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2007

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Articles 6991 - 7020 of 7961

Full-Text Articles in Arts and Humanities

An Original Composition, Galleria Armonica, Theme And Variations For Piano, Harpsichord, Harp And Orchestra And A Comparative Study Between The Pedagogical Methodologies Of Arnold Schoenberg And Nadia Boulanger Regarding Training The Composer, Barrett Ashley Johnson Jan 2007

An Original Composition, Galleria Armonica, Theme And Variations For Piano, Harpsichord, Harp And Orchestra And A Comparative Study Between The Pedagogical Methodologies Of Arnold Schoenberg And Nadia Boulanger Regarding Training The Composer, Barrett Ashley Johnson

LSU Doctoral Dissertations

Part one of this dissertation is an original music composition, Galleria Armonica, Theme and Variations for Piano, Harpsichord, Harp and Orchestra in fantasia variation form. The orchestra is divided into four groups: Strings (8/8/6/6/4), Winds (2/2/2/2/), Brass (4/3/3/1), and Percussion (Percussion I: Celesta, Timpani, Vibraphone, & Snare Drum; Percussion II: Suspended Cymbal, Orchestra Bells, Tam-Tam; Percussion III: Bass Drum, Side Drum, Triangle, & Tam-Tam.) Each solo instrument (Piano, Harpsichord & Harp) is physically associated with a specified group: Piano with Brass; Harpsichord with Strings: Harp with Winds, thus three primary groups. The percussion is employed as a crossover, unifying ensemble. …


Commentary On "Timbre As An Elusive Component Of Imagery For Music" By Freya Bailes, Andrea R. Halpern Jan 2007

Commentary On "Timbre As An Elusive Component Of Imagery For Music" By Freya Bailes, Andrea R. Halpern

Faculty Journal Articles

The study of musical timbre by Bailes (2007) raises important questions concerning the relative ease of imaging complex perceptual attributes such as timbre, compared to more unidimensional attributes. I also raise the issue of individual differences in auditory imagery ability, especially for timbre.


Cuban Femininity And National Unity In Louisa May Alcott's Moods And Elizabeth Stoddard's "Eros And Anteros", Nina Bannett Jan 2007

Cuban Femininity And National Unity In Louisa May Alcott's Moods And Elizabeth Stoddard's "Eros And Anteros", Nina Bannett

Publications and Research

This book chapter compares the depictions of Cuban women in Louisa May Alcott's first adult novel Moods (1864) and Elizabeth Stoddard's short story "Eros and Anteros" (1862). Both writers configure a love triangle between an Anglo man and two women, one Anglo and one Cuban. In both texts, the Cuban woman is rejected as an unsuitable choice for an Anglo man. Alcott’s and Stoddard’s decision to re-value the Anglo woman as the more appropriate choice can be read as a rejection of the popular nineteenth-century political doctrine of manifest destiny and, at least with Alcott, of the United States’s dependence …


The European And The American University, Charles E. Mcclelland Jan 2007

The European And The American University, Charles E. Mcclelland

History Faculty Publications

Invited lecture at the University of the Balearic Isles, Spain, 7 February 2007, exploring positive and negative features of the contemporary American higher education scene to be weighed by European reformers.


Spring 2007 Schedule, Latin American Studies Jan 2007

Spring 2007 Schedule, Latin American Studies

Latin American Studies

No abstract provided.


Neutrosophy In Arabic Philosophy, Florentin Smarandache, Salah Osman Jan 2007

Neutrosophy In Arabic Philosophy, Florentin Smarandache, Salah Osman

Branch Mathematics and Statistics Faculty and Staff Publications

Is there an absolute reality? Yes, “God” is the only absolute reality. The three main religions: Judaism, Christianity and Islam have all claimed that God is a supreme reality, and that all other creatures are finite beings. Since they relatively continue and also relatively change, so they can not be absolute. The world is full of paradoxes, there is no absolute persistence, and also there is no change at a stretch. There is no absolute truth and there is no continuous falsehood. What exist are many faces or aspects between the two terms. Those faces are reduced to a neutral …


