Arts and Humanities Commons^™

Lara Salmon, Thesis Statement, Lara Salmon

CGU MFA Theses

My art brings together materials and ideas inspired by personal experience that do not usually exist side by side. My body is the primary mechanism with which I make work, incidentally making me the subject matter of the work. I use my physical self as an instrument to coalesce and transform other materiality. Through live performance and photographic installations I create tension and balance between crude biology and bright, polished formalism. This body of work focuses on Millennial Feminism and the Middle East.

The Physical Fitness Components And Posture Screening Of Female Competitive Dancers, Kristin A. Ramirez, Janet R. Wojcik

The Winthrop McNair Research Bulletin

The purpose of this research project is to fill the lack of information on the physical components, amount of pain experienced, and past injuries of competitive dancers under the professional level. Little research has been performed in this population. A total of 15 female competitive dancers were tested between the ages of 15-18 years old. Body mass index (BMI), height, weight, muscular endurance, aerobic endurance, flexibility, and alignment were measured, and then a pain rating survey and injury questionnaire were anonymously completed by the subjects. The participants performed a three-minute, twelve-inch step test, push-ups and crunches test, sit-and-reach test, and …

Integrating Principles For Choreographic Evaluation Into Education: One Proposed Model For Dropout Prevention, Brittany M. Johnson, Stephanie L. Milling

The Winthrop McNair Research Bulletin

This research proposes a model that represents a synthesis of various choreographic evaluation principles and education reform curricula. Considering key concepts within education reform and arts education, this model attempts to provide insight on how choreographic pedagogy could possibly enhance student motivation, the needs of students at risk of dropping out, the curricular goals of reformation, and how choreographic pedagogy meets these goals. Through qualitative research, points of connection have been made between curricula specifically designed for efforts of reformation and the choreographic evaluation process used in the dance classroom. Together, reformation practices such as the Nine Principles of Coalition …

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Krapp's Last Tape, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2015-2016 Art Between Real and Imagined

Samuel Beckett’s Krapp’s Last Tape is a solo/dialogue. One actor onstage carries on a conversation with his own voice recorded many years before. An old man sitting alone in his den on his birthday gets ready to make a recording about the past year of his life, as he has done on every birthday since he was a young man. Getting ready to make the new recording, he listens to a recording he made some 30 years before, at the end of a year that was perhaps the last truly happy one in his life. Bitter, funny, ironic, he finds …

Tarian Perdamaian: Enacting Alternative Hindu/Christian Identity Discourses Through "Secular" Balinese Performing Arts, Dustin D. Wiebe

Yale Journal of Music & Religion

This article examines the nature of interreligious relations between Protestants of the Bali Church and Hindus as enacted through dramatic forms of Balinese music and dance. Particular attention is paid to the influence of mass tourism as a contributing factor in this process. Since the early twentieth century these arts have formed a central component of a pan-Balinese identity discourse known as" kebalian." The first Balinese converted to Christianity during the 1930s and were subsequently excommunicated from their ancestral villages for refusing to participate in local customary practices (including the ritualistic use of gamelan music). For this reason, Balinese …

2015-2016 Sanctuary Series March 16, 2016, Lynn University, Sebastian Castellanos, Alla Sorokoletova, Cameron Hewes, John Weisberg, Mileidy Gonzalez, Chance Israel, Mark Luttio, Jeff Morgan, Jon Pickering, Karen Casey, Vincent Shkreli, Gioia Sacco, Gigi Freeman

Snyder Sanctuary Series

Watch video of the performance here.

Women's Voices Of Early California Poster

Promotional Materials

No abstract provided.

How I Learned To Ride The Unicycle Inside My College Apartment (And What I Really Learned Amidst All Those Spills And Crashes!), Troy Lescher

HSU unConference

Mastering the “one-wheeler” inside your living room is absolutely possible, and this presentation will explain a foolproof secret strategy. It will also feature some of the valuable learning-based insights the presenter gained while building his proficiency on the unicycle during his undergraduate days. Knee pads are not required.

I Do It So It Feels Like Hell (2016), Anna Gelman, Ariana Silvan-Grau, Zoë Depreta

Season 2015-2016

No abstract provided.

Winter Dance Concert (March 3-5, 2016), Lindenwood University

Student Dance Programs & Brochures

Event program for Winter Dance Concert (March 3-5, 2016), Lindenwood University.

Reefer Madness: The Musical Program, University Of Southern Maine Department Of Theatre

Programs 2015-2016 Season

Book by Kevin Murphy & Dan Studney

Music by Dan Studney

Lyrics by Kevin Murphy

Director: Cary Linkin

Musical Director: Edward Reichert

Choreographer: Vanessa Beyland

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

Three Readings Of Reading, Pennsylvania: Approaching Lynn Nottage’S Sweat And Douglas Carter Beane’S Shows For Days, Courtney Mohler, Christina Mcmahon, David Román

Scholarship and Professional Work – Arts

No abstract provided.

