Arts and Humanities Commons^™

Providence College Department Of Theatre, Dance & Film 2014-2015 Season Poster, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

2014-2015 Season

Fully Committed Open Auditions Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Fully Committed open auditions

Tuesday, September 16, 2014, 7pm

*Coupled with The Imaginary Invalid

Providence College Dance Company Open Auditions Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Clark Dance Studio, Smith Center for the Arts

Providence College Dance Company open auditions

Thursday, September 11, 2014, 7pm

Providence College Dance Company Open Auditions Flyer, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Clark Dance Studio, Smith Center for the Arts

Providence College Dance Company open auditions

Thursday, September 11, 2014, 7pm

Providence College Dance Company Open Auditions Flyer, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Clark Dance Studio, Smith Center for the Arts

Providence College Dance Company open auditions

Thursday, September 11, 2014, 7pm

"Once Both In And Out Of Time": Language, Storytelling, And Transformation, Monika Reis

The Assisi Institute Journal

No abstract provided.

Stages, Skills, And Steps Of Archetypal Pattern Analysis, Pamela Buckle Henning

The Assisi Institute Journal

No abstract provided.

Psychological Projections In The Emergence Of Hive Mind, Carolle Dalley

The Assisi Institute Journal

No abstract provided.

Suicide: An Archetypal Perspective, Katherine Best

The Assisi Institute Journal

No abstract provided.

Destruction Or Transformation? Leadership And The Archetypal Field, Silvia Behrend

The Assisi Institute Journal

No abstract provided.

"Roselil And Her Mother": An Archetypal Interpretation Of A Danish Folk Song, Flemming Behrend

The Assisi Institute Journal

No abstract provided.

Taking The Archetypes To School, Karen Basquez

The Assisi Institute Journal

No abstract provided.

Intimations In The Night: The Journey Toward New Meaning In Aging, Michael Conforti

The Assisi Institute Journal

No abstract provided.

The Assisi Institute Journal - Complete Issue (V1n1)

The Assisi Institute Journal

No abstract provided.

Dorr Rebellion Project Selected Bibliography, Erik J. Chaput, Russell J. Desimone

Dorr Scholarship

An annotated and traditional bibliography of research materials utilized by Dr. Erik J. Chaput and Rhode Island scholar Russell J. DeSimone in creating the script for The Dorr Rebellion short-form documentary and other resources on the Dorr Rebellion Project website. For those resources which are open access, an access link has been provided within the document.

Visit the Dorr Rebellion Project website for more information:

http://library.providence.edu/dorr/

.Psd, Kate Ryan

Art Journal

When I began this project, I was equipped with an extensive Photoshop vocabulary; I decided that my thesis would involve expanding this vocabulary and establishing new personal ways of making an image. My goal is to create a body of work that cannot be replicated on any other platform. I use color, texture, shape, line, and layering to showcase Photoshop and my firm grasp of the program. My work has seen many transformations, and this is where the success of each piece lies. I have always been attracted to the ability within Photoshop to infinitely edit and layer my projects. …

Skeptical Magnetism, Olivia Myers

Art Journal

My work examines the idea of distortion of the human face. Many of my drawings focus on the nose, the element of the face that I find most structural. The idea of the face as a flat object and the nose protruding out, almost looking as if it is placed on the face, is very interesting to me, perhaps connecting back to my fascination with architectural structures. I have used the nose as the main focus of distortion, oversized and often asymmetrical. These exaggerations should make the viewer feel as if they could crawl into this opening and explore its …

Thanks For Having Us, Ryan Martin

Art Journal

My work depicts late-adolescent masculinity and the sometimes suspect behavior attached to it. I represent a type of lifestyle that is generally familiar from college sports and chum movies, which I treat with humor and aggression. I approach it in a personal way, recording my own daily life with my friends and describing these moments with found materials and messy demanding mark-making. I often select imagery from the past that deals with male role models, for example my heroic Grandfather, Evel Knievel, movie characters, and manipulate those pictures through cutting, painting, embroidery, digital drawing, and wood burning. My work uses …