Techno-Art Of Selariu Supermathematics Functions, Florentin Smarandache Jan 2007

Techno-Art Of Selariu Supermathematics Functions, Florentin Smarandache

Branch Mathematics and Statistics Faculty and Staff Publications

In this album we include the so called Super-Mathematics functions (SMF), which constitute the base for, most often, generating, technical, neo-geometrical objects, therefore less artistic. These functions are the results of 38 years of research, which began at University of Stuttgart in 1969. Since then, 42 related works have been published, written by over 19 authors, as shown in the References. The name was given by the regretted mathematician Professor Emeritus Doctor Engineer Gheorghe Silas who, at the presentation of the very first work in this domain, during the First National Conference of Vibrations in Machine Constructions, Timişoara, Romania, 1978, …


The Business Of War: Military Mobilization And The State, 1861-1865, Harold S. Wilson Jan 2007

The Business Of War: Military Mobilization And The State, 1861-1865, Harold S. Wilson

History Faculty Publications

This is essentially an institutional study of the Union Quartermaster Department in the American Civil War, and its central thesis is that “modern American business and government were shaped directly and indirectly by a military model of administration that had been on display in 1861–1865” (p. 4).


Fascism's European Empire: Italian Occupation During The Second World War, Maura E. Hametz Jan 2007

Fascism's European Empire: Italian Occupation During The Second World War, Maura E. Hametz

History Faculty Publications

Davide Rodogno offers an illuminating appraisal of Fascist Italy’s ambitions, achievements, and failures in the occupation of Mediterranean Europe from 1940 to 1943.


Exploding Bombs: Masculinity And War Trauma In Sam Shepard’S Drama, Katherine Weiss Jan 2007

Exploding Bombs: Masculinity And War Trauma In Sam Shepard’S Drama, Katherine Weiss

ETSU Faculty Works

This paper examines violence and masculinity in Sam Shepard's work as a symptom of war trauma, apparent in his characterization of several of his male characters as war veterans and the violent language accompanying his other characters. War becomes a cultural disease infesting and destroying the family on Shepard's stage.


The Spinster (2007), Hollins University Jan 2007

The Spinster (2007), Hollins University

The Spinster

Yearbook of Hollins University (previously College)


El Motivo En La Ciencia Literaria: Del Formalismo Ruso Al Estructuralismo Genético, Miguel Ángel Zamorano Jan 2007

El Motivo En La Ciencia Literaria: Del Formalismo Ruso Al Estructuralismo Genético, Miguel Ángel Zamorano

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

El presente artículo expone cómo dos estructuralismos divergentes se aproximan al hecho literario: Formalismo Ruso y Círculo Lingüístico de Praga con una orientación lingüística y Estructuralismo Genético, con una orientación marxista. El primero creando en la lengua literaria y en el paradigma de la literariedad sus bases epistémicas, y el segundo promoviendo la explicación de la obra mediante la comprensión del entorno cultural en el que nace, ligando lo que los primeros habían concebido netamente en campos separados.

This article presents two divergent structuralisms approaching the literary event: Russian Formalism and the Linguistic Circle of Prague with a linguistic orientation …


Aproximación A Las Estrategias Creativas En Así Que Pasen Cinco Años: Tiempo Absoluto Y Subconsciente, Mariam Budia Jan 2007

Aproximación A Las Estrategias Creativas En Así Que Pasen Cinco Años: Tiempo Absoluto Y Subconsciente, Mariam Budia

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

En este artículo la autora examina la obra de Federico García Lorca Así que pasen cinco años, desde unos presupuestos metodológicos basados en las estrategias creativas «tiempo absoluto» y «subconsciente» en relación con las ciencias imperantes en la época: la Teoría de la relatividad y el psicoanálisis

Abstract

In this article the author examines Federico García Lorca's work Así que pasen cinco años from a methodological approach based on creative strategies «absolute time» and «subconscious» in connection with the prevailing sciences in that time: Theory of Relativity and Psychoanalysis.


