Arts and Humanities Commons^™

La Poétique De L’Espace Ceint. Le Topos Insulaire Dans Soupir D’Ananda Devi, Antje Ziethen

Présence Francophone: Revue internationale de langue et de littérature

This article proposes an analysis of the island topos in Sigh by the Mauritian writer Ananda Devi. The island transcends its physical boundaries and becomes the medium of a literary discourse on slavery and its consequences in the region of the Indian Ocean. Beyond its geography, the island is transformed into a social space, a historical monument, a psychological state and a poetic writing of space. The island and the text merge into an organic novelistic fabric that we call "textile."

De Quelques Normes Esthétiques Endogènes Non Légitimées : Exemples De La Littérature Aja-Fon Du Bénin, Jean-Norbert Vignondé

Présence Francophone: Revue internationale de langue et de littérature

Uusing endogenous aesthetic norms as critical tool, we do not purport to evaluate the avatars of the French language outside of the Hexagon. instead, we locate the languages of the “periphery,” and particularly the Aja-Fon language of Benin, at the center of our inquiry to examine the means by which those languages move away from a text initially constructed on the basis of Western endogenous norms. We proceed to show that only “community intellectuals” can create a dialogue between truly endogenous norms and the universal culturesince“intellectuals by qualification” are often only capable of reproducing the exogenous norms of the Western …

Poems By Jean Kreiling, Jean Kreiling

Bridgewater Review

No abstract provided.

La Poética Del Silencio Como Centro Gnóstico En María Zambrano Y José Ángel Valente, Marta Del Pozo

The Coastal Review

María Zambrano’s philosophy and José Ángel Valente’s poetics share a common language: silence. For both, silence emerges as the central locus of the paradox of the knowledge of the unknown. This article aims both at pointing out the gnostic function of silence as stated in their own writings as well as at establishing the connections between the endless ontological possibilities of Logos and silence.

“Para venir a lo que no sabes has de ir por donde no sabes”

[For one to arrive in the place of the unknown, one has to go through what one doesn't know]

San Juan de …

Autumn Leaflets: A Collection Of Poetry, Kayla I. Shown-Dean

Student Theses and Dissertations

This collection of poetry was inspired by Johnny Mercer's "The Autumn Leaves." Major themes of the collection include: the unity of nature, unification of all things, the role of Christians in the secular world, and the releasing of the past. While the majority of these poems are written in free verse, occasionally the author implements formal verse such as diamante, limerick, and experimentations with the sonnet and sestina. "Autumn Leaflets" is sorted into four different titled sections: "The Falling Leaves," "Of Red and Gold," "The Sunburned Hands," and "Old Winter's Song." Each section receives its title from Mercer's lyrics and …

Writing The Nothing That Is: A Review Of 'Visiting Wallace', Brian Glaser

English Faculty Articles and Research

Brian Glaser reviews "'Visiting Wallace: Poems Inspired by the Life and Work of Wallace Stevens", edited by Dennis Barone and James Finnegan.

Boundless, Nsu University School

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

The Foolish Thief, Nicole Wiesenthal

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Wish I Could Go Back, Alexis Yohros

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

World Of Wonders Inside My Head, Zachary Laurence

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

The Center Of The Ring, Sarah Eskreis

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Plans, Daniella Moshe-Romano

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Propaganda, Miriam Bedrin

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

My Confessions, Ethan Abramson

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Billie Bolinger

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Two Wheels And A Handlebar, Zachary Laurence

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Sun Shine Brightly, Nicole Wiesenthal

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Goodbye, Shana Bergman

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Daniella Gershon

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

La Flama, Eliza Eshet

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

A Perfect Place, Jessica Dolberg

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Mis Mejores Amigos, Josh Masimore

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Water, Michael Wilner

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

V-J Day In Times Square, Sara Soffer

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Growth, Jeremy Gomez

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

There's A Moth Outside, Nicole Wiesenthal

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Left Untaught, Shannon Gubnitsky

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

A Beauty So Mighty, Damien Dwaine

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Stand Still, Melanie Baer

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

What Is Life?, Danielle Motola

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.