Arsy Varsy, Kristen Kern

Art Journal

My goal in my work is to connect to people through stories. I use my characters and narratives to turn people inward towards their own lives; my drawings may remind them of a person, a place, an event, or an experience or emotion. I use ink and Photoshop, which are clear, easy to read, and familiar. This is one way in which my art evokes the feel of comics, cartoons, video games, and other geek-culture influences from my childhood and today. I gravitate most noticeably toward the aesthetic of Japanese manga, applying various elements of this aesthetic to nearly all …

Kinetic Meditation, Katherine Kaiser

Art Journal

My goal as an artist is to produce work that is compelling as well as tranquil, that invites exploration and immersion. There is a certain familiarity that is portrayed by my work: the marks often reference environmental forms such as leaves, twigs, roots and branches. However, I purposefully paint in an ambiguous fashion, leaving the mind open to wander in a dreamlike state.

I want to connect to the energy found in nature by implementing two types of painting languages. The juxtaposition between the serenity of pouring paint and the sharp kinetic energy of my hand-drawn marks creates a balance …

Journey, Jessica Ho

Art Journal

Through my work, I would like to show that even though we are our own individuals, we are also all part of a global culture. As a Chinese American, I am part of a community in which Kung Fu is prevalent and I have spent a great deal of time studying it, along with many of my family members and friends. I believe that Kung Fu is a unique way to bridge cultural gaps; it aids in a mutual understanding in a way that language often fails to do. It is an art that is able to cross existing cultural …

The Auto Show, Jessica Ho

Art Journal

I intend to create an auto show displaying the various cars of my own design. The palette of colors and the mosaic surfaces give the cars more personality and also emphasizes the various characteristics of the car that make it a unified whole. Overall, my work combines my interests in both automotive and digital imaging to portray the cars as works of art, rather than just a means of transportation.

I would like to show that every automobile has its own unique personality, because each car has a distinctive shape, color, height, engine design, gear ratio, driving wheel, and a …

Plainville, Kara Flanagan

Art Journal

In my work I explore a dimension of my childhood that is usually not spoken of. I photograph sites that I inhabited as a child, many of which are abandoned today. These places refer to the psychological experience of being left behind by a parent and they bring back specific memories of events that occurred there. Additionally, the act of rexposure to the sites is a way of trauma intervention that is the core to this work.

When I revisit the sea-saw I used to ride, the elementary school I attended, or the church I got baptized at, I have …

Head First Only, Grant Bay

Art Journal

As an artist, my primary medium is painting. For reference, I look at found photographs and captured video stills, coupled with ideas from my imagination and sketchbook. I take compositions that are populated with objects and figures that are recognizable and make them strange. My intent is to make a viewer feel at once engaged and disoriented, with visual surprises and logical discontinuities in spatial relations.

My paintings seem fictionalized, containing passages that are clearly not from observed reality. I am interested in the experience of longing for a relationship that cannot be attained. Relationships between individuals can be imagined …

Imperialism, Economics And Sacred Experience In The Golden Mosaics Of San Marco, Alexandra Steadman

Art Journal

No abstract provided.

The Places Between Events: “Architectural Interest” And The Shifting Cultural Definition Of America In Stephen Shore’S Uncommon Places, John Ronalter

Art Journal

No abstract provided.

The Significance Of Walker Evans’ Many Are Called In Two Distinct Moments, Margaret North

Art Journal

No abstract provided.

The Impropriety, Informality And Intimacy In Vigee Le Brun's Marie Antoinette En Chemise, Kelly Hall

Art Journal

No abstract provided.

Gino Severini's Dancers And His Theatrical Milieu, Maria Haidinger

Art Journal

No abstract provided.

Prostitution And Prayer: An Examination Of Ruega Por Ella From Francisco Goya’S Los Caprichos, Eileen Donovan

Art Journal

No abstract provided.