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2009 Illinois Shakespeare Festival Program, School Of Theatre And Dance

Illinois Shakespeare Festival

32nd Season. The Theatre at Ewing. A Midsummer Night's Dream by William Shakespeare. Scapin by Bill Irwin and Mark O'Donnell, adapted from Jean Baptiste Moliere. Richard III by William Shakespeare.

Play Director Gets Help From Fellow Alums, Sarah (Zeller) Julian ’07

News and Events (Discontinued Series)

No abstract provided.

Don't Talk To The Actors, Otterbein University Theatre And Dance Department

2009 Summer Theatre

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The best laid plans go awry when the cast and crew of a Broadway-bound play resort to manipulation, diva-like behavior, and chaotic abandon to get what they want. Fledgling playwright Jerry Przpezniak and his fiancee are a couple of Buffalo greenhorns suddenly swept up in the whirlwind of New York's theater scene when Jerry's play is optioned for the big money, ego-driven world of Broadway. It's a young playwright's dream, but the crazy characters and dilemmas they encounter are the things theatrical nightmares are made of.

https://www.playscripts.com/play/1869

New Play Dramaturgy: Finding Sunsets In Nantucket, Ian Tweedie

Theses and Dissertations

This is an outline of the journey of James Campese’s La Vita Nuova. It began as a raw script entitled Sunsets in Nantucket, which I originally encountered during the spring of 2006. After edits, research and meetings it became a successful work which was presented as a staged reading on March 1st, 2009. This thesis describes how I worked with James to transform the script into its final product, managing both the delicacy of the script and the writer. Included is research on New Play Dramaturgy that helped me find the most effective way to work with the script, then …

Puppets, Pioneers, And Sport: The Onstage And Offstage Performance Of Khmer Identity, Marel Angela Stock

Theses and Dissertations

Most tourists visiting Cambodia only seek to visit the World Heritage Site of Angkor Wat. The Cambodian, or Khmer people are capitalizing on this booming tourist industry, but they are also disseminating a more complex Khmer identity through other sites and festivals. This identity simultaneously hearkens back to the affluence of the Angkor Period in Khmer history and looks forward to the modernization of the country. After the reign of the Khmer Rouge, from 1975-1979, which led to what is now called the Cambodian Killing Fields, the Khmer people needed to create a new, hopeful, peaceful identity for their nation. …

June 2009 - Volume Viii, Number 2, Theatre Arts Department

Sides (Newsletter)

SIDES Volume VIII Number 2 includes pictures of the first year of operation of the Doudna Fine Arts Center.

Soleil, Sexe Et Vidéo: La Comédie Populaire Aux Antilles, Françoise Naudillon

Présence Francophone: Revue internationale de langue et de littérature

The comedy of manners presented in the form of play or in the form of sketches or playlet by the medium of videos and DVDs is a phenomenon that develops in Guadeloupe, Martinique and Guyana, but also in France. These productions are the link between communities in the Creole area (Guadeloupe, Martinique and Guyana) and the outside (metropolitan France and diaspora). They will be analyzed for their popular and scholarly features between erudite comedy and farce, between traditional and postcréolitaire cultural affirmation, between Creole and French, between Italian theatre and yardplay, between creole comedy and vaudeville, between negropolitan diaspora and …

The Cutting Edge, May/June 2009, Vol. 20 Issue 3, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

The Lab Report, Volume 03, Issue 01, Todd Ristau

Lab Reports

• Lunch Box Reading Series Provides Experiential Learning Opportunities
• Student Spotlight: Brandon DuMonde
• Guest Profile: Erin Courtney
• Rosalee Was Here by Maura Campbell at Studio Roanoke
• Guest Profile: Cheryl Snodgrass
• From the Director: Our Biggest Summer Yet

Direction Of The Musical: Working, Kimberly A. Peaker-Lozano

Master of Theater Production Graduate Projects

This project entailed the selection, background research and documentation, musical analysis, casting, direction, vocal coaching, and post-production analysis of Centennial High School's production of Working. Documentation includes research and analysis of the play, its music, and an evaluation of the musical as a production vehicle for the department of theatre arts at Centennial High School. The analysis also includes a discussion as to the non-traditional directorial vision of this production.

