Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Poetry

Institution
Keyword
Publication Year
Publication
Publication Type
File Type

Articles 211 - 240 of 21500

Full-Text Articles in Arts and Humanities

Quarter Hearted, Ian Wyne Jun 2026

Quarter Hearted, Ian Wyne

Intertidal

No abstract provided.


During This Primal Time Of Life, Vienna Bertolucci Jun 2026

During This Primal Time Of Life, Vienna Bertolucci

Intertidal

No abstract provided.


Contributor Bios, Editorial Board Jun 2026

Contributor Bios, Editorial Board

Intertidal

No abstract provided.


I Hold Death In My Hands, Vienna Bertolucci Jun 2026

I Hold Death In My Hands, Vienna Bertolucci

Intertidal

No abstract provided.


Do Not Try To Psychoanalyze My Teeth, Kaylin Alder Jun 2026

Do Not Try To Psychoanalyze My Teeth, Kaylin Alder

Intertidal

No abstract provided.


Elegy, Ani Nazarian Jun 2026

Elegy, Ani Nazarian

Intertidal

No abstract provided.


Istanbul, Aydin Gulle Jun 2026

Istanbul, Aydin Gulle

Intertidal

No abstract provided.


June, Emily Niebuhr Jun 2026

June, Emily Niebuhr

Intertidal

No abstract provided.


Onlyness, Chloe Schauermann Jun 2026

Onlyness, Chloe Schauermann

Intertidal

No abstract provided.


Like Fine Wine, Iris Langen Jun 2026

Like Fine Wine, Iris Langen

Intertidal

No abstract provided.


October Fire, Emily Niebuhr Jun 2026

October Fire, Emily Niebuhr

Intertidal

No abstract provided.


Forever Fourteen In Fourteen Lines, Hannah Marechal Jun 2026

Forever Fourteen In Fourteen Lines, Hannah Marechal

Intertidal

No abstract provided.


Root Canals, Savannah Aguiar Jun 2026

Root Canals, Savannah Aguiar

Intertidal

No abstract provided.


¿Por Qué Español?, Cadence Mcintire Jun 2026

¿Por Qué Español?, Cadence Mcintire

Intertidal

No abstract provided.


There Are Two Girls Playing Inside The Hagia Sofia, Aydin Gulle Jun 2026

There Are Two Girls Playing Inside The Hagia Sofia, Aydin Gulle

Intertidal

No abstract provided.


The Mourning After Christmas, Ryan Blunt Jun 2026

The Mourning After Christmas, Ryan Blunt

Intertidal

No abstract provided.


Hear Everything, Hannah Sevy Jun 2026

Hear Everything, Hannah Sevy

Intertidal

No abstract provided.


I Am A Pressure That Builds, Vienna Bertolucci Jun 2026

I Am A Pressure That Builds, Vienna Bertolucci

Intertidal

No abstract provided.


A Letter To My Mom, Camden Winton Jun 2026

A Letter To My Mom, Camden Winton

Intertidal

No abstract provided.


25₵ Per Minute, Tashi Manchip Jun 2026

25₵ Per Minute, Tashi Manchip

Intertidal

No abstract provided.


Chasing Mavericks, Hannah Hochheiser Jun 2026

Chasing Mavericks, Hannah Hochheiser

Intertidal

No abstract provided.


Rising Swan, Adrianne Brabant Jun 2026

Rising Swan, Adrianne Brabant

Intertidal

No abstract provided.


Moonrise, Krista Speicher Sarraf Jun 2026

Moonrise, Krista Speicher Sarraf

Intertidal

No abstract provided.


New Old Things, Emily Middleton Jun 2026

New Old Things, Emily Middleton

Intertidal

No abstract provided.


Big Eyes, Diana Boboc Jun 2026

Big Eyes, Diana Boboc

Intertidal

No abstract provided.


Post-Credit Scene, Kaylin Alder Jun 2026

Post-Credit Scene, Kaylin Alder

Intertidal

No abstract provided.


Tùn-Scene And A-Futurism: Biomythography, Opacity, And Posthuman Imagination, Minglu Du May 2026

Tùn-Scene And A-Futurism: Biomythography, Opacity, And Posthuman Imagination, Minglu Du

Masters Theses

Grounded in the author’s position as a Chinese feminist, this thesis examines how East Asian women, as well as East Asian-coded femininity more broadly, are objectified and othered within futurist visual culture in the age of artificial intelligence. Through an engagement with ornamentalism, techno-Orientalism, and posthumanism1 , it argues that the persistent figure of the feminized humanoid cyborg continues to reproduce colonial and patriarchal structures of desire, rendering marginalized bodies as fetishized and violable surfaces. In response, the thesis develops Tùn-Scene, a biomythographic artistic framework and the first experiment in what the author provisionally names A-Futurism. Drawing on Donna Haraway’s …


Auxiliary Damage, Aiyi Cheng May 2026

Auxiliary Damage, Aiyi Cheng

Masters Theses

AuxiliarY DamagE asks what happens to pain when it is moved outside the body and given material form. Pain is not treated here as an image to be represented, but as something processed through repetition, pressure, exposure, and care. It is handled. Washed. Arranged. Pulled out. Swallowed back in.

Hair became the material that allowed this question to stay unstable. While attached to the body, it is intimate and ordinary. Once detached, it becomes residue, evidence, discomfort, value, and loss. In the studio, I washed collected hair, untangled it, threaded it through metal, placed it near flame, held it in …


1, 2, 2, 1, 1, 2, 1, 2, 2, 1, 2, 2, 1, 1, ..., Annemarie Torresen May 2026

1, 2, 2, 1, 1, 2, 1, 2, 2, 1, 2, 2, 1, 1, ..., Annemarie Torresen

Masters Theses

1

I invite you to see it and feel it and sit in it and breathe it in and

hold it in your lap. Art isn’t too scary, and neither is math.


2

bouncing between bounds of a binary

bippity boppity! let’s break brains and bread

balance or belly flop, what’s mine is yours:

bumptious and bumbling and barely able

i offer it broken and let you like it that way


41.82379°N, 71.38497°W, Xiaotong Cai May 2026

41.82379°N, 71.38497°W, Xiaotong Cai

Masters Theses

I, Xiaotong Cai, have known an abandoned bridge was lifted and stuck at 64-degree from 1976. I have walked and bent down towards it for over 60 times, each paralleling a journal entry. The visits and 27,351 words (up until May 5th) are the living proof: observation, encounters, correspondence, collectively and personally. It’s been nine months since it emerged in flux. Two flesh. A moving outsider and a still bridge. How can an Unused giant activate a human body? Who is the attractor and intervener?

Here, my solution is to conduct a series of small gestures. I say, interpreting without …