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Theatre and Performance Studies

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Articles 5941 - 5970 of 15412

Full-Text Articles in Arts and Humanities

The Story Of Us: College As A Modern Rite Of Passage For Emerging Adults, Tamara Ulana Bodnar Jan 2015

The Story Of Us: College As A Modern Rite Of Passage For Emerging Adults, Tamara Ulana Bodnar

Undergraduate Honors Thesis Collection

The movement from adolescence to adulthood has often been identified by certain rites of passage across cultures. These rites are ceremonious, ritualistic events such as a bar/bat mitzvah, marriage, and graduation, They indicate a transition from one stage of life to another and sometimes contain difficult obstacles and challenges that assist in the maturation process. College provides contemporary American students with a modern rite of passage; it is a time of transition between youth and the "real world" of adulthood. At its core, the purpose of going to college is to become educated, so that by the time one leaves, …

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Genu Recurvatum In Dance Training: Assessing And Addressing The Structural Deformity In Dancers, Anne Mercedes Mushrush Jan 2015

Genu Recurvatum In Dance Training: Assessing And Addressing The Structural Deformity In Dancers, Anne Mercedes Mushrush

Undergraduate Honors Thesis Collection

Genu recurvatum is a medical condition in which the knee curves baac kwar d past the normal range of extension predominantly in the sagittal plane. Hyperextension can be attributed to extra laxity in the body, therefore the surrounding ligaments of the knee allow for the femur and tibia to be placed past a sagittal alignment of 180°, which is the possible knee extension of normal knee alignment. Genu recurvatum, medically viewed as a deformity, is desirable and considered a positive attribute in the dance world, especially classical ballet. Hyperextension also makes the line of the leg appear longer and straighter …

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"Trying To Resurrect People": Musical Theater And Theater For Social Change In Witness Uganda, Emilie Jensen Jan 2015

"Trying To Resurrect People": Musical Theater And Theater For Social Change In Witness Uganda, Emilie Jensen

Honors Theses

In spring 2014, the musical Witness Uganda premiered at the American Repertory Theater in Cambridge, MA. Written by Griffin Matthews and Matt Gould, the show takes on the problematic idea of aid work in the United States and worldwide. In this thesis, I look at Witness Uganda in relationship to theater for social change. Theater for social change is theater that actively works for social justice. In studying Witness Uganda, I investigate the possibilities and challenges of creating a piece of commercial musical theater that could be considered theater for social change.

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Rediscovering Vaudeville: Influences On Film And Theatre, Audra Leigh Edwards Jan 2015

Rediscovering Vaudeville: Influences On Film And Theatre, Audra Leigh Edwards

Undergraduate Honors Thesis Collection

The greatest thing that vaudeville contributed to the legitimate theatre and to films was talented artists. Many performers who became well known on the stage and screen began in vaudeville. It even occurred that performers with hardly any training at all had an opportunity to perform on vaudeville, and after some time became some of the best performers America has seen. Vaudeville is significant not only because it was an important part of American history in general, but also because it created and trained many artists for successful careers, particularly in film and radio. Without it, many famous and influential …

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Exploring The Relationship Between Text And Dance: Seeking Music In Spoken Word, Anastasia Ellis Jan 2015

Exploring The Relationship Between Text And Dance: Seeking Music In Spoken Word, Anastasia Ellis

Undergraduate Honors Thesis Collection

I assert that dance exists as more than a worthwhile ,inventive ,and ever-advancing art form; it also thrives as a language. The language of dance cannot say everything on its own, for body language is limited to the interpretive. Yet, speech carries limitations as well. Spoken language houses the potential for dishonesty and fails to encompass all that we notably call thought, seeing as the human mind can think in pictures and invent concepts that present themselves without labels. The two languages therefore have the opportunity to complete each other-an opportunity that I, as a dancer and choreographer, fully believe …

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Ua68/17/3 Potter College Of Arts & Letters Theatre & Dance Film/Video/Audio File, Wku Archives Jan 2015

Ua68/17/3 Potter College Of Arts & Letters Theatre & Dance Film/Video/Audio File, Wku Archives

WKU Archives Collection Inventories

Recordings of Theatre & Dance performances.

