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2009-2010 Season Brochure, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2009-2010 Ever-adventurous

No abstract provided.

Strange Duets: Impressarios And Actresses In The American Theatre, 1865-1914 (Review), Jocelyn Buckner

Theatre Faculty Articles and Research

"In Strange Duets: Impresarios and Actresses in the American Theatre, 1865-1914, Kim Marra invites readers into the tumultuous world of late-nineteenth and early-twentieth-century theatre through an examination of the on-and-off stage relationships between leading ladies and the men who claimed to have fashioned their success. The text is a pièce de résistance of intersectional historical scholarship, analyzing the ways race, class, gender, and sexuality both influenced and were influenced by the relationships forged between men and women of the theatre during the wax and wane of Victorian sentiment, the emergence of Darwinian theories on evolution, and the rise of …

A Midsummer Night's Dream, Dit Conservatory Of Music And Drama, Ba In Drama Graduating Production, Technological University Dublin

Concert Programmes

PLEASE NOTE THIS IS A HIGH RESOLUTION COLOUR FILE WHICH MAY BE SLOW TO DOWNLOAD.

The Lab Report, Volume 02, Issue 08, Todd Ristau

Lab Reports

• Roanoke Regional Writer’s Conference
• Devil Sedan by Kenley Smith opens in Omaha
• Mill Mountain Theatre Closing
• Dramatists Guild of America
• Area Highlight: Arts Council of the Blue Ridge
• From the Director: Letters of Reference

An Exploration Of Playmaking Strategies Resulting In Youth Performance Scripts For Elementary School Audiences, Dana Marie Vazquez

Theses Digitization Project

The author has written four Meet the Masters scripts for schools in the Rim of the World school district in Lake Arrowhead, California. The goal of the performances is to employ children's theater techniques in order to teach elementary school students about an artist's life and work as well as improving learning and retention toward meeting the California State Board of Education Visual and Performing Arts content standards. The project is an important contribution to the field of Theater Education/ Theatre for Youth because it presents a method for utilizing the existing resources in a school district-middle school and and …

A Historiography Of Informed Imagination: A (Hi)Story Drawn From The Correspondence Of Annie Russell And Faith Baldwin, Joseph Bromfield, Jennifer Jones Cavenaugh

Student-Faculty Collaborative Research Publications

Bromfield, Joseph, and Jennifer Jones Cavenaugh. 2009. A historiography of informed imagination: A (hi)story drawn from the correspondence of annie russell and faith baldwin. Theatre History Studies 29 : 52.

Red Detachment Of Women And The Enterprise Of Making ‘Model’ Music During The Chinese Cultural Revolution, Clare Sher Ling Eng

Faculty Scholarship

Artworks produced with official sanction during periods marked by turmoil and human suffering are challenging subjects for scholars who would like to discuss them in a fair and responsible manner. If they aestheticize the works’ form and political affiliation, how would they be doing justice to these works whose creation and content are so meshed with the politics of their time? On the other hand, can an approach that takes ideology into account be developed that does not appear to ignore, condone or support the odious acts of violence associated with those periods? This article explores the latter question with …

Waiting For Lefty Press Release, Katie Hughes

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Waiting for Lefty press release

January 2009

The Dehumanization Of Prisoners In Brendan Behan’S The Quare Fellow, Zachariah Milauskas

Undergraduate Review

Brendan Behan’s The Quare Fellow looks not only at how a prison population reacts to an execution, but also how people throughout history respond to inhumanity—whether it be injustice or dehumanization. Behan struggles with whether or not prisons are able to reform prisoners. In a darkly comic way, Behan questions the justice of prisons and executions, and yet the characters in the play do not seem to know how to fix the judicial system of 1940s Ireland. In this play, Behan is concerned with showing how the prison system is built and how it will never help anyone: prisons supposedly …

The Spanish Tragedy And The Supernatural: Exploring The Coexistence Of Patriotic And Subversive Interpretations In The Spanish Tragedy, Michelle Mercure

Undergraduate Review

The title of Thomas Kyd’s play, The Spanish Tragedy, is as ambiguous as the play’s content. According to critic Ian McAdam, the play’s ambiguity allows for two conflicting interpretations. He writes that the play is . . . in its very complexity, marked by gaps and discontinuities which, while not rendering it artistically incoherent, have led to striking discrepancies in critical readings; while some see Kyd patriotically asserting England’s political ascendancy over Spain’s ‘evil empire,’ others see the playwright taking a dangerously subversive stance toward (English) society itself.

