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Theatre and Performance Studies

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Full-Text Articles in Arts and Humanities

Circle Mirror Transformation, Otterbein University Theatre And Dance Department Jun 2012

Circle Mirror Transformation, Otterbein University Theatre And Dance Department

2012 Summer Theatre

A sharply funny new play by emerging playwright Annie Baker, Circle Mirror Transformation follows five people through a summer of "creative drama" in their small town's adult acting class. Led by their bohemian acting coach, the five experiment with harmless theatre games that unexpectedly lead to poignant discoveries about themselves and each other. At turns, surprisingly funny and subtly insightful, this revealing play reminds us why theatre is the most human of all arts.


The Cat Who Couldn't Take A Nap, Rebecca Saunders Jun 2012

The Cat Who Couldn't Take A Nap, Rebecca Saunders

English Faculty Publication Series

Cleo wakes up to discover that she has become a cat.  At first, leaping about is fun, but alas, she is an elderly cat. And soon, all she wants is to have a nice snooze.

So what keeps getting in her way?


Truth Begins In Lies': The Paradoxes Of Western Society In House M.D., Jason A. Hagey Jun 2012

Truth Begins In Lies': The Paradoxes Of Western Society In House M.D., Jason A. Hagey

Theses and Dissertations

The core of House M.D. is its assertion that current Western civilization lives in a perpetual state of dissonance: we desire to have the rawness of emotion but we can only handle this rawness when we combine it with intellect, even if that intellect lies to us. This is the ontological paradox that the televisual text grapples with. Through the use of archetypal analysis and allegorical interpretation, this thesis reveals that dissonance and its relationship to contemporary Western society. Through House M.D. we realize that there are structures to the paradoxes that we live and there are paradoxes in our …


Nothing To Be Done: The Active Function Of Samuel Beckett's Text, Deleah Vaye Emery Waters Silva Jun 2012

Nothing To Be Done: The Active Function Of Samuel Beckett's Text, Deleah Vaye Emery Waters Silva

Theses and Dissertations

Fintan O'Toole states: "Plays survive not by being carefully preserved, not by being exhibited from time to time in theatrical museums, but by being tried and tested, taken apart and reassembled" (Game Without End).One of the great misconceptions and critiques of Samuel Beckett is of his presumed unrelenting control over his works. Artists, hoping to creatively collaborate with Beckett as they move his texts to performance, feel limited by his strict enforcement of that which he has written in his texts. Traditional relationships and functions allow directors to interpret an author's text. Not so with Beckett. Beckett demands …


Media Meets Science: The Experience Of A Media Teacher And Science Teacher As They Implement Media Literacy In A Science Classroom, Matthew Jay Brown Jun 2012

Media Meets Science: The Experience Of A Media Teacher And Science Teacher As They Implement Media Literacy In A Science Classroom, Matthew Jay Brown

Theses and Dissertations

This qualitative action research study looked at my collaboration with a science teacher as we combined a Television Production class with an Advanced Placement Environmental Science class. This cross-curricular case study explored the implementation of the principles of media literacy, defined by the National Association for Media Literacy Education, into the science classroom where media literacy has traditionally been a non-factor. The impact of media and technology on everyone's daily lives is making it necessary for us to become media literate. The use of media literacy tools and strategies in a combined media production class and an AP science class …


Transcript Of Fishing Politics And Frustrations, Susie Wenrick Jun 2012

Transcript Of Fishing Politics And Frustrations, Susie Wenrick

All Story Transcripts

This story is an excerpt from a longer interview that was collected as part of the Launching through the Surf: The Dory Fleet of Pacific City project. In this story, Susie Wenrick explains how she and her husband, Craig Wenrick, have adapted to the fishing policies.


Transcript Of Our Own Little Fish Company, Susie Wenrick Jun 2012

Transcript Of Our Own Little Fish Company, Susie Wenrick

All Story Transcripts

This story is an excerpt from a longer interview that was collected as part of the Launching through the Surf: The Dory Fleet of Pacific City project. In this story, Susie Wenrick explains why and how she started a private fish company with Craig Wenrick.


Transcript Of Providing Scholarships And Feeding Hungry Students, Susie Wenrick Jun 2012

Transcript Of Providing Scholarships And Feeding Hungry Students, Susie Wenrick

All Story Transcripts

This story is an excerpt from a longer interview that was collected as part of the Launching through the Surf: The Dory Fleet of Pacific City project. In this story, Susie Wenrick describes the efforts of the Nestucca Valley Backpack Program through the Dorymen’s Association.


