Arts and Humanities Commons^™

Embodied Religion And Liberal Society: The Obstacle Of De Facto Established Religion, Kevin Carnahan

Conference on Philosophy and Theology

Recent scholarship suggests that religion should be conceived in terms of embodied social practices as much as (if not more than) a set of systematic beliefs. Such accounts of religion, I will argue, raise problems that have not been adequately treated in current discussion of the role of religion in liberal society.

Program: Featured Lecture, "Through A Glass Dimly (Christian Knowing In A Pluralistic World).", Monte Cox

William M. Green Distinguished Christian Lecture Program

Program for the Thirty-Second Annual William M. Green Distinguished Christian Lecture Program with featured lecturer Dr. Monte Cox, Dean of the College of Bible and Religion, Harding University.

University Scholar Series: Danelle Moon, Danelle Moon

University Scholar Series

Daily Life of Women During the Civil Rights Era

On September 28, 2011, Danelle Moon spoke in the University Scholar Series hosted by Provost Gerry Selter at the Dr. Martin Luther King, Jr. Library. Danelle Moon is the Director of Special Collections & Archives, a Full Librarian, and Adjunct Professor of History at SJSU. In this seminar, she talks about her book, Daily Life of Women During the Civil Rights Era, which looks at the variety of women's experiences in promoting social justice and human rights into the United States from 1920 to the 1980s. It gives the audience a …

Tele-Visioning Terror, Caroline Zekri

Re-visioning Terrorism

This paper is devoted to the relationship between terrorism and media, with a special focus on the theoretical notions of “icon”, “mass” and “distance”. It aims to show how the phenomenon of modern terrorism calls into question the essence of modern democracies and their systems of information, based on the distance between vision and event.

Reading 9/11 Through The Holocaust In Philip Roth’S The Plot Against America And Art Spiegelman’S In The Shadow Of No Towers, Stella Setka

Re-visioning Terrorism

This essay argues that Philip Roth’s The Plot Against America and Art Spiegelman’s In the Shadow of New Towers open up new spaces for reading the trauma of 9/11 not simply as the tragic story of a single day in 2001, but as a traumatic event that shares referents with other catastrophes in history, most notably the Holocaust. Further, the author demonstrates that these works are more concerned with the politicization of 9/11 than they are with the terrorist attacks themselves.

Symbolic Violence As Subtle Virulence: The Philosophy Of Terrorism, Jonathan Beever

Re-visioning Terrorism

Jean Baudrillard’s semiotic analysis of violence leads us to understand the form of violence as three-fold: aggressive, historical, and semiotically virulent. Violence of the third form is the violence endemic to terrorism. If violence has been typically understood as of the first two types, terrorism should be understood as the virulence of simulacra. The conflation of these types of violence explains the failure of militaristic responses to terrorism. This paper will explore Baudrillard’s conception of symbolic violence as the virulence of signs and help us come to terms with the semiotic foundation of terrorism.

Cinema, Systematic Terror, And The Aesthetics Of Passivity, Khatereh Sheibani

Re-visioning Terrorism

My presentation explores the aesthetics of passivity in in Chronicle of a Disappearance (1996) by the Palestinian director Elia Suleiman and Taste of Cherry (1997) by Iranian film-maker Abbas Kiarostami. Both films employ non-actors, unconnected scenes, and disjointed narrative and discontinuous editing. They both employ similar cinematic and narrative techniques as by-products of wide-spread terror executed on social, political, and cultural levels. My presentation investigates the political and social restrictions in the late 1990s in Iran and the West Bank to show that similar forces under the reign of terror resulted in the aesthetics of passivity, muteness, and uncertainty in …

Marco Bellocchio's Buongiorno Notte And The Language Of Terrorists, Cosetta Gaudenzi

Re-visioning Terrorism

This essay investigates Marco Bellocchio’s Buongiorno, notte (2003), a movie which exploits language and soundtrack to fictionalize and revisit the historical 1978 kidnapping and murder of the Christian Democrat President Aldo Moro by the 1970s Italian left terrorist group Brigate Rosse. As I demonstrate, Bellocchio relies greatly on the language and soundtrack of Buongiorno, notte to convey his negative response to the BR’s kidnapping and murder of Moro, as well as to come to terms with his own political and cinematic past.