The Native Plays Of Lynn Riggs (Cherokee) And The Question Of “Race”-Specific Casting, Courtney Mohler

Scholarship and Professional Work – Arts

No abstract provided.

Digital Humanities And Publishing A Learned Journal, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

In his article "Digital Humanities and Publishing a Learned Journal" Steven Tötösy de Zepetnek discusses digital humanities and the publishing scholarship online in the context of the politics of publishing scholarship specifically as it pertains to humanities. Funding for the publishing of humanities scholarship remains constricted worldwide whether in print or digital and the standard remains to publish journals by subscription fees. Based on his argumentation against the "colonialism of knowledge," Tötösy de Zepetnek argues for the publishing of humanities scholarship against subscription-based or author-pay models. Further, he presents suggestions as to the how-s of the founding of a digital …

Postcolonial Studies In The Twenty-First Century: A Book Review Article Of Literature For Our Times & Reading Transcultural Cities, Alejandra Moreno Álvarez

CLCWeb: Comparative Literature and Culture

No abstract provided.

Othello In Shakespeare 400 Chicago, Verna Foster

English: Faculty Publications and Other Works

Verna Foster, City Desk 400 staff member, reviews a performance of Othello at the Chicago Shakespeare Theater.

Transkripsi Struktur Penyajian Lakon Rabine Panji Pada Kelompok Wayang Topeng Tradisi Kedungmonggo Malang, E.W. Suprihatin Dyah Pratamawati, Tri Wahyuningtyas, Hartono Hartono

Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya

Malang is popular with one of its traditional dance that is Malang Puppet Mask (Wayang Topeng Malang, shortened into WTM). WTM has several characteristics, they are: (1) retelling Panji stories; (2) all dancers wear puppet mask with its own characters; (3) puppet master is usually performed by male and is responsible to tell stories and narrate the dialogs; (4) the stage has its definite patterns and cannot be changed according to the puppet master’s will. Panji’s stories and narration are based on folk lore so that the form and the structure are based on the puppet master’s memories, perception and …

My Newfound Respect For The Hard Work Performers Do Before Stepping On Stage, Heather Gibson

UCF Forum

When I gave the Theatre UCF students 30 days to teach me how to perform a karaoke song, I didn’t realize I was also handing over my dignity.

Arts Integration: Establishing Teacher Candidates' Self-Efficacy When Engaging With The Arts, Michael J. Vetere Iii

Theses and Dissertations

Many teacher candidates who enter teacher education programs have received altered curricula that addressed the new common core of reading, writing, and mathematics (Beveridge 2010). This new common core curriculum neglects the importance of arts education. These students who have not been exposed to arts education, are reluctant to engage in the arts and fully participate in an arts education course as part of their teacher preparation (Hallam, Gupta, & Lee, 2008). These teacher candidates exhibit a low level of arts engagement and arts teaching self-efficacy and are therefore less confident with engaging and teaching the arts (Garvis, 2009). The …

Hamlet, School Of Theatre Arts

All Production Programs

An IWU School of Theatre Arts production of Hamlet: A National Tragedy by William Shakespeare.

Porch, Dominique Rider

SFA School of Theatre

No abstract provided.

Violet: The Musical (February 19-20, 25-27, 2016), Doris Bettis

Student Theatre Programs

Program for Violet: The Musical (February 19-20, 25-27, 2016).

To view the photos from this production of Violet: The Musical, please click here.

Rabbit Hole

Taylor Theatre Playbills

Taylor Theatre presents Rabbit Hole by David-Lindsay-Abaire.

Performed February 19-21, 26-28, 2016 at the Mitchell Theatre.

As improbably funny as it is heartbreaking, this story of a family in crisis won the 2007 Pulitzer Prize for Drama. Becca and Howie had the perfect life—a great marriage, a beautiful house, and a lovely son. But after a tragic accident, the couple faces the challenges of surviving great loss and making a life with the family that remains.

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

• Brooke Fremeau’s MFA Thesis show opens in University Gallery

Trans-Dudes: The Musical (2016), Tae Braun

Season 2015-2016

No abstract provided.

Is He Dead?, Otterbein University Department Of Theatre And Dance

2015-2016 Season

This play was written by Mark Twain in 1898 and first published in print in 2003. The play focuses on a fictional version of the great French painter, Jean-François Millet, as an impoverished artist in Barbizon, France who, with the help of his colleagues, stages his death in order to increase the value of his paintings, and afterwards dresses as a woman to keep his secret safe. Combining elements of burlesque, farce, and social satire, the comedy relies on such devices as cross-dressing, mistaken identities, and romantic deceptions to tell its story, which raises …