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Cosmopolitanism, Freedom And Indifference: A Levinasian View, Eduard Jordaan

Research Collection School of Social Sciences

Despite cosmopolitanism's concern for the world's poor and its concomitant heavy moral demands, cosmopolitans establish a limit to the self's responsibility for the global poor. This contrasts with Emmanuel Levinas's view that the self has an infinite responsibility for the other, a responsibility that derives from the self's questioning of the impact of his freedom on others. From a Levinasian perspective, cosmopolitanism's restriction of the self's responsibility for others creates a sphere of rightful indifference to the needs of the other; lends legitimacy to a disregard of the other; forestalls an ethical awakening to the other; constrains the achievement of …

Toward A Development Of A Cosmopolitan Aesthetic, Nalini Bhushan

Contemporary Aesthetics (Journal Archive)

In this essay I explore the interaction between race and aesthetics in colonial India (1857-1947). In the context of nation building and the Indian independence movement, the Indian art world struggles to articulate conditions for the very possibility of an artist who would be authentically Indian while remaining authentically artistic, a seemingly impossible accomplishment. And yet a chosen few are somehow are able to do just this: cosmopolitan Indian artists, transcending the parochial boundaries of nation, race, ethnicity, and religion as set by tradition, while remaining rooted in something that is nonetheless fundamentally Indian. I focus on three artists from …

Consciousness From A Naturalistic Perspective, Hugh R. Alcock

Theses and Dissertations (Comprehensive)

Despite advances in neuroscience some sceptics, e.g., David Chalmers, Colin McGinn and Thomas Nagel, contend that we are no nearer to achieving a scientific understanding of phenomenal consciousness. These sceptics claim that naturalising consciousness, i.e., subsuming it under our scientific theories, is either impossible, at least without radically reforming our current scientific practices, or perhaps beyond our cognitive grasp. Their scepticism is based on what is called the ‘problem of consciousness’ or the ‘hard problem’. I argue that their pessimism is unwarranted. Their conclusion is based on adopting a nonnaturalistic attitude, according to which our scientific theories must accommodate our …

Artists And Social Change, Curtis Carter

Philosophy Faculty Research and Publications

No abstract provided.

Taming Augustine’S Monstrosity: Aquinas’S Notion Of Use In The Struggle For Moral Growth, Theresa W. Tobin

Philosophy Faculty Research and Publications

In Book VI of his Confessions, Saint Augustine offers a detailed description of one of the most famous cases of weakness of will in the history of philosophy. Augustine characterizes his experience as a monstrous situation in which he both wills and does not will moral growth, but he is at odds to explain this phenomenon. In this paper, I argue that Aquinas’s action theory offers important resources for explaining Augustine’s monstrosity. On Aquinas’s schema, human acts are composed of various operations of intellect and will, and thus are subject to disintegration. In order to capture the gap in …

Paratragedy In Plato's Gorgias, Franco Trivigno

Philosophy Faculty Research and Publications

No abstract provided.

Gender And Violence In Focus: A Background For Gender Justice In Reparations, Margaret Urban Walker

Philosophy Faculty Research and Publications

No abstract provided.

The Rhetoric Of Parody In Plato’S Menexenus, Franco Trivigno

Philosophy Faculty Research and Publications

No abstract provided.

Review Of Sticks And Stones: The Philosophy Of Insults, By Jerome Neu, Margaret Urban Walker

Philosophy Faculty Research and Publications

No abstract provided.

Preface Of "The History Of Analytic Aesthetics", Curtis Carter

Philosophy Faculty Research and Publications

No abstract provided.

The Impression Of Peter Lamarque And Others' Visits, Curtis Carter

Philosophy Faculty Research and Publications

No abstract provided.

