Arts and Humanities Commons^™

[Introduction To] Teaching The Ethical Foundations Of Economics, Jonathan B. Wight, John S. Morton

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Teaching the Ethical Foundations of Economics contains 10 lessons that reintroduce an ethical dimension to economics in the tradition of Adam Smith, who believed ethical considerations were central to life. Utilizing these innovative instructional materials your students will learn about the important role ethics and character play in a market economy and how, in turn, markets influence ethical behavior.

The lessons do more than illustrate how ethical conduct improves an economy. They actively involve the students through simulations, group decision making, problem solving, classroom demonstrations and role playing. The lessons encourage students to think critically about ethical dilemmas.

[Introduction To] People Of Paradox: A History Of Mormon Culture, Terryl Givens

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In People of Paradox, Terryl Givens traces the rise and development of Mormon culture from the days of Joseph Smith in upstate New York, through Brigham Young's founding of the Territory of Deseret on the shores of Great Salt Lake, to the spread of the Latter-Day Saints around the globe.

Throughout the last century and a half, Givens notes, distinctive traditions have emerged among the Latter-Day Saints, shaped by dynamic tensions--or paradoxes--that give Mormon cultural expression much of its vitality. Here is a religion shaped by a rigid authoritarian hierarchy and radical individualism; by prophetic certainty and a celebration …

[Introduction To] The Original Hot Five Recordings Of Louis Armstrong, Gene H. Anderson

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Between 1925 and 1928, the Hot Five, the incomparable Louis Armstrong and four seasoned practitioners of the burgeoning jazz style recorded fifty-five performances in Chicago for the OKeh label. Oddly enough, the quintet immortalized on vinyl with recent technology rarely performed as a unit in local nightspots. And yet, like other music now regarded as especially historic, their work in the studio summarized approaches of the past and set standards for the future.

Remarkable both for popularity among the members of the public and for influence on contemporary musicians, these recordings helped make "Satchmo" a familiar household name and ultimately …

A Conductor's Theoretical And Performance Analysis Of Nicholas Maw's "American Games" For Symphonic Wind Ensemble, Adam Corey Spurlin

LSU Doctoral Dissertations

The purpose of this document is to provide information pertaining to the instrumental music of the living British composer Nicholas Maw and a detailed analysis of American Games, his only work for symphonic wind ensemble. The document is divided into four chapters, the first of which contains introductory, biographical, and repertoire information. Chapter Two explores Maw’s primary influences and provides a description of his late instrumental style, including references to three orchestral works completed in the last twenty years (Odyssey, Violin Concerto, and Dance Scenes). The third chapter includes pertinent historical information on American Games paired with a detailed theoretical …

Displacement And The Text: Exploring Otherness In Jean Rhys' Wide Sargasso Sea, Maryse Condé'S La Migration Des Coeurs, Rosario Ferré'S The House On The Lagoon, And Tina De Rosa's Paper Fish, Melody Boyd Carriere

LSU Doctoral Dissertations

This dissertation is a study of how some displaced Caribbean and Italian American women examine identity within a literary tradition that considers them "Other." I have chosen four culturally diverse novels to explore, each one written by a different female author: Jean Rhys' Wide Sargasso Sea, Maryse Condé's La migration des cœurs, Rosario Ferré's The House on the Lagoon, and Tina De Rosa's Paper Fish. I identify the causes of the protagonists' displacement, and analyze the actions they take to make themselves heard in a tradition that has formerly silenced them. The role of the mother is especially important in …

African Art Music For Flute: A Study Of Selected Works By African Composers, Wendy Kristin Hymes Onovwerosuoke

LSU Doctoral Dissertations

Recent years have witnessed an increase in the number of Western classical music performers actively programming works employing multi-cultural musical idioms. Though there exist many compositions by African composers, African art music is not often programmed by Western performers because of the lack of exposure these compositions have received, lack of commercially-available recordings, and the difficulties of obtaining information about African musical styles. The information presented in this research aims to aid performers in their preparation and approach to performing African art music compositions, specifically those for the western flute. This research includes biographical information and compositional philosophies of five …

Narratives In Music: Schelmo, Hebraic Rhapsody For Cello And Orchestra, Asu Perihan Karadut

LSU Doctoral Dissertations

Born in July 1880, in Geneva, Switzerland, Ernest Bloch became one of the leading composers of the 20th century. He wrote series of works, which he called “The Jewish Cycle.” They represented a new, distinctive musical language, in which Bloch combined eastern and western music traits. Schelomo, Hebraic Rhapsody for Cello and Orchestra (1915-16) was the last composition from the cycle. It showed mastery of a style Bloch had been developing since his earlier compositions. This project will show Schelomo’s place in “The Jewish Cycle” and its importance on Bloch’s departure from the popular trends of the early 20th century. …