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Ua1c11/66 Western Players / Summer Players Photo Collection, Wku Archives Jan 2015

Ua1c11/66 Western Players / Summer Players Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs of Western Players and Summer Players productions, participants, and other activities.

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Ua94/7/2 Student/Alumni Personal Papers Training School Mary Grise, Wku Archives Jan 2015

Ua94/7/2 Student/Alumni Personal Papers Training School Mary Grise, Wku Archives

WKU Archives Collection Inventories

Records created by and about Mary Grise and collected by her during her years at College High. Mary participated in forensics, drama and music festivals hosted by Western Kentucky University and other organizations in Kentucky. She was elected as a delegate to the American Legion's Girl State and went on to represent Kentucky in Washington, D.C. at Girls Nation. The collection includes scrapbooks, correspondence and papers related to all her college activities. Photographs have been removed to UA1C11.69 Mary Grise Photograph Collection.

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Ua68/17/2 Potter College Of Arts & Letters Theatre & Dance Western Players / Summer Players, Wku Archives Jan 2015

Ua68/17/2 Potter College Of Arts & Letters Theatre & Dance Western Players / Summer Players, Wku Archives

WKU Archives Collection Inventories

Records created by and about the Western Players theater group including the Summer Players.

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"Trigger" For Change: Theatre As A Tool For Social Dialogue, Sydoney B. Blackmore Jan 2015

"Trigger" For Change: Theatre As A Tool For Social Dialogue, Sydoney B. Blackmore

Undergraduate Theses, Professional Papers, and Capstone Artifacts

Trigger for Change: Theatre as a Tool for Social Dialogue was a project consisting of three main parts oriented toward promoting dialogue on the University of Montana campus about sexual assault. The first part was a company-constructed multimedia presentation that quickly introduced the audience to facts, figures, and perspectives regarding sexual assault. The second was a performance of Carmen Aguirre's The Trigger, a stage play about the playwright’s experience before, during, and after her rape, with other characters’ perspectives interjected throughout. The purpose of this performance was to provide an experience for the audience that promoted empathy and critical …

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Sound Design For Our Town, Anna Warda Alex Jan 2015

Sound Design For Our Town, Anna Warda Alex

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in theatre. It is a detailed account of the author, Anna Warda Alex's artistic process in developing the sound design for Minnesota State University, Mankato's production of Our Town in the fall of 2014. The thesis documents the designer's process from the pre-production analysis through the designer's afterthoughts on the design in five chapters: a pre-production analysis, an historical and critical perspective, a process and rehearsal journal, a post-production analysis and a process development. Appendices and works cited are included.

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Ten Klicks South Of Whiskey : A Play In Three Acts, Ryan Jeffrey Smithson Jan 2015

Ten Klicks South Of Whiskey : A Play In Three Acts, Ryan Jeffrey Smithson

Legacy Theses & Dissertations (2009 - 2024)

Ten Klicks South of Whiskey is a stage performance in three acts, consisting mostly of monologues from soldiers of various backgrounds. It follows the trials of 4th platoon, Delta Troop, 463rd Cavalry Squadron, a fictional unit that achieves a near-mythic reputation of heroism and invulnerability in Iraq. As the monologues begin to reveal, however, not every tale about the 463rd can be substantiated. The audience is first challenged to search for truth and then to understand that truth is not the ultimate--or even the desired--goal of war stories.

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Shakespearean Avatars : Modern African And South-East Asian Adaptations, Rebekah Bale Jan 2015

Shakespearean Avatars : Modern African And South-East Asian Adaptations, Rebekah Bale

Legacy Theses & Dissertations (2009 - 2024)

My dissertation looks at adaptation of plays by Shakespeare in African and Asian contexts. It focuses on how and why certain writers from a post-colonial background use Shakespeare as a basis for their adaptation. I consider contemporary adaptations from the 1960s to the 1990s. My aim is to focus on adaptations that are distinctly indigenous in terms of place and time, but remain connected to an influential Shakespearean play. I focus on adaptations that were written during the post-colonial period in order to investigate how literary adaptations are mediated through politically diverse landscapes both in Africa and Asia.

