Arts and Humanities Commons^™

On The Variations Of 'Occupatio' In "Richard Ii", William Kelly Reeder

Graduate Theses and Dissertations

Recent scholarship of Shakespeare’s Richard II has been interested in or preoccupied with its historical relations. Particularly the plays association with the Essex Rising of 1601, and the censorship of the deposition scene, both of which seem to resonate for history with Elizabeth’s enigmatic comment expressing her identification with Shakespeare’s portrayal of Richard II.

This paper proposes to resolve the question of the play’s censorship by interpreting the deposition scene as a dramatization of transubstantiation, perhaps triggering Elizabethan censors.

Transubstantiation is the doctrine by which the Catholic Church interprets the Eucharist using the distinction between substance and accidens (eternal and …

Childhood Dreams And Adult Laughs Lighting Design Of Avenue Q, Eric Armstrong

Graduate Theses and Dissertations

This thesis will present and discuss the analysis, design process and execution of the lighting design for the University of Arkansas’s production of the musical Avenue Q. Special time will be taken to discuss the unique challenges faced by this production during early design meetings as well as during the execution of the design. This paper will document my process in illuminating the satirical themes in Avenue Q. Avenue Q looks at modern life through the lenses of a children’s learning program. Through my use of color and texture I worked to amplify the realism and create musical theatre moments.

Memories: The Lighting Design For “The Glass Menagerie”, Catherine Blencowe

Graduate Theses and Dissertations

This thesis presents new ways of looking at an old classic by illuminating the emotions and hardship of the Wingfield family through the use of color and texture. The Glass Menagerie by Tennessee Williams was presented at the University of Arkansas in September of 2017. The challenges of this production will be addressed as well as the achievements and areas of improvement of this production. Finally, this document will answer the question: How does color, texture, and the angle of stage lighting help heighten the emotions of the characters and engage an audience in the play?

Included are all the …

Acting Styles Of Caryl Churchill Performance, Mischa Hutchings

Graduate Theses and Dissertations

This thesis contains materials pertaining to my thesis performance and one-person show. This thesis also includes my headshot, resume and link to my website.

Costume Design For Shakespeare's "Macbeth", Melissa Rooney

Graduate Theses and Dissertations

The following thesis explains the process used to create the costume design for the production of Macbeth produced at the University of Arkansas Global Campus Theatre in the Spring of 2019. Throughout this thesis, I will explain the process by which the costumes went from initial research ideas to sketches and colored renderings and finally to fully realized three dimensional costumes. The design process included in this thesis includes an analysis of the play, inspirational collage, portrait gallery, research, renderings, production images, and an evaluation of the overall process.

Are Unicorns Extinct In The Modern World?: Directing Tennessee Williams' The Glass Menagerie In 2017, Jon Cole Wimpee

Graduate Theses and Dissertations

What follows is a description of my process directing The Glass Menagerie by Tennessee Williams.

I’ve made an effort to track the journey I undertook starting from my earliest encounter with the play and the selection of the story as a thesis project. This document contains my initial script analysis, notes from design meeting collaborations, casting decisions, general research approaches, the rehearsal process, performance insights, and evaluations after completion. This document will also provide, intermittently, additional reflections on my critical attitudes towards this play and production, as well as self-assessments related to notable lessons, successes, failures, and discoveries pertinent to …

The Fault In Our Stars: A Director's Process On Life Is A Dream, Jeremiah Dean Albers

Graduate Theses and Dissertations

The following is a journal and reflection on my process as adaptor and director of the play Life is a Dream by Pedro Calderón de la Barca. It is equal parts self-evaluation and creative travelogue. The chapters include an Introduction, and The Production Process, and related appendices.

The Creation And Development Of Rise, Paul Randall Mcinnis

Graduate Theses and Dissertations

In “The Creation and Development of Rise”, I will explain how my play evolved from the initial writing process until the actual production of the show. The Department of Theatre allows students to experience the development of new work through the functions of the classroom. The goal is to simulate how a process would occur in the professional world. The purpose of this thesis is to explore the journey of creation within Rise. Rise tells the story of the community of St. Marie, Louisiana during Mardi Gras, 1972. The play highlights the city’s triumphs and downfalls, and it is set …

Wait, She's Alive?! Playing Characters Based On Real, Living People, Courtney Jensen

Graduate Theses and Dissertations

This thesis is for the performance of Sara Jane Moore in Assassins and for development, contributions, and performance of a new play written for our graduating class, A Hamlet: West of Why. This thesis also consists of my statement of artistry, documentation of artistic materials, and thesis related performance materials.

Beside Myself, Grant Hockenbrough

Graduate Theses and Dissertations

This thesis consists of my statement of artistry, and documentation of artistic materials and thesis related performances.

St. Louis To Arizona: What Tom Wingfield Taught Me About Playing Myself, Christopher Scott Tennison

Graduate Theses and Dissertations

This thesis consists of my statement of artistry/teaching philosophy, and documentation of artistic materials and thesis related performances.

