Arts and Humanities Commons^™

On Dust: Memory As Performance And Materiality, Natasha Lushetich

Contemporary Aesthetics (Journal Archive)

The world's "worldliness" is, to a large extent, perceptually constructed through touch, kinaesthetics, and proprioception. Gesture, too, is embedded in sedimentations of the body's prior sensory exchanges with the environment. Materiality is transitive; it triggers sensory landscapes through performance. Consisting of particles of pollen, human and animal skin, hairs, minerals, soil, and burnt meteorites, dust is usually seen as the antithesis of the performative-material nexus. In this paper, I propose a different view: that dust is and acts as a connective tissue. Borrowing from Hélène Cixous's écriture blanche, Quentin Smith's degree presentism, and theorizing nostalgia as a structuring absence, …

The Art Scenes, Jozef Kovalčik, Max Ryynänen

Contemporary Aesthetics (Journal Archive)

"The art scene in Berlin is political." "The Atlanta hip hop scene is red hot!" These are remarks we have heard lately about scenes. Scenes are a commonplace in art talk. But what are scenes, and what is their role in arts? Aestheticians, art theorists, and art historians often pay attention to different scenes. Although many classics in the field are based on comments regarding only one scene, which is, for example, the case with Arthur C. Danto's "The Artworld" (1964) and Susan Sontag's "Notes on Camp" (1964), which both focus on New York, there is still no discussion about …

The Aesthetics Of Silence: A Matter Of Spatial Critique In The Works Of Marcel Broodthaers, Elsbeth Dekker

Contemporary Aesthetics (Journal Archive)

In 1967 Susan Sontag published her essay, "The Aesthetics of Silence,” on the craving towards silence in artistic movements of the nineteenth and twentieth centuries. Even though it appears that notions of silence are still influential within the visual arts, theoretical writings on silence are nearly absent. This article explores how notions of silence emerged in the early works of Marcel Broodthaers, by scrutinizing his works, related to Pense-Bête, together with the writings of Susan Sontag and related ideas from Stéphane Mallarmé and Theodor Adorno. Through a vivisection of these early works of Broodthaers, this article argues how silence …

On Habits And Functions In Everyday Aesthetics, Kalle Puolakka

Contemporary Aesthetics (Journal Archive)

A group of theorists in everyday aesthetics, named restrictivists, have explicated the notion of the everyday in terms of a particular stance of everydayness that they believe, in time, comes to characterize people’s relationships to their daily things and environments. The everyday is revealed to be something habitual and routine that, despite its ordinariness, provides a pleasurable sense of safety and trust. In this paper, I present a series of considerations drawing on John Dewey’s notion of habit, on the one hand, and Jane Forsey’s account of the aesthetics of design, on the other, that call into question the general …

Agnostic Moralism, Mark Silcox

Contemporary Aesthetics (Journal Archive)

Many otherwise admired authors in the Western tradition (e.g. Plato, Augustine, and Tolstoy) have defended views about the radical dependence of aesthetic value upon morality that are nowadays regarded with deep skepticism. In more recent work on the connection between moral and aesthetic properties, Noël Carroll, Anne Eaton, Berys Gaut, and others have tried to defend relatively moderate varieties of moralism about art, according to which the aesthetic value of ethically significant artworks sometimes overlaps with but might also independently vary from their moral status. Here, I develop an immoderate species of moralism that treats the type of ethical knowledge …

Aesthetics In Digital Worlds, Ossi Naukkarinen, Darius Pacauskas

Contemporary Aesthetics (Journal Archive)

Aesthetics is often seen as a philosophical academic discipline focusing on questions about art, beauty, the nature of aesthetic experiences, and many other related issues. However, there is another, non-academic side of aesthetics where similar issues are addressed. Non-academic cases of aesthetics, on the internet and elsewhere, far outnumber anything academic aestheticians can ever produce. However, how the picture of aesthetics looks like outside academia is not necessarily very actively considered in academic contexts, as professors, lecturers, and students tend to form their understanding of the field through scholarly literature and academic datasets. In this essay, we explore how close …

Replicating Paintings, Matteo Ravasio

Contemporary Aesthetics (Journal Archive)