"Locus Del Ser": Numeración Y Precisión Formal En Las Obras De Samuel Beckett, Robert Scanlan, Diego Santos Sánchez Jan 2007

"Locus Del Ser": Numeración Y Precisión Formal En Las Obras De Samuel Beckett, Robert Scanlan, Diego Santos Sánchez

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

En el presente trabajo se presenta el modelo de análisis del «locus del ser»; ejemplificado a través del comentario de Rough for Theatre Il, dicho modelo establece una clara distinción entre lo que es un personaje y lo que es un locus del ser, instancia que distingue las obras de teatro de las literarias. Se propone una lectura atenta al texto que recupere todas estas conciencias desplazadas, sin las cuales la puesta en escena no alcanza la plenitud prevista por el autor.

This paper presents the «locus of being» model for dramaturgical analysis, a method that establishes a distinction …


La Guerra Como Motivo Y La Estrategia Ceremonial En Guernica, De Fernando Arrabal, Diego Santos Sánchez Jan 2007

La Guerra Como Motivo Y La Estrategia Ceremonial En Guernica, De Fernando Arrabal, Diego Santos Sánchez

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

En el artículo se emplea la Teoría de Motivos y Estrategias, herramienta del GIAE, para realizar un análisis formal y temático de Guernica, obra de Fernando Arrabal sobre el bombardeo al que se vio sometida la ciudad homónima. Entendida como un lenguaje basado en la repetición, la ilogicidad y el carácter colectivo, la ceremonia se muestra como la estrategia adecuada para vehicular la conciencia alienada del autor respecto a la guerra .

In this article the Theory of Motives and Strategies serves to explore the formal and thematic spheres of Guernica, a play about the bombardment of the …


Introducción A Los Motivos De José María Rodríguez Méndez En Flor De Otoño, Jorge Herreros Jan 2007

Introducción A Los Motivos De José María Rodríguez Méndez En Flor De Otoño, Jorge Herreros

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

El presente artículo analiza la obra de José María Rodríguez Méndez, Flor de Otoño, desde unos presupuestos metodológicos basados en la Teoría de motivos y estrategias. El estudio expone los «motivos» que llevan a un autor, situado tradicionalmente dentro de la generación realista del teatro de los años sesenta, a plantearse en esta obra una «estrategia escénica» más cercana al teatro de ruptura y con un lenguaje escénico distante de los cánones

de la estética realista.

This article is an analysis ofJosé Maria Rodríguez Méndez's work Autumn Flower, from a methodological approach based on the Theory of …


Triple Salto Mortal Con Pirueta: Acrobacia Escénica En Clave De «Alta Comedia», Berta Muñoz Cáliz Jan 2007

Triple Salto Mortal Con Pirueta: Acrobacia Escénica En Clave De «Alta Comedia», Berta Muñoz Cáliz

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Análisis de la obra Triple salto mortal con pirueta, de Jesús Campos García, en relación con la alta comedia. La confrontación de los distintos elementos de esta obra - espacio escénico, tiempo, estructura dramática, etc. - con sus correspondientes en dicho género, pone de manifiesto que estamos ante una deconstrucción del mismo. La estrategia comunicativa del autor ha consistido en utilizar los mecanismos de este género, del que tradicionalmente se ha servido un sector de la sociedad para reafirmar su visión del mundo, para .cuestionar precisamente esta visión del mundo. El resultado es una obra en la que la …


Motivos Y Estrategias: Introducción A Una Teoría De Los Lenguajes Escénicos Contemporáneos, Ángel Berenguer Jan 2007

Motivos Y Estrategias: Introducción A Una Teoría De Los Lenguajes Escénicos Contemporáneos, Ángel Berenguer

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

En este artículo el autor se plantea la necesidad de avanzar en los estudios teatrales hacia un paradigma crítico que responda a cuestiones fundamentales partiendo de posiciones propias, aunque ligadas a las últimas posiciones de Lucien Goldmann en sus publicaciones póstumas. Para ello, se centra en el Teatro como expresión espectacular del YO (del autor, del director, del actor, etc.) en el mundo contemporáneo y lo pone en relación con las teorías socio-políticas de Karl Popper y los recientes descubrimientos de la neurociencia, especialmente de la neurobiología de Elkonon Goldberg.

