Arts and Humanities Commons^™

Prompting Aesthetic Ideologies Of Generative Text-To-Image Ai, Lotte Philipsen

Contemporary Aesthetics (Journal Archive)

In generative AI, text-to-image prompting has gained popularity, which calls for image theoretical attention. This article evokes critical image theory, developed by Norman Bryson and W. J. Thomas Mitchell in the 1980s and 1990s, which offers important, relevant nuances when analyzing contemporary AI image-tools. By investigating specific cases of text-to-image AI through this theoretical filter, the article demonstrates how certain aesthetic ideologies—especially perceptualism, the idea of natural images, and splitting and hierarchization of text and image—govern generative AI.

Beauty And The Bit: Ai-Driven Philosophical Aesthetics, Stefano De Giorgis, Aldo Gangemi

Contemporary Aesthetics (Journal Archive)

This paper presents a novel computational framework for formalizing and analyzing philosophical aesthetics discourse through the integration of knowledge representation techniques and large language models (LLMs). The framework introduces a structure based on four elements combining source texts, core ontology, knowledge graphs, and interpretative mappings to systematically capture both explicit content and implicit semantic relationships in aesthetics texts. Through a case study analyzing works by Dewey, Danto, and Sibley, we demonstrate how this approach enables the systematic reverse engineering of aesthetic analytical methods while maintaining semantic stability and interpretative clarity. The framework leverages human expert annotation alongside LLM capabilities to …

Appraiset: Discussions On A New Art Dataset, Thomas Şerban Von Davier, Max Van Kleek, Nigel Shadbolt Frs, Freng, Fbcs

Contemporary Aesthetics (Journal Archive)

Artificial intelligence (AI) applications in the arts have gained significant attention, particularly with the advent of generative AI. Researchers have explored AI’s capability to create art autonomously or in collaboration with artists, and AI’s role in curating, classifying, and applying aesthetic metrics to artwork. However, the opaque nature of proprietary algorithms used in these applications presents challenges for understanding AI’s influence on aesthetics. To address this, open-source data and code are essential for investigating how AI can develop its own aesthetic language. This paper introduces AppraiSet, an open art dataset containing evaluative metadata designed to support the field of …

Data Mining And Ai Visualization Of Key Terms From U.S. Supreme Court Cases From 1789 To 2022, Kory Blose, Heidi Biggs, Robbie Fraleigh, Luke Meeken, Eduardo Navas

Contemporary Aesthetics (Journal Archive)

In this paper, we take on the question of the potential risks of AI in aesthetics: What kind of risks does AI pose? To engage with this question, we focus on how generative AI models’ results consist of decontextualized content that does not always correspond with its historical context. From this standpoint, bias and misinterpretation pose major challenges in academic aesthetics because AI can be used both as a tool to make research more specific and precise and also for quick results that avoid in-depth research and on the surface may appear decisive and accurate. We set out to expose …

Pod 20th Anniversary Publication 2025, Project Open Door

Publications + Documents + Videos

RISD Project Open Door (POD) is celebrating 20 years and its commitment to supporting access to art education.

In early June community members gathered at Woods-Gerry to view work by current POD students and alums in an exhibition that featured paintings, sculptures, photographs and other works.

Professor Emeritus Paul Sproll, founder of the program, spoke at the June event about POD’s inception in 2005. “This show reflects the strong community behind Project Open Door,” he said. “Thank you RISD, thank you students, thank you alums and thank you supporters. This work is important, and I hope it will continue for …

The Arch And The Looking Glass: Umbli Cu Cioara Vopsitǎ, Ana Popescu

Masters Theses

The Arch and The Looking Glass: Umbli Cu Cioara Vopsită (You Are Walking Around with a Painted Crow)

A thesis presented in partial fulfillment of the requirements for the Master of Fine Arts in Ceramics in the Department of Ceramics of the Rhode Island School of Design, Providence, Rhode Island.