"Can You Hear Me Now?": A Study On Oppression, Kathryn Marie Risinger

Theses Digitization Project

This paper defines oppression and explores one particular methodology for dealing with oppressive issues in our youth. More specifically, it examines the devising process for this type of theatre.

"Putting It Together": The Process Of Producing, Musically Directing And Starring In A Musical, Shane Maitland Churchill, Brown

Theses Digitization Project

The purpose of this project was to coalesce the demand roles of actor/singer, musical director, and producer onto one person. In preparing for this thesis, the author was granted the role as producer for the play titled "The Last Five Years", a one act-musical. This production was held at California State University San Bernardino in 2009.

Theater: A Mission, Angela Marie Sanicola

Theses Digitization Project

This project is designed with the specific goal of developing an intensely, realistic theater program for a target audience of young adults. The thesis will take the reader on a journey of development from page to stage with the transformation of John Bunyan's classic book Pilgrim's Progress.

Improvisation, Truth, And Archetyping: Establishing The Tools And Precepts Of Comedic Acting, Ann Marie Johnston-Brown

Theses Digitization Project

This research set out to prove that truth and archetyping are the primary precepts of comedic acting, and that improvisation is justifiably the most prevalent pedagogical tool for instilling these precepts in the comedic actor. To prove this theory, a comprehensive study of the history of the genre was conducted.

Peter Pan: A Journey Of Imagination, Daniel Mark Monroe

Theses Digitization Project

This project explored ways in which a group of artists can encourage an audience to actively engage their imagination while producing a classical play based on a classic story. This paper discusses the techniques and approaches used to achieve conceptual goals as a director. The directors first goal was to accurately portray the main character. Secondly, he set out to create a Neverland that would allow the entire audience to engage their imagination and capture the joy of their youth.

Is Prospero Just? Platonic Virtue In William Shakespeare’S The Tempest, Anthony Jannotta

Undergraduate Review

The Tempest is often regarded, and rightly so, as Shakespeare’s last great play. Many scholars argue that Prospero is an analogue for Shakespeare himself, noting the similarities between Prospero’s illusory magic and Shakespeare’s poetic genius. The themes of imagination, illusion, and, indeed, theatre itself play an integral role. The line that is perhaps most often cited as evidence for this argument is Prospero’s speech directly after he breaks up the wedding masque in which he refers to “the great globe itself” (IV.i.153). There is a danger, however, in appealing to the author’s biography or treating the biography as paramount, namely …

White People, Kathryn Leclair

Undergraduate Review

J.T. Rogers has carefully constructed his play, White People, to concentrate on the issue of communications between races, to talk to the audience, and to address them in order to make them understand their own shortcomings in approaching the topic of race. Both Alan and Martin, two of the three main characters in this play, have difficulty with the ways in which they communicate their feelings about race and their positions as white middle class men. They argue with themselves about how to communicate while externally showing the audience the struggle between what they both believe to be morally …

What A World – What A World: Scene/Script Analysis For Fight Plays, T. Fulton Burns

Theatre Faculty Research

“While perfection is a wonderful goal, there comes a point where you have to let your creation out into the world or it isn’t worth a tinkerer’s damn.” This is a fantastic quote by Twyla Tharp from her book The Creative Habit: Learn It and Use It For Life: A Practical Guide. So what does this have to do with you, the stage combatant? Well you are working hard but you are being told not to strive for perfection because perfection can never truly be achieved in the arts, so naturally itwarrants the question “then for what exactly do you …

Introduction, D. J. Hopkins, Shelley Orr, Kim Solga

Department of English Publications

No abstract provided.

Dress Suits To Hire And The Landscape Of Queer Urbanity, Kim Solga

Department of English Publications

No abstract provided.

Trying On—Being In—Becoming: Four Women’S Journey(S) In Feminist Poststructural Theory, Donna Kalmbach Phillips, Gennie Harris, Mindy Legard Larson, Karen Higgins

Faculty Publications

This is the narrative of four women in academia spanning a ten-year relational journey. As a performance collaborative autoethnography, it explores and presents theories of subjectivity and transitional space. Through journals, emails, and dialogue we are trying on, being in, and becoming feminist poststructural thinkers/inquirers/teacher educators. In our work, we explore: How has theory changed our subjectivity, lived experiences and relationships, and moved us from comfortable spaces of knowing to uncomfortable places of becoming? In a series of poetry and performance narratives, we chart our own linked journey(s) in pursuing these questions. As autoethnographers, we grapple with meanings …

Good Death: A Community Conversation, Jasmine Lake

Honors Theses

No abstract available. Playbill.