When Does Might Make Right? Using Force For Regime Change, John Linarelli

Scholarly Works

Should states use force to bring about regime change? International law recognizes no such grounds. This paper seeks to provide guidance from moral theory. The aim of this paper is to identify the moral grounds for the use of armed force by one state or a group of states, against another state, when the intention of the intervening states is to achieve a fundamental change in the character of the political and legal institutions of the other state. Lawyers tend to place the argument for regime change intervention within putative humanitarian intervention doctrines. The moral justification for humanitarian intervention is …

Experience And Consciousness: Enhancing The Notion Of Musical Understanding, Adriana Renero

Publications and Research

Abstract:

Disagreeing with Jerrold Levinson’s claim that being conscious of broad span musical form is not essential to understanding music, I will argue that our awareness of musical architecture is significant to achieve comprehension. I will show that the experiential model is not incompatible with the analytic model. My main goal is to show that these two models can be reconciled through the identification of a broader notion of understanding. After accomplishing this reconciliation by means of my new conception, I will close the paper by discussing some reasons to accept an enhancing notion of musical understanding that includes levels …

The Sensory Intention -- Art, Motif, And Motivation: A Comparative Approach, Yves Millet

Contemporary Aesthetics (Journal Archive)

Philosophers like Gilles Deleuze claimed a new outlook for aesthetics asking for a rethinking of the traditional separation between the theory of sensibility and the theory of art. From a comparative standpoint, this article examines the concept of 'sensory intention' which in our view might be able to bridge the gap between acting and doing and therefore to link the theory of sensibility and the theory of art.

Traditional Chinese art, and more specifically the script style caoshu[草書],has been chosen as the medium through which to illustrate the theoretical discussion. Analysis of traditional Chinese thought on art allows us to …

Debord, Constant, And The Politics Of Situationist Urbanism, Brian Elliott

Philosophy Faculty Publications and Presentations

In the first years of its existence between 1957 and 1960 the efforts of the radical collective the Situationist International (SI) centred on its program of "unitary urbanism." This program sought to challenge the functionalist character of hegemonic forms of urban planning through novel practices of urban experimentation and contestation. Situationist urbanism arose largely through the collaboration between Guy Debord and the Dutch avant-garde architect Constant. This article explores the political dimension of situationist urbanism and the tensions that led to Constant’s secession from the group in 1960. Through analysis of the affinities and divergences between urbanism in its modernist …

Othering The Other: The Spectacle Of Katrina For Our Racial Entertainment Pleasure, Mariana Ortega

Contemporary Aesthetics (Journal Archive)

The following essay examines visual representations of hurricane Katrina in popular media in order to show how photography continues to be enlisted in the production of the racial spectacle, the transformation of the plight of people of color into entertainment. The essay also analyzes how such a use of the visual serves to solidify the understanding of people of color by way of a black-white binary that does not do justice to current U.S. demographics. The essay provides a glimpse into the intertwining between the visual and racial thinking.

The Empire Sings Back: Aesthetics, Politics, And Postcolonial Whimsy, Namita Goswami

Contemporary Aesthetics (Journal Archive)

This essay recovers the devalued aesthetic dimension of the Bollywood film/song from its political over-determination as national allegory. The qualities attributed to the film/song, such as effeminacy, irrationality, fantasy, and non-synchronicity, which I term its postcolonial whimsy, and its surplus value as the Bollywood film’s most transnational component, allow for the free play of the imagination. This admits the possibility of another performative public culture and imagined community not premised on exploitation, calculability, and passive spectatorship and consumption. The film/song enables affect without literal linguistic comprehension, especially among those unfamiliar with the indigenous languages and musical traditions. What is derided …

Introduction, Monique Roelofs

Contemporary Aesthetics (Journal Archive)

No abstract provided.

In But Not Of, Of But Not In: On Taste, Hipness, And White Embodiment, Robin James

Contemporary Aesthetics (Journal Archive)

The status of the body figures paradoxically in the interrelated discourses of whiteness, aesthetic taste, and hipness. While Richard Dyer’s analysis of whiteness argues that white identity is “in but not of the body,” Carolyn Korsmeyer’s and Julia Kristeva’s feminist analyses of aesthetic “taste” demonstrate that this faculty is traditionally conceived as something “of” but not “in” the body. While taste directly distances whiteness from embodiment, hipness negatively affirms this same distance: the hipster proves his elite status within white culture by positioning himself as, in the words of James Chance’s song title, “Almost Black.” The notion of hip contributes …

