Arts and Humanities Commons^™

Moulinet: An Action Quarterly, Volume 6, Issue 1, Moulinet Staff

Moulinet: An Action Quarterly

No abstract provided.

Embodied Knowing And Effective Communication In The Development Of A Choreography Curriculum, Michele Lynn Jenkins

Theses Digitization Project

Develops a choreography course curriculum to be implemented and evaluated for inclusion in the Chaffey College (a community college in San Bernardino County, California) dance program. Identifies and evaluates four core developmental areas of a well-designed choreography class: (1) communicative skill development through dance composition; (2) group problem-solving creative work; (3) integration of other arts with dance; and, (4) critical evaluation skills.

Vocation, The Arts, And The Christian Liberal Arts, Robert J. Hubbard

Faculty Tenure Papers

No abstract provided.

Out Of The Looking Glad, Into The Fire Press Release, Susan Werner

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Out of the Looking Glad, Into the Fire press release

January 2005

Oversight : Practice As Research In Australia, Lelia Green

Practice as Research in Performance (PARIP) 29 June - 3 July 2005

No abstract provided.

Moulinet: An Action Quarterly, Volume 6, Issue 2, Moulinet Staff

Moulinet: An Action Quarterly

No abstract provided.

The Fight Master, Fall/Winter 2005, Vol. 28 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Reviews: “Performance And Evolution In The Age Of Darwinism,” “Dancing At The Dawn Of Agriculture,” “Dance In Anthropology (2nd Edition),” “Dances Of The Tewa Pueblo Indians (2nd Edition)", Anthony Shay

Pomona Faculty Publications and Research

In order to create a contextual basis for a discussion of these four titles, I connect them through the authors’ uses of anthropological and archaeological methods and theories, and discuss how these have changed through time.

Building An Ethical Architecture: Habitat And The Shape Of Radical Humanism, Kim Solga

Department of English Publications

No abstract provided.

Direction Of The Play: A Midsummer Night's Dream, Robert George Hunt

Master of Theater Production Graduate Projects

This project entailed the selection, background research and documentation, casting, direction, set design, and postproduction analysis of Natrona County High School's production of William Shakespeare's A Midsummer Night's Dream. Documentation includes research and analysis of the play and an evaluation of the play as a production vehicle for the theatre department of Natrona County High School. The analysis also includes a discussion as to the non-traditional directorial vision of this production.

Direction Of The Play: 1984, Jacob Dreiling

Graduate Student Projects

This project includes the selection, background research and documentation, casting, direction, and post-production analysis of Rockdale County High School's production of 1984. Documentation included research of the original novel, characters, past productions, and the structure of the play. A discussion as to the directorial vision and analysis in accordance with the Graduate Theatre Arts Program at Central Washington University is also included.

The Importance Of The Chorus In Blood Wedding, Myrna Julia Castro Rios

Theses

This Master in Fine Arts thesis, authored by Myrna Julia Castro Rios, explores the significance of the chorus in Federico García Lorca's Blood Wedding, focusing on its role within the play and its relationship to Greek drama traditions. The study delves into Lorca’s biography, his poetic style, and the symbolic imagery that infuses his work, particularly in the depiction of the chorus. Drawing parallels to the chorus of Greek tragedies, the thesis highlights how Lorca adapted its narrative and symbolic functions to create a unique element in Blood Wedding.

Castro recounts her directorial process, from pre-production research and …

Mutiny In The Lone Star: Hats, Boots, And Hip-Hop In Texas, Kimi Buser

Whittier Scholars Program

This project includes 8 drafts of Mutiny in the Lone Star: Hats, Boots and Hip-Hop in Texas along with a letter of introduction, data sheet, publicity and DVD of Mutiny and House Music. This project is a one-woman theater piece about the author’s home in Alief, Texas.

Unshap'd Monsters: Political Farce On The London Stage, 1717-1737, Melissa Ann Bloom

Dissertations, Theses, and Capstone Projects

This dissertation reexamines the role of John Gay's and Henry Fielding's anti-government satirical farces during the politically contentious 1720s and 1730s in London. Although their plays were and still are considered, variously, burlesques, entertainments, farces, and satires, I call them satirical farce for two reasons. First, contemporaries used the term farce as much to signify political and social stances as dramatic type or function. Those political and social stances are the central focus of this dissertation. Second, I see in this collection of plays—Gay's Three Hours After Marriage (1717) and The Beggar's Opera (1728), Fielding's The Author's Farce (1730), The …

Imagining Europe: Carles Batlle's Combat (Landscape In The Aftermath), Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

