to the public. All of my experiences are connected to the outside world and each piece is connected to a story. I paint abstract emblems that stem from my interactions with people expecting their deaths, living as immigrants, or being disconnected from their pasts. My work represents my sympathy and compassion for the pain they have. I record my emotional and experiential individuality, based on the situations in which I have found myself. The precarious state of nature and the human environment are …

Religion As Aesthetic Creation: Ritual And Belief In William Butler Yeats And Aleister Crowley, Amy M. Clanton

USF Tampa Graduate Theses and Dissertations

William Butler Yeats and Aleister Crowley created literary works intending them to comprise religious systems, thus negotiating the often-conflicting roles of religion and modern art and literature. Both men credited Percy Bysshe Shelley as a major influence, and Shelley's ideas of art as religion may have shaped their pursuit to create working religions from their art. This study analyzes the beliefs, prophetic practices, myths, rituals, and invocations found in their literature, focusing particularly on Yeats's Supernatural Songs, Celtic Mysteries, and Island of Statues, and Crowley's "Philosopher's Progress," "Garden of Janus," Rites of Eleusis, and "Hymn to Pan." While anthropological definitions …

"Else-Where": Essays In Art, Architecture, And Cultural Production 2002-2011, Gavin W. Keeney

Gavin W Keeney

“Else-where” is a synoptic survey of the representational values given to art, architecture, and cultural production from 2002 through 2011. Written primarily as a critique of what is suppressed in architecture and what is disclosed in art, the essays are informed by the passage out of post-structuralism and its disciplinary analogues toward the real Real (denoted over the course of the studies as the “Real-Irreal” or “Else-where”).

The essays collected in “Else-where” cross various disciplines, inclusive of landscape architecture, architecture, and visual art, to develop a nuanced critique of an emergent formal regard in the arts that is also an …

Potential Space, Jocelyn R. Grau

CGU MFA Theses

No abstract provided.

Flotsam & Jetsam, Nicolas S. Shake

CGU MFA Theses

My work is pastoral and post-apocalyptic with one foot firmly planted in historical painting and the other in traditional still-life, so it is entropic and sanguine, gleeful, despondent, and matter of fact. It comes at a point in time when the fiction of Nature as a refuge is no longer viable, persuasive or convincing. But rather than rehash this fact, my work celebrates the pastoral’s everyday ordinariness, the capacity for the viewer to experience something wondrous amidst decline. I focus on the cast-off household and utilitarian items that show up in the desert on the outskirts of Los Angeles. The …

Dislocation, Kevin E. Moore

CGU MFA Theses

No abstract provided.

Tangled Up In Blue, Bryan E. Miller

CGU MFA Theses

No abstract provided.

Front, Jennifer Mitchell

CGU MFA Theses

Please see Download button in top right corner for the full statement.

Choosing Glass: Color And Impressions, Robert N. Oddy

School of Information Studies - Faculty Scholarship

In the last issue of Glass Craftsman, I said that, for me, the choice of glass is probably the most important factor contributing to artistry in stained glass. Tiffany’s company made glass for specific purposes, and raised the medium to a new level of expressive power. Now, we have a huge selection of stained glass available for our creative purposes. We just have to make the effort to familiarize ourselves to what is out there.

The Illusion Of Depth In Stained Glass: Techniques, Robert N. Oddy

School of Information Studies - Faculty Scholarship

No abstract provided.

Fiction Fix 10, April E. Bacon, Lindsay Oncken, Anna Pennington, Dewitt Brinson, James Claffey, Clarence Young, Joe Kilgore, Marty Correia, Alex Miller, Brad Hall, Lauren Liebhaber, Brandon Bell, Grant Tracey, Jj Cromer, Andrew Gretes, Scott Laudati, Ron Ennis, Merlin Flower, Marisa Roman, Jim Miller, Robert Wexelblatt, Malachi King, Julie Hayward, Jennifer Falkner, Kevin Roberts, Jonas Mueller, Sarah Barnett, Michael Clough

Fiction Fix

No abstract provided.

The Gray Lady's Guide To Avant-Garde Cinema, Brian L. Frye

Law Faculty Scholarly Articles

Who is the most important avant-garde filmmaker? It depends who you ask. Different people value different things at different times. Fortunately, citation analysis can provide an objective answer. This article uses a citation study of The New York Times to measure the relative importance of avant-garde filmmakers. It concludes that, according to The New York Times, the most important avant-garde filmmaker is Andy Warhol.

Fighting A War You've Already Lost: Zombies And Zombis In Firefly/Serenity And Dollhouse, Gerry Canavan

English Faculty Research and Publications

This article explores the use of zombie imagery in two sf narratives created by Joss Whedon: Firefly (US 2002–3), Serenity (US 2005) and Dollhouse (US 2009–10). The translation of the zombie from its traditional horror-movie context to the far-future space opera of Firefly/Serenity and the near-future cyberpunk of Dollhouse reveals the zombie's allegorisation of the consequences of biopolitical governmentality and neoliberal capitalism. In both series zombies function as a figure for both the dehumanisation caused by state and market forces and the possibility of Utopian resistance to these forces.

