Arts and Humanities Commons^™

Maleta De Sueños: Cargando Los Retos De Un Artista Internacional En Nueva York, Max Martinez Villalobos

Capstones

"Suitcase of Dreams: Next Stop New York!" was a cabaret concert that was performed at the Green Room 42 in New York City on December 6, the day after the U.S. elections. This piece explores what's it like to be an international performer in New York, and the requirements some of these artists need to satisfy in order to keep performing.

https://medium.com/@mrmaxmv/maleta-de-sue%C3%B1os-cargando-los-retos-de-un-artista-internacional-en-nueva-york-e242ef54876b

Ayazamana Keeps Ecuadorian Tradition Alive Amidst Rising Anti-Immigrant Sentiment, Evelin Fajardo-Alvarez

Capstones

My capstone project was an audio feature I produced to air on AudioFiles. My focus was on an Ecuadorian dance team called, Ayazamana, made up of Ecuadorian-American and immigrant dancers. With Trump’s incoming presidency there is a rising anti-immigrant sentiment and Ayazamana seeks to continue proudly sharing their culture and creating a safe space within the city that houses thousands of immigrants.

Here is the link to my website http://evelinfajardo-alvarezportfolio.tilda.ws/

Ballroom: An Exploration Of Queer Survival And Self-Sufficiency, Jet Mezini

Rushton Journal of Undergraduate Humanities Research

The AIDs epidemic and its disinformation alienated queer people from U.S culture. As a result, queer people, especially queer people of color, began meeting together to express their self-made culture, a series of competitions among themselves, the underground scene of “ballroom.” Ballroom reveled in self-awareness and bordered on satire, being inspired by Western standards that were unable to be applied to a queer populous. This essay will analyze these cultural norms, understanding how they served as methods of reclamation for queer people, and how ballroom evolved to reflect social progression.

Teaching Ettingerian Matrixial Theory, R. Michael Fisher

Artizein: Arts and Teaching Journal

Utilizing an adapted scoping review of the literature on Bracha L. Ettinger and Education (2008-2024), the author reveals the specific ways that Ettingerian Matrixial Theory (EMT) and its pedagogies are taught and can be taught in the future. EMT is argued to be a new branch of Critical Theory. The current literature shows there is mostly engagement with EMT in academic settings. As well, the literature reviewed shows EMT is used readily in arts and with artists as teachers and teachings for adults. However, the author unveils diverse other possibilities of teaching EMT. A few major themes from the literature …

Gestating And Co-Becoming With Ettingerian Maxtrixial Pedagogy, Barbara Bickel

Artizein: Arts and Teaching Journal

This article seeks to infuse and enrich the spheres of Arts and Education through a nascent introduction of Ettingerian Matrixial Pedagogy. To articulate this, I weave together the practices of Gestare Art Collective, which we describe as “matrixial infused education,” the “placental thinking” of Nané Jordan with my own thinking, art making and teaching. This article unfolds through interlacing theory and reflections on teachings found within art practices of Ma Poses, Womb Walking, Nap-Ins, and Spontaneous Creation-Making, along with examples of pedagogical artworkings: Metramorphosis and Muted Colours of Grief. The article closes with a poetic métissage inquiry that became—a Matrixial …

A Matrixial Museum: Education In Almost-Impossible Spaces, Valerie Oved Giovanini

Artizein: Arts and Teaching Journal

This paper is meant to scaffold an imaginary space for what is currently an almost impossible museum. It would reside on a border between Gaza and Israel. Artists and participants would be able to enter from both sides of the border into a circular and cavernous space to make, share and experience art together. In artwork that values its relational capacity to affect another, the move from aesthetics to ethics recalls our mutual place of origin understood in Bracha L. Ettinger’s Matrixial Theory (EMT) as “the matrixial womb.” Griselda Pollock’s Virtual Feminist Museum, Gur-Ze’ev’s counter-education, feminist pedagogy, and Art-care activism …

She-Hero: A Memoir Of The Divine Feminine Within A Creation-Centred Paradigm, Darlene St.Georges

Artizein: Arts and Teaching Journal

She-Hero: A Memoir of the Divine Feminine within a Creation-Centred Paradigm explores Ettinger’s matrixial borderspaces through an inter-woven theoretical | artistic | poetic métissage. An example of creation-centred research, this memoir is likened to Ettinger’s concept of metramorphosis—an active restoration of matrixial knowledge(s) and knowing. Embodying a creation-centred curriculum and pedagogy, She-Hero privileges non-dominant epistemologies to attend to the disruption of historical patterns of the hero—inviting readers to submerge and emerge in co-poesis within an intimate and aesthetic kaleidoscopic space of feminine affect and agency.