At the end of Suite (1999), an award-winning play by Catalan dramatist Carles Batlle i Jordà, there is a memorable scene in which the spectators observe the collapse of a doll house upon the living room floor. It is a metaphor of domestic, as well as global, instability—not to mention, an ironic reference to Ibsen—in which the audience is left to wonder whether the character of Berta, confused and disoriented in the suite of an old hotel, will return to the mirage-like image of bourgeois European domesticity, to a home and marriage without foundations, or whether she will flee to …

Els Paisatges Del Teatre Català Contemporani: De Benet I Jornet A Cunillé, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Voldria començar amb Amèrica, i no pas amb Catalunya, amb un retrat del paisatge del desert de Jean Baudrillard, en el qual aquest intellectual francès ens ofereix una perspectiva poeticofilosòfica europea d'un vast territori pos diferenciat:

La grandeza de los desiertos consiste en ser, en su aridez, el negativo de la superficie terrestre y nuestros talantes civilizados. Son lugares donde los talantes y los fluidos se rarifican y las constelaciones descienden directamente. [...] El silencio del desierto también es visual. Lo conforma la extensión de la mirada que no encuentra sitio donde reflejarse. [...] El desierto es como una red …

El Teatre Català Contemporani, L'Esfera Pública I La Figura De L'Autor: Retalls De L'Època De La Transició, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

En els darrers anys, al paisatge político-cultural que envolta Barcelona no li han faltat els seus bans moments de melodrama, d'acusacions enceses i de rampells d'histèria, que s'han pogut presenciar sobre i fora de l'escenari, tant a nivell públic com privat. Efectivament, en el món teatral català no és gens estrany que la vida real es confongui amb la de l'espectacle, oferint-nos reiteradament exemples del que el director Albert Boadella, al seu assaig El rapto de Talía, anomena el «virus exhibicionista» o «frenesí» que ha assetjat la societat contemporània. A Barcelona, com a altres llocs del món occidental, un dels …

La Fragilitat Del Paisatge, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Dins de la galáxia teatral formada per estrelles de grans i petites dimensions que és l'escena catalana contemporània, Josep M. Benet i Jornet (Barcelona, 1940) és com un cometa; no un d'aquells estels fugaços que apareix en una de les seves obres més reeixides (Fugaç, 1992), sinó com un cometa la trajectória creativa del qual ha estat marcada per un procés constant d'evolució i renovació estètiques, un cometa que ha deixat una lluïssor indeleble, que li ha permès d'omplir el buit entre generacions. Es podria afirmar que Benet i Jornet és el dramaturg en vida més eminent i …

'Listen, Rama’S Wife!’: Maithil Women’S Perspectives And Practices In The Festival Of Sāmā-Cakevā, Coralynn V. Davis

Faculty Journal Articles

As a female-only festival in a significantly gender-segregated society, sāmā cakevā provides a window into Maithil women’s understandings of their society and the sacred, cultural subjectivities, moral frameworks, and projects of self-construction. The festival reminds us that to read male-female relations under patriarchal social formations as a dichotomy between the empowered and the disempowered ignores the porous boundaries between the two in which negotiations and tradeoffs create a symbiotic reliance. Specifically, the festival names two oppositional camps—the male world of law and the female world of relationships—and then creates a male character, the brother, who moves between the two, loyal …

Aesthetics Of Listening: Creating Spaces Of Learning, Lisa Donovan

Educational Studies Dissertations

In this study with 9th-12th grade students in an urban Massachusetts school, I consider the question 'How can theater education develop a sense of voice and identity in adolescents?' Students in a drama class engaged in a variety of performance techniques including: interview theater, improvisation, and pantomime while considering the concept of voice/identity development. They then created an interview based script focused on an issue of their choice: the rules of the school and how they were enforced.... Data collection included video-taped class sessions, interviews with the drama classroom teacher, student peer interviews, and a final focus group session six …

The Roles Of Elicia/Lyse/Clarina In Tony Kushner's The Illusion: A Production Thesis In Acting, Sarah Jane Johnson

LSU Master's Theses

The roles of Elicia/Lyse/Clarina in The Illusion, freely adapted by Tony Kushner, was selected as a thesis project in the fall semester of 2004. This thesis is a written record of the actor's work on the character throughout the rehearsal process and performance of the production in the form of a Rehearsal Journal. It also includes an Introduction, Character Analysis and a Conclusion.

The Role Of Pridamant In Tony Kushner's Adaptation Of The Illusion: A Production Thesis In Acting, Brace Easton Harris

LSU Master's Theses

The role of Pridamant in Tony Kushner’s adaptation of The Illusion was performed in the Fall of 2004 and elected as a thesis role at that time. This thesis is a written record of the actor’s interpretation of the character. The thesis includes pre-production work, Character Analysis, and Four Column Score.

