Arts and Humanities Commons^™

Capes Make The Man, Khalid Mezaina

Masters Theses

‘Capes Make The Man’ is a project that provided me with the opportunity to grow as a designer and an artist. Over the last two years at RISD, I’ve frequently asked myself questions about my place and role as a man in the United Arab Emirates, and what awaits when I move back after graduating. Using personal narratives and cultural symbols from home, I bring to life the archetypes I carry as a mature masculine – my king, warrior, magician, lover and dancer. The end result is a series of bold, wearable capes, resembling stage costumes worn by pop stars …

Cosmic Whatever, Cement Gardens, Luminous Shade, Winifred Vaughan

Masters Theses

My work is an assemblage of disciplines, reductive processes, and accumulated materials interpreted with a painterly quality. Slipping away faster than we can grasp, the unrelenting forces of time propel us forward. Memory fragments our chronologies, transforming our existence into a collaged fabric. Layered transparencies allow the three chapters of this thesis, Cosmic Whatever, Cement Gardens and Luminous Shade, to bleed into each other turning them into composed cycles. These unlikely combinations permit freedom to experience a narrative that is both vast and intimate.

To See Again, Ada Goldfeld

Masters Theses

Contemporary criticism often describes realist paintings as facsimiles of our world, mimetic copies of a shared reality. Cast as a singular approach to painting that, with practice, any artist may adopt, realism is seen as an easy way out, which has been superseded by more complicated, advanced, and abstract visual languages. It is in this context that describing a painting as “realistic” becomes a backhanded compliment— recognition of acquired skill, but a jab to creativity—and all the more of a slight given the value that contemporary art has placed on de-skilling.

These blanket statements around realism misrepresent the tradition, diminishing …

Domestic Disorientation, Marisa Adesman

Masters Theses

At the center of all human life is the idea of ‘home’, and although this notion has persisted across time, the specific ideas and meaning of that word have changed significantly across the millennia. We are now in an unprecedented time of rapid change and social, economic and political upheaval, and from where we stand now, it is important to explore what ‘home’ means to us today, at both the individual and collective level.

The domestic space of the home, and the rooms within, represent a politicized site vis-à-vis gender, and these gender dichotomies are perhaps most prevalent in the …

Sky Well, Molly Kaderka

Masters Theses

Since the era of Romanticism, landscape painting has fallen into three aesthetic forms of representation: the Pastoral, the Picturesque, and the Sublime. This last form celebrates the awe and fear that arises through human encounters with nature. Many contemporary critics dismiss the Natural Sublime, claiming either that technology has replaced nature as a source of the sublime, or that humankind’s present-day destruction of nature prevents our also standing in awe of it. I disagree with both arguments. To me, humanity’s disruption of Earth’s ecosystems does not impede an individual’s experience of exhilaration witnessing, say, a volcanic eruption. And modern technology …

A Natural Circus, Cecilia Plasencia

Masters Theses

I’ve come to the conclusion that I have no interest in controlling and manipulating matter to my own heart’s content. I’m rather bored of rigidly perfect geometries and sentiments. Rather than controlling materials I allow them to do as they please. I capture their moment of revelation, and allow them to speak for themselves. I realize this process of making demotes me from creator to conduit, but I’ve noted that the materials have a far more unique and intelligent message than I could ever imagine.

So, I listen to matter. Matter has one very good friend, the center of the …

Ghost, A Stone, Audrey Blood

Masters Theses

This is a book of cement and paper. It addresses questions of surface, self, interior, and relations with the environment. It points to emotional and affective geographies in the context of printmaking.

Fungible Commodities, Kelly Taylor Mitchell

Masters Theses

This is an unbound portfolio printed using polymer plates on the vandercook press, in Providence, Rhode Island. The portfolio was created as a supplement for fungible commodities, a series of three multimedia installations.

The Contested Landscapes Of Mnemosyne : Constructing Maps Of Memory, Valeria Rachel Herrera

Masters Theses

This is an unbound portfolio UV printed on plexiglass containing fragments and scenes from my master’s thesis The Contested Landscapes of Mnemosyne - Constructing Maps of Memory.

Tightrope Walking On The Red Lines, Arghavan Khosravi

Masters Theses

My work is deeply connected to my own personal experience of the culture and politics of my homeland of Iran. I was born and raised in Iran in a nonreligious family. I experienced the first decade after the 1979 Islamic Revolution as a child. The hardliners had taken power, society suffered tremendous suppression, and Iran was at war with Iraq. My memories are filled with so many occasions in which the dominance of the oppressive regime affected my daily life, from being forced to wear a headscarf in elementary school, to being required to pray and recite the Quran at …

In A Distant Land, Ohad Sarfaty

Masters Theses

For the past few years I have avidly collected oral histories, family memories and imagery as a way to better understand and contextualize myself, my roots, and my own personal path. My recent paintings reference my first-hand experience as an immigrant, as well as my family's long and complicated history with displacement. The paintings were put together much like a game of telephone, their narratives transmitted through generations, stretched and skewed by family members and friends, rendering them fragmented yet crystallized. In the process of painting, seeing parallels between the past and the present has been frustrating and disturbing. The …

Left Hand Stories, Saif Mhaisen

Masters Theses

I draw people and paint things. Sometimes I paint people and draw things, but mostly I draw people and paint things. I work from life. The process – painting or drawing – is not mediated. That is the primary fact concerning the current work.

