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The Cutting Edge, November/December 2009, Vol. 20 Issue 6, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

The Cutting Edge, September/October 2009, Vol. 20 Issue 5, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

The Cutting Edge, July/August 2009, Vol. 20 Issue 4, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

The Cutting Edge, May/June 2009, Vol. 20 Issue 3, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Beating The Punches: Scene And Fight Break Down Techniques, T. Fulton Burns

Theatre Faculty Research

As a fight choreographer it is my responsibility to sit down with the director and discover her/his vision for the production. Similarly, actors need to serve the script and work with the choreographer in connecting the action to the playwright’s words. Each preceding article, relating to the exploration of the skills proficiency tests (SPTs), has offered tools for connecting the scripts, stories, and characters with the language of the choreography. We are now ready to move deeper into directly linking fight choreography with the script and vice versa.

Some actors see pre-planning objectives for a scene and rehearsal as an …

The Cutting Edge, March/April 2009, Vol. 20 Issue 2, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

The Cutting Edge, January/February 2009, Vol. 20 Issue 1, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.