2011-2012 Season Brochure, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University May 2012

2011-2012 Season Brochure, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2011-2012 Expose of Global Creativity

No abstract provided.


Developments In The Early Years Of The University Regent Theatre: A Program Of University College, Syracuse University (1958-1973) [Aiea#12], Alexander N. Charters May 2012

Developments In The Early Years Of The University Regent Theatre: A Program Of University College, Syracuse University (1958-1973) [Aiea#12], Alexander N. Charters

Images and other materials from University Archives

No abstract provided.


The Persistence Of Vengeance From Early Modern England To Postmodern New York, Dominic M. Sevieri May 2012

The Persistence Of Vengeance From Early Modern England To Postmodern New York, Dominic M. Sevieri

LSU New Orleans Theses and Dissertations

As a passing glance at the popular texts of any given period reveals, the subject of vengeance is nearly inescapable; on billboards, websites, and year end lists, revenge represents a curious constant even amid disparate media. This study explores the cultural commonalities that align revenge texts of the English Renaissance and exploitation films of late 20th century America. As in-depth inquiry reveals, numerous ideas and narrative tropes popularized during the Early Modern period are pushed to their logical extremes in these films. The central factor that aligns London during the Renaissance and New York at the cusp of the 1990s …


Latvian Folk Dance: Sustaining Cultural Heritage In The Context Of Christianity And Communism, Emilija Karina Grinvalds May 2012

Latvian Folk Dance: Sustaining Cultural Heritage In The Context Of Christianity And Communism, Emilija Karina Grinvalds

Undergraduate Honors Thesis Collection

In times of chaos and violence, brutality and oppression, one would not think of the arts as a guiding light for maintaining cultural identity and establishing peace and independence. However, the small country of Latvia serves as a prime example of how the arts, specifically folk dance, helped to maintain Latvian culture through centuries of oppression and war. As Swedish and German missionaries sought to spread Christianity throughout the pagan tribes in the 11th century, dance helped to sustain the cultural and religious beliefs of the ancient Latvians. Folk dance created a sense of unity within their communities, and the …


So Please You: A Creative Project On Playing “Oswald” In King Lear, Darren Hayes May 2012

So Please You: A Creative Project On Playing “Oswald” In King Lear, Darren Hayes

Honors Theses

This is a creative project displaying my process and journey through rehearsals—and eventually performances—as “Oswald” in the University of Southern Mississippi’s Theatre and Dance Department’s production of William Shakespeare’s King Lear. All of my research and preparation culminated in a final performance of the show which took place October 14th through the 23rd of 2011. This was the most important part of my creative project, as it showcased all of my hard work throughout the process. All of the documentation that follows was used to support my performance, as is the case in any particular role. If I did …


A Scenographic Transposition From The Stage To The Screen: An Excavation Of Tennessee Williams’ A Streetcar Named Desire, Jordan Randall May 2012

A Scenographic Transposition From The Stage To The Screen: An Excavation Of Tennessee Williams’ A Streetcar Named Desire, Jordan Randall

Honors Theses

This thesis explores the distinction between the scenic design of A Streetcar Named Desire’s original Broadway production and 1951 film. Using Streetcar as a case study, I evaluated the differences in the choices made in the scenography of the two mediums as a way to evaluate whether there are inherent differences between theatre and film. I examined the scripts of both mediums and analyzed how the story was transposed and how that transposition affected the choices made by the director and designer in the making of the film.


Playing Echo In Eleemosynary: A Creative Thesis Project, Hayley Barnes May 2012

Playing Echo In Eleemosynary: A Creative Thesis Project, Hayley Barnes

Honors Theses

In this thesis, I will explain on paper my creative process of researching, rehearsing, and performing the role of Echo in Eleemosynary. Eleemosynary is a one-act play by playwright Lee Blessing about three women and how their lives intersect and affect each other. I played Echo, the youngest of the three; her mother is Artie and hergrandmother is Dorothea. The play takes place in 1985 and is non-linear in structure. It alternates between scenes in the present in which the characters are speaking directly to the audience, and scenes in various points of the past. Echo is raised almost entirely …


Commedia By Zabbo, Laura Zabbo May 2012

Commedia By Zabbo, Laura Zabbo

Honors Scholar Theses

After studying Commedia Dell'arte with world renowned maestro, Antonio Fava, in Reggio Emilia, Italy, I returned to the States and continued to develop my craft by teaching others and creating a self-produced Commedia Dell'arte show. Using Fava's training from the month-long course in Italy, I used the foundation of the traditional Commedia Dell'arte characters, their physicality, and the stock story-lines to build my own one-woman comical performance that was completely relevant to the setting. The show was completely self-written and directed, and was performed using sculpted Commedia Dell'arte masks from Bart Roccoberton and his puppetry students.