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Pseudolus At The Ludimegalenses: Re-Creating Roman Comedy In Context, Nancy Sultan Jan 2015

Pseudolus At The Ludimegalenses: Re-Creating Roman Comedy In Context, Nancy Sultan

Scholarship

style="font-family: "Calibri","sans-serif"; font-size: 12pt;">This is a post-production report on a student reenactment of the Roman Ludi Megalenses (Megalensia), including a ludus scaenicus, at Illinois Wesleyan University in May 2013. Students studied and re-created some of the rituals commonly associated in antiquity with the worship of the Magna Mater, including a procession of both Phrygian worshippers and Roman citizens and a staged reading of Plautus’ Pseudolus in Latin and English. We grappled with questions of text and metatheatricality, theatrical and sacred space, actors, music, movement, costumes (including masks), authenticity, audience reception and occasion. The reenactment allowed us to gain a …

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El Papel Del Teatro En La Re-Articulación De La Experiencia Cívica: La Mirada Crítica De "Argos Teatro" En La Puesta En Escena De Aire Frío, De Virgilio Piñera, Karina Elizabeth Vázquez Jan 2015

El Papel Del Teatro En La Re-Articulación De La Experiencia Cívica: La Mirada Crítica De "Argos Teatro" En La Puesta En Escena De Aire Frío, De Virgilio Piñera, Karina Elizabeth Vázquez

Latin American, Latino and Iberian Studies Faculty Publications

Estas reflexiones tienen como propósito indagar sobre las formas en las que la actual práctica teatral cubana abre espacios de diálogo y reflexión crítica sobre la historia y los sujetos. Sin duda, las crisis de orden político y económico que han aquejado a las sociedades latinoamericanas en las últimas décadas redujeron las posibilidades materiales para la producción teatral, especialmente por fuera de los circuitos metropolitanos. No obstante, la continua y numerosa realización de propuestas escénicas de diversa índole en cuanto a prácticas, género y públicos, confirma la fuerza y la vitalidad de las prácticas teatrales en estos contextos difíciles. Al …

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“The Astonishing Career Of Heinrich Conried”, William Grange Jan 2015

“The Astonishing Career Of Heinrich Conried”, William Grange

Johnny Carson School of Theatre and Film: Faculty Publications and Creative Activity

Heinrich Conried was the most significant actor-director-manager the German theatre in the United States ever produced. In a career that spanned over three decades in theatres from the Bowery to the Metropolitan Opera Company, few individuals–regardless of the language in which they worked–matched his remarkable achievements. Beginning as an actor and Oberspielleiter in 1878, Conried worked in various professional New York venues continuously until his untimely death in 1909, and during that time there were only five years in which he did not work exclusively in the German language–and those five years were the ones he ran the Metropolitan Opera.

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Lists In A Lighthouse, James Patrick Costello Jan 2015

Lists In A Lighthouse, James Patrick Costello

Theses and Dissertations

In this document one will find the play, Lists in a Lighthouse, and a description of the process it took to write it. It’s significance lie in the eyes of the reader. It could range from: the greatest play written in the English speaking world to simply words on a page. Like this Abstract so are the contents in this manuscript, abstract. One cannot quantify or qualify its importance. That is impossible. It is merely a dialogue. A dialogue between the play and its reader, the play and its actors, and the play and its audience. It is a process, …

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The Theater's Many Enemies, Logan Connors Jan 2015

The Theater's Many Enemies, Logan Connors

Faculty Journal Articles

No abstract provided.