An Original Composition, Diamundo, And A Historical Survey Of Music Spatialization, Amaro Borges Moreira Filho

LSU Doctoral Dissertations

This dissertation is divided in two parts. Part one is an original composition, Diamundo, for percussion, winds, strings, and loudspeakers, based on the poem of the same name by the Brazilian poet Carlos Drummond de Andrade. It is scored for a chamber orchestra with a main ensemble formed by strings, piano, percussion, and guitar, plus electroacoustic sounds, and four solo wind instruments: flute, saxophone, trumpet, and trombone. The ensemble and the eight-channel loudspeakers are spatialized. The piece is divided in six movements without interruption. The first five movements are separated by 4 cadenzas for the solo instruments. Most of the …

"I Hear You, But I Don't Understand You": The Effects Of Peer Tutoring For Helping Secondary Esl Students Achieve Academic Success, Mary Pyron

LSU Doctoral Dissertations

When I began teaching 11th grade English in Houston, Texas, I quickly discovered that students who speak English as a second language are sometimes drastically under-prepared for the Texas Assessment of Knowledge and Skills (TAKS) test, the state’s high stakes test required during the 11th grade year. The result of their inability to pass the test is that they do not graduate, which limits their future career and academic choices. In a semester-long research study at a typical high school in Houston, Texas, I explored the possibility of assisting ESL/LEP students transplanted to Houston as they struggled with English proficiency …

Liturgical Expressions Of A Classical Romantic: A Choral Conductor's Investigation Of Selected Sacred Trebel Chorus Compositions By Josef Rheinberger, Natasia Sexton

LSU Doctoral Dissertations

Abstract In his attention to the demands of the liturgy, ideals of musical reform in worship during the 19th century, and contemporary compositional practices, Rheinberger reflected his environment in the Marianische Hymnen, opus 171 and the Missa in g, opus 187. Although little documentation exists regarding the origins of these compositions, clearly they were intended for Catholic worship. Syllabic, homophonic settings of Latin texts feature graceful yet restrained organ accompaniments functioning to support the voices while revealing the liturgical practices of the period. Furthermore, diary entries by both Rheinberger and his wife reveal that the composer occasionally prepared works for …

Yardbird Cello: Adapting The Language Of Charlie Parker To The Cello Through Solo Transcription And Analysis, Kristin Isaacson

LSU Doctoral Dissertations

This paper examines the musical and technical demands of adapting the bebop melodic language of saxophonist Charlie Parker to the cello. String players have tended to avoid this musical language due to its non-idiomatic nature. A staple of jazz performers' repertory however, bebop tunes remain standard works of study for any student of jazz improvisation. This paper examines the challenges for the cellist's left hand in playing Parker's melodies and improvisations. It also suggests possible bowing solutions that allow the player to emulate his articulation. Further, it examines issues of musical timing and various learning techniques for the application of …

An Original Composition, Vestiges Of Kubla And An Analysis Of George Crumb's Quest For Guitar, Soprano Saxophone, Harp, Contrabass, And Percussion, John Manuel Crabtree

LSU Doctoral Dissertations

Vestiges of Kubla is scored for the following instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 2 trombones, tuba, timpani, 3 percussionist, guitar, and strings. Structured differently than a traditional concerto form, the overall architecture of the work is a large-scale sonata-allegro form in which the first movement is an exposition, the second movement is a slow development, and the third movement is a recapitulation of musical ideas from in the first, followed by a concluding coda. Although the concerto is unified by thematic, motific, and harmonic content presented in the first movement - …

A Redefined Feminine From Paleolithic To Twenty-First Century Through Children's Literature & Film, Pamela Dee Mccombs

Master's Theses and Doctoral Dissertations

The intention of my critical discourse is to redefine the knowledge of the feminine that Western tradition, through “master narratives,” silenced, subverted, and deferred. My guidelines were drawn from the deconstruction of philosophical works by Jacques Derrida and redefined the unique circle of “Being and beings” to be not just God and man, but God, Goddess, and Human, the Goddess being the original feminine. I discovered the feminine beginning, through archaeomythologists Gimbutas, Dever, and Davis-Kimball, with the unearthing of female figurines, temple models, and warrior priestesses. I found examples of the feminine survival through the Dark Ages in Lithuanian Dainos …