In this paper, I discuss cases of replication in the visual arts, with particular focus on paintings. In the first part, I focus on painted copies, that is, manual reproductions of paintings created by artists. Painted copies are sometimes used for the purpose of aesthetic education on the original. I explore the relation between the creation of painted copies and their use as aesthetic surrogates of the original artwork and draw a positive conclusion on the aesthetic benefits of replica production by artists. A skeptical conclusion follows regarding the use of such replicas as surrogates for the original painting. The …

Introduction: Thinking The Present Of East Asian Aesthetics, Joosik Min

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Two Types Of A Doctrine Of Objectivity In The Aesthetic Appreciation Of Nature, Fuxing Xue

Contemporary Aesthetics (Journal Archive)

Allen Carlson develops and justifies a doctrine of objectivity in the aesthetic appreciation of nature by means of epistemology. This doctrine is quite significant for the self-knowledge of aesthetic appreciation of nature and the healthy development of the aesthetics of nature. However, for concepts in environmental ethics and the requirements of contemporary environmentalism, another kind of doctrine of objectivity for aesthetic appreciation of nature is needed, namely, a doctrine of ethical objectivity, which rests the aesthetic appreciation of nature on acknowledging the intrinsic value of nature and respect for nature. Because of this doctrine, appreciators construe the good of nature …

The "Aesthetic Life": A Leitmotif In Modern Japanese Aesthetics, Tanehisa Otabe

Contemporary Aesthetics (Journal Archive)

In 1901, Chogyu Takayama (1871-1902), philosopher and literary critic, published a short article entitled “On the Aesthetic Life.” Takayama’s article, regarded as a manifesto of Nietzscheism by his contemporaries, triggered a great debate among a great many literary critics, including Shoyo Tsubouchi and Ogai Mori. This paper argues that Takayama’s article constituted a framework for aesthetic thought in modern Japan and marked the Japanization of Western modern aesthetics. Takayama was not interested in the modern Western idea of autonomous art; instead, he tried to work out the aesthetic in one’s way of living. What underlies Takayama’s idea of the aesthetic …

Exploring The Inner Relationships Between Modern Chinese Aesthetics And The Confucian Mind-Soul (心性) Framework, Wei Du

Contemporary Aesthetics (Journal Archive)

Modern Chinese aesthetics promotes the utilitarian function of the arts and artistic appreciation via aesthetic education and an arts-infused lifestyle. This utilitarian orientation has not originated from European aesthetics, but rather reflects a localized awareness of the “humanistic enhancement of citizens” through the arts, which, derived from the Confucian tradition, expands on its “mind-soul” theory. This conceptual framework finds its roots in the Song-Ming philosophy of mind and pays particular attention to the cultivation of individual morals and personal character as the essential pathway towards restoring conscience. This positioning of values and valuations, to a large extent, was the inspiration, …

Aesthetics Studies Of Chinese Leisure Culture, Liyong Pan

Contemporary Aesthetics (Journal Archive)

Given the present situation and problems of the research on contemporary China’s leisure culture and aesthetics, it is the highest priority of leisure studies to make leisure return to the nature of human self-creation and self-improvement; to learn to intelligently spend leisure time in the realm of aesthetics; to deeply examine and carry forward the national tradition and wisdom of Chinese leisure; and to establish a modern leisure culture and theory with Chinese characteristics and Chinese discourse.

Meanwhile, it is the highest priority of aesthetic research to transcend the tradition of discussing abstract concepts and focusing only on art; to …

Contemporary Chinese Living Aesthetics And Contemporary Chinese Art History, Liu Yuedi

Contemporary Aesthetics (Journal Archive)

Living aesthetics was understood by most Chinese scholars as a way to bridge the living world and aesthetic activity today. This article discusses contemporary Chinese art from the perspective of the new thinking of living aesthetics. We shall diachronically describe the historical relationship between aesthetics and art and also try to synchronically examine the theory connecting living aesthetics and contemporary Chinese art with each other.