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Queer Provisionality: Mapping The Generative Failures Of The Transborder Immigrant Tool, Alison R. Reed Jan 2015

Queer Provisionality: Mapping The Generative Failures Of The Transborder Immigrant Tool, Alison R. Reed

English Faculty Publications

Alison Reed investigates the border- and boundary-crossing performance of Electronic Disturbance Theater 2.0’sTransBorder Immigrant Tool (TBT), an incomplete cell phone program that offers GPS, guidance, and poetry to those attempting to cross into the United States across the Mexico/US border. Reed suggests a provocation-based performance of “queer provisionality,” revealing the aesthetics of oppressive power structures by juxtaposing them to social utopias. Interrogating the national neoliberal project of both US liberalism and US conservatism, Reed’s essay is also a transcription of the performances launched around TBT, the social and political machinery set into motion by Electronic Disturbance Theater’s failed utopian project.

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Dancing By Numbers: Dance's Expanding Presence In Library Classifications Of The Progressive Era, Dominique Bourassa Jan 2015

Dancing By Numbers: Dance's Expanding Presence In Library Classifications Of The Progressive Era, Dominique Bourassa

Library Staff Publications

Library classifications are artificial systems that use numbers, letters, and symbols to map knowledge as the basis for organizing the contents of libraries. Inevitably influenced by social forces and cultural values, the Dewey Decimal, Cutter Expansive, and Library of Congress classification systems offer a unique perspective to study the status and identity of dance between 1876 and 1930. From the standpoint of library taxonomies, dance evolves during this period from an indoor amusement with moral implications to a recognized art form and discipline.

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Keeping The Peace: Playback Theatre With Adolescents, Timothy J. Reagan Jan 2015

Keeping The Peace: Playback Theatre With Adolescents, Timothy J. Reagan

Expressive Therapies Dissertations

The purpose of this research was to understand the experience of a Playback Theatre (Playback) program for adolescents addressing themes of bullying perpetration and victimization. The guiding question for the study was: What was the phenomenological experience for homeless youth participating in Keep the Peace Leadership Program, a Playback program at Manhattanville College in Purchase, NY? The sample consisted of 11 youth residing at the Coachman Family Center in White Plains, NY, 11 Manhattanville students, and four adults from Big Apple Playback Theatre in NY. Participants completed the forms of bullying scale (FBS) so the researcher could measure bullying climates …

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Robot Saints, Christopher B. Swift Jan 2015

Robot Saints, Christopher B. Swift

Publications and Research

In the Middle Ages, articulating religious figures like wooden Deposition crucifixes and ambulatory saints were tools for devotion, techno-mythological objects that distilled the wonders of engineering and holiness. Robots are gestures toward immortality, created in the face of the undeniable fact and experience of the ongoing decay of our fleshy bodies. Both like and unlike human beings, robots and androids occupy a nebulous perceptual realm between life and death, animation and inanimation. Masahiro Mori called this in-between space the “uncanny valley.” In this essay I argue that unlike a modern person apprehending an android (the uncanny human-like object that resides …

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Fifty Years Of Ariane Mnouchkine And The Théâtre Du Soleil: The Director As Dramaturge, Theater Historian, And Public Intellectual, Allen J. Kuharski Jan 2015

Fifty Years Of Ariane Mnouchkine And The Théâtre Du Soleil: The Director As Dramaturge, Theater Historian, And Public Intellectual, Allen J. Kuharski

Theater Faculty Works

This essay frames a critical summary of the fifty-year professional history of contemporary French director Ariane Mnouchkine and her company, the Théâtre Du Soleil, with the author's twenty-year-long teaching of a seminar on theater history at Swarthmore College with Mnouchkine's work as the theme. Mnouchkine's theatrical career provides a vehicle for five areas of critical inquiry: Company- or ensemble-based theater-making; the theory and practice of contemporary directing; diverse practices of production dramaturgy; the project of theater history as archive, critical practice, and artistic resource; and the role of the theater artist as public intellectual. The essay presents Mnouchkine and her …

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Missing. . . A Story Of Ambiguous Loss, Ashley Nicole Adams Jan 2015

Missing. . . A Story Of Ambiguous Loss, Ashley Nicole Adams

LSU Master's Theses

There are two forms of ambiguous loss. Type one occurs when there is a physical absence, but a psychological presence, such as the loss one feels towards the grandparent that passed away before their birth. Type two occurs when there is a psychological absence, but a physical presence, such as the loss one feels towards a spouse with Alzheimer’s or dementia (Morris). The opportunity to create, direct, and star in my own one-woman show inspired me to explore the form of ambiguous loss my family and I endure each and every day due to the disappearance of my aunt, Sharon …