By Ana Popescu, 2025

Approved by Master’s Examination Committee:

Lesley Baker, Shoji Satake (Chair), Heather Bhandari, Tucker Houlihan

Date: May 17th, 2025

Location: Rhode Island School of Design, Providence, Rhode Island

To be opened for self-reflection in 10 years, on May 17th, 2035:

I’ve been mulling over how to make …

Resonance, Jess D. Skyleson

Masters Theses

Resonance is a digital media installation intended to facilitate a deeper understanding of inter-connection within and between ourselves and others, and to depict how our voices live both within and beyond us. The exhibit is divided into two intertwining halves:

Externally, the piece involves creative communication between people, art mediums, and life experiences. This aspect includes the contributions of thirty patients, doctors, and caregivers who responded to one another’s artwork in a series of workshops led by the artist. Starting with the creative writing of patients, this was provided to a group of unrelated medical providers, who responded with visual …

The Ruminating Shell : A Reparative Experiment In Dialogic Writing And Sensory Resonance, Crystal Jiayin Ren

Masters Theses

This thesis unfolds as a first-person memoir, an incomplete record of remembered dialogues, and a structural experiment that aims to get closer to what I perceive as emotional and philosophical truth. Prompted by a conversation with my father-in-law, writer and thinker Shen Hao, I began to reflect on how informal, everyday exchanges with mentors, family, and friends have continually shaped how I translate internal echoes—ruminations, confusions, emotional residues—into writing, spatial, material, and experience.

Rather than adhering to the conventions of academic analysis or formal documentation, I adopt a dialogic form—one rooted in memory, shaped by subjectivity, and open to contradiction. …

Hunting, Feiyang Zhuang

Masters Theses

This writing is about fragility and revelation of technological systems. It considers how brokenness, delay, and opacity are not flaws but openings—opportunities to reimagine our relationship to technology as something grounded, sensory, and continuous with the natural and material world.

,, Yujia Gong

Masters Theses

I am still learning how to understand the world.

As I moved through different countries, cultures, and communities, I often found myself unlearning and rebuilding what I thought I knew. At times I felt unanchored, floating without a sense of safety or belonging. So I began to walk.

Walking became my way of reconnecting. With each step, I used my senses to notice the details around me: shadows cast by sunlight; life growing from soil; the presence of buildings and objects as quiet evidence of human existence. These elements — scent, light, sound, size, temperature — shape our perception of …

Returning Into The Deep Forest--A Methodological Practice Around Memory, Asianness, And Speech, Yu Ye

Masters Theses

">">The title of this thesis is borrowed from the Tang dynasty poem Deer Enclosure by Wang Wei: “Empty mountain, no one in sight—only the echo of voices. Returning sunlight slips into the deep forest, shining once more on moss.” I feel like my essay is responding to this kind of sensation: light does not shine head-on, but folds back, glancing sideways through dense branches, illuminating what is often overlooked. In that gesture of return—quiet, angled, persistent. This thesis unfolds in three chapters, each following a distinct path—image (Camera Lucida by Roland Barthes), movement (The Rings of Saturn by …

Swing Landscape, Yingwen Lin

Masters Theses

The text will consist of my self-introduction and short articles. Roughly speaking, the narrative is built upon my background and personal transformation. Geographically, I was born in Shenzhen (largest migrant city in China), lived in Shanghai (China’s largest economic center and a major international financial hub), and now reside on the East Coast of the United States, as a particle moving between different cultures, global commodities, and online media. I engage subjectively in these objective changes, with objects and events shaping who I am. I consider myself an outsider, an observer, an economic enthusiast, and a newspaper reader, participating in …

Breath, Void, Ground, Huichun Yang

Masters Theses

Before the sound, there is breath. Before the explosion, there is a threshold. Before the noise, there is silence.

Inspired by the physicality of balloons, this thesis explores breath as sonic material that carries memory, moves through bodies, and resonates across spaces. The balloon becomes a skin that holds breath: a force inhaling trauma, ritual, and intimacy. When released through mouth and latex, breath conjures alien, untranslatable voices that hiss and hum.

It begins with a balloon and expands with endless breath. The balloon becomes a site where the history, body, and voice disintegrate and reform. The pressure and tension …

Untitled, Seung Ho Jeon

Masters Theses

We are, by our very own nature, confined within our own lived experiences. To transcend our inherent loneliness, we seek ways to fulfill a fundamental sense of belonging through symbolic interactions. The external world we navigate is a subjective framework constructed through repetitive, mundane interaction, and as actors, we participate in such monotonous performances as a means to create shared meaning.