I see a mediator as anything forced in between a subject and myself. Following that, the work doesn’t involve Internet searches or photography or printing or projection or tracing or elaborate set ups or still lives or prep drawing or under painting.

The current work is defined by the current context: a graduate school art studio …

Pienso En Ti, Gina Gwen Palacios

Masters Theses

Representation signifies social existence, and the lack of Mexican American representation in media, art and the mainstream American narrative is a clear dismissal of a people and their history. I grew up in South Texas and my world was filled with fields of cotton, an open horizon line, and a mismatch of Mexican and American identities and languages. I have listened to my parents’ stories of picking cotton, being punished for speaking Spanish, having their first names changed and later being forced to drop out of school. As I grew up I realized the rows of cotton we passed daily …

Between Gods And Animals : Deconstructing Heteronormative Masculines Pursuit To Sustain Power, Shawn Bush

Masters Theses

Between Gods and Animals is a multi-angle exploration of the Caucasian heteronormative male’s endless pursuit to sustain power and inability to live by their own set of codes. Using the Grecco Roman period as an origin point, this work examines the forces that have historically perpetuated the myth of masculinity. Relating past ideals of maleness to contemporary standards this thesis illuminates patriarchal structures that are systematizing masculinity while providing a space to normalize a gamut of masculines. The visual works included act as an introspective approach in accepting the complacency of my existence as a man who has operated within …

Pretend Power, Rosemary Engstrom

Masters Theses

This is an anti-thesis about being a tender and tuff queer femme bitch with mental illness trying to exist in this shitty world by creating worlds of their own. With bright colors, video performance, dress up, collage, and a lot of feelings, I turn power structures on their upside. They become a game of pretend where queers run the show. It’s ok to be sick. It’s ok to be vulnerable. It’s ok to be queer. You’re not alone.

In Exchange, Anna Mcneary

Masters Theses

This thesis parses the dynamics of emotional labor in personal relationships. By bringing softness, connection and exposure to the viewer’s body in the form of tactile experience and wearable sculpture, this book and the installation that it accompanies provide a physical lens through which to consider the challenges of reciprocity and the emotional experiences at that are at stake in a struggle for balance and mutuality in relationships.

Four Projects, K. Sarrantonio

Masters Theses

This thesis gives an overview of the author's inspirations and art practices and specifically surveys four projects that launched video projection work. The simple descriptions of the projects are accompanied by silkscreen prints taken from stills of the work.

Matriarchy, M. Camila Escobar Vélez

Masters Theses

This book collects my personal and artistic process since I got to the United States two years ago. My cultural and religious background is the foundation for my artistic explorations. This book collects theoretical references and personal stories that explore the impact of Catholicism on my personal life especially as a woman.

Haunt : Casual Surrealism, Cara Buzzell

Masters Theses

This thesis aims to define, observe and create a feeling of surrealism through a series of design gestures. The process began with a question: If I, as a designer, immerse myself in a subculture that I have no interest in, will I become a fan of it? To attempt this, I created systems and tools to deeply investigate each subculture. I observed and recorded what I experienced. As a case study, the haunted attraction community captured my attention. I went to their conventions and took classes in the crafts of “the haunt.” While immersed in this community, I started to …

Field Guide : Collected Studies Of A Symbiont, Jennifer Livermore

Masters Theses

Field Guide is a collection of studies that explore how symbiosis relates to graphic design. These studies investigate how visual language constructs — and is constructed by — ideas about nature.

As a manipulator of language and imagery, I borrow the ecologist’s methods in order to make sense of our relationship with the natural world. My techniques include observation, collection, mutation, framing and recombination. I use these methods not to celebrate them, but to expose their subjective nature.

I approach visual language, technology, and our ecological home as an entangled set of ideas rather than estranged categories. My work investigates …

This Is Public Work, Nick Adam

Masters Theses

This thesis positions graphic design as an integral form of public works.

T his is public work regards the causal relationship between graphic design and its publics as an opportunity to explore the formal maneuvers to enhance an artifact's visual codes. The idea is an experiential one: rich and meaningful form can lead to rich and meaningful experiences.

The designed artifacts of our world function across informational (effect) and emotional (affect) modes. The complexity of these operations take on an infrastructural role — what we see day-to-day shapes our experiences and understanding. The opportunity of a designer to practice in …

Monument For Feeling : Notes From The Archivist, Melissa Weiss

Masters Theses

I’ve always loved the conjunctions unless, yet, however, although. Grammatical interventions, they subvert all things certain, rational, and indisputable, opening a series of syntactic doorways into new, undetermined possibilities.