Commedia by Zabbo opened …


Shanghai Quartet, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University May 2012

Shanghai Quartet, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2011-2012 Expose of Global Creativity

Ever since Franz Josef Haydn developed the modern version of a string quartet in the mid-18th century, the most daring and innovative practitioners of the art form has to be Béla Bartók. In this special double program, the Shanghai Quartet flexes its musical muscles by performing the complete Bartók quartet cycle. Written over a 30-year span, Bartók’s six quartets stand as a sonic biography of one of the 20th century’s most enigmatic and essential composers.


Department Of Theatre, Dance, & Film Presents: The Senior Capstone Project Of Elizabeth Dennis '12 Playbill, Department Of Theatre, Dance & Film May 2012

Department Of Theatre, Dance, & Film Presents: The Senior Capstone Project Of Elizabeth Dennis '12 Playbill, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance, & Film

Angell Blackfriars Theatre

The Senior Capstone Project of Elizabeth Dennis '12

Friday, May 4, 2012, 7:30pm


Stepping Into The World Of The Vocal Coach: Assessing Vocal Coaching Needs, Renina Hoblitz May 2012

Stepping Into The World Of The Vocal Coach: Assessing Vocal Coaching Needs, Renina Hoblitz

Theses and Dissertations

There are many excellent books detailing methods to help actors develop their voices, but not much has been published about vocal coaching itself, apart from the definitive guide to Vocal Coaching Nan-Withers Wilson’s book Vocal Direction for the Theatre, and the highly informative publication How to Use a Vocal Coach: A Practical Guide for Directors prepared by Nancy Houfek, for the Voice and Speech Trainer’s Association (VASTA). This thesis documents my personal journey into the world of vocal coaching in five productions. Specifically, I explore the differences between vocal coaching in the university setting versus the professional theatre setting. I …


Entre El Público Y Poeta En Nueva York De Federico García Lorca, Francisco Acuyo Donaire May 2012

Entre El Público Y Poeta En Nueva York De Federico García Lorca, Francisco Acuyo Donaire

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Aproximación comparativa entre la obra teatral, El público, y el libro de poemas, Poeta en Nueva York, de Federico García Lorca. Se observarán las relaciones textuales e intertextuales entre ambas obras, así como sus influjos y diferencias de la tradición y las vanguardias. La lógica poética como vía de estructuración y la indagación y búsqueda del amor y la verdad como nexo de entendimiento común en las dos obras.


Reseñas May 2012

Reseñas

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.


El Público: Surrealismo Y Metateatro Como Vías De Expresión De Un Drama Interno, Ana Garriga Espino May 2012

El Público: Surrealismo Y Metateatro Como Vías De Expresión De Un Drama Interno, Ana Garriga Espino

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

En El público, comedia imposible en palabras del propio Lorca, el autor granadino se sirve de una suerte de surrealismo herético y de un teatro autorreflexivo para llevar a escena una investigación introspectiva sobre su propia persona. Se deshace de la tiranía de la palabra e inaugura, al mismo tiempo, un nuevo teatro auténticamente vanguardista: un teatro bajo la arena, que subvertirá los roles otorgados por el teatro tradicional, de un lado, a público y actores y de otro, a realidad y ficción.


Espectaculo Y Compromiso: Estrategias Vanguardistas En César Vallejo Y Carlos Oquendo De Amat, Damaris Puñales-Alpizar May 2012

Espectaculo Y Compromiso: Estrategias Vanguardistas En César Vallejo Y Carlos Oquendo De Amat, Damaris Puñales-Alpizar

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

En este artículo pretendo demostrar cómo a través de diferentes estrategias vanguardistas, poetas tan disímiles como César Vallejo y Carlos Oquendo de Amat fueron capaces de convertir la palabra en espectáculo significativo sonoro y visual, pero manteniendo un estrecho contacto con su entorno social.


Jules Laforgue, Tristan Tzara, Carmelo Bene: La Vanguardia Que No Cesa, Alfredo Rodríguez López-Vázquez May 2012

Jules Laforgue, Tristan Tzara, Carmelo Bene: La Vanguardia Que No Cesa, Alfredo Rodríguez López-Vázquez

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

A través del personaje de Hamlet, las vanguardias europeas han planteado audaces propuestas teatrales alejándose del texto original de Shakespeare. Exploramos en este estudio la línea que va de Laforgue a Carmelo Bene pasando por Mouchoir de Nuages de Tristan Tzara. Proponemos que la exploración del personaje con matiz decadente hecha por Laforgue y continuada por Tzara confluyen en Carmelo Bene.