The Issue Of Newness Viewed Through Korean Aesthetics, Joosik Min

Contemporary Aesthetics (Journal Archive)

In Korean traditional aesthetics, discussions on newness are rare. The tendency to value old things and recognize them as standards is deeply rooted in Korean culture, and such customs seem to be no exception in aesthetics. It cannot be denied that Korean arts also has a social tendency towards tradition, which has been dominated by morality, and thus reflects past-centered or past-recalling ways of thinking rather than dynamic or forward-looking ways of thinking. Then, what does artistic creation mean in Korean culture? Is creation possible? In my view, the logic of change and development does not seem to gain much …

The Aesthetic World And Formalistic Structure Of Korean Dance, Hee-Wan Chae

Contemporary Aesthetics (Journal Archive)

Two aspects of a unified concept made up of labor-play-gut, the latter being shaman ceremony performance, form the fundamental basis of Korean traditional dance. One is formalism or characteristic structures, and the other is Korean consciousness, or the aesthetic world. The aesthetic consciousness reflected in Korean traditional dance relates to naturalism that sheds light on the concept of being danced, rather than to dance; the beauty of curved lines, as shown in taegeuk (the Great Ultimate); moments in stillness that are permeated by the energy of the universe; no'gyeong that makes possible the progression from nothingness to being; …

The Universal Validity Of The Conceptions Of Artistic Creativity And The Perception Of Beauty In Pre-Modern China: A Comparative Examination, Junghwan Lee

Contemporary Aesthetics (Journal Archive)

In contemporary aesthetics, artistic creativity and the perception of beauty are the key concepts in explaining aesthetic consciousness. From the birth of modern aesthetics, an underlying assumption has been that artistic creativity and the perception of beauty are each genuinely universal in human experience, which is worthy of particular attention. To examine the universal validity of Western aesthetic claims on these two distinctive subjects, this paper presents a very brief outline of pre-modern Chinese interpretations of both concepts. Specifically, in comparison to Kant’s concept of genius and aesthetic judgment, I draw two conclusions. First, although there was no concept equivalent …

Appreciating Nature And Art: Recent Western And Chinese Perspectives, Glenn Parsons, Xin Zhang

Contemporary Aesthetics (Journal Archive)

Landscape painting has played a significant role in shaping practices of nature appreciation in Western and Chinese cultures. Both cultures have also seen the recent emergence of philosophical views of nature appreciation that stress the importance of ecological understanding. However, these philosophical views differ in their response to the influence of the landscape painting tradition: whereas Western approaches have largely been critical, Chinese ecoaestheticians have embraced it. In this paper, we explore this difference and argue that it is not explained by differences between Western and Chinese art but by differences in Western and Chinese philosophers’ conceptions of ecology. We …

Atmospheric Design And Experience With An Exemplary Study Of Olafur Eliasson's "The Weather Project", Zhuofei Wang

Contemporary Aesthetics (Journal Archive)

In past decades, the subject of atmosphere has gone beyond the physio-meteorological scope and become a new concept of aesthetics. As the primary sensuous reality constructed by both the perceiving subject and the perceived object, atmosphere is neither a purely subjective state nor an objective thing, but essentially is a quasi-object pervaded by a specific emotional quality and a ubiquitous phenomenon forming the foundation of our life experience. In this respect, a decisive factor is not what we perceive but how we perceive. Furthermore, the quasi-objective quality of atmospheric phenomena makes it possible that atmosphere is producible. A practical dimension …

Meat Reimagined: The Ethics Of Cultured Meat, Valan Anthos

Graduate Student Theses, Dissertations, & Professional Papers

In this paper I explore a relatively new technology that is being developed to try and solve some of the major issues with modern animal agriculture called cultured meat. I cover the short history of this technology and where it is at currently before addressing two different ways of evaluating the ethics of cultured meat. Responding to much of the praise for cultured meat based on consequentialist ethics, I lay out reasons for skepticism and how some of these estimates might be overblown due to those people advocating for it being situated in the ideology of ecomodernism. I argue that …

The Sylvan Blindspot: The Archaeological Value Of Surface Vegetation And A Critique Of Its Documentation, John S. Harris