Direction Of The Musical: You're A Good Man Charlie Brown, Megan Ann Ahern

Master of Theater Production Graduate Projects

This project entailed the selection, background research and documentation, musical analysis, casting, direction, vocal coaching, and post-production analysis of K.O. Knudson Middle School's production of Megan Ann Ahern's You're A Good Man Charlie Brown. Documentation includes research and analysis of the play, its music, and an evaluation of the musical as a production vehicle for the department of Theatre Arts at Central Washington University. The analysis also includes a discussion as to the non-traditional directorial vision of this production.

A Contemporary Poetic Play, Stephen Levine

Bridgewater Review

No abstract provided.

Nine, Otterbein University Theatre And Dance Department

2008-2009 Season

Guido Contini, famous Italian film director, has turned forty and faces double crises: he has to shoot a film for which he can't write the script, and his wife of twenty years, the film star Luisa del Forno, may be about to leave him if he can't pay more attention to the marriage. As it turns out, it is the same crisis. https://en.wikipedia.org/wiki/Nine_(musical)

Theatre Students To Perform One-Act Plays, Jessica Block ‘09

News and Events (Discontinued Series)

No abstract provided.

Mary's Wedding, Amelia Gay Hammond

Honors Theses

As the market for actor training programs becomes more competitive, university theatre departments are attempting to generate the most production opportunities possible to attract the highest quality students. Crucial to this agenda‟s success is remaining cost effective while finding new conduits of artistic growth and production experience to enrich the students‟ development. Coastal Carolina University‟s Department of Theatre forged an answer to this departmental balancing act. With almost all budget and faculty resources pledged to the full mainstage season, smaller, student produced work had begun to supplement the production offerings. These projects can provide a much-needed venue for actively engaging …

Rules Of Misrule, Meghan Forgione

Honors Scholar Theses

The project seeks to offer an alternative interpretation of sport culture in Renaissance England with respect to theater and football. I seek to show how sport culture, although seemingly threatening to the state, actually reinforces the monarchy due to its ability to provide the people with a controlled social release. The prose explores the function of carnival in sport culture and the way in which the two are manifested in football and theater in the Renaissance.

Comparative Study Of The Ritual Aspects Of Western And Asian Performance, Hyung Don Lee

Theses and Dissertations

This comparative study focuses on ritual aspects of Western and Asian performance. We may say that ritual in contemporary theater production has limitation to become realization. The limitation arises from contemporary period’s nature. We know that these days we do not have common or collective psyche. However, some theatre artists are trying to get back ritual function and process to recover real communion between spectator and performer throughout performance.

A Comparative Analysis Of Directing & Choreographing Musical Productions For Professional, Academic And Community Theatres, Alison Angelone

Theses and Dissertations

In my thesis, I plan to explore the realms of academic, professional and community theatre through the eyes of a director and choreographer. Highlighted themes will consist of the varying approaches to the script, music and choreography. This thesis will also include specific teaching and or non-existent teaching methods for professional, academic and community theatre. Included will be three definitive case studies which will consist of one musical production per academic, community and professional theatrical setting. I will focus on the director/choreographer’s overall approach to the research, rehearsal and final performance processes for the Pioneer Theatre Company’s production of My …

Musical Theatre Handbook For The Actor, Maggie Marlin

Theses and Dissertations

MUSICAL THEATRE HANDBOOK FOR THE ACTOR By Maggie Elizabeth Marlin, MFA A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Virginia Commonwealth University, 2009 Major Director: David S. Leong Chairman, Department of Theatre Musical Theatre is a performance style deeply woven into the fabric of the American theatre. We live in time and social climate where over half of the productions open on Broadway right now are musicals. If actor training institutions profess a mission to prepare their students for a career in the entertainment industry, why are …

I Can’T – I Have Rehearsal: Rehearsal Guidelines And Techniques With Fight Scene Work, T. Fulton Burns

Theatre Faculty Research

The rehearsal process often contains excitement, uncertainty, and, at times, stress for all involved. It is at this stage of the process where the culmination of skills acquired (research, character study, and embodying choreography) all come together. The following guidelines and techniques are aimed toward helping the actor address and conquer both acting and fight needs during the rehearsal process

The Games People Play: Rehearsal Games & Approaches For Fight Scenes, T. Fulton Burns

Theatre Faculty Research

There are as many approaches to the rehearsal period as there are directors, actors and acting texts combined. Rehearsals are the time that we all look forward to because we truly get to do what we do best in theatre, which is “play.” The games and approaches in this article are intended to spice up the life of your stage combat scene and enhance the time spent in rehearsal; following the initial time period of learning choreography and discovering initial acting choices. Many people see the rehearsal process as the time to work. I couldn’t agree more but, as stated …

Beating The Punches: Scene And Fight Break Down Techniques, T. Fulton Burns

Theatre Faculty Research

As a fight choreographer it is my responsibility to sit down with the director and discover her/his vision for the production. Similarly, actors need to serve the script and work with the choreographer in connecting the action to the playwright’s words. Each preceding article, relating to the exploration of the skills proficiency tests (SPTs), has offered tools for connecting the scripts, stories, and characters with the language of the choreography. We are now ready to move deeper into directly linking fight choreography with the script and vice versa.