Abstraet

In this article, the author raises the need of …


El Motivo De La Independencia En El Teatro Contemporáneo, Carlos Alba Jan 2007

El Motivo De La Independencia En El Teatro Contemporáneo, Carlos Alba

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Este artículo explora la fuerza de mediación que el concepto de «independencia» ha infundido en el teatro contemporáneo. Su autor revisa la génesis del concepto y recorre su evolución e implementación en la sociedad occidental. Con ello trata de observar cómo la independencia, como factor de mediación, se configura en uno de los principales «motivos» que alientan la obra creativa hasta generar el paradigma estético-social del Teatro Independiente.

This article looks into the force of mediation that the concept of «independence» has instilled into contemporary theatre. The author reviews the origen of the concept and goes through its evolution and …


Estrategias De Producción Teatral: Don Juan Tenorio En 1950, Paz Cornejo Ibares Jan 2007

Estrategias De Producción Teatral: Don Juan Tenorio En 1950, Paz Cornejo Ibares

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Este artículo supone un análisis de las estrategias de producción escénica de los distintos montajes de Don Juan Tenorio de José Zorrilla representados en Madrid durante 1950.

This article is an analysis of the scenic production's strategies in the different staging of Don Juan Tenorio by José Zorrilla performed in Madrid during 1950.


Book Review - Lee, S. (2005) Up Against Whiteness: Race, School, And Immigrant Youth, Chang Pu Jan 2007

Book Review - Lee, S. (2005) Up Against Whiteness: Race, School, And Immigrant Youth, Chang Pu

Journal of Southeast Asian American Education and Advancement

No abstract provided.


Book Review Of Faiths Of The Founding Fathers, Davison M. Douglas Jan 2007

Book Review Of Faiths Of The Founding Fathers, Davison M. Douglas

Faculty Publications

No abstract provided.


A Redefined Feminine From Paleolithic To Twenty-First Century Through Children's Literature & Film, Pamela Dee Mccombs Jan 2007

A Redefined Feminine From Paleolithic To Twenty-First Century Through Children's Literature & Film, Pamela Dee Mccombs

Master's Theses and Doctoral Dissertations

The intention of my critical discourse is to redefine the knowledge of the feminine that Western tradition, through “master narratives,” silenced, subverted, and deferred. My guidelines were drawn from the deconstruction of philosophical works by Jacques Derrida and redefined the unique circle of “Being and beings” to be not just God and man, but God, Goddess, and Human, the Goddess being the original feminine. I discovered the feminine beginning, through archaeomythologists Gimbutas, Dever, and Davis-Kimball, with the unearthing of female figurines, temple models, and warrior priestesses. I found examples of the feminine survival through the Dark Ages in Lithuanian Dainos …


Reading Waiting For Godot Through The Lens Of Christian Existentialism, Amanda L. Kelsch Jan 2007

Reading Waiting For Godot Through The Lens Of Christian Existentialism, Amanda L. Kelsch

Master's Theses and Doctoral Dissertations

Samuel Beckett’s play Waiting for Godot is commonly interpreted within the context of the Theater of the Absurd, existentialist literature, or Christian allegory. This thesis recognizes the validity of all such readings while attempting to merge these seemingly contradictory perspectives. By reading the play within the context of Christian Existentialism, new insights are uncovered as to what the play may be saying about the existential dilemma. Søren Kierkegaard, often called the Father of Existentialism, authored multiple works that influenced modern existentialist writers such as Jean-Paul Sartre and Albert Camus. Kierkegaard’s writings, however, were Christian in nature rather than atheistic. By …


Review Of Fresh Lipstick: Redressing Fashion And Feminism, By Linda M. Scott, Marc Ouellette Jan 2007

