Arts and Humanities Commons^™

Ada Cheng Interview, Zishuo Wang

Asian American Art Oral History Project

Bio: Ada Cheng is the host of the storytelling show Pour One Out, a monthly storytelling series at Volumes Bookcafe. She is also the producer and host of the show Am I Man Enough? a storytelling/podcasting show, where people tell personal stories to critically examine the culture of toxic masculinity and the construction of masculinity and manhood. In addition, she is the co-producer and co-host of Talk Stories, an Asian American/Asian diaspora storytelling show, along with Randy Kim, a show where they showcase Asian/Asian American storytellers and performing artists.

Dwight Sora Interview, Jay Lee

Asian American Art Oral History Project

Artist Bio: Dwight Sora is half-Japanese (father) and half-Korean (mother) actor who grew up in the Chicago suburb of River Forest. He has studied the Japanese martial art of aikido since 1993, when he was an exchange student attending Waseda University in Tokyo. He holds a rank of sandan (third degree black belt).

Born To Direct

DePaul Magazine

DePaul Theatre School alumnus Scott Ellis, back in Chicago to direct the new Broadway-bound musical "Tootsie," reflects on his time at DePaul and the trajectory of his career as a Broadway theatre and television director.

A Failure Of The Music Industry: The Frustration Of Women Of Color, Christina Estes-Wynne

Backstage Pass

Throughout the history of the music industry, women of color have not received the same recognition as their male counterparts because males have dominated the industry resulting in lack of female representation. Women have been oversexualized reducing their clout in their fields and the lack of acknowledgement of success, which discourages future generations of colored women from attempting to reach their highest potential.

Stream Ripping: A Copyright Infringement Epidemic, Darla Testino

Backstage Pass

No abstract provided.

So Long To The Black Parade, Sarah Werth

Backstage Pass

No abstract provided.

"Il Y A De La Plèbe": Figurations Of The Minor Between Complicity And Dissent, Maria Muhle

CLCWeb: Comparative Literature and Culture

In this article I discuss the logic of “complicity” and “dissent” that, under current forms of ultra-neoliberal capitalism, is no longer (if it has ever been) one of opposition but rather corresponds to a logic of unrealized potentials, or “as ifs” that “manage” dissent and complicity in conjunction, and erase the dividing line between them, or their value as separate concepts. I examine the genealogy of this opposition and its dilution as a symptom of our contemporary political reality. Michel Foucault presented a paradigmatic view of this genealogy in his analysis of power and the taxonomic separation of three regimes …

Political Violence And Race: A Critique Of Hannah Arendt, Chad Kautzer

CLCWeb: Comparative Literature and Culture

Hannah Arendt’s On Violence (1970) is a seminal work in the study of political violence. It famously draws a distinction between power and violence and argues that the latter must be excluded from the political sphere. Although this may make Arendt’s text an appealing resource for critiques of rising political violence today, I argue that we should resist this temptation. In this article, I identify how the divisions and exclusions within her theory enable her to explicitly disavow violence on one level, while implicitly relying on a constitutive and racialized form of violence on another. In particular, Arendt leaves legal …

The Ambivalence Of Black Rage, Vincent Lloyd

CLCWeb: Comparative Literature and Culture

Activists associated with the Black Lives Matter movement embrace anger. Owning their rage sets these activists in opposition to an older generation of black leaders, invested in respectability, who narrate anger as an emotion to be overcome. Younger activists worry about complicity with the status quo – with white supremacy – of these older activists, yet embracing anger is no surefire way of avoiding complicity with the status quo. This essay investigates the ambivalence of black anger, drawing on philosophy and feminist theory while also locating the current eruption of black anger in an ambivalent history of black political affect. …

Complicity, Dissent, And The Palestinian Intellectual, Sa'ed Atshan

CLCWeb: Comparative Literature and Culture

In this article, I draw on the major works of two Palestinian intellectuals—Edward Said and Hanan Ashrawi—and I compare the experiences of Palestinian intellectuals living in the United States with those living under Israeli military occupation in the West Bank. The writings of these two exemplary figures shape the conceptual underpinnings of my exploration of the way Palestinian academics navigate questions of complicity with the different hegemonic political systems that govern their lives. I argue that Said and Ashrawi model a steadfast refusal to be complicit in the state-led repression around them at the same time as they engage in …