Traces Of Communal Touch: Matrixial Encounters With Pre-Service Art Educators Across Two States, Kate L. Wurtzel, Laura L. Mccartney

Artizein: Arts and Teaching Journal

The matrixial sphere, as put forth by artist and psychoanalyst Bracha L. Ettinger, is a shared and transsubjective space that is beneath the conscious, under the touchable and perceptible; it is a space where we encounter ourselves and one another in shared trauma, healing, art making, and the lived experience overall. This co-authored essay explores how a shared matrixial space and the matrixial gaze, which is not always visual, have been experienced through the square boxes of ZOOM as part of a collaborative, long-distance art exchange project. The project, focused on Spontaneous Creation-Making (SCM) sessions, as outlined in Barbara Bickel …

The Launch: A Senior Cabaret, Otterbein Theatre And Dance Department

2024-2025 Season Productions

No abstract provided.

Kingdom Street : An Adventure In Applied Theatre, Community Engagment, And Life, Julien Allen

Undergraduate Theses

This thesis consists of an applied theatre project that was performed by international youth in Louisville, Kentucky. Applied theatre has been found to be a creative strategy for working with underprivileged groups and has been shown to possess many benefits including giving a voice to marginalized communities, highlighting the positive qualities as well as issues faced by vulnerable groups, empowering youth, creating a sense of community, increasing the self-confidence of individuals and changing their view of self-worth. This project which benefited the international children in the Louisville area capitalized on the methodologies of both applied and traditional theatre practices. The …

Tactical Staging: Evolving Methods Of Feminist Activism In Susan Glaspell’S Work, Allison Mcpeak

English: Student Scholarship & Creative Works

In the marketplace of ideas, the Theatre Arts employ narrative stories and eye-catching visual art pieces draw listeners and viewers in a way that is unmatched by other methods. Art not only reflects the society from which it was created, it also acts as a projection of the creator’s ideal world. Theatre, being both a sonic and visual medium also has the unique advantage of speaking directly to a captive audience that are physically in the same room as the characters onstage, making those connections significantly more personal. A caveat, however, is that modern theatre tends to reflect the values …

Little Shop Of Patriarchy : Analyzing Constructed Vs. Essential Gender Roles, Taylor Gadsden-Deterville

Student Scholar Symposium Abstracts and Posters

Frank Oz’s Little Shop of Horrors (1986) is more than a silly kooky musical. The comedic plot dramatically dances with themes of domestic violence, poverty, and sexism. For this project, my poster will explore the expectations and representations of femininity and masculinity set up at the film's beginning versus the end. The film’s context will connect to research involving gender essentialism (innate, biological sex) and gender constructionism (socially constructed gender roles). I will analyze the roles of Seymour, Audrey, and Orin to exhibit how they discover their constructed and essential gender identities. The film represents Audrey as a ditsy hyper-feminine …

Is Dance A Universal Language? - Global Contemporary Dance, Mandy Fang

Student Scholar Symposium Abstracts and Posters

From its origins, a core value of contemporary dance is rebellion. The definition of contemporary dance has evolved throughout the decades as dancers continue to discover innovative movements that almost contradict their predecessors, inspiring its ever-evolving aesthetic. Unlike other technical styles like ballet, there is no strict codified “right” or “wrong,” nor is there a set vocabulary, meaning contemporary dance can look like a lot of things. A common conception when it comes to dance in general is how it transcends nationalities as a universal language of sorts. However, given the individualistic nature of contemporary dance and global varieties of …

Dancetag: Using Sensors To Improve Feedback Given To Dance Students, Yanelly Mego, Franceli L. Cibrian

Student Scholar Symposium Abstracts and Posters

The structure of dance classrooms has remained largely unchanged for years, with minimal integration of technology to enhance teaching. This has motivated our research project, which aims to capture dance movements using wearable sensors and translate the information into meaningful visualizations to help dancers improve their skills. As the first step in addressing the research question—can data from commercial wearables differentiate between the movements of dancers and non-dancers?—we developed DANCETAG (Data Analytics and Notation with Captured Event Tagging), a platform designed for data collection and movement annotation. We utilized Sony’s Mocopi sensors, a motion capture system with six sensors attached …

Sustainability In A Theatre Career: The Power Of Passion And Partnership, Jane Broderson

Student Scholar Symposium Abstracts and Posters

Artistic burnout has been a long-accepted reality for theatre professionals and is consequently a common fear for many young artists looking to enter the entertainment industry. Traditionally and infamously, theatre jobs are associated with long hours, significant emotional investment, financial insecurity, criticism, and rejection, which can diminish one’s love for their craft. While this may ring true as an unfortunate reality of professional theatre, artists such as myself continue to strive toward the successful and rewarding paths that a select few have managed to achieve, raising the question: how do people sustain a career and vocation in theatre? My aim …