An Exploration Of The Roles Of Pleribo, Adraste, And Prince Florilame In Tony Kushner's Adaptation Of The Illusion: A Production Thesis In Acting, Chaney K. Tullos

LSU Master's Theses

This thesis is constructed from the author’s interpretation of the roles of Pleribo, Adraste, and Prince Florilame in Tony Kushner’s adaptation of Pierre Corneille’s The Illusion, which was presented by LSU Theatre in 2004. This thesis is a written record of the actor’s work on these characters throughout the rehearsal and performance process in the form of a score. It also includes an introduction, character analysis, and a conclusion.

The Role Of Sylvester Brown In August Wilson's Ma' Rainey's Black Bottom: A Production Thesis In Acting, Eric Jerard Little

LSU Master's Theses

The role of Sylvester in Ma’Rainey’s Black Bottom by August Wilson was performed in the Fall of 2003, and selected as a thesis role in the Fall of 2004. This thesis is a written record of the actor’s interpretation of the character. The thesis includes Preproduction Work/Interview, Character Analysis, Four- Column Score, Production Run, and Personal Notes on the Role.

An Undergraduate Theatre History Course Design Utilizing Problem-Based Learning, Mary Alice Blackwell

Theses and Dissertations

This thesis was written to provide an alternative teaching model for an undergraduate theatre history class. The course design, utilizing the Problem-Based Learning educational model, aims to create a student-centered, experiential theatre history class. The first section explores the history and evolution of the theatre discipline in academia. These chapters examine the expansion and transformation of the theatre curriculum within the discipline and higher education. The second part examines the history and the methodologies of Problem-Based Learning. Based on the philosophy of educator John Dewey, PBL is considered to be a non-traditional method of teaching and learning that encourages the …

Recovering Ancient Ritual And The Theatre Of The Apache: A Journey Through The False Consciousness Of Western Theatre History, Marla Kathleen Dean

LSU Doctoral Dissertations

This dissertation examines past cultural influences that have shaped theatre historians' perception of ancient Greek and contemporary Native American performance. It suggests that through a recognition of these influences, which have long tempered the Western narrative of theatre, ancient and Indigenous performance can be reviewed as similar forms of a lived exchange. The study tracks the formation of certain beliefs and assumptions within performance history through Roman, early Christian and Renaissance cultural identities. It notes the misrepresentation of oral and popular theatre within theatrical scholarship through its reliance upon the written remains of the ruling classes and confronts the notion …

The Roles Of Melibea/Isabelle/Hippolyta In Tony Kushner's Adaptation Of The Illusion: A Production Thesis In Acting, Michelle Elain Mccoy

LSU Master's Theses

The roles of Melibea/Isabelle/Hippolyta in The Illusion, freely adapted by Tony Kushner, was selected as a thesis project in the fall semester of 2004. This thesis is a written record of the actor's work on the character throughout the rehearsal process and performance of the production. It contains four parts: an introduction, a character analysis, a four-column score and an appendix that includes production photos.

The Role Of Matamore In Tony Kushner's Adaptation Of The Illusion: A Production Thesis In Acting, Shawn Halliday

LSU Master's Theses

The role of Matamore in Tony Kushner’s adaptation of Pierre Corneille’s The Illusion was selected as a thesis project in the fall semester of 2004. This thesis is a written record of the actor’s work on the character throughout the rehearsal process and performance in the form of an Actor’s Score. It also includes an Introduction, Chapters on the Audition Process and First Reading, Character Analysis, a Production Photo and a Conclusion.

Public Sexuality: A Contemporary History Of Gay Images And Identity, Shaun Erwin Sewell

LSU Doctoral Dissertations

This study is an examination of the public imaging of gay men and lesbians during the latter part of the twentieth and early part of the twenty-first centuries. The study looks at public imaging as it is performed in the service of the political aims of gay people, with an eye towards the kinds of tensions and erasures that occur when one monolithic identity is promoted. Through these examinations, I create a kind of contemporary history of the gay political rights movement. In the study, I examine theoretical approaches to identity from several postmodern theorists and then use these approaches …

The Role Of Calisto/Clindor/Theogenes In Tony Kushner's Adaptation Of The Illusion By Pierre Corneille A Production Thesis In Acting, Preston E. Davis

LSU Master's Theses

The role of Calisto/Clindor/Theogenes in Tony Kushner's adaptation of The Illusion by Pierre Corneille was selected as a thesis project in the fall semester, 2004. This thesis is a written record of the actor's interpretation of the character. The thesis includes a Character Analysis, Four Column Score of the Role and Personal notes on the role.