Direction Of The Play: Bocon, Christina Burbank

Graduate Student Projects

This project entailed the selection, background research and documentation, casting, direction, vocal coaching, and post-production analysis of Hidalgo High School's production of ¡Bocon!. Documentation includes research and analysis of the play, its cultural significance, and an evaluation of the play as a production vehicle for the Department of Theatre Arts at Hidalgo Early College High School.

Bloudy Tygrisses: Murderous Women In Early Modern English Drama And Popular Literature, Alexandra Hill

Electronic Theses and Dissertations

This thesis examines artistic and literary images of murderous women in popular print published in sixteenth and seventeenth-century England. The construction of murderous women in criminal narratives, published between 1558 and 1625 in pamphlet, ballad, and play form, is examined in the context of contemporary historical records and cultural discourse. Chapter One features a literature review of the topic in recent scholarship. Chapter Two, comprised of two subsections, discusses representations of early modern women in contemporary literature and criminal archives. The subsections in Chapter Two examine early modern treatises, sermons, and essays concerning the nature of women, the roles and …

A Depiction Of A Comic Mythological Burlesque?, Kenneth S. Rothwell Jr.

Classics & Religious Studies Faculty Publication Series

A late eighteenth-century engraving is the only surviving record of a vase painting that shows a very odd scene, possibly reflecting a fifth- or fourth-century B.C. comedy.

Puentes Teatrales, Montajes "De Ida Y Vuelta": Argentinos A La Conquista De La Escena Barcelonesa, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Throughout the present decade, a succession of playwrights, directors and theatre artists from Argentina have gone about leaving their imprint upon the Barcelona theatrical landscape (and by extension, that of Catalunya), an artistically fertile ground that, since the 1980s (and since the period of the democratic transition), has exhibited an undeniable yearning to breathe fresh air, to imbue itself with new aesthetic paradigms and become an essential point of reference within the world of European drama. Today Barcelona finds itself immersed in the most dynamic and extraordinary period in its modern theatre history, with an abundant outpouring of new drama …

El Teatro De La Época Democrática, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

La trayectoria del teatro contemporáneo en España es una historia de supervivencia. Entre las múltiples capas y campos que componen el paisaje teatral de la época democrática, la palabra «crisis» quizá sea la que se repite con más frecuencia, como si fuera una especie de mantra que persiste en la punta de la lengua, lista para ser pronunciada con tanta facilidad e incluso con tanto entusiasmo por tantos profesionales de las artes escénicas que habría que preguntarse si podría ser un milagro que la revolución tecnológica contemporánea -junto con los dilemas perpetuos que han surgido en torno a las subvenciones …

Introduction (Special Cluster On The Catalan Stage, Modern And Contemporary), Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

At an international symposium devoted to the contemporary Catalan stage, which was held at the Institut del Teatre de la Diputació de Barcelona in 2005, director Toni Casares observed how the Catalan theater scene in its post-Franco evolution had, already endured a decade aimed at clarifying its cultural politics. "És l'epoca del teatre institucionalitzat o en vies d'institucionalització," he declared, referring to the decade comprising the years 1985 to 1995. It seemed an almost ironic observation at the time, as any attempt at institutionalization was certainly not a new endeavor for the Catalan theater scene; yet, Casares was also quick …

Teatre (Panorama Crític De La Literatura Catalana)), Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

L'activitat teatral entre 1959 i 1991 està marcada pels intents de creació d'un teatre nacional a partir dels grups independents i, després del 1975, amb el suport institucional. Moltes de les iniciatives del teatre independent, allunyades del teatre espanyol comercial, professional i/o «oficial» del moment, tingueren l'origen en l'Agrupació Dramàtica de Barcelona (establerta el 1955 per Ferran Soldevila, amb un divers grup d'artistes), el Teatre Viu (creat el 1956 per Ricard Salvat, Miquel Porter i Elena Estellés) i l'Escola d'Art Dramàtic Adrià Gual, que havien fundat Salvat i Maria Aurèlia Capmany el 1960. En aquests nuclis es formaren Josep Anton …

The Machine's Effect On The Psyche Of The American Woman: A Dramaturgical Analysis Of Machinal By Sophie Treadwell, Kori Jackson

Theses and Dissertations

Sophie Treadwell's style is often associated with the male contemporaries of her time: Eugene O'Neill and Elmer Rice. During the 1920s, these writers were being influenced by German Expressionistic theatre in a way that the American stage had not yet witnessed. Expressionistic drama is characterized by Jackson 15 of 26 heightened text that is often expansive, clipped, or musical. This type of dialogue connected the audience with a rhythm particular to the play. Expressionist drama is also characterized by the environment often being boiled down to its essence. This often involved bare-boned sets and dynamic levels. Sophie Treadwell' s style …