The pieces in the Institute fo? Contempo?a?y Inqui?y’s archive function like those conjunctions. They refuse and destabilize easy categorization, pointing, like a rhizome, toward a thousand different possible pasts — and just as many futures.

To be clear, the Institute fo? Contempo?a?y Inqui?y does not have a physical site. It is a network of psychic locations materialized through its archive. It is, in other words, what I have gathered.

I have …

Constellations, Maria Rull Bescós

Masters Theses

In this book you will find a collection of projects that both reflect and simultaneously reinvent my personal way of seeing the world, which I consider to be a space that is complex, diverse, and in continuous transformation.

Graphic design is the lens through which I examine and understand this complexity, and it is also the medium through which I translate this huge realm into navigable systems of ideas, tales, forms, and experiences.

I have been inspired to produce my own systems in response to those I discover through actively observing my environment (territory), reflecting upon my personal background (origin), …

Anachropomorphism!, Carson Evans

Masters Theses

Folks, the Truth is hard to know—if can be known at all.¹ Conventional Western wisdom tells us: stick to the facts. (I’m looking at you, Enlightenment.) We privilege the written word as an objective and reliable vehicle for communication. Useful, yes, but we over-rely. I counter with this: bodily performativity and purposeful inaccuracy that produces, paradoxically, narrative accuracy. These methods roil in our gut or tug at our heartstrings—instead of recoiling, we should embrace them.

I like to unpack “the stories we tell ourselves,”² our personal and societal mythologies, with a particular eye to how the past plays a role …

Curious Things, Allison Davis

Masters Theses

Curiosity fuels progress. It is what pushes us forward individually, as well as collectively. It allows us to make sense of the world and those that are in it. The problem is, we are in the midst of a curiosity crisis whereby our sensitivity to the physical has drastically diminished. Curious Things sheds light on our detachment from our surroundings and explores how ‘embodied curiosity’ can foster our need to know, experience, and explore. Through curious observations and unexpected encounters captured by others, this thesis argues that the use of distinct object forms and visual aesthetics can be viable solutions …

Letsqube, Biniam Assegid Kebede

Masters Theses

Letsqube is a platform that enables groups of friends to easily collect and pool money towards communal events, gatherings, and purchases.

Individuals find their friends on Letsqube and then agree on a budget for an event, gathering, or group purchase. Letsqube handles the finances by automatically debiting a set amount from a user’s bank account on a predetermined schedule.

Letsqube encourages people to get together, provides accountability and a schedule for contributions, and handles the finances in the background so that groups of friends can focus on enjoying their time together.

Making time to get together with friends regularly is …

Autonomous Vehicle Futures : Designing Experiences That Enable Trust And Adoption, Jeremy Bass

Masters Theses

This thesis is an investigation of the user experience design necessary for a fully autonomous vehicle that would enable trust and adoption of autonomous vehicle-based services. Autonomous vehicles are destined to revolutionize mobility, yet few companies are focusing on how people will best use these new autonomous-based services. This thesis used various forms of user testing to understand user’s expectations and hesitations for riding in an autonomous vehicle. These tests included improv workshops, surveys, interviews and a simulated autonomous vehicle service ride-along. Research revealed that user’s primary concerns were travel time, comfort (spatial and privacy) and personal safety. These concerns …

Summer Peaches And Salt-Tinged Fog, Carolina Jiménez

Masters Theses

The pieces that I create are monuments of the mundane; they are both garments and--through their installation--a place as well. They are portraits of loved people, embodied through hand labor and industrial processes. In this project I destabilize the idea of a memory palace--an imagined rational space which holds memory--and replace it with an ever-expanding memory atmosphere. From a palace of marble and bronze to a fog of salt tinged color, a sky turning, like a cut plum, from orange to purple, music carried on the breeze.

I map individuals, qualities of light, flashes of color and material. Specific moments …

The Evolution Of Ornament, Charlotte Ngaio Fairless

Masters Theses

The Evolution of Ornament is a visual exploration of Darwin’s theory of sexual selection, abstracted into three textile panels representing the allure of textural ornamentation. The fragmented shapes depicted are gathered together into asymmetrical layouts that reference dissection and bird plumage. The parallel themes of glamour in the natural world, and the pulsing vivacity of flora and fauna, emerge as a vehicle for the contemplation of the innate irrationality of desire. The viewer is seduced through neon color palettes, tactile materiality, and considered placement of specifically amorphous shapes. They are intended to simulate in the viewer the reaction of a …

Idiosyncratic Uniform, Erica Efstratoudakis

Masters Theses

Clothing mediates between the individual and the social. It creates a dialogue between our inner selves and our environments, a dialogue that becomes especially fraught for women at work. Focusing on women’s workwear in male-dominated fields, this thesis calls attention to the existing cultural norms in work environments that solidify dated gender expectations and biases. It suggests that the fashion industry has not adequately addressed the sartorial and emotional needs of everyday working women, and intervenes by placing wearers at the center of the design process. By applying needs-driven solutions and user research to a psychologically powerful force like fashion, …