Such performance manifests as a collective entity - an intangible force that is not bound by institutionalized systems, emerging organically from grassroots beliefs and practices. Throughout the performance, there are symbols - artifacts, space, and interactions. And these transformative …

The Stream Of Life, Yitao Yuan

Masters Theses

The repetitive engagement with technological objects erases the depth of emotion by creating habits that bypass embodied and erotic pleasures and lead to a de-sexualized form of technology fetishism. The stimuli produced by machines that humans engage with are not able to convey the strength of intimacy between humans. Such virtual stimuli as the words and images produced and mediated through modern machines continuously shape conscious perception. This thesis book is split into two sections: a theoretical text and a series of images and explanations about my installation practice and process. They both seek to investigate the intersection of human …

Echoes Of Longing, Mahalexmi Mohan

Masters Theses

Loss lingers like a shadow, a weight no time can lift. Longing becomes a silent scream, echoing within, unanswered. Internal pain festers in the quiet, where unhealed wounds weave themselves into the fabric of being. Each breath is both survival and surrender, a fragile balance between hope and the hollow ache of what was, what will never be, yet could be.

Abstract

My work is deeply influenced by my experiences within a dysfunctional family structure and is explored through the relationship of emotional vulnerability and its effect on self-worth. Layered into the work is a confrontation with the scars, conflict …

Body Choice Of Women-507, Yilin Sun

Masters Theses

This thesis examines the struggle for bodily autonomy through the lens of contemporary art, focusing on 507, a kinetic installation by Yilin (Rebecca) Sun. At the heart of this work lies a powerful meditation on the emotional and political dimensions of reproductive responsibility. In a world where women’s rights over their own bodies are frequently contested, 507 becomes both a vessel of remembrance and a visual act of resistance. It channels the often-silenced experiences of women into a shared space of reflection, mourning, and confrontation.

Rather than offering straightforward answers, 507 presents an enigmatic title and a symbolic language …

Of Primal Substance, Yueting Wu

Masters Theses

This collection of writings arises from encounters with intensity and embodied practice — moments that reveal the body’s capacity for transformation.

Last year, I experienced ego death The intensity of the vibration and movement evoked deconstruction, reconstruction, and liberation. It felt like a vibrational reorganization of my physical body and all surrounding matter. During this past summer, I started embodied practices. One day, I held hands with a group of people and slowly walked from the beach into the ocean. It took us one hour. One evening, I was alone in the studio with a huge window facing the jungle. …

How To Walk On Water: Living Through The Absurd, Esther Du

Masters Theses

Set in a speculative world submerged by water, this thesis constructs a fragmented, nonlinear narrative that reflects on survival, memory, and displacement in the aftermath of catastrophe. Through three interwoven chapters—The Outcast, The Researcher, and The World—the project explores the emotional and psychological landscapes of individuals navigating a post-apocalyptic existence where the past is irretrievable and the future uncertain. Using an interdisciplinary form of visual storytelling, writing, and sound, the work draws from personal experience and collective trauma to examine how people reconstruct identity and meaning after loss. Rather than offering a definitive answer to existential …

Tierras Celosas, Gery Vargas

Masters Theses

Tierras Celosas is a field study, a symposium presentation at Brown University, a belief system. It is a machine-object, a cosmotechnic tension, an ontological contradiction. It embodies resistance and release, failure, and reclamation.

Belonging In Memory, Yilin Li

Masters Theses

This book is a visual and textual exploration of belonging, memory, and the sublime found in the mundane. Through a combination of written reflections and curated artworks, it traces my artistic journey, showcasing how I search for belonging through memory, everyday life, personal witness, family dynamics, and cultural memory.

The first part delves into the intimate connections between everyday life and artistic inspiration, weaving together personal experiences, observations, and memories into imaginative narratives. The second part presents a chronological selection of my artworks, illustrating my artistic evolution. Initially, my work responded to China’s rapid urbanization, exploring fading personal and collective …

Poetic Pragmatism, Nino N. Chambers

Masters Theses

Making space more useful, comfortable, and human through the design of furniture, is an inherently pragmatic discipline. Yet, even within the constraints of existing production processes, the daily use of furniture objects offers opportunities for long-lasting poetic expression. Poetic pragmatism celebrates the complexity that arises from simplicity and attention to shifts in atmosphere.

This body of work invites a closer consideration of both materiality and methods of production in the objects we choose to live with. By intentionally embracing negative space and connections, these designs exercise subtlety and restraint, serving not as declarations but as companions—quiet tools that foster deeper, …

Cohabitation At Threshold: Carpenter House Reimagined For Multispecies Living, Zhixiao Yang

Masters Theses

With the rapid growth of the human population, we are encroaching further into wildlife habitats, particularly those surrounding urban environments. This accelerating urbanization leads to biodiversity loss, the degradation of ecological services essential to human health and well-being, and a diminishing connection between city dwellers and the natural world.