Costume Design For Adam Rapp’S The Metal Children At The University Of Arkansas, Melissa Janet Hall

Graduate Theses and Dissertations

The following thesis explains the process utilized to create and implement the costume design for the production of The Metal Children produced at the University of Arkansas University Theatre in the Fall of 2016. Throughout this thesis I will illustrate how the costumes went from initial research ideas to sketches and colored renderings and finally to finished three-dimensional costumes. The design process detailed here includes an analysis of the play, inspiration collage, portrait gallery, research, renderings, production images and an evaluation of the overall process.

Takin' Care Of Business, Cody Levi Shelton

Graduate Theses and Dissertations

This thesis consists of my statement of artistry, and documentation of artistic materials and thesis related performances.

Persistence Of Memory: Revision, Nostalgia, And Resistance In Contemporary American Drama, Sinan Gul

Graduate Theses and Dissertations

This dissertation focuses on the usages of memory in contemporary American drama. Analyzing selected mainstream and alternative dramatic texts, The Persistence of Memory is a study of personal and communal reflections of the past within contemporary plays. The introduction provides examples from modern plays, major terms, and vital concepts for memory studies and locates their merits in dramatic texts. The first chapter makes a critique of family plays, which uses historical elements to indicate a revisionist yearning for the past as well as the American Dream. Similarly, the second chapter contains business plays, which implement a heavy feeling of nostalgia …

Discovering The Secrets Of The Annex: The Scenic Design Of "The Diary Of Anne Frank", Kiah Kayser

Graduate Theses and Dissertations

This thesis describes the analysis, design, and implementation of University of Arkansas’ production of The Diary of Anne Frank. The entire process is explored and analyzed with a specific focus on the challenges the production staff faced along with creative victories that we shared when creating this production. This document comments on and explores how the facts of the story and principal location of The Diary of Anne Frank influenced our more abstracted world of the play.

This thesis includes the essential design documents and support materials used in the creation of the scenic design of The Diary of Anne …

Rhythm And Movement: The Lighting Design For "Eurydice", A Living Poetic Metaphor, Emily Rachel Clarkson

Graduate Theses and Dissertations

This thesis will delve into the historical context, analysis, design process and execution of the lighting design for the University of Arkansas’ production of Sarah Ruhl’s Eurydice. Special care will be taken to document an exploration of the challenges faced by this production during research, design meetings as well as throughout the implementation of this design. This document will seek to answer the questions: how does one design the lighting for a show that is in and of itself a metaphor? When each scene requires its own striking visual, how does the designer weave the play together so that it …

Scenic Design For "The Metal Children", Joseph Bryan Farley

Graduate Theses and Dissertations

A scenic design for the play “The Metal Children” by Adam Rapp was created and performed by the steps of the design process used in the design program at the University of Arkansas Department of Theatre. The Metal Children presents itself as a multi-unit set. With a script that introduces five different locations, one begins to question how we move forward with every different scene fluidly and in a quick scene shift time. When beginning the design process, I had to look at the show as if it were a musical with multiple scenic pieces that would fly in and …

Love Letters To Illyria: An Actor's Voyage, Stephanie Faatz Murry

Graduate Theses and Dissertations

This thesis outlines the development of the characters of Olivia in William Shakespeare’s

Twelfth Night and Melissa in A.R. Gurney’s Love Letters. It also contains a headshot, resume and link to a website designed to help further my career as a professional theatre artist.

Shards And Cycles: Lighting Design For "The Chairs" By Eugene Ionesco, Jacob Hofer

Graduate Theses and Dissertations

This thesis will describe the historical context, analysis, design, and implementation of the lighting design for the University of Arkansas’s production of Eugene Ionesco’s "The Chairs". Special time will be taken to explain the unique challenges faced by this production both in early design meetings as well as during the implementation of the design. This document will tackle the question: How does the idea of triboluminescence help inform the design of shattered, crystal shafts of light that illuminate and highlight cyclical world of "The Chairs"?

Included in this thesis are all essential lighting design documents including: the light plot, paper …

Somewhere Between Hell's Kitchen And Illyria: An Actor's Utopia, Guadalupe Campos

Graduate Theses and Dissertations

This thesis consists of my statement of artistry, and documentation of artistic materials and thesis related performances.

Lovable Rogue: The Shenanigans Of Sir Toby Belch In William Shakespeare's "Twelfth Night", William Clark Rogers

Graduate Theses and Dissertations

This thesis documents and explores the actor’s approach to and discovery of the values, methods and motivations of Sir Toby Belch in the Fall 2015 University Theatre production of William Shakespeare’s “Twelfth Night.” In addition, the author’s second thesis role was as Andrew Makepeace Ladd III in A. R. Gurney’s, “Love Letters” produced and performed in Kimpel Hall Studio during Spring 2016. The thesis also includes a personal statement of artistry, programs for the thesis related performances, a headshot, resume, production photos and a link to the actor’s website.