Graduate Student Theses, Dissertations, & Professional Papers

Surface vegetation at archaeological sites is a resource overlooked in cultural resource management. Drawing upon comparative documentary surveys of site forms and human surveys of 161 archaeologists in 12 U.S. states, this thesis explores why surface vegetation offers archaeological data potential; how archaeological documentation is an artifact of archaeologists, shaped by various subjectivities; and how improvements can be made for vegetal description in cultural inventory site forms. The surveys offer a critique on how the site form records are a product of disciplinary training oversights, differing work background experience, cultural bias, limitations in botanical knowledge, regional differences in U.S. archaeological …

How To Foster Respect For Animals? Superiority, Dissimilarity, And Prejudice, Matteo Colombo

Animal Sentience

Chapman & Huffman (C & H) might be taken to argue as follows: Humans may treat animals however they want only if humans are superior to animals. But humans are not superior to animals. Therefore, humans may not treat animals however they want. Whatever its merit, this is not C & H’s actual argument. Their point, instead, is that humans often mistreat animals because they tend to perceive them as inferior. A remedy for animal mistreatment would then be acknowledging the deep similarities between us and animals. But is C & H’s suggested remedy likely to be effective to foster …

Denialism And Muddying The Water Or Organized Skepticism And Clarity? That Is The Question, Ben Diggles, Howard I. Browman

Animal Sentience

The research being commented on here has been criticized and defended in journals. Sneddon et al. (2018) add nothing substantive. We have nothing further to add. Readers are referred to Diggles (2018) and to Browman et al. (2018) for a detailed assessment.

Fish Are Smart And Feel Pain: What About Joy?, Becca Franks, Jeff Sebo, Alexandra Horowitz

Animal Sentience

Sneddon et al. rightly point out that the evidence of fish pain is now so strong and comprehensive that arguments against it have become increasingly difficult to defend in balanced academic discourse. But sentience involves more than just pain. Recent research indicates that fish have an impressive range of cognitive capacities, including the capacity for pleasure, in the form of play and other behaviors likely to involve positively valenced experience. Having made the case for pain, research can now focus on other aspects of fish sentience. Doing so will not only provide a more complete picture of the mental lives …

Caterpillar/Basil-Plant Tandems, Paco Calvo

Animal Sentience

According to Reber (2016), subjectivity springs from primitive life itself. Granting his non-neurocentric stance, I shall try to show that his framework falls prey to zoocentric preconceptions that divest certain non-animal life-forms of mentality. There is no reason to exclude the possibility that plants have evolved different structures that underlie their own subjective experiences, all according to Reber’s model. It is the degree of phenotypic flexibility and integration that we observe in the behavioral repertoire of plants that may end up supporting their capacity for subjective experience. This remains an open empirical question.

A Philosophical Exploration Of Motivated Ignorance, Michael Rowse

Summer Community of Scholars Posters (RCEU and HCR Combined Programs)

No abstract provided.

Homonymy And The Comparability Of Goods In Aristotle, Robert Duncan

Dissertations

My dissertation will draw attention to an underexplored problem in Aristotle's theory of the good and advance two alternative proposals about how it can be solved. Aristotle endorses an inconsistent triad of premises concerning homonymy, comparability, and goodness. First, he argues that the good is homonymous: there is no single characteristic, goodness, which is shared by all good things. Rather, he argues that different kinds of good things require different accounts specifying what it is for them to be good. Second, he holds that homonyms are incomparable. If two things are homonymously F, then we are not entitled to claim …

Introduction, Brittney Payer, Kristen Shorer

Laurier Undergraduate Journal of the Arts

No abstract provided.

An Introduction To Psychological Aphistemalgia, Justin Manning

Laurier Undergraduate Journal of the Arts

No abstract provided.

Virtual Queerness: Resisting Heteronormativity In Online Spaces, Denise Springett

Laurier Undergraduate Journal of the Arts

No abstract provided.

Intellectual Virtue, Jason Baehr

Philosophy Faculty Works

With the advent of contemporary virtue epistemology, many philosophers of knowledge have turned their attention to intellectual virtues and their role in the life of the mind. This entry examines two general concepts of intellectual virtue and the theoretical uses to which they have been put. It is shown that “reliabilist” and “responsibilist” approaches to virtue epistemology, while emphasizing different aspects of cognition, are more closely aligned than they initially appear to be. The ethical significance of intellectual virtues is also considered. In particular, intellectual virtues are shown to occupy an important role in moral perception and practical reasoning.