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Articles 61 - 72 of 72
Full-Text Articles in Arts and Humanities
Oral History Deed Of Gift Form, Digital Kenyon
Oral History Deed Of Gift Form, Digital Kenyon
Instructions, Forms, and Toolkits
A modifiable deed of gift form for oral history interviews and photographs.
Oral History Informed Consent Form, Digital Kenyon
Oral History Informed Consent Form, Digital Kenyon
Instructions, Forms, and Toolkits
A modifiable form for obtaining informed consent in oral history interviews.
Tim Tingle: Choctaw Author, Storyteller, And Cultural Ambassador, Joyce Herbeck 5798005
Tim Tingle: Choctaw Author, Storyteller, And Cultural Ambassador, Joyce Herbeck 5798005
The Montana English Journal
Tim Tingle is an award-winning author of Native American children's and young adult literature. In this interview, he discusses three of his most popular titles: Crossing Bok Chitto, How I Became a Ghost, and House of Purple Cedar.
Mrs. Mcintyre’S Fateful Struggles: The Innocent Bystander, Mrs. Mcintyre, Is Inherently Good In Flannery O’Connor’S “The Displaced Person”, Ruby T. Zimmerman
Mrs. Mcintyre’S Fateful Struggles: The Innocent Bystander, Mrs. Mcintyre, Is Inherently Good In Flannery O’Connor’S “The Displaced Person”, Ruby T. Zimmerman
Russell Library Undergraduate Research Award
In Flannery O’Connor’s short story “The Displaced Person” there are many themes that pertain to religion, but in addition O’Connor develops secular concepts throughout the story. One such character, Mrs. McIntyre comes across to the readers as a self centered, racist, and xenophobic woman. She treats her tenant farmers, the Shortleys, Astor, Sulk, and the Guizacs with great disrespect and wants to or threatens to dismiss all of them at different points throughout the story. Critics of Mrs. McIntyre, such as Miles Orvell author of Invisible Parade: The Fiction of Flannery O’Connor, argues that her character is unsympathetic and …
Sanación Oración-Liturgia, Juan Durkovic
Illuminating The Infelice: Defiance And Transcendence In The 19th Century Operatic Madwoman, Claire Biringer
Illuminating The Infelice: Defiance And Transcendence In The 19th Century Operatic Madwoman, Claire Biringer
Music Honors Projects
The female protagonist’s mad scene, since coming into true vogue in the early nineteenth-century Italian opera tradition, has been prized for its dramatic and poignant emotive qualities. This project explores four nineteenth-century mad scenes; Donizetti’s Lucia di Lammermoor (1835), Bellini’s I Puritani (1835), Meyerbeer’s Dinorah (1859), and Verdi’s Macbeth (1847), surveying the literature of each scene and providing formal analysis of musical attributes such as harmony, melodic structure, and formal design, all in comparison to generic operatic conventions. Musical elements generally associated with the operatic madwoman include the orchestral recollection of significant past themes, virtuosic coloratura lines, and the presence …
Bautismo Liturgia-Bilingüe, Ricardo Schlak
Bautismo Liturgia-General, Marcos Kempff
Bautismo Liturgia-Niña, Marcos Kempff
Bautismo Liturgia-Niño, Marcos Kempff
Domingo De Santísima Trinidad-Liturgia, Ricardo Schlak
Domingo De Santísima Trinidad-Liturgia, Ricardo Schlak
Liturgias
Domingo de Santísima Trinidad-liturgia
Listing Of The 1970-1971 Sagp Content, Society For Ancient Greek Philosophy
Listing Of The 1970-1971 Sagp Content, Society For Ancient Greek Philosophy
The Society for Ancient Greek Philosophy Newsletter
No abstract provided.