Some actors see pre-planning objectives for a scene and rehearsal as an …

The Lab Report, Volume 02, Issue 12, Todd Ristau

Lab Reports

• Confirmed Guests for Summer 2009
• Student Spotlight: Ben R. Williams
• Ant Farm by Ben R. Williams
• Neeley Gossett Interns at the Alliance Theatre
• Adam Hahn Commissioned by Kaiser Permanente
• From the Director: How we select our guests and visiting faculty

Scenic Design For Syracuse University Drama Department's The Way Of The World, Rachel A. Slotnick

Renée Crown University Honors Thesis Projects - All

Abstract not Included

Adapting The End: Responding To Standards Of Learning In Theatre For Children, Jamie Lish

Theses and Dissertations

Theatre is the passport to the creation of a balanced educational system in the United States (US), while standardized testing is the downfall of the ideology behind ‘No Child Left Behind’ (NCLB). As an educator, I was greatly influenced by Howard Gardner, theorist of Multiple Intelligences and Neil Fleming theorist of learning modalities. This work has carried over into my work in theatre as a director. Theatre does not have to didactically serve formal education, which emphasizes mathematics and reading/writing, nor does it have to be merely a spectacle. Theatre can be experimental, artistic, cathartic, foster social and intrapersonal skills …

Jane, The Quene, Kathleen Wrinn

Renée Crown University Honors Thesis Projects - All

I wrote and performed a one-woman show entitled Jane, the Quene, about the life, reign, and death of Lady Jane Grey, the 9-day Queen of England in 1553. With the help of my advisor, Lauren Unbekant, I created my piece in a physical storytelling style in which I played all of the characters, adopting different voices, physicalities, and slight costume modifications to distinguish between them. I collaborated with film, costume, set, lighting, and sound designers to create my final product, and the whole project took about a year to complete. I had begun my research in London the previous …

Crossing Borders In Leonard Bernstein’S Mass, Theresa Hubbard

Renée Crown University Honors Thesis Projects - All

On September 8, 1971, Mass by Leonard Bernstein premiered at the inauguration performance at the John F. Kennedy Center for the Arts in Washington, D.C. Subtitled “A Theatre Piece for Singers, Players, and Dancers,” Mass possess examples of several different types of music, making the piece very eclectic in nature. It is a huge work which requires close to 200 performers who are well-versed in several musical genres.

Bernstein composed Mass using the form of the Roman Catholic Mass celebration, as many composers have done in the past. Bernstein was a bit more daring, however, and instead of composing music …

Bj: A Musical Romp, Eric Jarboe

Renée Crown University Honors Thesis Projects - All

Through a series of rather unpredictable events, I was asked to write a piano and vocal score for an original musical. After over two years of working on the project, I am very pleased with the size and scope of the finished product, but more importantly, I feel that I actually understand the job of a musical composer. It was my misconception that a composer only writes melodies that are catchy and sound fun to sing. After researching the process of other musical composers, it became evident that my task was to simply tell a story, but through a different …

Corsets: The Foundation Of Fashion, Leigh-Ayna Josele Passamano

Honors College Theses

No abstract provided.

Ralph Vaughan William's The Pilgrim's Progress: Problems And Solutions For Future Performances, Richard Brandon Brunson

UNLV Theses, Dissertations, Professional Papers, and Capstones

The 1951 premier of The Pilgrim's Progress by Ralph Vaughan Williams was not a success. Two years later, Vaughan Williams told Michael Kennedy that "the Pilgrim is dead."1 A handful of attempts have been made to revive the work in the last few years, and a second recording of the opera by Richard Hickox has revived some interest.

Despite this progress, three big problematic areas (outlined by contemporary critics and Vaughan Williams) continue to stand in the way of staging this work. These three areas are the Apollyon scene, the homogeneity of the tempi, and the lack of dramatic elements …