Review Of Fresh Lipstick: Redressing Fashion And Feminism, By Linda M. Scott, Marc Ouellette

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The critical perspective that has become known as the critique of the beauty myth - what Susan Brownmiller calls the "tyranny of Venus" - represents one of the critical cornerstones of Second Wave Feminism. However, in Fresh Lipstick, Linda Scott argues that the line of inquiry has become more than a commonplace and instead has itself become an industry. Moreover, she finds that several developments in feminist thought, and especially the rise of key personalities as intertexts, obscures the puritanical roots of North American feminism. Quite simply, Indeed, Scott suggests that while the findings of the "beauty …


The Rhetoric Of Picasso, Matthew R. Sharp Jan 2007

The Rhetoric Of Picasso, Matthew R. Sharp

Theses and Dissertations

Pablo Picasso was arguably the most famous and controversial artist of the twentieth century, and some of his most famous pieces were created during the Spanish Civil War (1936-1939) in response to the horrible atrocities taking place in his homeland. "The Rhetoric of Picasso" by Matthew R. Sharp, filed December 2007, examines some of these works—including paintings such as Guernica and Weeping Woman —and theorizes their rhetorical force, using speech act theory as the theoretical lens. Based on common images and themes in Picasso's symbolism, it is determined that Picasso's works during the Spanish Civil War are expressive speech acts …


Attacking The Body Politic: The Terroristin In 1970s German Media, Clare Bielby Jan 2007

Attacking The Body Politic: The Terroristin In 1970s German Media, Clare Bielby

Reconstruction: Studies in Contemporary Culture

In a 1977 special feature on female terrorism, the German weekly newsmagazine, Der Spiegel, published a photograph of a woman with a bomb strapped to her front, masquerading as a pregnant woman. This image perfectly encapsulates the "paradoxical" quality of the female terrorist, who instead of giving life takes it. Furthermore, if, according to Tamar Mayer, women are represented in national and cultural narratives as "the nation's social and biological womb," the threatening quality of such representations for the body politic of the nation starts to become clear. As Mayer asserts "an attack on these [female] bodies becomes an …


The Body Of The Terrorist In Contemporary Cinema, Robert Duggan, Páraic Finnerty Jan 2007

The Body Of The Terrorist In Contemporary Cinema, Robert Duggan, Páraic Finnerty

Reconstruction: Studies in Contemporary Culture

This article will explore the presentation of the body of the terrorist in a range of British and American films with a particular emphasis on how these films combine political and romantic plotlines. As part of a broad consideration of how the terrorist is presented, this essay will concentrate in particular on Cal (1984), The Crying Game (1992), The Dancer Upstairs (2002) and The Quiet American (2002). Rather than fully engage with the more complex discourse of politics, often these films ask audiences to conceptualize the transgressive figure of the terrorist through the very familiar vocabulary of love and sexual …


Origin Of The Gang Name "Crips", Wilson Gray, Gerald Leonard Cohen Jan 2007

Origin Of The Gang Name "Crips", Wilson Gray, Gerald Leonard Cohen

Arts, Languages and Philosophy Faculty Research & Creative Works

The "Crips" derive their name from "cripples," which in turn derives from the "pimp canes" they carried as their badge and as a weapon with which to cripple anyone who messed with them. the original motivation was self-defense, but that, of course, changed with time. © 2007 by the American Name Society.


0762: Sally Cyrus Collection, 1910-2005, Marshall University Special Collections Jan 2007

0762: Sally Cyrus Collection, 1910-2005, Marshall University Special Collections

Guides to Manuscript Collections

The Sally Cyrus Collection is the donated papers of Sally Cyrus, Peggy Cyrus, and Judy Cyrus. This collection chronicles their material contributions to several prominent Huntington organizations. This collection provides an in-depth look at the lives of one of Huntington’s upper-class families beginning in the 1920s and extending through the 1960s, a period in which Huntington experienced an economic boom and a population increase. The women whose lives are showcased in this collection were educated, socially elite, and financially secure. It is an insight to the gender role of the educated woman in high society and the activities she chose …