Subject, Subjugation, And Subjectivity, Raef Zreik

CLCWeb: Comparative Literature and Culture

This paper analyzes the ways in which complicity and dissent feed and subvert one another, or the ways in which the subjugated self becomes a political subject. The formative event of Palestinian collective identity is the loss of home and homeland in the aftermath of the Nakba of 1948. “The Catastrophe” divided the Palestinian community to two: Those who remained within the borders of the Israeli state and became Israeli citizens, and the Palestinian refugees, who came to establish the Palestinian Liberation Organization (PLO) and led an armed struggle. While examining the two narratives, I also explore two communal modes …

Family Affairs: Complicity, Betrayal, And The Family In Hisham Matar's In The Country Of Men And Nadine Gordimer's My Son's Story, Lital Levy

CLCWeb: Comparative Literature and Culture

This essay undertakes a comparative reading of the dynamics of complicity and resistance in two contemporary Anglophone novels, Nadine Gordimer’s My Son’s Story (1990) and Hisham Matar’s In the Country of Men (2006). My analysis pursues three main lines of inquiry: the ostensible public/ private and political/ personal divides; loyalty and betrayal in the family; and the ambiguous status of the child as a witness and a political subject. I argue that in their respective portrayals of the protagonists’ struggles against South African apartheid and authoritarian rule in Libya, both authors use the device of the child narrator to expose …

Facing The Ruler, Facing The Village: On The Roads To Complicity Following Mengzi And Benda, Zvi Ben-Dor Benite

CLCWeb: Comparative Literature and Culture

In his article, “Facing the Ruler, Facing the Village,” Zvi Ben-Dor Benite seeks to broaden the boundaries of the discussion about complicity by taking it away from late 20th-century and contemporary debates about it. At the same time, he wishes to highlight the many faces that the problem of complicity could have in different historical moments. Following Czesław Miłosz, this article understands that there are many roads to complicity that have been articulated in different ways across time and space. This article is, therefore, an integrated meditation on complicity bringing together two radically distant approaches to the question. Reading the …

Remnants Of Dissent, Thomas Docherty

CLCWeb: Comparative Literature and Culture

In his article, “Remnants of Dissent,” Thomas Docherty explores the relation of dissent to guilty complicity in post-war Europe. The article opens with a consideration of the position of Karl Jaspers in 1945 and examines how Jaspers worked through the various modes of guilt that flowed from diverse modes of living under Nazism. Of particular interest is the status of silence in the face of tyrannical Nazi oppression and murders. The essay explores how the workings of language, and its manipulations by the Nazis, helps to normalize such tyranny and to make resistance to it both dangerous and difficult. The …

Introduction: Complicity And Dissent, Or Why We Need Solidarity Between Struggles, Nitzan Lebovic

CLCWeb: Comparative Literature and Culture

Growing pressure from politicians and corporations has thrown into question the very legitimacy of opposition and critique. A language of political affirmation has confused and misled the public, driving many to adopt a cynical attitude to politics. The result has been a rapid decline of legitimate critique, the rise of populism, and a growing tendency to squelch civil disobedience with a militarized police force. The introduction to the special issue considers the role of the complicit/dissenting intellectual in history and literature, politics and law. It explores the genealogy of the terms, as well as conditions for their appearance in our …

2018-2019 Season Brochure, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2018-2019 Borders and Boundaries

No abstract provided.

