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Theatre and Performance Studies

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Articles 2581 - 2610 of 15407

Full-Text Articles in Arts and Humanities

Introduction: New Perspectives On The Female Fantastic, David Roas, Patricia Garcia Mar 2021

Introduction: New Perspectives On The Female Fantastic, David Roas, Patricia Garcia

CLCWeb: Comparative Literature and Culture

No abstract provided.


‘It’S All In The Timing’ – A Research Project That Explores The Complexities In The Relationship Of Actor To Audience, In Musical Theatre, Crispin Taylor Mar 2021

‘It’S All In The Timing’ – A Research Project That Explores The Complexities In The Relationship Of Actor To Audience, In Musical Theatre, Crispin Taylor

Theses: Doctorates and Masters

This research project is interested in the communicative transaction that occurs between actor and audience, in theatrical performance, and how this relationship can differ within nonmusical, and musical theatre. In non-musical theatre, for example, there can be a very intimate and immediate “dialogue” between actor and audience, that can alter each moment of a performance, making possible a unique co-creation between the two entities. In this way, no two performances are ever alike, the actor “reads” the audience and adjusts their performance according to specific responses from them. This communion allows a flexible elasticity in the outcome, and the actor, …


Applied Theatre In Children’S Ministry, Andrea Elliott Mar 2021

Applied Theatre In Children’S Ministry, Andrea Elliott

College of Arts and Cultural Studies

Supervisor: Professor Norah Swiney


Works In Progress, Robin Kish, Wilson Mendieta, Julianne O'Brien, Tomas Tamayo Mar 2021

Works In Progress, Robin Kish, Wilson Mendieta, Julianne O'Brien, Tomas Tamayo

Dance Programs

No abstract provided.


13 Musical Instruments In Early Drama: Tudor Plays, Mary Remnant Mar 2021

13 Musical Instruments In Early Drama: Tudor Plays, Mary Remnant

Early Drama, Art, and Music

A study of musical instruments in early Tudor plays that serves as a supplement to the author's "Musical Instruments in Early English Drama"; published in Material Culture and Medieval Drama (1999).


12 St. Martin's Clowns: The Miracle Of The Blind Man And The Cripple In Art And Drama, Martin W. Walsh Mar 2021

12 St. Martin's Clowns: The Miracle Of The Blind Man And The Cripple In Art And Drama, Martin W. Walsh

Early Drama, Art, and Music

A reprint, with revisions, of a study of the miracle of the healing of a pair of beggars by St. Martin, originally published in Early Drama, Art, and Music Review 17, no. 1 (Fall 1994).


14 Drama And Authority During The Reign Of Queen Mary, Peter Happé Mar 2021

14 Drama And Authority During The Reign Of Queen Mary, Peter Happé

Early Drama, Art, and Music

An otherwise unpublished study of drama and the English regime in the reign of Mary Tudor.


The Visual Research Task: A Faculty/Library Collaboration Combining Information Literacy With Artistic Assessment, Lofton L. Durham, Michael J. Duffy Iv Mar 2021

The Visual Research Task: A Faculty/Library Collaboration Combining Information Literacy With Artistic Assessment, Lofton L. Durham, Michael J. Duffy Iv

University Libraries Faculty & Staff Presentations

This session features a librarian and faculty member sharing their collaboration on the “Visual Research Task,” which is an assignment designed to provide information literacy instruction with an emphasis on visual resources to theatre majors in a course on collaborative theatre production. Students are given a scenario in which they act as the assistant to a theatrical designer, working with limited information, must assemble a curated portfolio of ten images to support the design or conceptualization for a theatrical design, with descriptions and citations. Each student is given a different topic from a wide range, including for example, “royal pageantry,” …


Winter Dance Concert (March 12-13, 2021), Lindenwood University Mar 2021

Winter Dance Concert (March 12-13, 2021), Lindenwood University

Student Dance Programs & Brochures

Program for the Winter Dance Concert (March 12-13, 2021).