Head To Toe: What Do We Think About Heels Dance?, Peyton Winsett

Student Scholar Symposium Abstracts and Posters

Through both observation as a dance consumer and personal experience as a dance student, heels dance has noticeably risen in prominence within the commercial dance industry in recent years. This style has primarily been showcased through professional dance classes and in commercial and concept video projects. This study seeks to understand the reasons behind this sudden growth in appeal, the potential social implications of this increasing popularity, and the varying perspectives on this style across generations. It synthesizes past research and analyzes a survey conducted with current students in Chapman University's dance department. This presentation will investigate the motivations driving …

Irving Berlin's White Christmas, Parkland College

Parkland Theatre

Based upon the Paramount Pictures Film

Written for the screen by Norman Krasna,
Norman Panama and Melvin Frank

Music and lyrics by Irving Berlin

Book by Dave Ives and Paul Blake

Original stage production directed by Walter Bobbie
Orchestrations: Larry Blank
Vocal and Dance Arrangements: Bruce Pomahac

Director: Chelsea Collier
Music Director: Cheryl Forest Morganson
Choreographer: Krishna Thomas
Stage Manager: AJ Cornell
Scenic Designer: Molly Ilten
Lighting Designer: Rob Perry
Costume Designer: Sheri Doyle
Sound Designer/Audio Engineer: Logan Dirr
Properties: Cindy Adamek
Wigs and Makeup Design: Michael Steen

December 5, 6, 7, 12, 13, 14 at 7:30pm
December 8, 15 …

Was It Good? A Look At The Golden-Ticket Question Of Societal Preferences In Theatre, Carina Leland

Student Scholar Symposium Abstracts and Posters

What makes theatre “good?” There are some common answers that critics and the public agree upon, but the guidelines of good theatre have changed greatly throughout history. Many playwrights and critics have created philosophies that attempted to define popular theatre in their time or according to their personal views. Today’s opinion on “good” has its own set of characteristics that the majority of society enjoys, which is unique from any historical manifesto. Furthermore, our modern consensus doesn’t take into account the wildly different nature of individual preferences; while I enjoy light-hearted coming-of-age stories, others find deeper satisfaction from a thought-provoking …

Our Town, Lynn University

Drama Programs

Winner of the 1938 Pulitzer Prize for Drama. Described by Edward Albee as "the greatest American play ever written," Our Town presents the small town of Grover's Corners in three acts: "Daily Life," "Love and Marriage," and "Death and Eternity." Narrated by a stage manager and performed with minimal props and sets, the play depicts the simple daily lives of the Webb and Gibbs families as their children fall in love, marry, and eventually—in one of the most famous scenes in American theatre—die.

Directed by Alan Saban

By Thornton Wilder

Predictors Of Mystical Experiences In The Electronic Dance Music Scene, Cody Edward Lesniak

All-Inclusive List of Electronic Theses and Dissertations

The present study examined the nature and frequency of reported mystical experiences within the Electronic Dance Music (EDM) scene and the roles psychedelic and psychedelic-like substances, set, and setting play in facilitating these experiences. Participants were recruited using posts on a variety of EDM-related Facebook groups (EDM, EDM Universal, EDM Festivals and Raves, etc.) and Reddit threads (bonaroo, electricdaisycarnival, RavesAndRavers, etc.). Participants completed a self-report survey consisting of questions pertaining to their involvement in the EDM scene, motives for attendance at EDM events, motives for drug use, importance of the values of peace, love, unity, and respect (PLUR), the proportion …

Body As Instrument: Crafting A Spatial Representational Language For The Dancer's Body, Avery Boland

Architecture Undergraduate Honors Theses

This project explored the intersection of dance and architecture using choreography, photography, and architectural principles through the development and application of a graphic notation system. Focused on the works of modern dance pioneer Martha Graham and photographer Barbara Morgan, the study tested the representation of the body in space through the use of Graham's choreography as captured by Morgan.

The results of the study demonstrated the effectiveness of the representational language in capturing the spatial dynamics of the human body in Martha Graham's choreography through the notation of “frame” and “plane”. Through a comparative analysis of the selected dances, the …

Exploring The Impact Of Using Mirrors Versus Not Using Mirrors In An Intermediate High School Dance Class, Melanie Monnich

Master's Theses

The purpose of the study was to understand the use of mirrors vs. not using mirrors in the high school classroom. This thesis also expanded on research done in the last twenty years regarding students' relationship to the mirror and how educators could better use or not use the mirror in the classroom. The researcher asked five essential questions that guided this thesis:

Q1 How does using mirrors vs. not using mirrors affect a student's body image in a high school dance class?