Effort Reduction In Articulation In Sign Languages And Dance, Donna Jo Napoli, Stephanie Liapis

Linguistics Faculty Works

Sign languages exhibit the drive for ease of articulation found in spoken languages, particularly in fast and casual conversation, where the methods that reduce effort are shown here to be limited by the need to maintain recognizability. Participatory dance, which uses the same articulators as sign languages plus additional ones, also demonstrates methods of reducing biomechanical effort, analogous to those seen in sign languages, and, again, limited by the need to maintain recognizability of the dance figures/phrases. However, when we look at performance language (here, sign poetry) and performance dance, we find a contrast: sign language poetry uses reduced and …

Giving Voice To The Extra-Normal Self With The Extra-Normal Voice: Improvised Exploration Through The Realms Of Shamanic Chaos Magick, Insight Meditation And Gender Performance, Sage Harlow

Theses: Doctorates and Masters

This thesis documents practice-led research exploring the intersections of, and tensions between, improvised invocation ritual within a chaos magick paradigm and Buddhist insight meditation. I explore the extra-normal self—those aspects of consciousness not usually present, or not usually accessible, in day-to-day life—by mean of improvised ritual work with the extra-normal voice and seek to maintain a Buddhist ‘witness’ consciousness throughout these explorations. I also explore the tensions between politics, aesthetics and spiritual practice; in particular, queer and trans politics, a timbre-centred vocal aesthetics and chaos magick, shamanic and Buddhist spiritual practices. This work constitutes part of a larger project of …

Smoke On The Mountain, Otterbein University Department Of Theatre And Dance

2019 Summer Theatre

n this delightful tale of the Sanders Family Singers, the audience is invited to go back to 1938 and pull up a pew for an evening of more than two dozen songs, many of them vintage pop hymns. The more-or-less devout members of the family don’t just sing, but also have hilarious stories, which are delivered despite the mild protestations of the Reverend Oglethorpe.

Disney Buyout, Kevin Clifford

Student Publications

Disney Buyout

A man listens to the radio to find out that the White House has been bought out by Disney.
*Edited/adapted for the performance by Tim Brown and Thomas Edwards

Creative Writer's Festival 2019 Playbill, Providence College

Playbill and Promotion

Creative Writers Festival 2019

House Managers: Emily Clark & Ailish Egan
Poster Design: Emily Clark
Archive Photography: Ashley DiCaro

THEATRE, DANCE & FILM FESTIVAL STAFF
Creative Writers Festival Curator: Dave Rabinow
Managing Director: Jimmy Calitri
Department Chair: Dr. Wendy Oliver
Technical Director: George Marks
Assistant Technical Director: Trevor Elliott
Costume Shop Supervisor: Maxine Wheelock
Academic Administrative Coordinator: Ali Boyd
Production Administrative Coordinator: Talia Triangolo

MATER TUA
Written by Julia Zygiel
Directed by Mireya Lopez
Sydney Cahill, Catie Capolongo, Mireya Lopez, Halle Pratt
Location: Green room

KNOWING (PT.1)
Written by Thomas Edwards
Directed by Dan Jameson
Amanda Piechota, Aisling Sheahan
Location: …

Creative Writer's Festival 2019 Submisson Ad, Providence College

Playbill and Promotion

No abstract provided.

Creative Writer's Festival 2019 Poster, Providence College

Playbill and Promotion

The Dept. of Theatre, Dance & Film presents the 6th Annual

Creative Writers Festival 2019

Eavesdropping

May 23 & 24, 2019

Sat. at 7:30pm Sun. at 2:00pm

House Managers: Emily Clark & Ailish Egan
Poster Design: Emily Clark
Archive Photography: Ashley DiCaro

THEATRE, DANCE & FILM FESTIVAL STAFF
Creative Writers Festival Curator: Dave Rabinow
Managing Director: Jimmy Calitri
Department Chair: Dr. Wendy Oliver
Technical Director: George Marks
Assistant Technical Director: Trevor Elliott
Costume Shop Supervisor: Maxine Wheelock
Academic Administrative Coordinator: Ali Boyd
Production Administrative Coordinator: Talia Triangolo

Do We Make A Sound? An American Morality Play, Bennett A. Kirschner

LSU New Orleans Theses and Dissertations

No abstract provided.