The Last King Of Scotland Or The Last N----R On Earth? The Ethics Of Race On Film, Paul C. Taylor

Contemporary Aesthetics (Journal Archive)

This paper undertakes four tasks. It examines a tradition of cinematic and narrative representation that we might call “the narrative of moral gentrification.” It insists on the importance of excavating the racialist and often racist images, motifs, and myths that constitute this tradition. It recommends a form of philosophical aesthetics, located at the intersection of aesthetics, ethical perfectionism, and critical race theory, as a resource for doing this work. And it insists on the importance of subjecting problematic or qualitatively inferior expressive objects to critical scrutiny for the sake of developing proper iconographies and archives of white supremacist expressive culture.

Editorial

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Notices

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Recent Publications

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Art, Terrorism And The Negative Sublime, Arnold Berleant

Contemporary Aesthetics (Journal Archive)

The range of the aesthetic has expanded to cover not only a wider range of objects and situations of daily life but also to encompass the negative. This includes terrorism, whose aesthetic impact is central to its use as a political tactic. The complex of positive and negative aesthetic values in terrorism are explored, introducing the concept of the sublime as a negative category to illuminate the analysis and the distinctive aesthetic of terrorism.

Davidson On Rorty's Postmetaphysical Critique Of Intentionalism, Kalle Puolakka

Contemporary Aesthetics (Journal Archive)

In this article I shall address the standing of intentionalist theories of interpretation through Richard Rorty’s critique. Rorty’s criticism arises from the position literature holds in the post metaphysical, liberal culture Rorty sketches As a counterbalance to Rorty’s critique, I shall develop an intentionalist theory of interpretation drawing on Donald Davidson’s late philosophy of language and his view of literary interpretation that have sadly not been taken into proper consideration in the on-going debate in analytic aesthetics on the role of authorial intentions in interpretation. The prospects of Davidson’s intentionalism for meeting Rorty’s criticism are related to the position of …

Thinking, The Unconscious And Film, John Carvalho

Contemporary Aesthetics (Journal Archive)

In this essay, we explore a non-standard model of the unconscious, what Gilles Deleuze and Félix Guattari call the “productive unconscious,” to correct the too-often reductive tendencies of psychoanalysis and film. This introduces the image of a form of thinking we may find in our encounters with film that aims more at pleasure-taking than problem-solving and that, in so doing, really gets us to think. Drawing on this productive unconscious, we come to a richer appreciation of classic Hollywood cinema, a new understanding of classic, nouveau vague and neo-realist films, and we enjoy the chance to ignore the rules and …

Musical Formalism And Political Performances, Jonathan A. Neufeld

Contemporary Aesthetics (Journal Archive)

Musical formalism, which strictly limits the type of thing any description of the music can tell us, is ill-equipped to account for contemporary performance practice. If performative interpretations are in a position to tell us something about musical works—that is if performance is a kind of description, as Peter Kivy argues—then we have to loosen the restrictions on notions of musical relevance to make sense of performance. I argue that musical formalism, which strictly limits the type of thing any description of the music can tell us, is inconsistent with Kivy's quite compelling account of performance. This shows the difficulty …

Intentions And Interpretations: Philosophical Fiction As Conversation, Jukka Mikkonen

Contemporary Aesthetics (Journal Archive)

Appeals to the actual author's intention in order to legitimate an interpretation of a work of literary narrative fiction have generally been considered extraneous in Anglo-American philosophy of literature since Wimsatt and Beardsley's well-known manifesto from the 1940s. For over sixty years now so-called anti-intentionalists have argued that the author's intentions – plans, aims, and purposes considering her work – are highly irrelevant to interpretation. In this paper, I shall argue that the relevance of the actual author's intentions varies in different approaches to fiction, and suggest that fictions are legitimately interpreted intentionally as conversations in a certain kind of …

Phänomenologische Und Mundane Reduktion, Sebastian Luft

Philosophy Faculty Research and Publications

No abstract provided.

Cultural Identity Of Art Works, Curtis Carter, Disikate Ke, Min Yu, Chengji Liu

Philosophy Faculty Research and Publications

No abstract provided.