State Counter-Terrorism In Ancient Rome: Toward A New Basis For The Diachronic Study Of Terror, Ricardo Apostol

Re-visioning Terrorism

According to both Dionysios of Halicarnassus and Livy’s Ab Urbe Condita, in 460 BCE a rag-tag group of political exiles and rebellious slaves under the leadership of one Appius Herdonius occupied the Roman Capitol; after having slaughtered those who refused to join their cause, they sent out a list of demands: political exiles should be allowed to return; slaves must be freed; debts were to be abolished; and some redistribution of wealth would occur. If their demands were not met, they would join forces with foreign groups to overthrow the Roman state. Panic ensues in the city.

This (almost …

The Cultural Politics Of Wmd Terrorism In Post-Cold War America, Harold Williford

Re-visioning Terrorism

Terrorism’s definition is hotly debated and notoriously problematic. The resulting instability of counterterrorism and counterterrorist identity, however, is less often explored. This paper analyzes the prehistory of the War on Terror to explore how the meaning and associations attributed to terrorism by counterterrorists in the 1990s reflect the latter’s priorities, agenda, and anxieties. Prevalent ahistorical post-Cold War representations of terrorism involving weapons of mass destruction (WMD) as a “new” threat indicate that WMD-wielding terrorists functioned to justify the continued existence of the American national security state after the Soviet Union collapsed. Close readings of Rainbow Six, a Tom Clancy …

Arabs In Post- 9/11 Hollywood Films: A Move Towards A More Realistic Depiction?, Ouidyane Elouardaoui

Re-visioning Terrorism

This essay looks at the way a number of post-9/11 Hollywood films attempts to offer an image more reflective of the real Arabs. Contrary to a wide range of Hollywood films that have perpetuated a racially prejudiced image of Arabs, I argue that post-9/11 films, such as Babel (2006), represent Arabs as simple human beings with commonplace problems and identifiable worries. In my paper, I address these questions: how did the events of 9/11 help to change Hollywood’s portrayal of Arabs in contemporary Hollywood cinema? How do these contemporary films attempt to break free from the classical stereotypes about Arabs? …

Fictions Of Counterinsurgency, Louise K. Barnett

Re-visioning Terrorism

My essay examines the disconnect between theory and practice in the American response to terrorism, primarily by comparing the policies advocated in the revised U.S. Army/Marine Corps Counterinsurgency Field Manual (2006) with actual military practice in Afghanistan and Iraq. I refer to the official policies as "fictions" because they cannot be put into practice in any meaningful way: they create the illusion that military initiatives can effectively combat terrorism when their usual result is to breed more terrorism.

Terrorism As Communication In Gregor Schnitzler’S Was Tun Wenn’S Brennt (2001) And Leander Scholz’S Rosenfest (2001), Sandra Dillon

Re-visioning Terrorism

This essay explores the connection of terrorism to communication, specifically to illocutionary and perlocutionary acts in Gregor Schnitzler’s Was tun wenn’s brennt and Leander Scholz’s novel Rosenfest. One cannot deny that violence plays an important role in German narratives about terrorism; however, the main focus of the works analyzed here is communication, which the narrative structure, the role of the spectator or reader and the main characters within the novel illustrate.

Historicizing The Present In 9/11 Fiction, Todd Kuchta

Re-visioning Terrorism

Reconfiguring the debate on the historical efficacy of postmodern fiction, novels inspired by 9/11 seek to view the present itself as history. McEwan’s Saturday, DeLillo’s Falling Man, and Hamid’s Reluctant Fundamentalist attempt to move beyond the view of history-as-text. Rather than evoking “the presence of the past,” they present characters trying to situate themselves in a new historical reality. Žižek’s account of Lacan illuminates DeLillo’s attempt to historicize the present, while McEwan gestures toward Foucault’s view of the present as exit. Only Hamid engages the historical potential of the present.

