Arts and Humanities Commons^™

Haptic Wonder : The Sensation Of Exquisite Craft, Anjuli Berstein

Masters Theses

I reinterpret traditional woven techniques to create permeable handcrafted screens, by using archival research of historical passementerie and gauze structures. Conceptually, these textiles are an exploration of how wonder can be reached through exquisite craft, a result of valuable raw materials combined with fine hand manipulation. I attempt to distinguish a kind of wonder that exists as a tactile sensation based on haptic sight of minutia, versus the sublime as an experience of optical sight of distant objects.

Wild Power, Iris Han

Masters Theses

Wild Power is a journey to understand myself by creating wearable pieces representing aspects of my character. A human body is limited physically and it cannot show the whole identity of a person. I have desired to empower myself and also express my complex innermost feelings by ornamenting my body with another layer. This aspiration has motivated me to make wearable objects with diverse and different qualities of beauty. Especially, I have thought for a long time about how fashion can strengthen a women’s power living under societal standards that treats gender differently. From this interest, my artwork naturally reflects …

Biovice: A Survival Tool Company, Chubai Liu

Masters Theses

This fictional dystopian society is the background of my work: In the year 2057, Earth’s environment has been deeply polluted, humanity has come to rely on external survival tools to live. BioVice as one of the largest bioengineering company in the world, committing themselves to the production of the most advanced survival tools.

There are two production lines in the BioVice Company. One is the economy line which targets the majority, especially the middle class; while the luxury line targets the wealthy and the elite. The designs of both production lines have futuristic appearances, combining forms from clinical devices and …

The Catholic Imagination, Y Bittner Wiseman

Contemporary Aesthetics (Journal Archive)

No abstract provided.

For All That Has Gone With The Train, Yueying Wang, Special Collections, Fleet Library

5th Baker & Whitehill Student Artists' Book Contest 2019

No abstract provided.

Cartesian Circle, Travis Morehead, Special Collections, Fleet Library

5th Baker & Whitehill Student Artists' Book Contest 2019

No abstract provided.

Untitled, Yujiang Wu, Special Collections, Fleet Library

5th Baker & Whitehill Student Artists' Book Contest 2019

$375 AMERICAN PRINTING HISTORY ASSOCIATION PURCHASE PRIZE AWARD

122 Brook To 41 Sheldon, Elena Foraker, Special Collections, Fleet Library

5th Baker & Whitehill Student Artists' Book Contest 2019

No abstract provided.

16 To 6, Xubai Li, Special Collections, Fleet Library

5th Baker & Whitehill Student Artists' Book Contest 2019

No abstract provided.

Second Circuit Daca Amicus Brief, Rhode Island School Of Design

Advocacy | Amicus Briefs + Comments

No abstract provided.

Unbound 2018 Program, Risd Unbound, Fleet Library, Olivia De Salve Villedieu

2018 Print

No abstract provided.

Unbound 2018 Program, Risd Unbound, Fleet Library, Olivia De Salve Villedieu

2018 Print

No abstract provided.

Unbound 2018 Exhibitor Biographies + Collection Descriptions, Risd Unbound, Fleet Library

2018 Print

No abstract provided.

Unbound 2018 Exhibitor Faqs, Risd Unbound, Fleet Library

2018 Print

No abstract provided.

Unbound 2018 Program, Risd Unbound, Fleet Library, Olivia De Salve Villedieu

2018 Print

No abstract provided.

Manual / Issue 10 / Polychrome, Sarah Ganz Blythe, Editor-In-Chief, Amy Pickworth, Editor, David Batchelor, Gina Borromeo, Nicole Buchanan, Catherine Cooper, Darby English, Mara L. Hermano, Elon Cook Lee, Josephine Lee, Dominic Molon, Maureen C. O'Brien, Risd Museum 2017 Summer Teen Intensive Students, Elizabeth A. Williams

Journals

Manual, a journal about art and its making. Polychrome. "In art, especially, polychrome invites us to the dialogue that colors are always having amongst themselves. A history of polychrome could be a series of poems exchanged among colors. The exchange might exhibit something like perpetual newness, again and again revealing differently bent hues and movingly novel blends. It would be a short-line poetry, excruciatingly sensitive to tone. Its speakers would have no names, so it would confuse the psychology of human orientation. In this connection, a warning against rendering polychrome as a pure positive seems in order: the parties to …

Pillow Book, Abbi Kenny, Special Collections, Fleet Library

5th Baker & Whitehill Student Artists' Book Contest 2019

No abstract provided.

