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Full-Text Articles in Arts and Humanities
Harvesting Memory, Preserving Home: A Cookbook Of The Painted Turtle Farm/Cosechando Memoria, Preservando El Hogar: Un Libro De Cocina De La Granja De La Tortuga Pintada, Ricardo Aguilar, Juliet Aguilera Gonzalez, Aldair Bacilio, Ashley G. Barreiro, Anna H. Bochenek, Liam P. Carroll, Isabella Clemens, Theodore J. Davis, Harrison Combs, Ana L. Geddes, Gussie W. Goldman, John R. Graham, Emma Groff Groff, Emma Hedgepeth, James P. Krumsiek, Amy N. Marigliano, Jarek D. Mccluff, Kaley M. Michael, Molly A. O'Shea, Tessa G. Panero, Taylor I. Paulin, Janet Rodriguez, Elizabeth A. Rousseau, Hope R. Rutter, Daniel B. Sachenik, William M. Schmidt, Lajuan A. Sydney Jr., Nishat Tasnim, Jayleen N. Velez, Daegan H. Wilcox, Cole H. Wirth, Yihan Wu
Harvesting Memory, Preserving Home: A Cookbook Of The Painted Turtle Farm/Cosechando Memoria, Preservando El Hogar: Un Libro De Cocina De La Granja De La Tortuga Pintada, Ricardo Aguilar, Juliet Aguilera Gonzalez, Aldair Bacilio, Ashley G. Barreiro, Anna H. Bochenek, Liam P. Carroll, Isabella Clemens, Theodore J. Davis, Harrison Combs, Ana L. Geddes, Gussie W. Goldman, John R. Graham, Emma Groff Groff, Emma Hedgepeth, James P. Krumsiek, Amy N. Marigliano, Jarek D. Mccluff, Kaley M. Michael, Molly A. O'Shea, Tessa G. Panero, Taylor I. Paulin, Janet Rodriguez, Elizabeth A. Rousseau, Hope R. Rutter, Daniel B. Sachenik, William M. Schmidt, Lajuan A. Sydney Jr., Nishat Tasnim, Jayleen N. Velez, Daegan H. Wilcox, Cole H. Wirth, Yihan Wu
Student Publications
About this Project
In the fall of 2018, 14 of the families and 32 students from two first-year seminars, Crossing Borders: Immigration, Identity, and Development and Immigrant Stories, worked together to create this cookbook. Families submitted their favorite dishes and then invited students to their homes to demonstrate the preparation. As they cooked and ate together, students recorded the steps to make the recipe and listened as connections between food, memory, family, migration, traditions, and religion emerged.
Harvesting Memory, Preserving Home: A Cookbook of the Painted Turtle Farm is the product of this undertaking. In it, we offer the …
Helen Oyeyemi And Border Identities: Contesting Western Representations Of Immigrants Through Transnational Literature, Susanna L. Mills
Helen Oyeyemi And Border Identities: Contesting Western Representations Of Immigrants Through Transnational Literature, Susanna L. Mills
Student Publications
Oyeyemi is a Nigerian-British writer whose writing, like other immigrant authors', participates in a dialogue about and contestation of essentialized immigrant and ethnic identities that are a result of global and local processes. Her writing produces counter-narratives in which immigrant identities are multiple, conflicting, intersectional, and most of all self-represented. This paper explores readings of Oyeyemi accompanied by the following: an examination of globalization and flows of migration; the connections of national epistemologies through media to processes like migration: how literary canon has excluded transnational fiction from the mainstream, thereby decreasing the ability of multi-ethnic and im/migrant writers to represent …
Racism And The Latino Identity In America, 1910-1970, Cooper J. Smith
Racism And The Latino Identity In America, 1910-1970, Cooper J. Smith
2018 Symposium
Beginning in the early 1900s and continuing today, there has been mass immigration by Mexicans and other Latin-Americans to the United States, and this has caused a great deal of strife between local Americans and these immigrants. There has been much discrimination on the part of Anglo Americans towards Latinos, claiming the loss of jobs and opportunity, and the increase in a threatening community. The identity of these immigrants has changed significantly over the course of the past century, largely due to the racism they have encountered. This research paper uses peer reviewed journals and scholarly articles to analyze how …
Exhibit Curriculum For El Músico Y El Pintor/The Musician And The Painter: Lesson Outline (2 Of 2), Sarah Aponte, Dania Diaz
Exhibit Curriculum For El Músico Y El Pintor/The Musician And The Painter: Lesson Outline (2 Of 2), Sarah Aponte, Dania Diaz
Open Educational Resources
With the use of primary source materials from the Dominican Archives collection housed at the CUNY Dominican Studies Institute, students at the middle and high school level will learn about two Dominican artists who made an enormous contribution to the world of music and art in the early twentieth century.
Exhibit Curriculum For El Músico Y El Pintor/The Musician And The Painter: Lesson Outline (1 Of 2), Sarah Aponte, Dania Diaz
Exhibit Curriculum For El Músico Y El Pintor/The Musician And The Painter: Lesson Outline (1 Of 2), Sarah Aponte, Dania Diaz
Open Educational Resources
With the use of primary source materials from the Dominican Archives collection housed at the CUNY Dominican Studies Institute, students at the middle and high school level will learn about two Dominican artists who made an enormous contribution to the world of music and art in the early twentieth century.
Exhibit Curriculum For El Músico Y El Pintor/The Musician And The Painter: Lesson Overview, Sarah Aponte, Dania Diaz
Exhibit Curriculum For El Músico Y El Pintor/The Musician And The Painter: Lesson Overview, Sarah Aponte, Dania Diaz
Open Educational Resources
The exhibit El Músico y el Pintor/ The Musician and the Painter: An Exhibit Documenting the Lifetime, Work, and Artistic Trajectory of Two Early Twentieth Century Dominican Artists in New York consists of documents, photographs, musical scores, and paintings from the Dominican Archives collections that highlight the careers of musician Rafael Petitón Guzmán (1894-1983) and painter Tito Enrique Cánepa (1916-2014). Both were enormously influential in their chosen professions, contributing to the development of new hybrid artistic forms that combine traditional and modern elements and incorporate styles from different cultures. Cánepa used his art to express political themes, chiefly his opposition …