Female (Em)Bodied Justice: Terrorism, Self-Sacrifice, And The Joint Primacy Of Gender And Nationality, Renee Lee Gardner

Re-visioning Terrorism

In The Terror Dream, Susan Faludi asserts that instead of processing the events of 9/11 – what they might reveal about our culture, how we might thoughtfully grieve them and respond to those who perpetrated them – Americans reverted to a 1950s style domesticity, with the media representing men as heroic rescuers and women as victims of terrorists, in need of rescuing. This is ironic in that the majority of that day’s casualties were men, and the attacks themselves were perpetrated within our commercial and governmental centers. Yet much of the literary fiction that has emerged from 9/11 can …

The Privilege Of Ambivalence: Saturday’S Henry Perowne On The ‘War On Terror’, Jax Lee Gardner

Re-visioning Terrorism

This essay considers the relation between personal privilege (class, race, nationality, sex) and political ambivalence toward the Iraq war as it manifests in the protagonist of Ian McEwan’s Saturday. Henry Perowne “feels culpable somehow, but helpless too” in his shifting opinions of the coming invasion. Throughout the text we are shown Henry’s multiple perspectives regarding Iraq. Such ambivalence is, in itself, a form of complicity in war. Henry neither tangibly opposes the actions of the government (as the protesters do), nor does he consider sacrificing any of his creature comforts in support of the war (as the soldiers do). I …

Forms Of (In)Visibility In Recent Spanish Films On Basque Terrorism, Jaume Martí-Olivella

Re-visioning Terrorism

This essay explores the omnipresence of the subject of (Basque) terrorism in Spanish political discourse and media representations in ways that construct the average citizen as both victim and voyeur of a terrorist subject always already rendered invisible either by its reduction to a legal “bare life”or by its figuration in terms of the unspeakable. My analysis centers on Jaime Rosales’ Bat Buruan/Tiro en la cabeza/Bullet In The Head,2008, arguably the most radical and unsettling of the Spanish cinematic figurations of the terrorist subject to date, where the spectator is forced to occupy such a paradoxical position as both …

Metaphors For Terrorism In German Media Discourse, Monika Schwarz-Friesel, Helge Skirl

Re-visioning Terrorism

Abstract concepts such as terrorism are often expressed and conceptualized via metaphors, especially in the mass media discourse. In cognitive linguistics, the role of metaphors in describing emotional states is widely recognized, but the emotional content of metaphors not referring to emotions, but to abstract concepts, remains an important subject deserving research. In our paper, we want to show how terrorism is metaphorically characterized in German media discourse in the aftermath of the terrorist attacks September 2001. Based on extensive data from German newspapers, our aim is to reveal the complex conceptualization involved, focusing on the persuasive aspect of information …

Regarding Terror: The German Autumn And Contemporary Art, Fabian Winkler

Re-visioning Terrorism

This paper explores strategies and positions in contemporary art that have been at the center of many debates surrounding the 2005 exhibition Regarding Terror: The RAF-Exhibition at KW Institute for Contemporary Art in Berlin. It discusses artworks that aim to go beyond the criticism of sensationalism, or historicization and glorification of traumatic social events, such as the crimes of the Red Army Faction in Germany. By emphasizing the power of art to transform and change audience members are enabled to shape more individual and nuanced perspectives on some of the forms of terrorism today.

Writing Victims: Post-Terrorist Fiction(S) In The Basque Country And Spain, Roland Vazquez

Re-visioning Terrorism

This paper examines the recent evolution of fiction in and about the Basque Country. I focus on depictions of the victims of ETA’s violence, and literature that documents their plight in the genres of the novel and short story. One trend is the movement away from “terrorist” and toward “victim” as the narrative focus. Another is an art increasingly in service to a political agenda. Although much of this corpus focuses on everyday details richer than those found in the mass media, social-scientific literature, or victim testimony, these forms often blur in their rhetorical styles.

The Invention Of Modern State Terrorism During The French Revolution, Guillaume Ansart

Re-visioning Terrorism

This essay discusses three aspects of the Terror (September 1793–July 1794): (1) The Institutions of the Terror: The Committee of General Security, the Committee of Public Safety, and the Revolutionary Tribunal; (2) the Theory of Terror: The unity and indivisibility of the people, the category of enemy of the people, and the concept of Revolution as a state of war against aristocratic/foreign conspiracies; (3) the Language of Terror: The Terror is also a performative language, a language which embodies terror by aiming to silence all debate. In this sense, the language of Terror is Terror itself.