The Nonconformists: Dobrica Cosic And Mica Popovic Reinvision Serbia, Nick Miller

Nick Miller

There is little to debate about the nature of Serbian political life since the mid-1980s-it has been highly nationalized, to the point that one can argue that a consensus existed among Serbian public figures that the Serbs' very existence was threatened by their neighbors. This consensus links political, cultural, and intellectual elites regardless of their ideological background. It draws together figures representing great diversity in Serbia. This powerful movement has usually been either dismissed or demonized: dismissed as superficial, the product of the cynical adaptation of politicians to new times, or demonized as something inherent in Serbian political culture, a …

Postwar Serbian Nationalism And The Limits Of Invention, Nick Miller

Nick Miller

Serbs have rarely drawn the attention of theorists of nationalism. Nonetheless, even if they have not been christened this or that sort of nationalist by theorists, they have emerged from the 1990S with two sets of descriptors attached to them by journalists, scholars and politicians, and those descriptors conform to the general outlines of current theoretical discourse. Serbs are either the captives of 'ancient hatreds' or the manipulated victims of modern state-builders. By now most of us no doubt laugh at the notion that ancient hatreds were the catalyst of the wars in Yugoslaviain the 1990S and nod approvingly at …

Memory In Paintings Of Quattrocentro Renaissance Florence: Religious Paintings And Secular Portraits, Ashley Matcheck

Psi Sigma Siren

Collective memory studies as a field has always been the interdisciplinary study of how and why memories have been created. The difference between collective or cultural memory studies and that of a strictly historical study is often discussed and debated as people question whether memory or history is more valuable regarding past events. Jan Assmann explains that “in the context of cultural memory, the distinction between myth and history vanishes. Not the past as such, as it is investigated and reconstructed by archaeologists and historians, counts for the cultural memory, but only the past as it is remembered.” Assmann has …

Class Notes, Georgia Southern University

CLASS Notes (2009-2017)

No abstract provided.

Parts Of The Sum, Andrew Cho

Art and Design Theses

Parts of the Sum is an installation of ceramic, wood, and drawn components which examines the symbiosis of individual and cultural identity: a recursive relationship which engenders unceasing diversity. The installation uses patterns and rule-based compositions as vehicles to address the development of complexity from compounded simplicity as it relates to personality. An immersive meta-network that emulates the complexity underlying identity, Parts of the Sum ultimately relies on the active participation and inclusion of the viewer for completion.

La Modernité Esthétique Chez André Malraux : La Quête Du “Primitif”, Yulia Draganova Kovatcheva

Doctoral Dissertations

André Malraux is a prolific French writer, adventurer, art historian, statesman, and Minister of Cultural Affairs for 11 years (1958-1969). Malraux was a man of action in the service of noble causes. In 1933, one of Malraux's most famous novels, La Condition humaine (Man's Fate), was published. It won the Goncourt Prize and established his international reputation. Born on November 3, 1901 in Paris, he was a son of the 20^th century. A witness to the history of his century, he left to the future generations a literary heritage of great importance. His main preoccupation was the “mystery of …

Review Of Art Full Text, Rebecca Tolley

ETSU Faculty Works

Review of Art Full Text. 2011.

Temporalidades Múltiples En La Encrucijada: Representaciones Artísticas De Lo Afro En Latinoamérica Y El Mundo Hispánico Durante La Actual Etapa De Globalización, Eduard Arriaga

Electronic Thesis and Dissertation Repository

Nowadays talking about national, racial or gender identities and its representations is quite difficult due to current global-local dynamics of cultural formation. In that sense, approaching to these issues requires the use of comprehensive theories and complex tools in order to forge a better understanding. My dissertation explores the artistic representation of ‘afro’ in the Hispanic world (or the culture built upon the legacies of Africans and African-descendants in the New World and especially in the Caribbean) during the current stage of globalization. In my dissertation, I argue that afro-artistic contemporary representations are overcoming traditional ones -bound to race as …

Spontaneity In Stained Glass Work, Robert N. Oddy

School of Information Studies - Faculty Scholarship

Stained glass does not lend itself to spontaneity. We design, thinking always about how the glass will be cut and what glass will be available to us. Then, the fabrication is a very slow and meticulous process, requiring accuracy of cutting so that the pieces fit together closely – glass doesn’t bend, stretch or squash. We have to do too much careful planning, and too much engineering! How can we make our subjects come alive, with movement and energy, when we cannot use our bodies to express these things while we are doing the art?