Private Bathroom, Jae Jang, Special Collections, Fleet Library

5th Baker & Whitehill Student Artists' Book Contest 2019

No abstract provided.

The Book Of Thesis Books, Elizabeth Leeper, Jennifer Liese, Center For Arts & Language

Thesis Writing

89 pages : color illustrations ; 18 x 23 cm."This guide is intended to help future thesis writers understand the range of approaches to and content in RISD thesis books, locate some especially strong examples in the Library's vast thesis collection, and imagine and plan their own theses." - from the introduction. "Introduction by Jennifer Liese" - Colophon. Contents: Academic thesis -- Monograph -- Project document -- Mosaic essay -- Artist's book. "Designed by Elizabeth Leeper (MFA Graphic Design 2017). Set in Parry and Parry Grotesque, by Artur Schmal, and printed by Lulu."--Colophon.

Pine, Eirik Johnson, Special Collections, Fleet Library

Photography

1 volume (unpaged) : color illustrations + vinyl record (33 1/3 RPM). "Side A. Bigfoot / Whiting Tennis -- Bird of paradise / Dede -- Recuerdos / Elia -- All the world is green / Eirik Johnson -- Side B. Zoo / NEWAXEYES -- First Thought / Sassy Black -- Love-Lies-Bleeding / Tenderfoot. Over the last few years photographer Eirik Johnson has scouted trees of all environs, looking for human traces upon them, and musing on the (often) adolescent emotions and explorations that lead to poignant sentiments recorded within a living surface. Johnson envisioned and realized a sonic set of …

On Display In A Gallery That No Longer Exists, Walker Mettling, Special Collections, Fleet Library

Artists' Books

1 volume, 36 pages. Color illustrated title page. Includes ten color risograph prints. Silkscreen cover with stitch binding. This book is a visual document of the RISD Museum 2017 Artist Fellow, Walker Mettling. It includes his drawings and observations from his time in RISD Museum (particularly storage). "I drew all the artifacts in the book with my left hand, using a superstition against handling sacred objects with your right hand (to ward off curses) as a way of trying to respect these objects." - walkermettling.tumblr.com/page/2 "Writen and drawn in January/February 2018.. Book binding by Julia Gualtieri. Screen printed at AS220 …

Translating The Torah Into Light, Ian Gonsher

Scholarly Research

There is an ancient mystical tradition that each character in the Hebrew alphabet also has a meaningful numerical equivalent. This tradition is called Gematria. It stands to reason that if a letter can be translated into a number, then that number can be given a chromatic value as well. By mapping each character’s position in the Hebrew alphabet to correspond with a color on the visible spectrum, we can translate these chromatic values from the text. We can translate the text into light.

Editorial, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

The Aesthetics Of Silence: A Matter Of Spatial Critique In The Works Of Marcel Broodthaers, Elsbeth Dekker

Contemporary Aesthetics (Journal Archive)

In 1967 Susan Sontag published her essay, "The Aesthetics of Silence,” on the craving towards silence in artistic movements of the nineteenth and twentieth centuries. Even though it appears that notions of silence are still influential within the visual arts, theoretical writings on silence are nearly absent. This article explores how notions of silence emerged in the early works of Marcel Broodthaers, by scrutinizing his works, related to Pense-Bête, together with the writings of Susan Sontag and related ideas from Stéphane Mallarmé and Theodor Adorno. Through a vivisection of these early works of Broodthaers, this article argues how silence …