Reliability Of A Barre-Mounted Dynamometer-Stabilizing Device In Measuring Dance-Specific Muscle Performance, Melissa Strzelinksi, Lori Thein Brody, Jo Armour Smith, Shaw Bronner Mar 2021

Reliability Of A Barre-Mounted Dynamometer-Stabilizing Device In Measuring Dance-Specific Muscle Performance, Melissa Strzelinksi, Lori Thein Brody, Jo Armour Smith, Shaw Bronner

Physical Therapy Faculty Articles and Research

BACKGROUND: Hand-held dynamometry is considered an efficient, effective, and portable means of objectively measuring lower extremity strength; however, it has yet to be studied specific to dance-relevant muscle performance. Also, dynamometry is often criticized for variability in results based on tester strength and sex. Use of an external stabilizing device has been suggested to minimize differences in outcomes between male and female testers by reducing variability associated with tester strength limitations. Therefore, this study used a barre-mounted, portable dynamometer stabilizing device to improve consistency of results among different testers for assessing hip and lower extremity muscle performance in dance-relevant positions. …


The Island Heritage / El Patrimonio De La Isla, Susana Castillo-Rodriguez Mar 2021

The Island Heritage / El Patrimonio De La Isla, Susana Castillo-Rodriguez

Languages and Literatures

In 1926, Philip. J. Fisher published “The Island Heritage. Episodes from the Missionary History of Fernando Poo, West Africa. A Play for Young People”. This book has remained unknown until present. There is one copy at Archives and Special Collections, SOAS Library (London).

This play is of enormous interest not just for it has been mentioned above but also because:

  1. It is a vivid narration of the settlement of Protestant missionaries in Clarence, based on historical facts and personal experience collected first hand by Philip. J. Fisher as he interviewed some of the protagonists in the play.

  2. It is the …


Ataka, Anthony H. Chambers Feb 2021

Ataka, Anthony H. Chambers

Mime Journal

No abstract provided.


On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige, Diego Pellecchia, Rebecca Teele Ogamo Feb 2021

On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige, Diego Pellecchia, Rebecca Teele Ogamo

Mime Journal

No abstract provided.


Guise And Disguise: Nō Costumes In The Context Of Cultural Norms, Monica Bethe Feb 2021

Guise And Disguise: Nō Costumes In The Context Of Cultural Norms, Monica Bethe

Mime Journal

No abstract provided.


Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia Feb 2021

Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia

Mime Journal

No abstract provided.


Mochizuki: History And Context, Michael Watson Feb 2021

Mochizuki: History And Context, Michael Watson

Mime Journal

No abstract provided.


From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li Feb 2021

From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li

Mime Journal

Nō techniques and play borrowings provided important infusions into kabuki throughout its history, but in the nineteenth century, a genre of kabuki plays in close imitation of nō or kyōgen wasadded to the kabuki repertoire. The genre came to be called matsubamemono, meaning “[nō/kyōgen-derived kabuki] plays [performed] on a stage with a pine painted on the back wall” or “pine-boardplays.”1 These plays are the focus of this article, in which I first introduce the genre and its place in kabuki history, and then discuss its most famous example, the play Kanjinchō (Hattori 17–40; Meisakukabuki zenshū 181–197; Brandon, The Subscription List …


Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer Feb 2021

Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer

Mime Journal

No abstract provided.


On Ataka: Interview With Udaka Michishige And Sugi Ichikazu, Diego Pellecchia, Rebecca Teele Ogamo Feb 2021

On Ataka: Interview With Udaka Michishige And Sugi Ichikazu, Diego Pellecchia, Rebecca Teele Ogamo

Mime Journal

No abstract provided.


Stakeholder Experiences With Arts-Based University-Community Partnerships In General Education, Veronica Leone Matthews Feb 2021

Stakeholder Experiences With Arts-Based University-Community Partnerships In General Education, Veronica Leone Matthews

USF Tampa Graduate Theses and Dissertations

University-community partnerships (UCPs) have significant potential as a way for universities to connect with communities and provide students with High Impact Practices (HIPs). Despite over 20 years of literature calling for increased community engagement, institutions of higher education have been slow to integrate UCPs into the General Education curriculum. Certain components have been identified as necessary for the effectiveness and sustainability of UCPs. However, little is known about the experiences and perceptions of key stakeholders including students, faculty, and community partners who participate in arts-based UCPs. This study investigated these stakeholders’ perceptions regarding participating in arts-based UCPs as part of …


On With The Show: Performing Arts In The Age Of Covid 19, University Marketing And Communications, Maricruz Menchero Feb 2021

On With The Show: Performing Arts In The Age Of Covid 19, University Marketing And Communications, Maricruz Menchero

DePaul Download

Last spring at the start of the pandemic, The Theatre School transitioned Shakespeare’s dark comedy, Measure for Measure, from a live in-studio play to a radio show. 2020 MFA graduate Maricruz Menchero talks about the experience, the radio show’s unexpected benefits and explains how her coursework introduced her to new skillsets for life after graduation.