From Duke To D: The Range Of An Actor In Classical And Contemporary Characters, Damian Oscar Dena

Graduate Theses and Dissertations

This thesis contains my statement of artistry along with photos and materials from both productions Twelfth Night and Mother F**Ker with the Hat. Also included are links to my website and current copies of my headshot and resume.

The Passionate Actor, Britney Nichole Walker-Merritte

Graduate Theses and Dissertations

This thesis consists of materials documenting my thesis performances as well as a statement of artistry, a copy of my current headshot, and resume and a link to my website.

The Day I Walked Off The Motherf**King Stage: Shakespeare To Stephen Adly Guirgis, Christopher Markus Hecke

Graduate Theses and Dissertations

This thesis represents the culmination of my craft as an actor, through the collection of production material from Twelfth Night, and The Motherfucker With The Hat, headshot, resume, website link and my personal statement of artistry.

A Storm In The Port: The Process Designing Twelfth Night, Jacquelyn Ryan Cox

Graduate Theses and Dissertations

The purpose of this thesis is to document the process and provide all the necessary materials for the realization of the lighting design for the University of Arkansas Department of Theatre’s 2015 production of Twelfth Night by William Shakespeare. This thesis consists of the following materials: designer’s script analysis, design concept statement, historical and evocative research, Vectorworks overstage plot, Vectorworks section plot, LightWright paperwork, cue sheet, final magic sheets, and process evaluation. The materials provided are necessary to the design team, the electricians who hang the light plot, and the designer in order program the cues. Archival photography is included …

"To The World, Or Rather To Those Who Are Left” A Director’S Journey Into Ionesco’S The Chairs, Kholoud Sawaf

Graduate Theses and Dissertations

The following is a journal documenting my process directing Eugene Ionesco’s The Chairs at the University of Arkansas in Spring 2015. The chapters include the script selection process, casting, analysis, design process, rehearsal process, and production evaluation.

Poor Relations: An Original Play By Robert Flaherty Hart, Robert Flaherty Hart

Graduate Theses and Dissertations

The goal of this dissertation is to present my play, Poor Relations, to my thesis committee and discuss both the process of bringing it to the stage and the results of that process.

The dissertation opens with a narrative essay detailing the process of writing Poor Relations and bringing it to the stage in a full production. It discusses my initial idea for the play, the original draft and changes made after input from those at informal readings. It pays particular attention to the changes that were made during the rehearsal process for the full production.

Following is a copy …

The Many Faces Of Cleopatra: How Performance And Characterization Change Cleopatra In Geoffrey Chaucer's "The Legend Of Good Women," William Shakespeare's The Tragedy Of Antony And Cleopatra, And John Dryden's All For Love; Or, The World Well Lost, Rebecca Piazzoni Chatham

Graduate Theses and Dissertations

Geoffrey Chaucer, William Shakespeare, and John Dryden presented the character of Cleopatra differently, through both the written language of their pieces and their own and others’ performances of her, in order to meet the demands of their respective audiences and performance conditions. Chaucer, in “The Legend of Cleopatra,” portrays and performs Cleopatra comically. Shakespeare, in his Tragedy of Antony and Cleopatra, characterizes Cleopatra as a complex woman. In All for Love; or, The World Well Lost, Dryden characterizes Cleopatra as sentimental, but the performance of her on stage by female actresses added depth to the role. For Chaucer and Dryden, …

Dramatizing Power And Resistance: Images Of Women In Pakistani And Indian Alternative Theater, Sobia Mubarak

Graduate Theses and Dissertations

This dissertation analyzes Pakistani and Indian plays that illustrate the nexus of power relations that operate in Pakistan and India to disempower women and the way women resist by creating dialogic spaces or fissures in the exploitative system. I have selected plays by Ajoka Theater in Pakistan and plays dealing with the similar thematic concerns by notable Indian playwrights to explore common grounds and points of departure. I have chosen four images of women depicting diverse modes of oppression associated with women’s bodies that are dealt with in these plays.

Chapter 1 examines Barri/The Acquittal by Ajoka theater, and Mother …

The Fascination Of Manga: Cross-Dressing And Gender Performativity In Japanese Media, Sheena Marie Woods

Graduate Theses and Dissertations

The performativity of gender through cross-dressing has been a staple in Japanese media throughout the centuries. This thesis engages with the pervasiveness of cross-dressing in popular Japanese media, from the modern shōjo gender-bender genre of manga and anime to the traditional Japanese theatre. Drawing on theories from gender-studies and performance aesthetics to delineate the female gender in traditional Japanese theatre, I follow the roles of, representation of, and media for women, concentrating on (1) manga, a form of sequential art featuring illustrations with corresponding text, (2) anime, animated productions (where the word anime is the abbreviated pronunciation of “animation” in …