Arts and Humanities Commons^™

Are We Not All Beggars?, Michelle Forstrom

The Restored Gospel and Applied Christianity: Student Essays in Honor of President David O. McKay

Michelle describes how her brother in law’s stroke and her home’s foreclosure helped King Benjamin’s words “Are we not all beggars?” from the Book of Mormon became especially poignant for her.

The Fatale Monstrum And The Nasty Woman: Public Portrayals Of Cleopatra Vii And Hillary Rodham Clinton, Emma Baker

AWE (A Woman’s Experience)

No abstract provided.

Make It Up, Rachel Leishman

Inscape

Maren wielded the black crayon like a paint brush.

Jesus The Pyromaniac, Tom Fairholm

Inscape

Cinderella is on fire. Her platinum hair melts away in thick, waxy puddles. To be honest, there’s something kind of mesmerizing about it—jarring, sure, but oddly captivating. Kind of like how you can’t look away from a nasty car wreck even though you know you probably should. Her blue dress, yellow hair, white skin, all distilled to their most essential and vibrant colors, lie in tiny pools like acrylic paints.

A F R I C A, Stefanie Shepley

Inscape

The grass lolls drunkenly under the shivering rays of sunlight. Thick trunks, like the rutabaga roots of trees growing upside down, dot the landscape. The wind is what catches you. Syrupy sweet with the blood of plump hibiscus petals and the faint stench of a hidden animal or two. The nothingness around you, just grass and majestically fat trees as far as the land can yawn. The expanse of crystal blue sky, and the weight of your own body; the vision of your lined hands against the stripes of yellow grass, tinted green in their own expectation. Dirt curling underneath …

The Dark We've Grown Used To, Carl Boon

Inscape

No abstract provided.

Lexington Avenue, Carl Boon

Inscape

No abstract provided.

Interview With Clinton Crockett Peters, Tyler Parsons, Candice Boren

Inscape

Inscape: In one of your essays, you talk about your time in Europe and how you tended to make detailed plans earlier in your life. I know the essay genre doesn’t really go with plans necessarily. So how did you balance that: your need to make plans with writing in a genre that avoids making specific plans?

Detroit, Carl Boon

Inscape

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Front Matter

Inscape

No abstract provided.

Antibiotics, Micah Clemence

Inscape

Fallout from Nukes five years ago. Stop of Government four years ago. Decay forces you and Johnny away from the city two years ago. Failure of Johnny's immune system against infection four nights ago. No antibiotics except at St. Mary's. No entry allowed past armed guards, perimeter patrol, watchtower, twenty-four hours a day.

We, Anelise Leishman

Inscape

So, who's older?

People love to ask this question. The script is one we've memorized well: My sister was born first, but there's just one minute between us, so it doesn't count. It was a C-section, my mother explains, and they were side by side. Really, it just came down to whose foot the doctor grabbed first.

Overindulgence, Madison Banfield

Inscape

No abstract provided.

In The Loveland Aquarium, Sam Niven

Inscape

No abstract provided.

What Am I Really?, Aisha Lehmann Tanner

Inscape

No abstract provided.

This Preceded You! 1, Samantha Atzbach

Inscape

No abstract provided.

Sisters, Katelynn Mckinnon

Inscape

No abstract provided.

The Lookout, Amelia O'Neill

Inscape

No abstract provided.

Advice Cloud, Myleka Bevans

Inscape

No abstract provided.

Vindicating The Feminism Of Mary Wollstonecraft, Olivia Moskot

AWE (A Woman’s Experience)

No abstract provided.

Uninterested, Franchesca Lopez

AWE (A Woman’s Experience)

No abstract provided.

The Man On The Train, Harriet Norcross

AWE (A Woman’s Experience)

No abstract provided.

Baby Suffragettes: Girls In The Woman's Suffrage Movement Across The Atlantic, Mckenzi Christensen

AWE (A Woman’s Experience)

No abstract provided.

A Tale Of Triumph Amidst Tragedy: C-Section In Furini's The Birth Of Benjamin And The Death Of Rachel, Alexandra Carlile

AWE (A Woman’s Experience)

No abstract provided.

Front Matter

Swiss American Historical Society Review

No abstract provided.

Front Matter

The Bridge

No abstract provided.

Full Issue

The Bridge

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Editorial Statement

The Bridge

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Remembering Our Unsung Pioneer Ancestors, Jim Lewis

The Bridge

My great-grandparents, Niels Jensen Norgaard (1848-1920) and Karen Sorensen Norgaard (1852-1949) immigrated to America in 1869 and 1871, respectively. They had both been raised in the Aalborg area of northern Jutland. Niels left his family and a comfortable home at the age of twenty to travel alone to a new, yet unknown, destination. His immediate objective was Harlan, Iowa, where relatives had a farm. It was twelve hundred miles across unfamiliar land between New York City and Harlan, Iowa. Niels was alone in a strange land, didn't know the language, and had little money to sustain himself. He traveled on …

Human Anatomy, Natalie Van Wagoner

Inscape

“Body Worlds” I typed into my iPod Touch’s Safari search bar and pressed enter, then toggled the results to Google Images. There’s a dead man, skinned, holding up his hide in one hand and staring out of my four-inch screen through glass eyes that won’t shrivel like his real ones did. I scroll a few images down from him and find another person. This one’s been sawn from the top of his or her or its head so many times that they look like a half-peeled banana, if that banana had a tongue and brain and throat in its peel. …