Equality Feb 2021

Equality

Theatre Programs

No abstract provided.


Join Us Virtually This Spring, Edgerton Center For The Performing Arts Feb 2021

Join Us Virtually This Spring, Edgerton Center For The Performing Arts

University Briefings & Virtual Events

Welcome to our Spring 2021 season. As we all do our part to reduce the spread of Coronavirus (COVID-19), the Edgerton Center, in conjunction with the Performing Arts, will not produce performances for attendance by the general public at this time. We are excited to share some beautiful and safely produced content made available to you via livestream or broadcast.


Dancescape Poster 2021, Winona State University, Emily Becker Feb 2021

Dancescape Poster 2021, Winona State University, Emily Becker

Dancescape Posters

A poster for the Winona State University Theatre and Dance Department's annual Dancescape. This is a poster for the Dancscape 2021: A Dance Film Festival.


Evangeline Drowning (February 26-27, March 5-6, 2021), Kurt Heinlein Feb 2021

Evangeline Drowning (February 26-27, March 5-6, 2021), Kurt Heinlein

Student Theatre Programs

Program for Evangeline Drowning (February 26-27, March 5-6, 2021).

To view the photos from this production of Evangeline Drowning., please click here.


Art After Dark: Economies Of Performance, New York City 1978–1988, Meredith Mowder Feb 2021

Art After Dark: Economies Of Performance, New York City 1978–1988, Meredith Mowder

Dissertations, Theses, and Capstone Projects

Art After Dark: Economies of Performance, New York City 1978-1988 examines the interwoven social and economic histories of New York City and performance in the late 1970s and 1980s. The dissertation traces the growth and visibility of performance art, moving from the recession of the 1970s and early years of public funding for the arts, to the downtown nightclub scene of the 1980s, the history of the Brooklyn Academy of Music’s Next Wave Festival, and artistic experiments with television in the 1980s.Looking closely at the economic conditions under which performance occurred during the late 1970s and early 1980s, this dissertation …


Becoming Material: Devotional Encounters Between Humans And Objects In The European Middle Ages, Debra L. Hilborn-Davis Feb 2021

Becoming Material: Devotional Encounters Between Humans And Objects In The European Middle Ages, Debra L. Hilborn-Davis

Dissertations, Theses, and Capstone Projects

In our current moment of profound ecological crisis, scholarship across disciplines is calling for a closer look at the objects proliferating around us in order to find new, increasingly reciprocal ways of relating to the material world. In Becoming Material: Devotional Encounters Between Humans and Objects in the European Middle Ages, I answer this call by looking to the past and examining people’s encounters with material objects described in and around three devotional texts: the Holy Week ceremonies proscribed in the tenth-century monastic agreement, the Regularis Concordia; the embodied devotional practices of a thirteenth-century lay woman, Elizabeth of …


Dancing Through Time: A Biographical Look On The Evolution Of Tap Dance, Jaimie Cranford Feb 2021

Dancing Through Time: A Biographical Look On The Evolution Of Tap Dance, Jaimie Cranford

Dissertations, Theses, and Capstone Projects

A uniquely American art form, tap dance has often been misrepresented and under-appreciated when positioned alongside other dance forms. This is largely due to the form’s racialized history, which builds upon contributions from African-American culture. Unlike other dance forms, which stem from white European traditions, tap dance evolved out of a necessity for cultural preservation as enslaved Africans adapted to life in America. As tap dance evolved, its association with slave culture led to it not being taken seriously; if anything, tap dancers were viewed simply as “entertainers” – certainly not as artists. Using a biographical lens, this work looks …


Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks Feb 2021

Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks

Dissertations, Theses, and Capstone Projects

This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …


Broadway In The Age Of American Idol: Celebrity And The Broadway Musical, 2003–2018, Emily E. Clark Feb 2021

Broadway In The Age Of American Idol: Celebrity And The Broadway Musical, 2003–2018, Emily E. Clark

Dissertations, Theses, and Capstone Projects

Given the celebrity frenzy of the post-millennial climate, as described by Chris Rojek in Fame Attack and other celebrity theorists, Broadway followed suit and celebrity names were seen with regularity on Broadway marquees in the first two decades of the twenty-first century. While Broadway has nourished numerous individuals into becoming stars, those who are upheld above others for the significance of their work and accolades, celebrities are those whose private life garners more attention and interest than their work. My dissertation provides a critical reading and analysis of the performances of theatrical stars, film celebrities, television personalities, and reality television …