Terrorist Or Victim? Comparative Analysis Of The Characters In Jess Walter’S The Zero And Khaled Khalifa’S In Praise Of Hatred, Chloé Tazartez

Re-visioning Terrorism

The characters of Jess Walter’s novel and Khaled Khalifa’s are built as figures of terrorist or victim. According to Bertrand Gervais’ theory, a figure is first of all an object of obsession. The characters of these novels obsess us, questioning our cultural references which permit us to define who represents the terrorist and who represents the victim. Both novels play with these categories, underlining the manipulations of the images through various discourses. This questioning of usual conceptions is built through the use of lost characters, unable to communicate or simply live. These characters illustrate a crisis of the contemporary imaginary …

Nationalism, Alterity, And Cognitive Studies In Mohsin Hamid, Laila Halaby, And Jess Walte, Aaron Derosa

Re-visioning Terrorism

This essay explores the metaphoric construction of the terrorist Other in 9/11 scholarship and literature. While academics demand an ethical engagement with Arab and Muslim Americans, they unwittingly reify a binary distinction of Other-Same that triangulates terrorist identity through ordinary Arabs and Muslims. Looking at Halaby’s Once in a Promised Land and Walter’s The Zero, I suggest an alternative metaphor for terrorism not as a regional or religious population, but as an internal impulse that dwells within us all. Doing so more ethically and productively aligns terrorism with the threat to global security in the post-9/11 era.

Totalitarian Threats And Colonial Geography: The Politics Of Defining Terrorism In Beauvoir, Camus, And Dib, Araceli Hernandez-Laroche

Re-visioning Terrorism

Can terrorism be justified as a means for social justice? Can a so-called democratic state engaged in indiscriminate bombardments of civilian populations be held accountable for terrorist acts? How is political crime different from senseless murder? Can and should genocide be defined differently from a civil war operation? Who has the right to decide for the life or death of others?

This paper compares important representations in prose and theater of moral dilemmas that plagued war-torn Europe and France during the Spanish Civil War, World War II, and the Algerian War. I analyze the complexities and divergences of existential writers …

Terror In The Old French Crusade Cycle: From Splendid Cavalry To Cannibalism, Sarah-Grace Heller

Re-visioning Terrorism

It is worth examining memories of the crusading experience in discussions of terrorism in history as well as the current political situation. The main piece of propaganda that linked Osama Bin-Laden to the 9/11 attacks, the “World Islamic Front Statement urging Jihad Against Jews and Crusaders,” evoked a Muslim memory of the crusades largely forgotten in the West. The works of the Old French Crusade Cycle are unique texts remembering and fantasizing the encounter with Muslims and other “others” in the Mediterranean. Composed by Graindor de Douai between 1190 and 1212, they recounted the First Crusade (1095-1099) in the …

Rebels Without A Cause: Youth And Terrorism In Contemporary Italian Film, Simona Bondavalli

Re-visioning Terrorism

This essay explores the representation of Italian terrorists in recent generational films set in the 1960s and 1970s. While they foreground the protagonists’ youth and celebrate it as a historically new condition, these coming-of-age narratives typically present radicalism either in terms of youthful idealism or youthful error, with corresponding nostalgic or revisionist approaches that obscure its ideological basis. An analysis of the selective generational appeal deployed by four recent films through narrative structure, style and casting highlights an alternative reading of the post-ideological approach to the representation of terrorism in the 21st century.

From Hydra To Al-Qaeda: Depictions Of Terrorism In Comic Books, Cord Scott

Re-visioning Terrorism

Comic books have often reflected the world at the time of publication. Terrorism became a prominent aspect of several comic storylines after 9/11, but the concept of terrorist groups in comic books is far more common than one might think. This paper looks at how terrorist groups have been used in US comic books, how events in comics have later come true, and how depictions of terrorists have changed in both positive and negative aspects.

No More Tall Buildings: American Superhero Comics And The Shadow Of 9/11, Mauricio Castro

Re-visioning Terrorism

No abstract provided.

Knights Of Justice: Blockbuster Terrorism In Code Geass: Lelouch Of The Revolution, Aaron Choo, Wilson Koh

Re-visioning Terrorism

Pre-Visions Of Terror/After-Images Of Love. Gudrun Ensslin, Bernward Vesper And The Roots Of West German Terrorism, Thomas J.A. Krüger

Re-visioning Terrorism

This paper examines the pre-life of West German terrorism through the recently published correspondence between Bernward Vesper and Gudrun Ensslin, Notstandsgesetze von Deiner Hand (2009). I claim that as historical and literary documents, these texts offer a unique insight into the relationship between art and the historiography of West German terrorism before its climax in the 1970s. This historiography is heading backwards into the future, while surveying the destruction and barbarism of the past, while the personal and public spheres collide. Using the concept of the after-image, the essay analyzes the narrative residue of that collision. The correspondence provides insight …