Q2 Is it necessary to always use mirrors in the classroom as a learning tool for students? …

Fostering Creative Bravery: Exploring Innovation Among Future Female Pioneers In Dance Through Historical Composition Studies, Marlo Daron Harris

Master's Theses

The purpose of this study was to evaluate if learning from the innovative methods of past female choreographers could enhance the creative abilities of today’s young high school female dancers and dance-makers. This thesis aimed to teach young dancers about past dance pioneers and build confidence in young women when creating dances. Women have paved the way for dance choreography and innovative techniques throughout dance history. However, today’s generation of young choreographers rely on imitating movements they witness at dance competitions and on social media such as Instagram, YouTube, and TikTok instead of becoming originators.

This thesis aimed to answer …

Building Foundations For Success: A Study On Aligning Expectations And Realities In College Dance Programs, Ashley Walker Anderson

Master's Theses

The purpose of this research study was to take the information gathered from surveys and interviews with the participants and analyze the impact of the gaps between their expectations and realities, and the gap between the overall effectiveness and success of college dance programs in preparing students for their post-graduation goals. The goal of the researcher was to answer the following questions.

Q1 What factors determine where dancers attend college?

Q2 Are high schoolers making their college wish list based on prestige, faculty, performance opportunities, tuition cost, course requirements, career goals, or perhaps a combination of multiple factors?

Q3 Are …

Crafting Affective Engagement: The Impact Of Choreography And Design Choices On Audience's Emotional Experience In Dance Performances, Amy Morton

Master's Theses

This thesis explored how the engagement level of dance spectators influenced the lasting impressions they retain from a performance and whether these impressions can expand and sustain audience interest in dance. The purpose of the study was to identify the most engaging elements of an aerial dance concert. The study emphasized the significance of creating choreography that evokes emotional responses to advocate for dance education, community engagement, and the preservation of the art form. By examining a site-specific aerial dance concert, this research identified the elements that captivated audiences, particularly the contrast between aerial and ground-based performances.

The research addressed …

Selected Projects In Scenic And Props Design, Melanie E. Valera Garcia

All Graduate Reports and Creative Projects, Fall 2023 to Present

This plan B paper is a compilation of four projects in which I had the opportunity to participate during my years in the master's program, four scenic projects and one on properties. The paper is divided into four chapters: Pinocchio Teatrale, The Boy at the Edge of Everything, Driving Miss Daisy and Ms. Holmes and Ms. Watson Apt 2B. Each chapter has an introduction, a synopsis of the play, a descriptive design process, the execution of its design and a final evaluation.

Social Justice In Dance: The Exploration Of Dance As A Tool For Promoting, Recognizing And Influencing Change, Michelle O'Konis Linnehan

Master's Theses

The purpose of this study was to prove that dance could be used as a platform for representation and to foster change within the community and beyond. This purpose aligned with the goal, which was to measure the impact of a structured choreographic curriculum on student engagement with social justice topics. The goal of this study was to answer the following research questions:

Q1 Can dance be a tool in promoting social justice?

Q2 How will students in the classroom respond to an integrated social justice theme through dance and production components?

Q3 How will these topics be interpreted to …

The Show Must Go On: Leading Factors In The Burnout Of Stage Managers, Morgen E. Doyle

Honors College Theses

Stage managers are the key to making theatre move onstage and in the audience. To keep the show, we need to take care of our stage managers. Many have voiced concerns about burnout from their time in the stage management industry (McGraw 2024, 12). Burnout can be defined as “a syndrome conceptualized as resulting from chronic workplace stress that has not been successfully managed” and characterized by three main dimensions: “energy depletion and exhaustion; feelings of cynicism and increased mental distance related to the individual’s job; and reduced professional efficiency in the individual’s workplace” (World Health Organization 2019). In this …

Exploring The Therapeutic Benefits Of Dance In The Academic Schedule: The Effects On Stress Among High School Students, Amanda Polanowski

Master's Theses

The purpose of this study was to gain insight into the minds of dance students about the stress they experienced as a result of their academic schedules and extracurriculars. The following research questions informed this study:

Q1 Does incorporating dance into the academic schedule lower stress in high school students?

Q2 In what mental state are students before and after taking dance class?

Q3 Does dance provide mental health benefits for high school students?

Student stress was evaluated before the study using a questionnaire as well as before and after each dance class through surveys. Eighteen students participated in a …

Exploring Audience Perceptions Of Elementary School Dance Curriculum: Utilizing Informance To Investigate Beliefs Regarding The Presentation Of Student Learning In Dance, Michaela Summers

Master's Theses

The goal of this thesis was to gain insight into the perceptions and expectations of audiences in relation to elementary school dance education curriculum and its representation through showcases or displays, particularly within the context of viewing an informance. The researcher developed three research questions to guide the study:

Q1 What are audience perceptions of elementary school dance education pedagogy and curriculum?

Q2 What methods do audiences expect to be implemented in an elementary school dance performance?

Q3 Can utilizing informances affect audience perceptions of elementary school dance education, thus changing their expectations for dance performance methods?

Thirty-eight audience members …