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On And Off The Stage: A Look At Working With The Kennedy Center American College Theatre Festival, Alyssa Whiddon Jan 2015

On And Off The Stage: A Look At Working With The Kennedy Center American College Theatre Festival, Alyssa Whiddon

Williams Honors College, Honors Research Projects

Festivals like the Kennedy Center American College Theatre Festival allow students an intensive hands-on experience with theatrical principles seen in the professional theatrical world. There are many aspects of professional theatre, and at times, colleges that offer theatrical degrees cannot offer the full scale of practical experience needed to succeed in theatre as a profession. After outlining and analyzing three years of festival experience, it can be seen that festivals help to create a greater understanding of what is needed to work in theatre professionally. One must understand organization and management structure, as well as the fundamentals of acting, directing, …

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Dancing Between The Intangible And The Tangible: Investigating Silence And Stillness In The Rehearsal And Performance Process Of Tango/Rouge, Mckenzie Cochran Jan 2015

Dancing Between The Intangible And The Tangible: Investigating Silence And Stillness In The Rehearsal And Performance Process Of Tango/Rouge, Mckenzie Cochran

Dance Undergraduate Theses

No abstract provided.

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Props Management In Professional And Educational Institutions, Matthew David Duvall Jan 2015

Props Management In Professional And Educational Institutions, Matthew David Duvall

LSU Master's Theses

This thesis is a study of common practices and unique challenges of theatrical prop shop management in universities and how this compares to professional theaters and other prop producing organizations. The following pages will identify the commonalities and differences between prop shops in terms of management of budgets, schedules and personnel and will offer examples of common current practices. Also reproduced here is a survey of prop managers and its results, which was developed to produce facts and figures which are used as evidence. A direct comparison of educational and professional theater institutions has not been published. The evidence presented …

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A Cleansing Breath: A Journey Of Creation On The Hard Road, Addie Leigh Barnhart Jan 2015

A Cleansing Breath: A Journey Of Creation On The Hard Road, Addie Leigh Barnhart

LSU Master's Theses

To adhere to the structure of Louisiana State University and Swine Palace’s Actor Training program, the M.F.A. candidates are required to develop new work. This project is in place to cultivate the individual actor’s sensitivities to his/her own process in theatre making, grow as an artist, and begin the long journey of devising and constructing work, in this case a solo play, that has the potential to continue to grow after graduation. My piece is derived from several of the classic Greek plays and myths but told with a twist on the traditional stories and entirely from different women’s perspectives. …

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Reupholstery: A Guide For Prop Masters, Kathryn Leigh Brittingham Jan 2015

Reupholstery: A Guide For Prop Masters, Kathryn Leigh Brittingham

LSU Master's Theses

Upholstery is something that is often looked upon as a daunting task. With a full guide to reinforcement for stage use, options in foundations, and charts to compute fabric yardages, this thesis will provide professional prop masters with a guide to heighten their standards of upholstery onstage. Featuring options and ideals for varying skill sets; it will assist prop masters with more information regarding the topic with options particular to the theatrical profession. In lieu of an expansive library of upholstery books that feature a variety of techniques, the information included in this document will serve as a supplemental guide …

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Prisoner In The Darkness, Joseph Lee Morris Jan 2015

Prisoner In The Darkness, Joseph Lee Morris

LSU Master's Theses

This thesis details the writing process and performance of the author’s one man show, PRISONER IN THE DARKNESS. Adapted with special permission from Naghmeh Abedini, PRISONER IN THE DARKNESS is based on the letters, correspondences, and reports of Saeed Abedini, an American citizen, imprisoned in Iran. Pastor Saeed went back to his homeland to work on humanitarian efforts; however, he was wrongfully arrested and sent to Evin Prison in September 2012. In January 2013, Saeed was sentenced to eight years in prison for conspiring to undermine the Iranian government. His crime? His Christian faith. This thesis will explain the different …

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