Class, Capital And Colonies In India And Palestine/Israel, Amir Locker-Biletzki

CLCWeb: Comparative Literature and Culture

The article “Class, Capital and Colonies in India and Palestine/Israel” studies the way Indian and Israeli Communist intellectuals conceptualized and understood European Colonialism. In contrast to present day settler-colonial theories – that disregarded Marxist critic of European expansion – Indian and Israeli Communists developed a Bolshevik colonial thinking. For Communists the triple forces of imperialism, capital and class devastated the “archaic” native way of life. In doing so they clear a path for European domination, settlement and class differentiation of both colonizers and colonized. The article traces Bolshevik colonial thinking to its origins in Marx’s and Lenin’s writings. It continuous …

Israeli Literature And The Time Of "Post-Post-Zionism", Oded Nir

CLCWeb: Comparative Literature and Culture

In this essay, I argue that contemporary Israeli literature possesses a more “advanced” historical imaginary than that of contemporary “post-post-Zionist” Israeli historiography, and I relate this gap to the neoliberalization of the Israeli economy. I begin by arguing that contemporary literature’s historical imaginary marks a departure from its 80s and 90s postmodern predecessors. I show that this departure is evident in contemporary Israeli literature’s explicit recognition of an inability to relate subjective experience to larger history. This recognition constitutes a dialectical overcoming of Israeli postmodernism’s playful dismantling of the national historical narrative. I then argue that Israeli “post-post-Zionist” historiography constitutes …

"You Prefer Your Enemies Simple And Well Defined": Reading Anton Shammas’ Arabesques As A Novel That Strategically Resists Interpellation, Yiftach Ashkenazi, Omri Grinberg

CLCWeb: Comparative Literature and Culture

Anton Shammas’s 1986 novel Arabesques has been the subject of much literary criticism and on-going discussions in Hebrew literature circles. This article argues that existing interpretations of this work share a fundamental similarity to the extent that they assume Arabesques to be a novel whose primary aim is to depict a certain kind of subject, in accordance with the complicated emplacement of Shammas as a Palestinian writing in Hebrew. Against such interpretations, we suggest that Arabesques is better understood as a text that resists the process of subject formation as linked to Althusser’s notion of ideology. Instead, Shammas explores the …

The Materiality And Embodiment Of Violence: Ronit Matalon’S Poetics Of Responsibility, Shiri Goren

CLCWeb: Comparative Literature and Culture

In her essay “The Materiality and Embodiment of Violence: Ronit Matalon’s Poetics of Responsibility” Shiri Goren discusses Matalon’s novel Bliss (Sarah-Sarah, 2000) as a complex and bleak account of domestic and political decline. On the backdrop of the first Intifada, a Tel Avivian marriage falls apart and a lifelong powerful and intimate friendship between two women ends abruptly. In another geographical location and slightly different timeframe, early November 1995, a French-Jewish family prepares for the cremation of one of its sons, who died of AIDS. Rejecting potential interpretations of national allegory, Goren argues that one of the foundational …

Subjectivity, Institutions And Language In Contemporary Israeli Film, Ari Ofengenden

CLCWeb: Comparative Literature and Culture

In his article "Subjectivity, Institutions and Language in Contemporary Israeli Film" Ari Ofengenden analyzes the transnational characteristics of contemporary Israeli films (from 2000 until today). He claims that a new regime of globally networked production and distribution of Israeli film has articulated a specific kind of subjectivity presented in these films. In this article, he will concentrate on two characteristics of this subjectivity: the relations of protagonist with social institutions and use of language. Relations with social institutions starts with the highly prevalent representations of a sensitive and individualist protagonist who suffers under collective and coercive institutions like the army, …

Watching Fight Club In Tel Aviv: Or The 2011 Social Protests In Israel, A Political Postmortem, Eran Kaplan

CLCWeb: Comparative Literature and Culture

In his article “Watching Fight Club in Tel Aviv: Or The 2011 Social Protests in Israel, a Political Postmortem,” Eran Kaplan provides an analysis of the ideological underpinnings of the social protests that swept Israel in 2011 and the failure of these protests to bring about actual political change. The article draws on the manner by which David Fincher’s film Fight Club exposes the ideological dimensions of modern, neoliberal consumerist society as a way to understand the driving forces behind the Israeli protests and to suggest a possible way out of the ideological quagmire that the protesters and their leaders …