Today, urban planners, architects, economists, and other advocates for the future of humanity and the health of the planet are actively questioning how we might build greener, more resilient cities. While much of the focus has been on large-scale interventions — such as the use of sustainable materials, the creation of …

Unseen, But There, Xinyu Dong

Masters Theses

Pedestrians often arrive at the Michael S. Van Leesten Memorial Bridge in a hurry—rushing through daily routines—only to slow down or stop at its center. Here, they are drawn by the openness of the view, the rhythm of the wind, and a sense of pause that floats above the surface of the Providence River.

This thesis is an ongoing experiment in direct, sensory experience. It centers on this pedestrian bridge not just as a site of circulation, but as a space of unintentional stillness and layered perception. While many passersby are drawn to its scenic beauty, few pause to consider …

Buddha, Resituated, Min Sun

Masters Theses

The Asian Arts Room at the Metropolitan Museum of Art presents significant cultural artifacts in a minimalist, neutral environment that disconnects them from their original historical and spatial contexts. By proposing display techniques that emphasize the origin and background of objects, it asks whether audiences from diverse cultural backgrounds can be enabled to connect empathetically with and learn from the heritage represented by these objects displayed out of context.

This thesis explores how exhibition design can reframe decontextualized artifacts to restore cultural meaning. By unpacking the room chronologically and geographically, and drawing from the spatial language of the Yungang Grottoes, …

Stranded In Time: Reawakening The Crook Point Bascule Bridge Through Temporality, Zhipeng Wang

Masters Theses

Many urban structures fall into a “stranded” state—physically present, yet socially invisible. The Crook Point Bridge in Providence is a prime example: a decommissioned piece of industrial infrastructure, too large and symbolically heavy to vanish entirely, yet gradually fading from public awareness. This thesis explores how temporary, experience-driven interventions can reawaken the social relevance of such neglected spaces. Rather than proposing a fixed future, the project seeks to prompt public reconsideration through fleeting spatial experiences that require no irreversible transformation. The first intervention utilizes balloons—fragile, inflated, and inevitably collapsing—to embody the theme of accelerated disappearance, echoing how memories fade faster …

Unframing Venus: Redefining The Female Nude, Sage Leafsong

Masters Theses

Historically women have been excluded from becoming acclaimed artists due to societal, educational, and institutional barriers. This exclusion has had many repercussions in Western art––in a large part it has made celebrated male artists the norm, while celebrated female artists are the exception.

These same barriers often precluded women from depicting themselves in art. When women did paint, they were encouraged to paint domestic scenes such as flowers or still lifes and were prohibited from studying or depicting the nude form. This gap of representation was filled by male artists who have felt empowered to sexualize women with no consequence. …

Modes Of Seeing, Means Of Telling, Tina Zhou

Masters Theses

In a world increasingly threatened with dis- and misinformation, far-right nationalisms, geopolitical violence and conflicts, I am interested in graphic design as a tool for investigation and interactive storytelling.

To investigate is to track a movement, to untangle a situation, to search for the roots of an incident. In adopting the posture of the researcher, the journalist, or the pedestrian observer, I engage in the work of collecting vantage points: data, records, images, from academic papers to personal anecdotes. I position them in larger sociopolitical contexts, making visible how they might all fit together. Who holds the power of narration? …

Plural Vistas, Brooke Shary

Masters Theses

Plural Vistas introduces an expansive spatial dimension to the practice of graphic design. Through emotive means and embodied experience, each vista engages the potential for design to negotiate the intertwined relationship between the built environment (structured language and hierarchical systems), and the reciprocal demands of the natural world (interdependency and entanglement). This approach offers new ways for design to operate and extend into the world and our communities.

Not bound to one singular path or point of view,

Plural Vistas invites you to think spatially.

Space and time are active—
engaging the body and considering the complex and subjective relationship …

Shape Shifter, Hyomin Kim

Masters Theses

Our perception of the world is not fixed; it is shaped by experience. Through practices like meditation, Buddhist rituals, and even altered states of consciousness, the mind has the capacity to shift how we see, feel, and exist in the present. Mindfulness, for me, has been both a refuge from suffering and a means of survival—an awareness cultivated through personal experiences. Yet, in daily life, we often detach from the present, rushing past what is right in front of us. If design has the power to shape perception, can it also serve as a tool to guide presence?

My thesis …