Rhythm Of My Sole, Jessica Williams May 2012

Rhythm Of My Sole, Jessica Williams

Mahurin Honors College Capstone Experience/Thesis Projects

Tap dancing was one of the first dance forms created here in America. It is a perfect representation of the mosaic that is America because tap dancing is the fusion of dances brought to this country by slaves and immigrants. This fusion has been passed down from generation to generation and evolves every day. When it was created, it was used in celebrations; later it was used in musicals and variety shows to entertain; now it stands on its own in concert setting and conveys stories, shows emotions, and still entertains.

I have created four tap dances; each is different …


My Dear Watson: A Musical Interpretation Of Sherlock Holmes’S Friendship With Dr. John Watson, Jami-Leigh C. Bartschi May 2012

My Dear Watson: A Musical Interpretation Of Sherlock Holmes’S Friendship With Dr. John Watson, Jami-Leigh C. Bartschi

Master of Liberal Studies Theses

The relationship between Sherlock Holmes and John Watson is complicated and certainly untraditional. Some theorize that Holmes is merely using Watson while Watson desperately seeks his affection. Others theorize that they have an unrequited homosexual relationship. However, it is Holmes’ unemotional nature paired with Watson’s fierce loyalty and admiration that creates a new and unique type of relationship. Many would define friendship as an emotional bond, but with Holmes, this is impossible. That does not mean, however, that he is incapable of deeply caring for Watson. It means that the relationship looks different than the traditional friendship. Watson and Holmes’ …


The Production Of Choreography Influenced By Works Of George Balanchine, Tiffany Guy May 2012

The Production Of Choreography Influenced By Works Of George Balanchine, Tiffany Guy

Mahurin Honors College Capstone Experience/Thesis Projects

One of the most renowned Ballet Masters in the history of dance is George Balanchine. By studying his works and feedback from his dancers, my goal is to gain enough information to develop a two to three minute choreographed work of my own, incorporating the influence of Balanchine’s style and design. In my research, I will be examining his history and the interviews of Balanchine-influenced dancers, reflecting on personal experiences, and dissecting his choreography and elements of my own work in creating my final choreography. Within my piece, I will be manipulating various uses of rhythms, implementing Balanchine-style movements, and …


The Lab Report, Volume 05, Issue 12, Todd Ristau May 2012

The Lab Report, Volume 05, Issue 12, Todd Ristau

Lab Reports

  • Decision Height produced as Hollins Senior Thesis
  • Student Spotlight: Meredith Levy
  • Report from the Iowa New Play Festival
  • To The New Girl Read in Chicago
  • May Graduate: Samantha Macher
  • The Weatherman Project Read at Seattle Rep Writers Group Showcase
  • May Graduate: Kris Knutsen Marushy
  • May Graduate: Maura Campbell
  • May Graduate: Neeley Gossett
  • May Readings at SkyPilot Feature Hollins Playwrights
  • May Graduate: Brandon DuMonde
  • Dirty Pictures by Jeri Weiss Part of Asphalt Jungle Shorts in Ontario
  • Purge by Jeri Weiss Produced at Studio 81
  • If You Plan It, He Will Come by Neeley Gossett Produced by Working Title Playwrights
  • From the …


Copyright’S Creative Hierarchy In The Performing Arts, Michael W. Carroll May 2012

Copyright’S Creative Hierarchy In The Performing Arts, Michael W. Carroll

Scholarly Articles in Law Reviews & Journals

Copyright law grants authors certain rights of creative control over their works. This Article argues that these rights of creative control are too strong when applied to the performing arts because they fail to take account of the mutual dependence between writers and performers to fully realize the work in performance. This failure is particularly problematic in cases in which the author of a source work, such as a play or a choreographic work, imposes content-based restrictions on how a third party may render the work in performance. This Article then explores how Congress might craft a statutory license to …


Stingray : An Exploration Into The Art And Craft Of Playwriting, Samantha Liguori May 2012

Stingray : An Exploration Into The Art And Craft Of Playwriting, Samantha Liguori

HIM 1990-2015

Cloud Nine by Carol Churchill is a good example of non-linear play structure. Episodic plays are part of an even more disjointed time structure. There are both many different locations and characters in an episodic play; it is similar to a film script for that matter. Onstage, this was a revolution; how can a person be in one city and then the next shortly after? This was the rule of continuity that episodic structure broke. Bertolt Brecht did this throughout his movement in epic theatre, and traces of this structure can also be found as early back as Medieval plays. …