Rhizomatic Mnemosyne: Warburg, Serres, And The Atlas Of Hermes, María Del Carmen Molina Barea

Contemporary Aesthetics (Journal Archive)

This essay aims to examine Aby Warburg’s Mnemosyne Atlas according to two conceptual perspectives that seem deeply interwoven, Deleuze and Guattari’s notion of rhizome and Michel Serres’s metaphor on Hermes. Both theoretical approaches cast light on the epistemological implications of the Mnemosyne Atlas and explore its intriguing composition from an innovative point of view. Specifically, this paper excavates the disrupted nature of the Warburgian Atlas, paying particular attention to the schizophrenic proliferation of unexpected connections. In this scenario, it will be necessary to elucidate the terminological opposition between ‘atlas’ and ‘archive,’ as studied by Boris Groys, Foucault, and Derrida, …

Contemporary Chinese Living Aesthetics And Contemporary Chinese Art History, Liu Yuedi

Contemporary Aesthetics (Journal Archive)

Living aesthetics was understood by most Chinese scholars as a way to bridge the living world and aesthetic activity today. This article discusses contemporary Chinese art from the perspective of the new thinking of living aesthetics. We shall diachronically describe the historical relationship between aesthetics and art and also try to synchronically examine the theory connecting living aesthetics and contemporary Chinese art with each other.

Aesthetics Studies Of Chinese Leisure Culture, Liyong Pan

Contemporary Aesthetics (Journal Archive)

Given the present situation and problems of the research on contemporary China’s leisure culture and aesthetics, it is the highest priority of leisure studies to make leisure return to the nature of human self-creation and self-improvement; to learn to intelligently spend leisure time in the realm of aesthetics; to deeply examine and carry forward the national tradition and wisdom of Chinese leisure; and to establish a modern leisure culture and theory with Chinese characteristics and Chinese discourse.

Meanwhile, it is the highest priority of aesthetic research to transcend the tradition of discussing abstract concepts and focusing only on art; to …

On Dust: Memory As Performance And Materiality, Natasha Lushetich

Contemporary Aesthetics (Journal Archive)

The world's "worldliness" is, to a large extent, perceptually constructed through touch, kinaesthetics, and proprioception. Gesture, too, is embedded in sedimentations of the body's prior sensory exchanges with the environment. Materiality is transitive; it triggers sensory landscapes through performance. Consisting of particles of pollen, human and animal skin, hairs, minerals, soil, and burnt meteorites, dust is usually seen as the antithesis of the performative-material nexus. In this paper, I propose a different view: that dust is and acts as a connective tissue. Borrowing from Hélène Cixous's écriture blanche, Quentin Smith's degree presentism, and theorizing nostalgia as a structuring absence, …

On Habits And Functions In Everyday Aesthetics, Kalle Puolakka

Contemporary Aesthetics (Journal Archive)

A group of theorists in everyday aesthetics, named restrictivists, have explicated the notion of the everyday in terms of a particular stance of everydayness that they believe, in time, comes to characterize people’s relationships to their daily things and environments. The everyday is revealed to be something habitual and routine that, despite its ordinariness, provides a pleasurable sense of safety and trust. In this paper, I present a series of considerations drawing on John Dewey’s notion of habit, on the one hand, and Jane Forsey’s account of the aesthetics of design, on the other, that call into question the general …

Appreciating Nature And Art: Recent Western And Chinese Perspectives, Glenn Parsons, Xin Zhang

Contemporary Aesthetics (Journal Archive)

Landscape painting has played a significant role in shaping practices of nature appreciation in Western and Chinese cultures. Both cultures have also seen the recent emergence of philosophical views of nature appreciation that stress the importance of ecological understanding. However, these philosophical views differ in their response to the influence of the landscape painting tradition: whereas Western approaches have largely been critical, Chinese ecoaestheticians have embraced it. In this paper, we explore this difference and argue that it is not explained by differences between Western and Chinese art but by differences in Western and Chinese philosophers’ conceptions of ecology. We …